Preview
" THiS FiLE FOUND THE WAY THROUGH ONE OF THE FiNEST BULLETiN BOARD SYSTEMS "
_ _____ ___ ______
)_ __ _| (___) _ )_
__/__) (_ | |___/
_ ___ | |___| |__
· _____________ _ c!|______|mSS|____| |______ _ _ _____________ ·
_ _:_\ ____ ____ _____ ____ /_:_ _
| ___\ (_ ___\ (_ __\_ (_ __\ (_ |
| _) _/ /___) _ /___) _/ /___) _ /__ |
| / \ / \_ / \ / / / |
| \___ \_____/ \____\ \__ \ \ |
| \ _______\ /______\ \ ___\ \_______\ |
| \/ \/ |
| |
| ÷ THE YARD BULLETiN BOARD SYSTEM ÷ |
| |
| - -------------------- - |
| |
| WORLD HEADQUARTERS OF |
| |
| AEROHOLiCS (GRAFFiTi) ÷ DiSCiPLES OF AGEEMA (MUSiC) |
| ARCADE (ASCii) ÷ AEROSOL (ASCii) ÷ SOUL SURViVORZ (MP3) |
| THE ASCii CHARTS (ASCii) |
| |
| GERMAN HEADQUARTERS OF |
| |
| LiGHTFORCE (AMiGA/CONSOLE) ÷ BAD KARMA (AMiGA) ÷ UP ROUGH (MUSiC) |
| LOW PROFiLE (ASCii) ÷ SiCK OF iT ALL (GRAFFiTi/DRUGS) |
| VORTEX (AMiGA) ÷ PHUNK (ASCii) ÷ 1OO PERCENT (AMiGA/ASCii) |
| UP ROUGH (MUSiC) ÷ MOST VALUABLE PLAYAZ (MUSiC) |
| OMEN (GRAFFiTi) ÷ MENACE (DAYDREAM) ÷ PUNGAS (DAYDREAM) |
| |
| - -------------------- - |
| |
| CONSOLES/AMiGA/ASCii/LiNUX/DAYDREAM |
| GRAFFiTi/DRUGS/CLASSiCS/MP3/MOD/CHiPTUNES |
| |
| 2 NODES 33k6 / 2 NODES iSDN / 4 NODES TELNET |
| |
| STATiC TELNET iP |
| |
| DAYDREAM/LiNUX DEVELOPMENT TEAM HEADQUATERS! |
| |
| ZANER/LFC^BK^AHS^A!^SOiA -/- DiPSWiTCH/BK^A!^AHS^1OO% |
| HASH/AHS^PZK^SOiA -/- NiNJA/PDX^HS -/- MOOL/AHS |
| |
_ _|__ " THE iDEA OF STYLE iS THE KEY TO ALL FORMS OF ROCKiNG " __|_ _
· /_______________________________________________________________\ ·
[SOF]
i think the yard may have something to with the spreading of this colly.?
cary on riding on the train of life;
you know, i'm the driver
________ ____/___ .__ ________
.-\__ /_-\ / /_-\ __/___-\_____ /_
| | | /_ /_ /_ | /_ |_____/_
| | | / /mute / l / l /
`-/_l__|__/-/_______/-/_______/-/_______/
o f
.
|
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aEROSOl |
- --------------- / |
// ---|--------------------------------------
!
__________ ________ _______ ________ ________ ________ ____.
_\______ /__\_____ /___\____ /_\____. /___\ ___/____\____. /___\ |_____
/__ ___ / / |______ |__/ \| ________ / \| __ | /
\ \l /_ l /_ | \ l /_ l/ /_mute l /_ l /_
/___________/___________/____| /___________/__________/___________/_________/
.
|
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-/--- -
como fue.
no se decirte como fue.
ni se explicarme que paso
pero de ti me enamore
p r E S E N t s
another blasting performance
__ ____:_
__( \\ |
| \ | .. ... .:.. .:.. . ... . .. .. .:. . ... ...
| n7v! | :.. :..: : : : : : : :..: : : : :.. :..: :.. : :..: : :
|___ ___ _ ___ _ _ : ___ ___ ___ :
_! )_ _( //_ _( |___ _\\_ )_ _( !___ _! )_ _( )_ _! )_ _( /__ :
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. \ | \
|_ _:_|__ c o m m u n i c a t i o n r e l a t i o n s ·
!/_______| | _ _______ _______________ ___ _ _______________ ___ _
|____|_
:
bROADCASTEd!
___ _!_____ to you
! _____ | /_
_\ || | : by the holy institution of :
| |· |
| ___ __ / __ __ / ._ _ \ __ _.
| __\\_ )_ _( _//_ _!_ )__ _( _//_ ___| )_ _!/_ _\\_ )_ _( !___
o .__[ \| /[ ____/[ /__ /[ ____/[ __ /[ /[ __ /[ / //__. o
_\!_____ ! ______ ! ___ ! ___ ! ! ________ ! _____| ___!/_
---- `-----' -- `-----' `-----' `----------' ---- `-----' -- `-----' --
| .| .
n7/aSl ||______| ~ jEBEDIAh pRODUCTIOn ~
|______|_ ___!
!
------/-
hi lads!
long lasting comeback sensation, i must say
this is. early september, mute gives you a
new collection containing only board-logos
and a few other board related ones.
the university have recently terrorised my
mind by starting another semester.. this time
hell brakes loose. i hate math, and i'm kind
of forced to take a lot of math to continue
studying physics. but i'm the man !! (?)
the amiscene is getting smaller and smaller.
it brakes my heart. far more boards are
closing than opening, and the overall activity
dies with them. it's sad, i must say.
but salute to all sceners who've lasted this
long, working on a computer with little
commercial support and development.
------/-
when did it seal the secret
kept inside a wave
brought over seven oceans
waiting to be saved
it seems to catch my conscience on and on
i can hear my name
thinkerbell
------/-
- aSK² iNClUdEd . ! .
bOARd sUpPoRrt bOARd dEz.
access denied amiga elite
acid slam amiga warez
aquarium pc elite
boondocks pc warez
canadian mist console
checkpoint mp3 world
death row ascii corner
digital world download
fear factory upload
homeless
ill communication
los endos
nightline
northern palace
outpost
paradise dreams !
paradise lost
south central oh, poor little
spaced out
the crypt boy if i forgot
the junction
the sect to include your
the yard
thunderdome cute tiny board
vultures bbs
Xavers !
------/-
anoche estaba fiestando
en un santo celebrado
santi olor a bacalao,
dije: alli estan cocinando.
y asi me explote cantando
para acordarme mejor,
y resulta que el olor
que estaba alli sucediendo
es que habia una lata hirviendo
llena de ropa interior.
okay.. i guess i'm that unlucky that
some of these boards might already
have closed. but there's nothing i
can do about it.
aNd wHo's cALlInG ?
\---------------- - .
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l node0 bLAAAAh ! node1 YADIYADI node2/3 telnet ? !
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_____. _____. _____._ ________ ._____ ________ ________
_\ |____\ |_____\ |/____\_____ /_______| /_\_____ /___\_____ /_
/_ ____/_ ___ / _| / |/ / _|_ / / |______ |__/
\ l /_ |/ /_ \l /_ | /_ \l /_ l /_mute | _
/____________/___l____/__________/____l_____/__________/__________/_____| \
._____ ________ ________ ________
_____| /_\___. /___\__ /___\_____ /__
-- // /_ _|_ / / \| / \ _ / |______
/ . \ \l /_ l /_ \ / /_ l /_ \\---'
// ----|-- -/ /___________/__________/____\/____/__________/ /- ---- \
l
aNd wHo's cALlInG ?
\---------------- - .
-\\ - ------\ ----------- -
. .
| \\----------- vULUTREs bBs --/---- - - |--.
- --|--\ !
____. ____| ____. ____. ____. _______ _______ _______
_\ |_____\ |____\ |_____\ |____\ |____\ /_\____ /___\ ___/___
/_ _|_ __ _| / | / ___/_ _| / |__/ |_____________ /
\ \l /_ \l /_ l /_ l /_ \l /_ |mute l /_ l/ /_
/__________/________/_________/_________/_______/____| /__________/_________/
|
|
!
aNd wHo's cALlInG ?
\---------------- - .
-\\ - ------\ ----------- -
\\---------------- xAVERs ----- \
\
_____._ _________ _____._ _______ ________ _______
__( |/____(______ /__( |/____(_____ /____(______ /__( ____/___
\_____ | \_ ___ / \_ _|_ \_ |_________ |__/_________ \_
_/ mute . ,__/_ \. /_ \l /_ l /_ | __ l/ /_
\_______| /___________/___________/___________/____| /_______________/
l_____/
\
\----------------------------\\
..an extract from..
Living Apart Together In Electronic Commerce:
___ ___ ___ ___ _ _ /\
_ _! )_ _! _ )_ __\\ )_ __\\ )_ _! | )_ ____ _____ /\_____
//_ /___//_ | //_ \ | //_ \ | //_ l //___//_ \/ )__:_
)__ l )__` )_| l___)_| l___)_______) _ |
---- `----' `----' `---- - `---- ----------\/-- > ____\_ |
| ___ _ ___ / . \ _ | ___
_|__ · communicate · _ _! _ )_ _! )_ _! )_ / _|_ _( |___ _! _ )_
: (__________________//_ | //_ //_ /___//_ |//_ ___//_ /___/_ _
)__| )_____)__ l ) __/ )__ l )__ l ))
< ---- n7v! ------ `----' ---- `----' \ `----' `----' --
_/ _\\________\
_\\________|
· The Use Of Information And ·
.Communication Technology To Create Network Organizations.
Telecommunication networks and services can
strengthen relationships within a value-added
partnership, because communication is optimized or
because a more efficient exchange of information
becomes possible. These services allow users to
access information gathered by other organizations,
or connect information systems with those of other
organizations. As a consequence, some information
flows may be added to the network of
inter-organizational relationships. Other
information flows may be replaced by electronic ones
or will become redundant and will disappear
entirely. Hammer and Mangurian (1987) offer a model
for the analysis of the advantages that can be
attained on the basis of telecommunications. This
impact-value-framework (see Table 2) combines
potential impact of telecommunications in terms of
time compression (time), overcoming distances
(geography) and the altering of the structure of
organizational relationships (relationships). The
objectives are efficiency (the optimal allocation of
resources), effectiveness (the optimal realization
of goals) and innovation (the realization of new,
more attractive goals by improving products and/or
services or by entering new markets). The
combination of the impacts and values offers an
overview of possible advantages organizations can
achieve when they introduce telecommunication
technology.
If the following does not look like a table on your
screen, please click here to view the table. Use
your browser's "Back" button to return to the paper.
------/
//-------
Table 2. Impact/value - framework (based on Hammer & Mangurian, 1987)
Impact/Value Efficiency Effectiveness Innovation
Time Accelerate business Reduce information Create service
process float excellence
Geography Recapture size Ensure global Penetrate new
management control markets
Relationships Bypass Replicate scarce Build umbilical
intermediaries knowledge cords
/-------
-----//
In general, information technology and
telecommunications are helping firms to overcome
problems of coordination and control and thus help
to restructure inter-organizational relationships,
especially over time and distance. Although these
technologies can be used to create and support
electronic markets, as can be seen on the Internet
with electronic shopping malls such as CommerceNet,
and electronic hierarchies (as is the case with most
bi-lateral EDI-networks), the main advantages of
these technologies lie in the development and
maintenance of network organizations. Network
organizations have become increasingly more feasible
because of the developments in information- and
communication technology (ICT).
Since communication is the only clear coordination
mechanism available to these organizations, it is
obvious that the use of ICT can support these
communication patterns. One of the main advantages
of network organizations is that they are probably
better equipped to provide efficient and reliable
information (Miles & Snow, 1993). Or, as Powell
(1990) has stated, information passed through
networks is "thicker" than information obtained in
the market (since the price mechanism tends to treat
information as a commodity and thus tries to make it
as scarce as possible) and "freer" than communicated
in a hierarchy (since information is not filtered as
clearly through power relationships). The
end-result may be that network organizations combine
the advantages of vertical integration (or
hierarchies), such as better control and
coordination of actors one is dependent upon and
economies of scale and scope, with the advantages of
small, independent companies - who have more
innovative abilities, tend to be in closer contact
with the market, are more flexible with smaller
staffs, fewer intermediaries and lower overhead.
wRITTEn bY
John Nouwens & Harry Bouwman
University of Amsterdam
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
. __________ _________ _________ _________ __________
| __\______ /_\_ /___\ ______/___\_____. /____\______ /_
| /_ ___ / / \ __ /___\ mute __ \| / ___ / / .--\-
-// | \ \l /_ \ / /_ \ /_______l /_ \l /_ |
/--|- /____________/____\/_____/___________/ ______/___________/ |
| \ |
. | _________ _____. _________ _____. _________ !
---|-\ _\______ /___\ |______\ ______/___\ |_____\______ /__
| /_ |_______ | /___\ __ ____/__ |______/_ .
| \ l /_ l /_ \ /_ l /_ l /_ | \\
! /____________/___________/___________/____________/__________/ -|--\
|
!
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
------- / . aMIGa wAREs ! .
__________ _________ _________ _________ __________
. __\______ /_\_ /___\ _____/___\_____. /____\______ /_
| /_ ___ / / \ __ /___\ mute __ \| / ___ / /
| \ \l /_ \ / /_ /_______l /_ \l /_
-/-- /____________/____\/_____/___________/ ______/___________/ ---//
| \ /-
! _____. __________ _________ _________ _________
_\ |-._____\______ /_\______ /_\______ /___\ ___/___
/_ | | / ___ / / |__/ |________________ /
. \ l l /_ \l /_ | l /_ l/ /_
| /____________/___________/______| /____________/___________/
|
l____ _
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
-\\-- - pC eLITe - ---\
________ ________ _______ ____. _______ ____. _______
_\____, /__\__. /__ _\____ /___\ |_____\ ____/___\ |_____\____ /__
/_ ___/ |_____/_/_ |______ | /__\ __ ____/__ |_____/_
\ | l /_\ l /_ l /_ mute/_ l /_l /_
/________|/____________/__________/_________/_________/___________/________/
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
- -------- \ pC wAREs \ --- -
________ _______ ____. _________ ________ ________ ________
_\____, /__\__. /__ _\ |-._____\_____ /_\_____ /_\_____ /___\ ___/___
/_ ___/ |____/_/_ | | / ___ / / |__/ |______________ /
\ |mute l /_\ l l /_ \l /_ | l /_ l/ /_
/________|/___________/___________/__________/_____| /___________/__________/
- ------- \
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
--- - --- - - -- - ----- - cONSOLE ! AREa .
______ ______ ______ ______ ______ ____. ______
__(__. /___(___._/___(___._/___( ___/___(___._/___( |____(____ /___
\__ |_______ |/ \_ |/ \_______ \_ |/ \_ | \_ |_____/_
_/ l /_ l /_ | /_ l/ /_ l /_ l /_ l mute/_
\____________/_________/__l______/_________/_________/_________/_________/
- ----- --- - -- - ---------- - - ---------- - -- -- - - -- /
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
________ ________ _________ // .---------/----------.
_\_ /___\____, /__\_____ /___ / | / | \\-- -
/_ \ _ / ___/__(____ / | m P 3 w O R L d |--\
\ \ / /_ |___ l/ /_ - -----| |
/_____\/____/_______|/____________/------ - `--------------------'
_____. _________ _________ _____. ._____
_\ |-.____\_____. /___\______ /_\ |___________| /_
-/--- -. /_ | | / \| / |__/ | __ _|_ / /
-' \ l l /_ l /_ |mute l /_ \l /_
/____________/___________/______| /____________/___________/
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
_________ ________ ________ _______ _______
__\_____ /_\ ___/___\__. /___\ ____/__\ ____/__ aSCiI
_____ /_ ___ / /______ / |_____/___\ /__\ / cORNEr
--\ / \ \l /_ l/ /_ l /_ \ /_ \ /_
\ /------/___________/__________/__________/________/________/----- -
\ .
. ________ ________ ________ ________ ________ ________
| _\__. /___\____. /___\_____ /_\____. /___\_____ /___\_____ /_ :
_ _|_ /_ |_____/mute \| / |__/ \| / |______/ |__/ |
l/ \ l /_ l /_ | | /_ l /_ | |
/___________/__________/_____| /______l____/__________/_____| !
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
._____ ________ ____. ________
_____| /_\____. /___\ |-.____\____. /___
/_ _|_ / / \| / | | / \| / oh, stop this shit!
\ \l /_mute l /_ l l /_ | /_
. /___________/__________/__________/_____l____/
|
| _____. ________ _________ ._____
| / LOAd _\ |_____\____. /____\_____ /_____| /_
`--// dOWN / /_ | / \| / ___ / / _|_ / /
//---- - \ l /_ l /_ \l /_ \l /_
/___________/__________/__________/__________/
nOw, wHAt you're sAYIn'?
\---------------- - .
-\\ - ------\ ----------- -
. \\ uPLOAd \\----------.
| _____. ________ _____. ________ _________ ._____ |
| _\ |_____\____, /__\ |_____\____. /____\_____ /_____| /_ |
. | /_ _| / ___/ | / \| / ___ / / _|_ / / |
|-' \ \l /_mute | l /_ l /_ \l /_ \l /_ -l/
` /___________/________|/__________/__________/__________/__________/ //--
--.
| //------------ aNd yOu kNOW tHe rULEs ! -------------/
-|-------/ //-----/-
!
hAH ! - game oVEr !
.
|
---|-/---- rESOURCEs
|
|
·
________ ____ __. _____ ______ ________ ___. ____ __. h7
__ __\__ // _/__/ _|__/ _ \\_ /_____\__ // _|____/ _/__/ _|___ __
\_\\ _/ /· _/ \___ \_ / \_ /| / _/ /\ \| /. _/ \___ //_/
|___\____\___\___/___\___/______/_______)__\____\__________|_\___/___\___|
×---- - . - ------------------------------------------------------- ---------×
|
| ascii^dezign mute^asl^jEB^i"g
|
| guest artists native^asl
| blue^asl
| darkus^asl (diz)
| h7^asl
|
| com tech. text john nouwens
| harry bouwman
|
| cuban texts ibrahim ferrer album (buena vista sc)
| (buy the record to see translations)
|
| audio inspiration lamb ibrahim ferrer the roots
| nightmares on wax fsol
|
|
- -----|-\--------. \
| `---------------------------\ _
| \ /
| my regards to .. \/
|
| snuffy . folar . darkus . native . daeron . bird
| zaner . dipswitch . 4play . nicomen . godfather
| vouck . speed devil . repe . nup . taxi . acorn
| blue . woober . wisek . h7 . boheme . karlos . fatal
| and you devils at #ascii
|
| .and salute to all i've been in touch with the past years.
|
-|-----\-
· |
| < ascii respects >
. | mogue markryder tango mortimertwang
|
- --\-|--
| - ------------------------------\-- -
- '
.---- -
|
| to reach me ..
|
| email :
|
| carstee@stud.ntnu.no or jebprod@hotmail.com
|
| irc :
|
| # ascii and # amielite at ircnet
|
|
- ------|--/
| //---------- -- don't you be shy. ! .requests wanted -
l
pREVIOUs cOLlECTIONs mADe bY mute!
terrible waste of words
first ascension
future fashion
frozen orange project
no excuses
inner core of me
mare serenitatis
olympus mons
spineless jelly
dubai harem
earthquake in a stormy flower garden
i love hopscotch
elaborate burn
room 208
lifeforms
alive!
listen to the beat
communication relations
.from april 1994 to september 1999.
aEROSOl hISTORy aFTEr rEVIVAl
asl-dtc.txt darkus
asl-ltb.txt mute
asl-fwb.txt native
asl-2vs.txt blue
asl-wne.txt native
asl-enj.txt h7
asl-com.txt mute
aug99 to sept99 ! high standard
collections, impressive activity .!
____ __ ____ _____ ___ ______ ___ ____ ___ ______ ___ __ _______
/ __/_/ \\ /_\ /_/ /____\ _ /_(__// __/____\_ \\ _ \_(__// \\ _ /
/ \ _ _ _ _ _ _ / _ _ \ _ _/ ____/ _ _ _ / \
\_____\____\_\/ /_\/ /___\_\__/ /____\_____\_______/ /__/____\____\__/ /
/__/ /__/ /__/ /__/
C O M M U N I C A T I O N R E L A T I O N S
_____ _______ ____ ____ _________ ____ _____ ______ _____
__\__ \_\ _ / _/ /____ _\__ \\ _ /_(___/__/_ \\ _ \_ / __/_
\ / _ /__\ __ _ _ _/ _____/ _ _ _ / /_\__ /
/___\___\________\\___\____\________\ /___/________\ ____\___/ _ ____\
-B-/____/___\
.the end is near .
?
my eightteenth ascii-collection is finished. it's
no secret that i wanted it to become a bit different
than this, but i didn't get the motivation and most
of all, the inspiration.
and in the middle of the making of this collection
i got the idea how how my next would be. and i lost
most of the motivation for this one. i really hope
that i'll make my next colly acording my ideas and
dreams. can be fun, but will take a lot of time. so i
might release a little req-colly prior to it, but who
actually knows.. i think i'll develop a new style for
my forthcomming.
have a nice day, and i really hope some of you
reader may use some of the logo's here. old bbs-ads
are bad bbs-ads !! :)
mute^aerosol^jEB^inferno graffiti signing off !
------------/-
yo tengo una mala mana
que a mi misma me da pena.
que yo me acuesto en mi cama
y amanezco en cama ajenta.
___
µØ¶ÑÞ
m JP
JÑÞ Ø
ƨQ Q Q
Ø ¶L # #
# 0 ¬#_ JF
----------------------------- JF ¬Q -¬0w Æ ------------------------------
- dARKUS · kARLOS · bLUE - Æ ¶ _aæÑx Ø - nATIVE · vELIKANI · mUTE -
---------------------------- # __ÆÑ#P¯ ¶®# ------------------------------
J&æÆÑP"0 ¶F
æÆØ@° JE J#
¯ Ø 0 JML
# K JL ÍM1
JF ¶K # 7MF
Æ ¶w ¶L lWF
# ¶w ¬Q JصÑØMæµ__
JÞ ¶ÑwØwæ#@" °¶#æwµ
,# °¶#" ¯"°
¬ #-B-
¶L
&
¶Þ
. t h e e n d .
@BEGIN_FILE_ID.DIZ ____ ____ ____ -dKS!
___.______\_ /__) _/______\ /______.___
¾¾¾| _. \ \_____._ \ _/ |¾¾¾
¾¾¾| \| / |/ / \ |¾¾¾
¯¯¯|¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯|¯¯¯
| aEROSOl - september'99 |
| |
| communication relations - mute |
| |.-\
/--!----------/- - . .· ... . - ----!-'@END_FILE_ID.DIZ
another time it might have been so different
if only we could do it all again
but now it's just another fading memory
out of focus, thought the outline still remains
-genesis
· future is ours ·
[EOF]
.
. _____: . O o O
_____|_____. _____ .) |____o [ t . H . E - y . A . R . d ]_o .
_| / .|_____/_ /_ : _ | :
\ / |/ / _// \ ahs.bgirl.arcade.srz.tac.asl.lfc.bk.lp! |
|____/|____/ /__________\ up.soia.pnk.omn.mce.1oo.vtx.pvm.mvp HQs |
/______/ _ _: _____ ______ __________ ________:
\\\. / /__________\_ /_/ _ // ._ /.
consoles.amiga.graffiti.mp3 ! / /| / _ \ / / |/ |
ascii.mp3.modules.chiptunes |/_____ /____\_______\___\________________|
classicgames.linux.drugs.dd :_ t^/____/ _. one of the finest in +49! |
(_____________)| ___________ _______ _ ______:
_ _ ___) (_) :
#1 33k6. #2 28k8. #3 64k isdn #4 64k isdn
#5 telnet #6 telnet #7 telnet #8 telnet
