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Erotic Anime Movie Guide
Digital Erotica
Anime CD-ROMS
About Anime-X
About Carnage
Preferences
H-Anime CD-ROMs
Ace of Spades
Divi Dead
May Club
Nocturnal Illusion
Pia Carrot II
Return to Paradise Heights
Ring Out
Runaway City
Season of the Sakura
Three Sisters' Story
Time Stripper
True Love
--- CD-ROM Sources ---
A-Z Listing of Titles
Paradise Heights II
Press `R' key to reset
CD-ROM Sources
Main Menu
Main Menu...



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Interactive Erotica and Digital Dating
1 --------------- Anime goes interactive
2 ----- The development of erotic games
3 -------------------------- Fighting fit
4 ---------------- The call to adventure
5 ---------------------- Princess making
6 ------------------ How to pick up girls
7 ------------------------ Timestripping
8 ------------------ Sell-by date: 2001?
The Erotic Anime Movie Guide
1 ---------------- Listing of Titles
2 ---------------------- Titles 0-#
3 ---------------------- Titles A-C
4 ---------------------- Titles D-F
5 ---------------------- Titles G-I
6 ---------------------- Titles J-L
7 ---------------------- Titles M-O
8 ---------------------- Titles P-R
9 ---------------------- Titles S-U
10 --------------------- Titles V-W
11 ----------- General Guide Format
12 -------------- Glossary of Terms
Anime goes Interactive

Somewhere  during  the early nineties,
there   was  an  almost  imperceptible
shift    in   production   statistics.
Although   there  has  always  been  a
proportion   of   original  ideas,  or
remakes  of  novels,  the  majority of
anime used to be filmed adaptations of
popular  manga.  But the current state
of  anime  is  heavily  influenced  by
computer  games,  which,  although not
creating  a new medium of distribution
like    the   video   cassette,   have
certainly   altered   the  nature  and
content of many anime releases.



Movie  producers  are  always  keen to
capitalise  on  trends,  be it novels,
comics  or  television  shows, but the
fad  for  game cash-ins has left a lot
of  burned  fingers  in  the  Japanese
market,   especially   in  the  erotic
field,   where   the   value  of  game
spin-offs    is   questionable.    The
original  mathematics appear simple to
company  accountants:  if a game sells
a  million copies, it is reasonable to
expect  enough  of  those consumers to
pay  for an animated tie-in.  But what
does their cash really buy them?

Novels appeal because of their complex
detail,  comics  because  they work as
ready-made  storyboards  for  the film
version,  but  many  producers fail to
realise that the playability of a game
is  the  one  thing  guaranteed not to
transfer across other media.  Consider
the  Streetfighter  anime,  obliged to
make  a  coherent  story out of a game
whose  prime subject matter is a dozen
people   hitting   each   other.    In
addition   to  the  many  problems  of
crafting a suitable story, which would
beset  a  writer  on  any project, the
game  adapter is often forced to break
many   carefully   learned   rules  of
storytelling.    Unnecessary  subplots
must   be  added  to  pacify  fans  of
particular  characters and, since many
of   the   successful   products   are
fighting  games,  combat  becomes  the
central  point of many anime with this
pedigree.

In  the  erotic  sector, the crossover
brings  a  different  sort  of hazard.
Many   erotic   games   capitalise  on
providing  the player with a semblance
of  control,  naturally unavailable on
the   video   version.    With   their
multiple  endings,  they  also  reward
repeat   `viewings',  a  benefit  with
which  a  view  cannot  complete.  The
erotic   Classmates   game  sold  over
100,000  copies  in  Japan, which left
producers   fighting   for  the  video
rights.   Software  may  be expensive,
but  lasts  on average for fifty hours
of  game-time.  The same kind of money
will only but around thirty minutes of
animation.   To get the same `use' out
of  Classmates  video, the buyer would
have  to  watch it twice a week, every
week,  for an entire year.  Few of the
100,000  buyers of the Classmates game
were  likely  to  be as impressed with
the anime version, and this factor has
influenced     long-term    production
planning.  While mainstream television
anime might be produced at anything up
to twenty-six episodes at a time, many
game tie-ins (erotic or otherwise) are
now one-shot wonders, so companies can
take the money and run.



END.
The Development of Erotic Games
Like the move from vaguely titillating
public    film    viewing    to    the
more-explicit,  private  accessibility
of  home video, computer erotica began
in  public  gaming  arcades before the
advent  of  the personal computer made
private, solo viewing the norm.



The  earliest  erotic games began with
oriental variants on poker.  The first
arcade     mah    jong    game,    the
imaginatively  tiled  Mah  Jong  Game,
appeared  in 1978.  Numerous imitators
were  soon  on the market, and several
held  the attention of male players by
providing   a   selection   of  female
opponents.    Some,   like   Mah  Jong
Master,  employed  photographs of real
models,  but  were  limited  by memory
memory   considerations   to    fuzzy,
low-resolution  images.   Others, like
Real  Mah  Jong  Pai Pai, opted to use
anime-style  images  of  girls,  which
saved valuable memory and added to the
cartoony  aspect  of  the  games.   It
wasn't  until  1986  that  such images
were put to genuinely erotic use, with
the  strip  mah  jong  variant  Second
Love.



The     behaviouristic     laws     of
pornography,   where  the  titillating
supply  of virtually nothing creates a
demand  for  just  a  little more, are
perfectly  suited to the coin-operated
game   genre.    With   a  variety  of
opponents  and the requirement to hone
one's  skills  at mah jong, the player
is  encouraged  to  return  again  and
again.

END.
Fighting Fit
The mah jong games introduced the idea
of   reward   and  punishment  to  the
erotica  industry.   The  consumer was
encouraged   to  keep  on  paying  for
replays,  with  the understanding that
the  better he became, the more likely
he  would  be  to see woman with their
clothes  off.  But mah jong games were
merely  the  first  incarnation;  soon
there  were  erotic  variants on other
types of popular mainstream game.



In  Bishojo  Fighter,  a Streetfighter
clone,  the  actual  combat is done by
robots,   but  the  erotic  action  is
provided  by  the  female `puppeteers'
who  control  them.  After an animated
2D  battle,  the  victor gets to see a
still  image of the defeated character
removing   their  clothes.   The  more
special  moves  the  victor  uses, the
raunchier the images become.


There  was  only a single female, Chun
Li,   in  the  original  Streetfighter
game,   although  programmers  learned
that a female character, especially in
the  mainstream world, is a useful way
of  subliminally  titillating the male
viewer   without  resorting  to  overt
pornography.


In Bishojo Fighter, all the characters
are  female, and designed to appeal to
the   widest   possible   brackets  of
players.  As if the sleeve notes' talk
of   her  being  `well-brought-up  and
refined'  were  not  enough of a hint,
the  Maiden character is called Sophia
Rich.   The disposable Alien is a Chun
Li   clone,  the  martial  artists  Li
Xiaolou.   Cris  Canberra  is  a festy
Tomboy bedecked in leather and chains,
while Miyuki Sonoda is an ice queen in
her  early  twenties,  a  frigid Older
Woman  who  has  denied her own sexual
fulfilment.   The Child character Mika
cannot  be  shown in an overtly sexual
way,  and  so comes accompanied by her
mother,  another Older Woman to act as
surrogate  plaything for any Oedipally
challenged  gamers.   And  because the
game  has  a  two-player option, there
are  two  Girls  Next Door, flagged in
the gaming manual as noble, honourable
and, above all, nice.



END.
The Call to Adventure
The adventure game genre was similarly
exploited in the erotic market.  Using
an  engine  still  popular  today, the
simplest  versions  combine  scrolling
text  with occasional images onscreen.
Following  the popularity of the strip
mah   jong  games,  several  companies
began  producing `adventure' variants,
copying  the  strip-games'  policy  of
anime-style  illustration  and  adding
female voices to increase the realism.
Many  of  the  actresses employed were
secretly   (or   occasionally  openly)
moonlighting performers from the anime
business,   strengthening   the   ties
between games and anime still further.

These  games  also  began to establish
certain   traditions   in  the  field.
Instead of a third-person perspective,
in which the player watches the action
as  if  a  viewer  with  a camera, the
majority of the pornographic adventure
games  preferred  a first-person view.
This  prevented  the  male  gamer from
having to `share' his conquests with a
male   character  in  the  game.   The
female  voices  would address the male
player  directly,  and  images  of the
male  character  in  the  game  should
avoid  showing  his face, or any other
discerning features that could detract
from  the  player's fantasy that it is
he who is committing the acts shown.


In 1991, two popular games development
companies,   Just   and  Kirara,  were
warned  by  Japanese police that their
games risked classification as obscene
publications.     Sales   consequently
rocketed,  as  did  the number of high
school  boys  caught shoplifting games
which  they  were  not  old  enough to
purchase   legally.    The  number  of
companies   in   the   field   swiftly
multiplied, as did the number of games
targeted  at  teenagers instead of the
previously undefined `adult' audience.
In   an   attempt  to  convince  their
younger  buyers that they were getting
something truly naughty, the new games
used   censorship  dots  to  give  the
illusion of titillation by `obscuring'
non-existent    genitalia    on    the
anime-style images.

Originally,  all adventure games had a
single  acceptable ending.  The hobbit
would  arrive  home, the vampire would
be killed or the world would be saved,
although if players performed badly at
certain points, their characters would
be  forced  to  retrace their steps to
avoid  a  fatal  error.   In  1993 the
games  Nova and Clan of the Kawarazaki
introduced  the Japanese player to the
idea  of  not one, but several endings
of  equal  value,  a  development that
would   pay  great  dividends  in  the
erotica  business,  where  a  player's
personal  perference for  Older Woman.
Tomboys or any other archetypes, could
result in a tailor-made story.


END.
Princess Making
There were other developments that did
not  quite  run in tandem with Western
gaming.  Gainax, better known in anime
circles    for   their   high-quality,
fan-friendly releases, have also had a
part  to  play  in  the erotic market.
Their  accurate  animation of bouncing
breasts  in  Gunbuster  (known  as the
`jiggle   effect')   has   been   much
imitated  in  the  decade  since  they
perfected   it.   A  striptease  game,
Battle  Skin Panic, caused controversy
when   it   was   revealed  that  this
strip-poker variant could be purchased
in   Japan  by  minors.   But  it  was
another,   apparently  more  innocuous
Gainax  computer game that has had the
greatest  effect on the Japanese world
of erotic interactivity.

Princess  Maker  was a simulation game
along  similar  lines  to the American
Sim  City.   But  instead of designing
and   running  a  city,  players  were
invited to rear a child.  Fathers to a
virtual daughter, their mission was to
ensure    that   she   grew   into   a
well-mannered,  well-educated, healthy
young  woman.   In  short, they had to
create a `princess' among her peers.
Princess Maker was to become the boy's
toy  of  an  entire  generation,  even
though  the  whole  idea  was actually
devised  by a woman, Kyomi Akai.  Each
virtual girl has a list of scores that
have  to  be  improved  or reduced, in
order  to  create the perfect daughter
and,   by  unstated  association,  the
perfect    girlfriend.    The   screen
flashes  up scores in areas as diverse
as   body   strength,   dexterity  and
general   knowledge,   and   in   such
spiritual  areas  as  stress, lust and
moral fibre.  Princess Maker's effects
were far-ranging indeed; a direct line
of  descent  can  be traced from it to
the ubiquitous tamagotchi virtual pets
of   the   late  nineties,  and  their
distaff  cousins, the virtual pop idol
Kyoko    Date.     More   importantly,
Princess  Maker created a vogue in the
computer industry for simulation games
that   emphasised   a  sense,  however
illusory, of control.



Similar games have appeared which have
taken  the control element of Princess
Maker   a  step  further.   Graduation
places  the  player  in  the  enviable
position   of  a  high-school  careers
counsellor,  whose  job  is  to ensure
that  several  female  charges make it
through    school   without   flunking
classes,  playing  truant  or  getting
pregnant.   One of its many spin-offs,
Marriage,  requires  the player to set
them up with the right husband.



END.
How to pick up girls


Heartbeat  Memorial  puts  the  player
directly into the action, so to speak.
Instead  of  merely  indulging  in the
vicarious  pleasures  of Graduation or
Princess  Maker,  in  which boyfriends
are   threats   to  one's  established
parental  control,  Heartbeat  assigns
the   player   to   the  role  of  the
boyfriend himself.


The design of Heartbeat tells us a lot
about   its  intended  audience.   The
`grand prize' is a girl called Shiori;
a   sixteen   year-old   high   school
student.   She's  not a knife-wielding
psychopath or a large-breasted foreign
female,   instead   she  is  the  most
average,   bland   person   one  could
imagine.   She  is  that  ultimate  in
unattainable   women,  the  Girl  Next
Door.   As  a player, you must try and
steer  yourself into Shiori's life and
heart,  make sure you're around at the
right  time,  say the right things and
suggest  the  right  activities.  With
any luck, your witty repartee will get
you her phone number.  After that, you
have  to  proceed  to  the next level,
plucking    up    the    courage   and
calculating  the  right  moment to ask
her out.  The complex gameplay doesn't
stop  there;  your next job is to keep
control  of her and get her to fall in
love  with  you,  without  causing any
runctions among her friends.


This  is  not  as  easy  as it sounds,
since  you are also forced to interact
with  them.   Some of Shiori's friends
will   be   interested   in   you  for
themselves.  When her feisty associate
Yumi  tries to drag you out on a date,
should  you  agree  and  risk  getting
found  out  by  Shiori,  or refuse and
risk  incurring  Yumi's jealous wrath?
The  morose  Miharu  can be a valuable
ally  by  putting  in  a good word for
you,  but  devote too much time on her
and  she  will  get  ideas  above  her
station  and  assume that she can have
you   for   herself.    Can  you  keep
Shiori's  friends as your friends, and
yet  still  get  time  with her alone?
Only  the skilful Heartbeat player can
walk  the tightrope, be it with Shiori
or one of her colour-coded friends.



No  doubt  there  are those members of
the  moral  majority  who would regard
Heartbeat  as  a  far  better thing to
occupy  young men's time than shooting
demons in Doom.  After all, there's no
sex  or  violence, it's all good clean
fun  and  it might even turn a few sad
cases  into  more socially responsible
individuals.   It  is not pornographic
in  the literal sense, or at least, it
is only insofar as it regards woman as
objects  and  men as willing adherents
to  this  principle.   Like  the worst
manual  on picking up girls, Heartbeat
only  tells  its audience what to say.
Listening to the girls' replies is not
about  getting  to  know another human
being,    it's   about   looking   for
behavioural   clues   for   your  next
mission.


Despite  the  game's  concentration on
good     manners    and    gentlemanly
behaviour,  it contains the underlying
rationale  that the women involved are
objects.   We  know  that they are not
real  people, and that their responses
have  been  reduced to straightforward
yes/no  replays.   With  the  women in
Heartbeat, there is a right answer and
a  wrong  answer, a way to charm and a
way  to  scare  them off.  Ironically,
the  fact that their behaviour is part
of  a computer program turns them into
objects,  even  though they themselves
can  argue  against  this, Shiori, for
example, will cry foul if she suspects
that  she is being treated in a sexist
manner,  but  the  reduction  of human
interaction  to  such rules and cheats
is     itself     an     example    of
objectification.


END.
Timestripping

Many  interactive erotic games combine
elements  of the Heartbeat engine with
the  more normal adventure game.  This
development    has    grown   out   of
fundamental   differences   in   buyer
behaviour;  adventure gamers want plot
and    problem-solving,   where   porn
consumers  merely want porn.  There is
little  point in making a pornographic
adventure  game  too  challenging; the
real  challenge is giving the consumer
that  they  want.   The combination of
multiple endings and the yes/no relays
of Heartbeat are the ideal solution.


Timestripper may appear on the surface
like a modern `erotic adventure' game,
but  it  is very different.  The basic
technology,  that  of picture tableaux
illustrating   a  text,  has  remained
unchanged  since the early days of the
home  computer, but Timestripper has a
radically    different    reason   for
existence.   As  true  pornography, it
strips   away  all  the  `unnecessary'
elements  of the other games to reveal
the  sublimated  desires  beneath.  In
fact,  it  is hardly a game at all, so
much  as  a mildly interactive picture
book, that only shows certain pictures
if players follow the correct sequence
of events.


The story of Timestripper unfolds in a
linear  fashion.  There is no definite
win/lost   scenario,   since  whatever
happens,  the  hero is destined to end
up in bed with a beautiful woman.  The
difference lies in which woman it will
be,  decided by choice made during the
game itself.


The  gamers'  `choices'  are  actually
hidden elements of a personality test.
The  events  unfold  in  front  of the
layer,  with  only  a couple of minor

subplots  relying  on the player's own
decisions.  Even these have no bearing
on the ending.  The chance decision to
take  a  different  route  home  might
allow the player to see a sex scene he
might   otherwise   have  missed,  but
that's about it.  Still more decisions
are  essentially  red  herrings.  They
may  reorder certain blocks of text in
the   story,   but   make   no   other
contribution  to the game itself.  But
among these detours and branches are a
few   critical   questions  that  will
influence    the   outcome.    Certain
desicions made during the game provide
the  computer  with  yes/no answers to
several  questions  about the player's
own  character  and  preferences, such
as:



Would  you  cheat  on your girlfriend?
Would  you  take  pity on a frightened
child?  
Do  you  prefer  one-night  stands  to
long-term relationships?


Once  the  computer  has the answer to
questions  like this, it sorts out the
archetype   that   best   matches  the
player,  and  tells  the story variant
with a fitting denouement.  The story,
and  it is an ingeniously complex one,
is  an  erotic  variant on Back to the
Future,  in  which two girls, Nonn and
Mako,  are  fighting over the same man
in the year 2198.



The  Alien blonde Nonn travels back to
the  present  day,  to wipe out Mako's
ancestor,    Terminator-style.    Mako
travels  in  time  to  stop  her,  and
enlists  the  aid  of  the protagonist
Shinji,  who  is  also her boyfriend's
ancestor.    Nonn  decides  to  seduce
Shinji   and   stay   with   him,   an
alteration  to  history  that will net
her   the  man  she  wants.   It  also
creates  a  paradox, because if Shinji
doesn't    marry   his   high   school
sweetheart Michiyo, his great-grandson
will never invent the time machine and
the girls will never be able to travel
back to stop him.



But  the  history  books don't mention
that  Shinji  is/was  an  incorrigible
womaniser  and  that  he has just been
dumped  by  the  exasperated  Michiyo.
Mako knows that Shinji must propose to
Michiyo  at  the  graduation  ball, or
history  will  be irrevocably altered.
But  Nonn  has  realised this too, and
attempts   a  double-pronged  assault,
seducing   Shinji   for  herself,  and
simultaneously  introducing Michiyo to
the  joys  of  bisexuality in order to
ensure   that   she  never  wants  her
ex-boyfriend back.


All    this   is   set   against   the
superficially   everyday  machinations
that  surround  the forthcoming dance.
Shinji    is   on   the   organisation
committee  and  is  supposed to book a
singer.   If he wants to get anywhere,
he'll  have  to  consider seducing the
singer's Older Woman manager, but even
if  he  succeeds,  the Childish singer
will  get  stage  fright and need some
hands-on  encouragement.   Shinji also
has to hold down a job at a local bar,
where he is conducting a surreptitious
affair  with  a Tomboy waitress, while
quietly  worrying that the camp barman
has  a  crush  on him.  Meanwhile, the
head  of  the  dance  committee  is  a
spoilt   rich   Maiden   who  despises
Shinji, and is just waiting for him to
fail.



If   you   are  kind,  reasonable  and
sensitive,   the   story   ends   with
normality         restored,        the
time-travellers   returning   to   the
future  and  Shinji  discovering  that
Michiyo's  experience  has  turned her
into     a     sex-crazed     nymphet.
Pragmatism,  a  realistic  outlook and
general  honesty  will net you a happy
marriage  to the poor little rich girl
(gasping  for  a  real man all along),
getting  a  job  managing  her daddy's
company while the time-travellers work
in the family mansion as French maids.
Indulgence  of the idol singer's whims
will  win  you her affection, although
you'll  have  to  repay her frustrated
manager  by  having anal sex with her.
In  this scenario, the time-travellers
end up with their own television show.

The  closest  to a bad ending comes if
you   continuously   plump   for   the
arrogant,  unfeeling  decisions.   You
will be rewarded with the fickle Alien
Nonn, while the heartbroken Mako plots
her  revenge  as a woman scorned.  But
the  star  prize is Mako herself, with
Nonn   on  the  side  when  life  gets
boring.    It's   happy   ending  that
reveals what the canny reader may have
suspected  all along, that Michiyo was
a false prophet and that the real Girl
Next Door is Mako herself.


END.
Sell-by Date: 2001?

The  relationship  of erotic games and
erotic  anime is likely to become less
important  as  live-action pornography
reduces   the  number  of  anime-style
games.  There are already CD-ROM games
on   the  market  that  use  the  same
adventure-game/personality        test
engine,   but  replace  the  text  and
anim-style   image   with  live-action
footage.  Virgin Kyoko on the Trail of
the  Crescent  Killer  pits  a  nubile
female   reporter   against  a  serial
murderer,  with  plenty of incidental,
live-action  porn  footage.   Midnight
Stranger   throws   the   first-person
player  into  a dark, dingy bar with a
beautiful   foreign  brunette.   Catch
Sight of Figure is a suspense thriller
using live-action footage of detection
and,  of  course, seduction.  When the
games   are   live   action  in  their
original    incarnation,    an   anime
adaptation  would  be a backward step,
and   is   consequently  less  likely.
Ultimately, however, anime-style games
will  remain  for as long as there are
anime.
In   the   immediate  future,  as  the
live-action  games gain greater market
share,   they  will  crowd  out  their
anime-style  predecessors.   The first
to  disappear  will  be the modern-day
stories that can be easily filmed with
live  models.   As  with the `tits and
tentacles`   genre,   the  anime-style
games  will  drift  into  increasingly
esoteric   perversions   in  order  to
justify  their  existence.   The anime
remakes   that   they   generate  will
continue,  although with less emphasis
on contemporary tales like Classmates,
and  more  on  the  fantastic elements
typified by Timestripper.  Eventually,
faced  with  the bolder competition of
`real'  sex,  multi-ending interactive
games  and  digital porn, erotic anime
is likely to return, as it continually
has  done  and will continue to do, to
cartoon  territory  in short, staccato
compilations    of    seaside-postcard
naughtiness,  pitched  at  an audience
just    a    little   too   young   or
impoverished     to     afford     the
#live-action, computerised variants.



END.
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...

Anime goes Interactive
The development of erotic games

Fighting Fit
The call to adventure

Princess making

How to pick up girls
Timestripping

Sell-by Date: 2001?

0-Z of Titles

Titles 0-9
Titles A-C
Titles D-F
Titles G-I
Titles J-L
Titles M-O
Titles P-R
Titles S-U
Titles V-W
CD-ROM Sources
LISTING OF TITLES



- # -



801 TTS AIRBATS

THE 1001 NIGHTS



- A -



AD POLICE

ADVENTURE KID

ANGEL OF DARKNESS

ARION

ARMITAGE III


- B -



BODY JACK

BOUNTY DOG
"BRONZE:  DESPERATE LOVE SINCE 1989


- C -



CLEOPATRA

COUNTDOWN

CREAM LEMON 1 :  BE MY BABY
CREAM LEMON 2 :  ESCALATION
CREAM LEMON 3 :  SUPERDIMENSIONAL SF LEGEND RALL
CREAM LEMON 4 :  POP CHASER
CREAM LEMON 5 :  AMI AGAIN
CREAM LEMON 6 :  ESCALATION 2:  FORBIDDEN SONATA
CREAM LEMON 7 :  DON'T DO IT, MAKO!  MAKO SEXY SYMPHONY PART ONE
CREAM LEMON 8 :  SUPER VIRGIN
CREAM LEMON 9 :  HAPPENING SUMMER
CREAM LEMON 10 :  STAR TRAP
CREAM LEMON 11 :  BLACK CAT MANOR
CREAM LEMON 12 :  DON'T DO IT, MAKO!  MAKO SEXY SYMPHONY PART TWO
CREAM LEMON 13 :  AMI 3: NOW I EMBRACE YOU AMI
CREAM LEMON 14 :  NARIS SCRAMBLE
CREAM LEMON 15 :  SUPERDIMENSIONAL SF LEGEND RALL 2
CREAM LEMON 16 :  ESCALATION 3: ANGELS' EPILOGUE
CREAM LEMON :  AMI'S JOURNEY
CREAM LEMON CLIMAX
CREAM LEMON KEI AMAKI SPECIAL:  CHERRY MELANCHOLY
CREAM LEMON SPECIAL - AMI GRAFFITI
CREAM LEMON SPECIAL - AMI IMAGE WHITE SHADOW
CREAM LEMON SPECIAL - THE DARK
CREAM LEMON TO MORIYAMA BEST HIT:  `I GUESS SO'
CREAM LEMON YOUNG LOVE:  ANGIE & ROSE
CRYING FREEMAN


- D -



DANCE TILL TOMORROW
DEMON BEAST INVASION
DESPERATE LOVE 1989
DEVIL HUNTER YOKO
DOOMED MEGALOPOLIS
DRAGON KNIGHT
DRAGON PINK
DYING FOR A GIRL/ALTAR OF SACRIFICE



- E -



THE ELEVEN BRIDE
END OF SUMMER



- F -



F3:  FRANTIC, FRUSTRATED & FEMALE
FIRST LOVES
FOBIA



- G -



GHOST IN THE SHELL
THE GIGOLO
THE GIRL FROM PHANTASIA
GOLDEN BOY
GUY



- H -



HANAPPE BAZOOKA
HOLEY PANTS:  DESIRE ON A STROLL
HOMEROOM AFFAIRS
HOMOSEXUAL REPORT
HOUSE OF KITTENS


- I -



I GIVE MY ALL



- J -



JUNK BOY


- K -



KAMA SUTRA
KEKKO KAMEN



- L -



LA BLUE GIRL
LADY BLUE
LEGEND OF LYON:  FLARE
LOLIKON ANGEL:  PRETTY GIRL COMIC:  SECRET EXPERIENCE
LOVE'S WEDGE
LUNATIC NIGHT
LUST ALIEN


- M -



MAD BULL 34
MAGIC LIPSTICK
MEGAMI PARADISE
MELANCHOLY SLAVE
MIDNIGHT ANIME LEMON ANGEL
MIYUKI-CHAN IN WONDERLAND
MY MARIE


- N -



NEW ANGEL
NEW CREAM LEMON AMI - FROM THEN ON
NEW CREAM LEMON DREAMCOLOURED BUNNY
NEW CREAM LEMON ETUDE:  SNOW HEARTBEAT
NEW CREAM LEMON ETUDE 2:  EARLY SPRING CONCERTO
NEW CREAM LEMON PART ZERO
NEW CREAM LEMON SUMMER WIND
NEW CREAM LEMON THE EVIL DOLL
NEW CREAM LEMON TO MORIYAMA SPECIAL 1:  FIVE HOUR VENUS
NEW CREAM LEMON TO MORIYAMA SPECIAL 2:  AFTERSCHOOL XXX
NEW CREAM LEMON TWO PEOPLE'S LIFE OF HEARTBREAK
NEW CREAM LEMON WHITE SHADOW


- O -



OGENKI CLINIC



- P -



PICTURES FROM HIGH SCHOOL
PRIVATE PSYCHO LESSON



- R -



REDDENING SNOW/GIRLS TORTURED WITH ROSES
REI REI
ROUGE



- S -



SAILOR MOON
SEASIDE ANGEL MIYU
THE SENSUALIST
SOL BIANCA
STREET FIGHTER II:  THE ANIMATED MOVIE
SURF DREAMING



- T -



TOKYO PRIVATE POLICE
TWIN DOLLS


- U -



U-JIN BRAND
UROTSUKIDOJI I/II:  LEGEND OF THE OVERFIEND/LEGEND OF THE DEMON WOMB
UROTSUKIDOJI III:  RETURN OF THE OVERFIEND
UROTSUKIDOJI IV:  INFERNO ROAD


- V -



VARIATION
VENUS FIVE
VISIONARY



- W -



WICKED CITY









801 TTS AIRBATS



(Eng  title  for  AOZORA  SHOJOTAI,  lit  Blue  Sky  Girl

Squadron)



TYPE:  OAV series, 3 parts.



LENGTH: Each 30 mins.



JAPANESE  CREDITS:     1994-96.   Dir:
Yuji  Moriyama,  Osamu Mikasa, Junichi
Sakata  &  Tohru  Yoshida, Screenplay:
Yuji Kawahara (1),Ryoei Tsukimura (2),
Ryoichi  Yagi  (3), Character  design:
Yuji  Moriyama,  Music: Seigo Nagaoka.
   T.Shimizu, Tokuma Shoten, JVC.


WESTERN  CREDITS:   US  video  release
1995  on  AD  Vision,  sub;  UK  video
release 1996 on AD Vision UK, sub, Eng
rewrite by Matt Greenfield.



ORIGINS:  Manga by Toshimitsu Shimizu,
pub Tokuma Shoten.


POINTS OF INTEREST:  Shimizu  is  also
the  author  of the much raunchier Rei
Rei.


SPINOFFS:   A  radio  drama  using the
same voice actors.


CATEGORIES:  P, C, F


RATINGS:  N, MAINSTREAM

OVERVIEW: A  charming lushly, coloured
and   comic  take  on  the  future  of
Japan's  defence  forces,  the strides
made  by  women  in modern society and
the  way human beings can screw up and
still  come  through.   Contains  mild
comic  nudity  but  nothing to outrage
the prudish.
THE 1001 NIGHTS



(Eng trans for SENYA ICHIYA MONOGATARI)



TYPE:  MOVIE.



LENGTH: 128 mins.



JAPANESE  CREDITS:  1969, Dir:  Eiichi
Yamamoto.       Screenplay:      Kazuo
Fukuzawa.  Anime dir:  Sadao Miyamoto.
Art   dir:    Takashi  Yanase.   Prod:
Osamu  Tezuka.   Prod  co:   Mushi.   
Mushi.


ORIGINS:  The Arabian Nights and Osamu
Tezuka's manga based on this work.


CATEGORIES:  F


RATINGS:  N, EROTIC



OVERVIEW: The fantasies of the Arabian
Nights   are  revamped  for  an  adult
audience, featuring a Sinbad who looks
a  bit  like  Jean-Paul  Belmondo  and
plenty   of   exotic  encounters  with
scantily clad houris.



END.
AD POLICE

TYPE:  OAV series, 3 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:      1990.     Dir:
Akihiko Takahashi (1), Akira Nishimori
(2  & 3).  Screenplay:  Noboru Aikawa.
Original  story:   Toshimichi Suzuki &
Tony   Takezaki.    Character  design:
Tony   Takezaki,   Fujio  Oda  &  Toru
Nagasuki.   Anime dir:  Fujio Oda (1),
Hiroyuki    Kitazume   (2),   Hiroyuki
Kitazume    &    Masami   Obari   (3).
Planning:   Toshimichi  Suzuki  & Shin
Unozawa.   Prod  co:   Artmic, AIC.
Artmic, Youmex.



WESTERN  CREDITS:   US  video  release
1993-95  on  AnimEigo, sub, dub, trans
Shin  Kurokawa & Eriko Takai; UK video
release 1995 on Manga Video, dub.



ORIGINS:   Manga by Tony Takezaki, Eng
trans pub Viz (US), Titan Books (UK).



POINTS OF INTEREST:    Set   in   the

Bubblegum Crisis universe.


CATEGORIES:  SF, T


RATINGS:  N, VV, SM, EROTIC



OVERVIEW:   Three  dark and ultimately
misanthropic tales featuring violence,
sexual   perversity  and  exploitation
wrapped  up  in  a  cyber-candy  coat.
Intended  as an action-adventure, each
story nevertheless has a strong sexual
content.    The   first  concerns  the
disposability   of   boys'  toys.   An
android,  who  has  been  revamped for
someone  else's  pleasure  and profit,
cannot rid herself of the image of the
one  human  who made a powerful impact
on  her  - by killing her.  The second
story  talks sexual politics, as women
have  themselves  adapted to fit in to
the  modern  world.   The  third deals
with  the eroticism of control and the
allure of high technology, as a police
officer,  all  but  killed  in a fatal
incident,   is  finally  destroyed  by
becoming  a  cyborg.  The scientist in
charge  of  the  project  uses  him to
indulge her own warped cravings.
ADVENTURE KID



(US title  for  YOJU SENSEN ADVENTURE KID,  lit Demon

Beast  Battle Line;  UK  title  ADVENTURE  DUO)

TYPE:  OAV series, 3 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:   1992-1993.   Dir:
Yoshitaka    Fujimoto.     Screenplay:
Atsushi  Yamatoya  (1), Akio Satsugawa
(2   &  3).   Character  design:   Dan
Kongoji  (1),  Ryunosuke Otonashi (2),
Yuji Takahashi (3).  Storyboards:  Dan
Kongoji  &  Hideki  Takayama.   Music:
Masamichi  Amano.   Exec Prod:  Hideki
"Takayama.   Prod  co:   MW  Films.
T.Maeda, MW Films.


WESTERN  CREDITS:   US  video  release
1994  on  Anime  18,  sub,  trans Neil
Nadelman;  US  video  release  1994 on
Kiseki  Films,  same  version (first 2
%episodes are also available as dubs).



 ORIGINS:  Manga by Toshio Maeda.


POINTS OF INTEREST:    Scenarist  Akio
Satsugawa  went  on  to better things,
scripting  episodes  of  Neon  Genesis
Evangelion.  The  BBFC insisted on the
title  change  from  Adventure  Kid to
Adventure  Duo,  on  the  grounds that
consumers  might buy the tape thinking
it    was   intended   for   children.
Adult-video    actress    Ai    Iijima
(Midori),  Miki  Mayazumi (Eganko) and
Chiharu  Sato (Saiki) voice roles, but
only   Mayazumi   keeps  up  with  the
professional voice artists.

CATEGORIES:  SF, D, C



RATINGS:  XX, VV, PORN


OVERVIEW:  A high school kid is hauled
into   a  demonic  adventure  via  his
passion   for   computers.    When  an
antique   machine   is  unearthed,  it
triggers  a nightmare scenario of rape
and revenge from the days of World War
Two.   Our  hero  enters  a  world  of
raunchy   demonettes  and  lust-crazed
hellfiends  with  a  panty fetish, who
proceed  to  follow  him back into his
own  reality  for one of the strangest
demon  high  school  invasions of all.
Listen   out   for  Masamichi  Amano's
excellent  music  from  Overfiend III,
recycled  here, as well as the Tristan
 & Isolde pastiche in part three.
ANGEL OF DARKNESS

TYPE:  OAV series, 3 parts.



LENGTH:  Each 50 mins.


JAPANESE  CREDITS:    1990-91.    Dir:
Kazuma Muraki (1), Suzunari Joban (2 &
3).    Original  Story:   Ran  Kotaro.
Story:  Yukihiro Kusaka.  Supervision:
Yukihiro  Kasuka.   Character  design:
Kazunori  Iwakura (1), Yuji Ikeda (2 &
3).   Art  dir:  Kazunori Iwakura (1),
Yuji  Ikeda  (2 & 3).  Exec prod.  Ran
Kotaro.   Prod:   Jiro Soka.  Prod co:
Pink Pineapple.    Pink Pineapple.
WESTERN  CREDITS:   US  video  release
1995-96 on SoftCel Pictures, sub trans
Toru Iwakami & Doc Issaac.


POINTS OF INTEREST:  `Edited' versions
of the US release have 5 mins cut.


CATEGORIES:  P, F



RATINGS:  NN, XX, VV, SM, G, PORN



OVERVIEW:      Lesbian    schoolgirls,
cannibal  trolls,  small but perfectly
formed    elves    and,   of   course,
multi-tentacled  demons  in  a `story'
which sometimes plays like a catalogue
for    designer   bondage   gear   and
sometimes  like  a  St  Trinians movie
cross-dressing   as   Little  Shop  of
Horrors.   Part  one  has  a  pair  of
schoolgirl  lovers fighting the forces
of  evil,  which  (like most forces of
evil  in  erotic  anime)  feed  on the
`emanations'    of   schoolgirls.    A
perverted   professor   and   his  S&M
mistress   are   in   cahoots  with  a
demon-fiend,  which is luring innocent
girls  with unusual wardrobes into its
lair  so  it  can  feed.   The  elves,
obviously,   are   outraged   at  this
perversion  of  the  forces of nature.
Part  two  has  the  professor rearing
demonic  plants which need the `bodily
fluids' of schoolgirls to survive.  In
part  three,  a  young  woman  who has
escaped the horror decides to turn her
experience  to  some  use  when she is
abused  by a girl gang, and lures them
into  the  professor's  murky  hideout
where,  yes, you've guessed it, demons
feed  on  whatever  they're calling it
these days.

ARION

TYPE:  MOVIE.



LENGTH:  120 mins.


JAPANESE  CREDITS:      1986.     Dir:
Yoshikazu      Yasuhiko.       Writer:
Yoshikazu  Yasuhiko  &  Akiko  Tanaka.
Character design: Yoshikazu Yashuhiko.
Music:   Jo Hisaishi.  Prod co:  Tokyo
Movie   Shinsha.       Yasuhiko,  TMS,
Nippon Sunrise.



ORIGINS:    Greek   myth;   manga   by
Yoshikazu Yasuhiko, pub Tokuma Shoten.


POINTS OF INTEREST:      Note      the
magnificent  score by Hisaishi, better
known  in  the West as composer on the
films of Hayao Miyazaki.


CATEGORIES:  F


RATINGS:  XX, V, SM, EROTIC



OVERVIEW:  I call a story whose climax
takes  place  inside  a  womb  erotic,
whatever    the    author's   original
intention.    This  dazzling  oriental
twist on Greek myth is a film of great
power  and its simmering undercurrents
of  sex  and  violence  have  visceral
impact,  even  though  they  break the
surface only occasionally.
ARMITAGE III
TYPE:  OAV series 4 parts.


LENGTH:   Part  1  50  mins, parts 2-4
each 30 mins.



JAPANESE  CREDITS:    1994-95.    Dir:
Takuya  Sato.   General dir:  Hiroyuki
Ochi.   Screenplay:  Akinori Endo (1),
Chiaki    Konaka   (1-4).    Character
design:    Hiroyuki   Ochi.    Opening
animation   dir:   Hiroyuki  Kitazume.
Anime  dir:   Kunihiro  Abe (1,3 & 4),
Koichi Hashimoto (2), Shinya Takahashi
(3),  Naoyuki  Onda (3), Hiroyuki Ochi
(4).   Art  dir:  Norihiro Hiraki (1 &
2),  Tokuhiro Hiragi (3), Hiroshi Kato
(4).   Music:   Hiroyuki  Namba.  Exec
prod:   Taro  Maki.  Prod co:  AIC.

Pioneer, AIC.



WESTERN  CREDITS:   US  video  release
1995-96 on Pioneer LDCA, sub, dub, Eng
rewrite  Mary Mason & Quint Lancaster;
UK   video  release  1996  on  Pioneer
Anime, dub only.


POINTS OF INTEREST:   A movie version,
combining    edited    episodes   with
approximately  5  mins  of new footage
(mainly  the  finale), was released as
Armitage  III  Polymatrix.   Its voice
cast   included  Elizabeth  Berkly  of
Showgirls    (Armitage)   and   Kiefer
Sutherland   (Ross).    A   new  sound
effects   track   was   engineered  in
Hollywood for the movie version.


SPINOFFS:  The manga seems based on an
earlier  version  of  the script, with
baddy  D'anclaude renamed Madonna, and
a   strange   early   scene  in  which
Armitage is mounted by an amorous dog.


CATEGORIES:  SF, T


RATINGS:  N, X, VV, MAINSTREAM


OVERVIEW:   Another dark future is the
setting    for    this   violent   but
thoughtful drama.  The central theme -
our   attitude   to   our  toys  -  is
underlined  with  glimpse of sex-slave
robots   and   a   human/robot  sexual
relationship  which  finally takes the
integration of man and his creations a
stage   further.    The   violence  is
considerable,  but there's more erotic
teasing than sexual action, except for
one  non-explicit scene where Armitage
gets it together with her cop partner.
BODY JACK

TYPE: OAV.


LENGTH: 35 mins.


JAPANESE  CREDITS:     1987.      Dir:
`Dojiro'.      Screenplay:     Takashi
Tanigawa.    Character   design:    To
#Moriyama.  Prod co:  Bandai Visual.

Ross.



CATEGORIES:  P, F



RATINGS:  XX, NN, G, PORN



OVERVIEW:   Weird science as Dr Toyama
takes control of the body of beautiful
high   school  girl  Komaba  with  his
strange  invention.  He lets the randy
young  Asagedani  `slip into' her body
so  he  can see how it really feels to
be   inside  a  girl.   Then  Komaba's
classmate,   the   equally   beautiful
Nakano, surprises him and mistakes his
activities  for  a sexual advance from
her    friend.     They   proceed   to
demonstrate  that  three into two will
go,  whatever  the  law of mathematics
say.
BOUNTY DOG
TYPE: OAV series, 2 parts.


LENGTH: Each 30 mins.



JAPANESE  CREDITS:      1995.     Dir:
Hiroshi   Negishi.    Original  story:
Takehiko    Ito.     Script:    Mayori
Sekijima.       Character      design:
Hirotoshi Sano.  Anime dir:  Hirotoshi
Sano.   Art dir:  Tadashi Kudo.  Music
dir:   Sho  Goto.   Prod  co:   Zero-G
Room.    Zero-G Room, Starchild, Toho.


WESTERN  CREDITS:  US   &   UK   video
release 1996 on Manga Video, dub.



ORIGINS:  2 CD drama discs in 1994.



CATEGORIES: SF


RATINGS:  MAINSTREAM


OVERVIEW:   Three  investigators check
out a military project on the moon and
learn  that  it's really an alien base
full  of  beautiful cloned women.  One
of  the  women  is already rather well
known  to one of the investigators, as
they  used to have a relationship, but
Yoshiyuki is completely unaware of the
horror awaiting him and his colleagues
on the moon.  Unfortunately, Yoshiyuki
doesn't know that his ex-girlfriend is
a  clone,  and  that there's an entire
army  of  them  on  the alien base who
don't   share   their   sister's  warm
feelings towards human males.  Can the
investigation  team  defeat an army of
aliens bent on their destruction?

BRONZE: DESPERATE LOVE SINCE 1989

(Eng trans for BRONZE ZETSUAI SINCE 1969)

TYPE: OAV.


LENGTH: 45 mins.


JAPANESE  CREDITS:  1996.  Dir:  Kazuo
Yamazaki & Yoshiro Kawasaki.  Prod co:
Shueisha.      Ozaki,  Shueisha.  


ORIGINS:  Manga by Minami Ozaki, 1992

OAV Desperate Love 1989.


CATEGORIES:  P


RATINGS:  N, V, G, EROTIC



OVERVIEW:   The  love  affair  between
Izumo  and  Koji seems doomed.  Koji's
father  dies  and  his  elder  brother
seems   intent   on  breaking  up  the
couple.  Izumi has the chance to go to
Italy  and take his footballing career
to  a new level; the two of them would
face terrible difficulties living as a
gay  couple.  But they both learn that
they  can't  give  each  other  up  so
easily, whatever the consequences.
CLEOPATRA

(aka CLEOPATRA QUEEN OF SEX)
TYPE: MOVIE.


LENGTH: 113 mins.



JAPANESE  CREDITS:  1970.  Dir: Eiichi
Yamamoto.      Screenplay:     Shigeru
Satoyoshi.  Prod:  Osamu Tezuka.  Prod
co.  Mushi.    Tezuka Production.



WESTERN  CREDITS:     US    theatrical
release  1971, dub, as Cleopatra Queen
of Sex.



ORIGINS:  Manga by Osamu Tezuka.


POINTS OF INTEREST:   The  US  release
was  the  first  animated film ever to
receive   an  X  certificate.   Future
directors  Gisaburo Sugii and Yoshiaki
Kawajiri were among the animators.


CATEGORIES:  H, SF


RATINGS:  N, EROTIC



OVERVIEW:   The  renowned Queen of the
Nile  is  visited  by  time travellers
from a future Earth in danger of alien
invasion.   Can her fabled charms work
their magic on an alien commander from
the far future?  The woman who seduced
Caesar  and  Mark  Anthony (but failed
with  Octavian,  perhaps  because  she
wasn't   really  trying)  sets  out to
make  a  lasting  impression  on a man
from   another  planet.   Sex,  nudity
drama  and humour are all handled with
intelligence and skill.

COUNTDOWN

(Eng title for YUWAKU COUNTDOWN, lit Temptation
Countdown)
TYPE: OAV series, 4 parts.


LENGTH: Each 35 mins.



JAPANESE  CREDITS:    1995-96.    Dir:
Shoichi  Masuo  &  Naohito  Takahashi.
Character  design:   Sanae  Chikanaga.
Prod   co:    Pink  Pineapple.      H.
Utatane,    Fujimi    Shuppan,   Akane
Shinsha, Pink Pineapple.


WESTERN  CREDITS:   US  video  release
1995-96   on  SoftCel  Pictures,  sub,
trans Doc Issaac.



ORIGINS:   Manga  by Hiroyuki Utatane,
pub US by Eros Comics.


POINTS OF INTEREST: Edited US versions
of  all  4  OAVs  exist,  each  5 mins
shorter.


CATEGORIES:  P, F



RATINGS: XX, NN, SM, G, PORN


OVERVIEW:     Erotic   short   stories
parodying   various  anime  and  manga
staples.     A   modern   day   subway
encounter  leads  to erotic confusion.
A  sword-swinging  macho man meets his
match  in  a girl who can tie anything
down.  A bride has a last-minute fling
before taking that walk to the altar -
in fact, right in the vestry, with her
groom  and  her  guests waiting in the
pews!   A policewoman has to deal with
a giant statue controlled by a sex-mad
megalomaniac,   with   only   her  own
sex-maniac  robot  to  help out.  This
latter  story  features one of the few
scenes  of  gay male sex in non shonen
ai anime.

CREAM LEMON 1 BE MY BABY
(Eng title for CREAM LEMON SERIES PART I BI MAI BABY,
lit  Flirting  Younger  Sister  Baby. The English pun is
quite deliberate.)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1984.   Prod  co:
Soeishinsha.       Soeishinsha,  Fairy
Dust.



POINTS OF INTEREST:   The first in the
long  running  series  and  the  first
adventure   of   its  most  successful
character, Ami.



SPINOFFS:   Ami's  story  continued in
Cream Lemon 5.


CATEGORIES:  P


RATINGS:  XX, NN, PORN


OVERVIEW:   Ami  and  Hiroshi, brother
and  sister,  have  feelings  for each
other  that  no siblings should.  When
their    stepmother   goes   away   on
business,  they  are left alone in the
house  and can explore those feelings.
So  they do.  And Mum isn't happy when
she finds out.
CREAM LEMON 2 ESCALATION
4(Eng  title  for  ESCALATION  KONYA WA HARD CORE lit
%Escalation:  Tonight  it's Hard Core)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1984.   Prod  co:
Soeishinsha.       Soeishinsha,  Fairy
Dust.



SPINOFFS:  2 further episodes for this
!storyline, in Cream Lemon 6 & 16.



CATEGORIES:  P


RATINGS:  XX, NN, SM, G, PORN



OVERVIEW:   Rie  is  in  bed  with her
piano  teacher when they are surprised
by  her mother.  Exit Rie for a strict
Catholic  girls'  school.  Mari is her
roommate,  but  as she settles in, Rie
develops a crush on senior girl Naomi.
When  Naomi  invites  Rie to room with
her,  she's  flattered,  but  then she
finds   that   her  gloomy,  withdrawn
classmate  Midori  is  to  join  them.
Naomi draws the two younger girls into
an   intense   relationship  based  on
bondage  and  domination.  So much for
Catholic schools.

CREAM LEMON 3

SUPERDIMENSIONAL SF

LEGEND RALL

(Eng trans for CREAM LEMON:

SF CHOJIGEN DENSETSU RALL)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1984.   Prod  co:
Fairy Dust.    Soeishinsha.



POINTS OF INTEREST:    Absolutely   no
censorship in this episode.  



SPINOFFS:  A second Rall adventure was
released (Cream Lemon 15).


CATEGORIES:  SF, F


RATINGS:  NN, V, PORN



OVERVIEW:   An  evil overlord sets out
to  conquer  the  universe.   The only
thing  in  his  way  is a half-dressed
warrior  maid  armed  with a legendary
sword.    Parody   of  all  the  worst
cliches in fantasy.

CREAM LEMON 4 POP CHASER
'(Eng title for CREAM LEMON: POP CHASER)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.  Dir:  Yuji
Motoyama.    Character  design:   Yuji
Motoyama.   Art  dir:   Yuji Motoyama.
%Prod co:  Fairy Dust.    Soeishinsha.



POINTS OF INTEREST:    The   director/
designer is Yuji  Moriyama of  Project
'A-Ko  fame, working  under a pseudonym.



CATEGORIES:  SF



RATINGS:  NN, XX, V, G, PORN


OVERVIEW:   Lesbian sex, group sex and
sex in the pilot seat of a mobile suit
all   feature  in  this  sci-fi  spoof
Western  with  more  than  a  trace of
Battle  Beyond  the  Stars in both its
story  and its general air of cheerful
cheesiness.  The relationship of tough
girl  Rio  and ditzy Mai is considered
by  many  to  mirror  that of A-Ko and
C-Ko  in  Project  A-Ko (and it's true
that  we  don't  see  A-Ko  and C-Ko's
first  meeting  in  the original movie
and OAVs...).  Great fun.

CREAM LEMON 5 AMI AGAIN

(Eng title for CREAM LEMON: AMI AGAIN)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.   Prod  co:
Fairy Dust.   Soeishinsha.


ORIGINS:   A sequel to the first Cream
Lemon OAV.


SPlNOFFS:  Ami returned in Cream Lemon
13.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   Ami is devastated when her
stepmother  sends  her brother Hiroshi
to  London,  ending  their  incestuous
affair.   Her friends try to cheer her
up with a night out, but unfortunately
she  gels  completely  drunk and falls
into  bed dreaming that she's spending
a  wild night with Hiroshi once again.
She  wakes  up next morning to find it
was  no  dream,  but her partner isn't
Hiroshi...
CREAM LEMON 6 ESCALATION 2:  

FORBIDDEN SONATA
(Eng    trans    for    CREAM   LEMON:
ESCALATION 2 KINDAN NO SONATA)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:  A sequel to the second Cream
Lemon OAV.


SPINOFFS:    The  story  continued  in
Cream Lemon 16.



CATEGORIES:  P


RATINGS:  NN, XX, SM, G, PORN



OVERVIEW:   It's  only  when you leave
school  that  you realise how much you
miss  your  friends and the daft games
you  used  to  play  together.  Senior
student  and  bondage  queen Naomi has
now   graduated   from   her  Catholic
boarding  school.  She invites her old
room-mates Rie and Midori, now seniors
themselves,  to  her  mansion  for the
weekend.   They  arrive  to  find that
they are not the only guests, and that
even   though  Naomi  has  joined  the
grown-up  world, she doesn't intend to
give up all her old hobbies.
 CREAM LEMON 7 DON'T DO IT, MAKO!
MAKO SEXY SYMPHONY PART ONE

2(Eng trans for CREAM LEMON: IKENAI MAKOCHAN - MAKO
SEXY SYMPHONY ZEMPEN)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:1985. Dir: Toshihiro
Hirano.   Character design:  Toshihiro
Hirano.   Art  dir:  Toshihiro Hirano.
$Prod co:  Fairy Dust.   Soeishinsha.


POINTS OF INTEREST:    Hirano  is  the
director    responsible    for    such
atmospheric  chillers  as  Iczer-1 and
Vampire Princess Miyu.


SPINOFFS:   Mako's  story continued in
Cream Lemon 12.



CATEGORIES:  P, F



RATINGS:  NN, XX, G, PORN



OVERVIEW:  Sixteen year-old Mako can't
bear the thought of sex or any form of
physical   contact.   She  won't  even
contemplate wearing a short skirt, and
does  all she can to get out of school
swimming classes. Obviously this isn't
helping  Yu,  a  love-struck classmate
who  is  trying  to  get  to  know her
better.    But   then   a   beautiful,
ethereal  girl  shows up.  Is she some
kind  of  demon  or  vampire, or is it
just   that   Mako's   own   feelings,
repressed  since childhood, have taken
on physical form in a desperate effort
to break free?
CREAM LEMON 8 SUPER VIRGIN
(Big title for CREAM LEMON: 
SUPER VIRGIN)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.   Prod  co:
Fairy Dust.    Soeishinsha.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   A  different  leading lady
named   Mako  with  a  very  different
agenda  this  time,  in a tale of high
school  lechery  and  girl power.  The
Super  Virgin  Group is a psychic girl
gang  whose aim is to keep the boys in
line.   When one of their number falls
in  love  and  starts to see that male
lust  has its positive side, the scene
is set for gang war.
CREAM LEMON 9 HAPPENING SUMMER
.(Eng title for CREAM LEMON:  HAPPENING SUMMER)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:  1985.  Dir:  Ayako
Mibashi.    Character  design:   Ayako
#Mibashi.   Prod  co:   Fairy  Dust.

Soeishinsha.


CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   At the start of the summer
holidays,  teenage  girls  plan  their
boy-hunting  strategy.   Yuki  already
has  a  guy who fancies her, Koji, but
he  is  around  her  own  age, clumsy,
without much to recommend him - a real
geek.   She  dreams  of  a  much  more
sophisticated  man,  her  older sister
Keiko's boyfriend, Akira.  Akira turns
out  to  be  not quite the dream lover
she imagines, but of course she has to
go a long way to find out.
CREAM LEMON 10 STAR TRAP
*(Eng  title  for  CREAM  LEMON: STAR TRAP)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:   A  parody  of Star Trek and
Japanese SF TV shows.



CATEGORIES:  SF, C


RATINGS:  NN, XX, G, PORN



OVERVIEW:    Dyke   defenders  of  the
galaxy  Kanaka  and  Lan  are  off  to
investigate   the   disappearance   of
several  ships  in a distant quadrant.
Lan   is   superstrong,  Kanaka  is  a
shapeshifter,  and both are completely
nuts.   All  resemblances to the Dirty
Pair  are  probably  intentional,  and
look  out also for the many other film
and television references.
CREAM LEMON 11 BLACK CAT MANOR
((Eng trans for CREAM LEMON: KURONEKOKAN)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1986.   Prod  co:
Fairy Dust.    Soeishinsha.



WESTERN  CREDITS:    Edited   for   US
release  by Excalibur Films as part of
Pandora:  An Erotic Triology.



CATEGORIES:  H


RATINGS:  NN, XX, PORN


OVERVIEW:    Student  Masaki  Murakami
heads out of Tokyo seeking refuge from
the  bombings  in  the winter of 1941.
In  the  mountains  he finds a strange
old  house,  empty but for the widowed
mistress Saiko, her daughter Arisa and
their    maid    Aya.    The   strange
atmosphere  of  the  old  house  makes
Masaki  feel uneasy, but that does not
stop  him  embarking on an affair with
Saiko.
!CREAM LEMON 12 DON'T DO IT, MAKO!

MAKO SEXY SYMPHONY PART TWO

1(Eng  trans  for  CREAM LEMON:  IKENAI MAKOCHAN -

MAKO SEXY SYMPHONY KOHEN)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:      1986.     Dir:
Toshihiro  Hirano.   Character design:
Toshihiro Hirano.  Art dir:  Toshihiro
"Hirano.   Prod  co:   Fairy  Dust.
Soeishinsha.


$ORIGINS:  A sequel to Cream Lemon 7.


CATEGORIES:  P, F



RATINGS:  NN, XX, G, PORN



OVERVIEW:   Mako has changed.  She has
gained  confidence and will spend time
with  her  classmate Yu, but she still
hates   to  be  touched,  which  isn't
helping  him  get  the  romance going.
Then  the  strange  girl who seemed to
change Mako's attitude comes to see Yu
and  tells  him  that two entities are
fighting  for  control  of Mako's body
and  mind.  Unless she can balance her
sexual attitudes, one or other of them
will possess her soul and all hope for
a  happy, normal relationship for Mako
and  Yu  will be gone.  Now it's up to
him.
CREAM LEMON 13 AMI 3:

NOW I EMBRACE YOU AMI

3(Eng trans for CREAM LEMON: AMI III IMA YORETE AMI)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1986.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:Follows on from Cream Lemon 5.


SPINOFFS:   Ami's  story  continued in
Cream Lemon:  Ami's Journey.


CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   Big  brother Hiroshi comes
back  from  London  for a few days and
arranges to meet Ami, but all he wants
is to end the relationship telling her
that  it will only damage both of them
since   the   world  can't  accept  an
incestuous  love.   To  try and forget
her brother, Ami calls the guy she met
"in her drunken fling at the disco.
CREAM LEMON 14 NARIS SCRAMBLE

0(Eng  trans  for  CREAM LEMON:  NARISU SCRAMBLE)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:  1986.  Dir:  Ayako
Mibashi.    Character  design:   Ayako
Mibashi.   Art  dir:   Ayako  Mibashi.
%Prod co:  Fairy Dust.    Soeishinsha.



CATEGORIES:  F, C



RATINGS:  NN, XX, V, PORN



OVERVIEW:   A superdeformed heroine in
battle   armour   and  a  giant  mecha
piloted by three wannabe Nazi lesbians
slug  it  out  for  control of a local
high  school, parodying not only other
anime  but  many  of Cream Lemon's own
cliches along the way.
CREAM LEMON 15
SUPERDIMENSlONAL SF

LEGEND RALL 2

0(Eng title for CREAM LEMON: SF CHOJIGEN DENSETSU
1RALL II - LAMO RU NO GYAKUSHU, lit Cream Lemon SF

+Superdimensional  Legend Rail 2 - Lamo Ru's

Counterattack)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1986.   Character
design:  Nekoda Nyan.  Prod co:  Fairy
Dust.    Soeishinsha.



"ORIGINS:  Sequel to Cream Lemon 3.


CATEGORIES:  F


RATINGS:  NN, XX, VV, PORN


OVERVIEW:   The  evil  demon  lord  is
still  up  to his old tricks, and it's
not   just  the  galaxy  he  wants  to
conquer  -  no female is safe from his
wandering  attentions.  Carol takes up
the  magic blade of Rivers and gets on
with  the  story,  which  has  quickly
moved from being a parody of the tired
stereotypes  of  fantasy  to  being  a
#tired stereotype of fantasy itself.



CREAM LEMON 16 ESCALATION 3:
ANGELS' EPILOGUE
)(Eng trans for CREAM LEMON: ESCALATION 3:

TENSHITACHI NO EPILOGUE)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1986.   Prod  co:
Fairy Dust.    Soeishinsha.



"ORIGINS:  Sequel to Cream Lemon 6.


CATEGORIES:  P


RATINGS:  NN, XX, SM, G, PORN



OVERVIEW:   Tying up the first series,
the  story  resumes  as  Rie, Mari and
Midori  are  about  to  graduate  from
their  high  school.   The  girls  are
invited  once again to Naomi's mansion
for  a  party, and they initiate Rie's
young  friend  Arisa  and other junior
girls  into  the  same lesbian bondage
pleasures Naomi introduced them to two
years earlier.
CREAM LEMON:  AMI'S JOURNEY

1(Eng titie for CREAM LEMON: TABITACHI AMI SHUSHO,

0lit  Cream Lemon:  Ami's Journey, Final Chapter)
TYPE: MOVIE.


LENGTH:  Approx 90 mins.


JAPANESE  CREDITS:      1986.     Dir:
Bikkuri  Hako.   Prod co:  Fairy Dust.
  Soeishinsha.


ORIGINS:   Follows on from Cream Lemon
13.



SPINOFFS:   Cream  Lemon  Special  Ami
Image White Shadow followed.


CATEGORiES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   Cut  off  from her beloved
brother  Hiroshi, Ami's friends try to
take  her  mind  off the separation by
going  on a birthday trip to Hokkaido.
It cheers her up a little bit, but Ami
is  shocked  to discover on her return
home  that  her  father and stepmother
have divorced...
CREAM LEMON CLIMAX
3(Eng titie for CREAM LEMON CLIMAX ZENSHU, lit Cream

Lemon Climax Compilation)

TYPE:  OAV series, 5 volumes.



LENGTH:  Each 50 mins.


JAPANESE  CREDITS:   1988.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:   Compiled  from  episodes of
#the popular Cream Lemon OAV series.



CATEGORIES:  P, SF, D, C


RATINGS:  NN, XX, PORN


OVERVIEW:   Compilation  tapes  of the
series.

 CREAM LEMON KEI AMAKI SPECIAL:  
CHERRY MELANCHOLY

 (Eng  trans  for CREAM LEMON KEI
 AMAKI SPECIAL:  CHERRY NO YUTSU)
TYPE: OAV.


LENGTH:  40 mins.



JAPANESE  CREDITS:   1989.   Prod  co:
Fairy Dust.    Amaki, Fairy Dust, Pony
Canon.


ORIGINS:  Manga by Kei Amaki.



CATEGORIES:  P


RATINGS:  NN, X, PORN



OVERVIEW:  Young girls desperate for a
man bump into each other on the street
and decide to improvise.
"CREAM LEMON SPECIAL - AMI GRAFFITI
,(Eng title for CREAM LEMON AMI SOSHUHEN: AMI
2SEISHUN GRAFFITI, lit Cream Lemon Ami Compilation:
Ami Youth Graffiti)

TYPE: OAV.


LENGTH:  80 mins.



JAPANESE  CREDITS:   1986.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:    Compiled   from   the  Ami
episodes  of  the  popular Cream Lemon
OAV series.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


'OVERVIEW: If you couldn't afford all of

'Ami's adventures,  this  tape  compiles

the  lot  (up to 1986), including some
of the naughty bits.
CREAM LEMON SPECIAL

AMI IMAGE WHITE SHADOW
1(Eng trans for CREAM LEMON AMI IMAGE SHIROI KAGE)

TYPE: OAV.


LENGTH:  30 mins.



JAPANESE  CREDITS:      1986.     Dir:
Bikkuri Hako.  Character design:  Yuko
"Kurata.   Prod  co:   Fairy  Dust.
Soeishinsha.


ORIGINS:  Follows on from Cream Lemon:
Ami's Journey.


SPINOFFS:   The  mini series New Cream
"Lemon Ami - From Then On followed.


CATEGORIES:  P


RATINGS:  N, X, PORN


OVERVIEW:    Left  alone  in  a  cruel
world,  Ami  embarks on a career as an
idol  singer.   Set  before Ami - From
Then  On,  this episode takes Ami on a
trip  to  London  for a secret meeting
with Hiroshi.

CREAM LEMON SPECIAL - THE DARK
((Eng title for CREAM LEMON SPECIAL DARK)
TYPE: OAV.


LENGTH:  47 mins.



JAPANESE  CREDITS:    1987.   Original
story:    Nicholas  Lloyd.   Character
design:   Mako Nitta.  Prod co:  Fairy
Dust.   Soeishinsha.


WESTERN  CREDITS:    Edited   for   US
release  by Excalibur Films as part of
Pandora:  An Erotic Trilogy.


CATEGORIES:  D


RATINGS:  NN, XX, VV, PORN


OVERVIEW:    Two   young  men,  one  a
priest,  seek  shelter  in a castle in
the  middle  of  a dark, dense forest.
The   lady   of   the   castle  offers
hospitality,  but during the night she
seduces  and  kills the priest.  Using
tricks  from  Western horror films and
stories,  this  is a modern version of
an    old   oriental   horror   story.
Christian  priests  taste just as good
as Buddhist ones, it seems.

CREAM LEMON TO MORIYAMA

BEST HIT: `I GUESS SO'
(Eng trans for CREAM LEMON TO MORIYAMA
BEST HIT:  `SO KA MOSHINNAI')

TYPE: OAV.


LENGTH:  35 mins.



JAPANESE  CREDITS:   1989.   Dir:   To
Moriyama.    Character   design:    To
#Moriyama.   Prod  co:   Fairy Dust.

Soeishinsha.


CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   A  young  boy  finds a gun
while out walking in a park one night.
and  uses  it  to coerce a girl on the
tram into giving him a blow job.  This
OAV  also features public confessions,
under-the-table masturbation scenes in
a coffee house and some nasty uses for
the  casting  couch  at  a  television
station.
%CREAM LEMON YOUNG LOVE: ANGIE & ROSE 

1(Eng title for CREAM LEMON AOI SEI ANGIE & ROSE, 

7complex pun on `aoi': blue-pornographic, green-verdant,

6green-fresh/young, and `sei/saga': sex/custom/nature.)
TYPE: OAV.


LENGTH:  30 mins.



JAPANESE  CREDITS:   1992.   Character
design: Mon-Mon. Prod:Kazuya Miyazaki.
Prod  co:  Studio Soft.    Fairy Dust,
Studio Soft, Japan Home Video.


POINTS OF INTEREST:    There   is   an
astronomical    number   of   possible
translations  for  this title; we have
plumped for the bland option above for
alphabetical     and     chronological
reasons.  As part of the marketing for
Angle  &  Rose,  Fairy  Dust offered 3
phonelines at 100 yen a minute:  `Dear
Ami', `Cream Lemon Theatre' and `Lemon
Confessions'.



CATEGORIES:  P


RATING:  N, PORN


OVERVIEW:  When he accepts his uncle's
offer  of a summer job, a Japanese boy
spends  a  hot  summer  in the sensual
maelstrom  that  is Canada, witness to
the adventures of his blonde aunt, the
experienced   Rose,   and  her  eldest
daughter,   the  sultry  rebel  Angie.
Somehow  out of place in the nineties,
this  spinoff  seems created more as a
bonus    item    for   the   laserdisc
retrospective   than   as   a  genuine
!attempt to jump-start the series.

CRYING FREEMAN
TYPE:  OAV series, 5 Parts.



LENGTH:  Each 50 mins.


JAPANESE  CREDITS:    1988-92.    Dir:
Daisuke Nishio (1), Nobutaka Nishizawa
(2),  Johei  Matsuura  (3),  Shigeyasu
Yamauchi  (4),  Takaaki Yamashita (5).
Screenplay:   Higashi  Shimizu  (1,3 &
4), Ryunosuke Ono (2 & 5).  Anime dir:
Koichi  Arai.  Art dir:  Masahiro Sato
&  Mitsu  Nakamura.   Music:   Hiroaki
Yoshino.   Prod  co:   Toei.      Toei
Video.


WESTERN  CREDITS:   US  video  release
1993   on   Streamline   Pictures  and
1994-95  on  Streamline Plctures/Orion
Home  Video,  dub, Eng rewrite Gregory
Snegoff;  UK  video  release  1994  on
Manga Video, dub.



ORIGINS:    Manga  by  Kazuo  Koike  &
Ryoichi  Ikegami,  Eng  trans  pub Viz
Communications (US), Titan Books (UK).


POINTS OF INTEREST:      The     anime
character  designs  follow  the  manga
almost line for line.



SPINOFFS:      A    successful    1997
live-action    movie,    directed   by
Christophe  Gans.   He  has  announced
that    his    next   anime   inspired
production will be Patlabor 2.


CATEGORIES:  P, T



 RATINGS:  NN, XX, VV, SM, EROTIC


OVERVIEW:   A  violent video with lots
of sex scenes and some of the perviest
bad  guys (and gals) in anime.  Crying
Freeman  is  a  Chinese  assassin  who
rises  to  head  the  108 Dragons clan
with the aid of his wife, the only one
of   his   intended  victims  ever  to
survive.    The   various  trials  and
tribulations  of criminal life involve
a  mad  Barbie clone who wants to make
him   her  personal  sex  toy  and  an
African  gang  queen  who  believes in
cutting   right   to  the  bone.   The
leading   man   gets  his  kit  off  -
frequently - but otherwise most of the
gratuitous  nudity  is female, and all
of  it  is  vague in the genital area.
Not digitised, just not there.


END.
DANCE TILL TOMORROW

(Eng title for ASATTE DANCE, lit Dance
the Day After Tomorrow)

TYPE:  OAV series, 2 parts.



LENGTH:  Each 45 mins.


JAPANESE  CREDITS:    1990-91.    Dir:
Teruo Kigure (1), Masamune Ochiai (2).
Screenplay:    Sheila   Nakajima  (1),
Tomohiro   Maruyama   (2).   Character
design:  Jiro Sayama.  Music:  Tetsuya
Nakamura.    Prod:   Satoshi  Nishino.
Prod  co:   Knack.    Yamamoto, Tokuma
Japan Communications.



ORIGINS:   Manga  by  Naoki  Yamamoto,
serialised  in Big Comic Spirits.  Eng
trans pub Viz (US), serialised in Pulp
magazine.



CATEGORIES:  P, C



RATINGS:  N, EROTIC



OVERVIEW:   Women  are  only after one
thing,  unless  that is, they stand to
benefit    from    your   inheritance.
Another entry in the `unwelcome guest'
stakes,  not  because  our  hero can't
have  sex  with  his roommate (he can,
and  does),  but  because  he  has  to
decide whether the gorgeous Aya really
is   the  girl  for  him,  or  just  a
gold-digging sneak.  

DEMON BEAST INVASION
9(Eng title for YOJU KYOSHITSU, lit Demon Beast Classroom)

TYPE:  OAV series, 6 parts.



LENGTH:  Each 45 mins.


JAPANESE  CREDITS: 1990-94.  Dir:  Jun
Fukuda (1,2,5 & 6), Juki Maki (3 & 4).
Screenplay:  Joji Maki (1 & 2), Wataru
Amano  (3-6).  Character design:  Mari
Mizuta (1 & 2), Hisashi Ezura (3 & 4),
Toshikazu  Uzami  (5  &  6).   Monster
design: Junichi  Watanabe.   Art  dir:
Naoto   Yokose.    Music  dir:   Teruo
Takahama.    Prod   co:   Daiei     T.
Maeda, Daiei.



WESTERN  CREDITS:   US  video  release
1995-96  on  Anime  18, sub, trans Moe
I.Yada.



 ORIGINS:  Manga by Toshio Maeda.


POINTS OF INTEREST:    Features   porn
actresses  in  the  main  voice roles.
Translator's  pseudonym  `Mo  iya  da'
means `I can't take any more'.


CATEGORIES:  P, H



RATINGS:  XX, NN, VV, SM, PORN


OVERVIEW:   Why do invasions of demons
always start in Japanese high schools?
In  fairness,  this  time  the  demons
aren't invading - they're coming home.
An ecological disaster drove them from
Earth  aeons ago and now they want the
old  place  back.  And of course, they
have   to   mate   with   human  women
(preferably  high.   school  girls  or
nurses,   but  they're  not  all  that
fussy) to create a new hybrid that can
get  the  planet  in  good  shape  for
Grandma  and  Grandpa's  return.   The
Interplanetary    Mutual   Observation
Agency  is there to stop them, but not
before  lots  of demonic tentacle rape
scenes.

DEVIL HUNTER YOKO

.(UK title/trans for MAMONO HUNTER YOKO [pun on
6YO-bewitching. KO-child], US title DEVIL HUNTER YOHKO)
TYPE:  OAV series, 6 episodes.


LENGTH:   Part  1  45  mins, parts 2-6
each 30 mins.



JAPANESE  CREDlTS:    1991-95.    Dir:
Katsuhisa  Yamada.  Script:  Yoshihiro
Tomita.   Character  design:   Takeshi
Miyao.  Anime dir:  Tetsuro Aoki.  Art
dir:   Takeshi  Waki.   Music:  Hiroya
Watanabe.  Prod co:  Madhouse.    NCS,
Toho Video.



WESTERN  CREDITS:   US  video  release
1993-96   on  AD  Vision,  sub,  trans
Arakaki  &  Dwayne  Jones;  UK partial
video    release   1995   on   Western
Connection,    sub,   trans   Jonathan
Clements.



CATEGORIES:  D


RATINGS:  N, V, X, EROTIC



OVERVIEW:   All  men,  the  theme song
tells  us,  are  devils  in  disguise.
Sixteen  year-old  Yoko  is  about  to
discover  the truth for herself.  Will
she  stay  a virginal demon fighter in
the  tradition  of  the  women  of her
line,  or  will  she  duck  out of her
responsibility  and  play around while
she's  still  young  and  giddy?   The
demons  who  are  invading  the  human
world will do anything to diminish her
powers, including enlisting the aid of
a   possessed  classmate  to  try  and
`persuade' her to abandon virginity by
fair  means or foul.  With the help of
good  advice,  good  friends, a bit of
luck  and  sheer  determination,  Yoko
navigates  the  perilous world of love
%and magic and keeps her options open.

DOOMED MEGALOPOLIS  
(Eng  title  for TEITO MONOGATARI, lit
[Imperial/Capital] City Story)
TYPE:  OAV series, 4 parts.



LENGTH:  Each 50 mins.


JAPANESE  CREDITS:    1991-92.    Dir:
Kazuyoshi   Katayama   (1),  Kazuyoshi
Katayama   &   Koichi  Chigira  (2-4),
Kazushige  Kume  (3 & 4).  Supervising
dir:   Taro Rin.  Screenplay:  Akinori
Endo.    Character  design:   Masayuki
Goto.   Anime  dir:  Koichi Hashimoto.
Art  dir:   Hideyoshi  Kaneko.  Music:
#Kazz  Toyama.   Prod co:  Madhouse.

H.Aramata, Toei.


WESTERN  CREDITS:   US  video  release
1993-94  on  Streamline Pictures, dub,
Eng  rewrite  Ardwight Chamberlain; UK
"video release 1994 on Manga Video.


ORIGINS:   Novels  by Hiroshi Aramata,
pub Kadokawa Shoten.


POINTS OF INTEREST:           Ardwight
Chamberlain  is  the  voice of Babylon
5's   Ambassador   Kosh.    The  Kanto
earthquake also features in the Legend
of the Overfiend.



SPINOFFS:   A  live-action  version is
also  available  in  the UK from Manga
Video.


CATEGORIES:  P, D



 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:   Incest  and its impact are
creepily  portrayed  here,  and  black
magic  is  for  once  genuinely scary.
It's  not the sort of story you expect
to  end  with  a rendition of `All You
Need   is   Love',   which   comes  as
something of a surprise.  Part one has
a  strong  turn-of-the-century opening
with  everything  from  a  resurrected
sorcerer  plotting  to take control of
Tokyo's   guardian   spirit   to   the
beginning  of the incest subplot which
is  finally  resolved  in  part  four.
Part   two   takes   us   up   to  the
devastating  Kanto Earthquake of 1923,
and  sees evil sorcerer Kato producing
his  own  demonic  offspring after the
rape  of an innocent girl.  Part three
introduces  two  new  elements  -  the
building of the Tokyo subway after the
earthquake,     disturbing     ancient
dragons,  and  the arrival of a Shinto
priestess  determined  to  save Kato's
daughter   from  being  sacrificed  to
further  her  father's lust for power.
The  final  part  is heavy with Shinto
symbolism,  but  the  demonic  Kato is
redeemed by the power of love, and the
dark   secret  within  the  family  is
 brought  out  into  the  open.  
DRAGON KNIGHT

TYPE:  OAV series, 2 parts.



LENGTH:   Part  1  40  mins, part 2 50
mins.



JAPANESE  CREDITS: 1991-94.  Dir:  Jun
Fukuda   (1),   Kaoru   Toyo'oka  (2).
Screenplay:   Akira  Hatta.   Original
story:   Masato Hiruda, Original idea:
Dr     Pochi.     Original    concept:
Yoshinori Nakamura.  Character design:
Ako  Sahara  & Akira Kano.  Anime dir:
#Yuma Nakamura.  Prod co:  Polystar.

 Polystar, elf RPG, All Products.


WESTERN  CREDITS:   US  video  release
1994-95   on  AD  Vision,  sub,  trans
Ichiro Arakaki & Dwayne Jones.


ORIGINS:   Adult  computer game by elf
(Masato Hiruda).


CATEGORIES:  F


RATINGS:  X, N, V, SM, PORN



OVERVIEW:   A  disappointment to those
who  liked  the  monsters  in the RPG,
this  has  plenty  of  unclad girls to
take the edge off their sense of loss.
Armed  with sword and Polaroid, Takeru
is  a knavish knight rescuing girls in
distress  only  to cop a peek at their
charms.    True  love  and  friendship
redeem  him  in  the end, but not soon
enough.

DRAGON PINK

TYPE:  OAV series, 3 parts.



LENGTH:  Each 35 mins.


JAPANESE  CREDITS:     1994-95.   Dir:
Wataru  Fujii  (1), Hitoshi Takai (2 &
3).   Prod  co:  AIC.    Iyotoko, Pink
Pineapple.


WESTERN  CREDITS:   US  video  release
1994-95   on  SoftCel  Pictures,  sub,
trans Doc lssaac.



ORIGINS:   Created  by  Iyotoko,  best
known  in  Japan for computer RPGs and
garage  kits,  based  on  one  of  his
games.


POINTS OF INTEREST:      Edited     US
versions  of  all 3 OAVs exist, each 5
mins shorter.



CATEGORIES:  F, C



RATINGS:  X, N, V, SM, PORN



OVERVIEW:   Its  getting  to the stage
where   `dragon'  is  a  codeword  for
`large  breasts'  in anime.  Sex slave
Pink  and  her  sword-slinging  master
wander  a D&D universe losing battles,
treasure and clothing, helped by their
friends  Pierce  the  elf and Bobo the
warrior. Very silly.
#DYING FOR A GIRL/ALTAR OF SACRIFICE

(Eng  trans  for NANNICHI-KO NO SHINDE
MO II/IKENIE NO SAIDAN)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:    1984.   Original
Story:    Fumio   Nakajima   Prod  co:
Wonder  Kids.      F.Nakajima,  Wonder
Kids.



ORIGINS:  The first Wonder Kids Lolita
Anime release was Reddening Snow/Girls
Tortured With Roses.


SPINOFFS:   The  later  Variation is a
direct  sequel  to Altar of Sacrifice.
The  next  release  in  the series was
House of Kittens.



CATEGORIES:  P


RATINGS:  NN, X, PORN



OVERVIEW:    The  second  Wonder  Kids
Lolita  Anime release, and the last to
include  two  short stories instead of
one  longer  one.   Dying  for  a Girl
features   a   student   who  secretly
admires  the senior who is helping her
with  her  tennis  swing.  Her desires
find  an  opportunity  when he rescues
her  from  a  would-he  rapist  in the
park.  Altar of Sacrifice, despite the
Overfiend-soundalike  title, is a tale
of  lesbian  awakening,  featuring two
girls putting antique statues to novel
uses.

THE ELVEN BRIDE

#(Eng title for ELF NO WAKA OKUSAMA,

lit A Young Elven Bride)
TYPE: OAV series, 2 parts.


LENGTH:  Each 30 mins.


JAPANESE  CREDITS:      1995.     Dir:
Hiroshi   Yamakawa.   Original  story:
#Kazuma  G-Verslon.   Prod co:  AIC.

Kazuma    G-Verslon,    Mediax,   Pink
Pineapple.


WESTERN  CREDITS:   US  video  release
1996  on  AD  Vision,  sub, trans Kuni
Kimura,  Eng  rewrite  Matt Greenfield
(1), Autumn Rowe (2).



POINTS OF INTEREST:   Milfa's  uncanny
resemblance  to Deedlit from Record of
Lodoss War.



CATEGORIES:  F


RATINGS:  N, X, PORN


OVERVIEW:   Elves  mature  slower than
humans,  so  when  Milfa  marries  the
human    Kenji,   there's   a   slight
proportional   difference   in   their
anatomical     development.      After
self-help in part one doesn't entirely
solve  the  problem,  Milfa  goes to a
doctor  specialising  in  interspecies
relationships - who is also an incubus
and a grade-A lech.

END OF SUMMER

(Eng title for DOKYUSEI NATSU NO OWARI
#NI, lit Classmates:  End of Summer)

TYPE: OAV series, 4 parts.


LENGTH:  Each 55 mins.


JAPANESE  CREDITS:  1994.  Dir:  Kinji
Yoshimoto.      Screenplay:     Yuhiro
Tomita.   Character design:  Ryunosuke
Otonashi.  Character concepts:  Masaki
Takei.   Prod:   KSS.   Prod co:  Pink
Pineapple.      elf,  Pink  Pineapple,
Cinema Paradise, Hero.


WESTERN  CREDITS:   US  video  release
1994-95  on  AD Vision, sub, Eng trans
Ichiro Arakaki & Dwayne Jones (1 & 2),
%Masako Arakawa & Chris Hutts (3 & 4).



ORIGINS:   Based  on the computer game
"Classmates by elf (Masato Hiruda).


POINTS OF INTEREST:  Note the presence
$of Plastic Little's Kinji Yoshimoto.


SPINOFFS:   The  sequel, Kakyusei, was
"released in the US as First Loves.


CATEGORIES:  P


RATINGS:  XX, N, PORN



OVERVIEW:   Wataru  really  loves Mai,
but    with   other   girls   throwing
themselves  at  him  all  summer long,
what's  a  boy  to  do?   The  typical
teenage  boy  dream;  lots of gorgeous
women  just falling into your lap, and
a Girl Next Door who believes you when
you  say  you  couldn't help yourself.
The artwork is really lovely.  You can
observe  the artists' skill with flesh
tones in some detail.

 F3: FRANTIC, FRUSTRATED & FEMALE
/(Eng title for NAGEKI NO KENKO YURYOJI, lit The

.Lament of an Otherwise Perfectly Healthy Girl)
TYPE:  OAV series, 3 parts.



LENGTH:  Each 35 mins.


JAPANESE  CREDITS:     1994-95.   Dir:
Masakazu   Akan.    Character  design:
Kaji   Hamaguchi.  Anime   dir:   Kaji
Hamaguchi.  Planning:  Kinya Watanabe.
Prod co:  Pink Pineapple.    Wan Yan A
Gu Da, Pink Pineapple.


WESTERN  CREDITS:   US  video  release
1995  on  SoftCel Pictures, sub, trans
Ichiro   Arakaki,   Eng  rewrite  Matt
Greenfleid.



ORIGINS:   Manga  by  Wan Yan A Gu Da,
pub Fujimi.



POINTS OF INTEREST:      The    script
backtracks     on    the    incestuous
characters  of  part 1, later claiming
that  they  only  look  as if they are
related.


CATEGORIES:   P



RATINGS:  XX, NN, G, PORN



OVERVIEW:   Hiroe  seeks  all kinds of
aids   for  her  feelings  of  teenage
frustration,  from  the  appliance  of
science  to  a lesbian biker bash with
her  mum  and  sister.   All  this  is
supposedly to help her achieve orgasm,
without which she won't feel fulfilled
by   her  boyfriend.   But  all  she's
really  looking for is the `right' man
to  ring  her  bell  (ie  the viewer),
turning  this  sapphic satire into the
logical extremes of the Abba song `The
Day Before You Came', in which a woman
catalogues  how  dreary  her  life was
before  the  arrival  of  her  perfect
lover.   Immortal  dialogue like `I'll
shoot  you all with my cannon of love'
shows Matt Greenfield's editorial hand
at  work;  his  apparent insistence on
cheesy  American  vernacular certainly
!pays dividends in the porn genre.

FIRST LOVES

-(Eng title for KAKYOSEI, lit Underclassmates)

TYPE:  OAV series, 4 parts.



LENGTH:  Each 18 mins.


JAPANESE  CREDITS:  1995.  Dir: Koichi
Yoshida  &  Kan Fukumoto.  Screenplay:
Yu  Yamamoto.  Character design:  Yuji
Takahashi.      Anime    dir:     Yuji
Takahashi.  Storyboards:  Kan Fukumoto
&  Hiroshi  Yoshida.   Prod  co:  Pink
Pineapple.    Pink Pineapple.



WESTERN  CREDITS:   US  video  release
1996 on AD Vision, sub.



ORIGINS:     Based    on   Classmates,
$released in the US as End of Summer.


SPINOFFS:   There  is  now  a  special
`elf' edition of the series, for those
%who like their porn with pointy ears.



CATEGORIES:  P


RATlNGS:  XX, N, PORN



OVERVIEW:   The  protagonists  in this
sequel  to  End  of Summer are younger
high  school kids, though the American
version  points  out  that they're not
legally    minors.    Kakeru   follows
Wataru's  lead, trying to make it with
his dream girl (his first) but getting
distracted  here and there, through no
fault of his own, of course.
FOBIA

TYPE:  OAV series, 2 parts.



LENGTH:  Each 47 mins.


JAPANESE  CREDITS:      1995.     Dir:
Shigenori Awai.  Screenplay:  Naruhiko
Tatsumiya.   Character design:  U-Jin.
Anime  dir:   Yoshinobu Yamakawa.  Art
dir:    Junichiro  Nishikawa.   Sound:
Noriyoshi  Matsuura.   Prod to:  Gaga.
  U-jin, Leed, Tec, Gaga.



WESTERN  CREDITS:   US  video  release
1998  on  Anlme  18,  dub, trans Kevin
McKeown.


ORIGINS:     Manga   by   U-jin,   pub
Leed/Read Comic.


CATEGORIES:  P, H



RATINGS:  NN, XX, V, PORN



OVERVIEW:  The drama group at Enoshima
College  is disrupted by the murder of
a   potential   leading  lady  Mutsumi
suspects  his fellow student Sato, but
Sato  has been possessed by repliniods
from  the future who feed on the blood
of   Japanese   schoolgirls.   Luckily
Mutsumi's  best mate turns out to be a
time-travelling  warrior  princess who
has  come  back  from  the  year  2112
searching  for a hero to wield a magic
sword and fight the beasts.  That hero
is   Mutsumi,   a  geek  who  gets  an
erection  every time he's worried.  He
certainly  wouldn't  get  one watching
this  slow,  moronic,  repetitive junk
which  takes  recycling of footage and
ideas to new depths.


END.
DESPERATE LOVE 1989

(Eng  trans for ZETSUAI 1989)

TYPE: OAV.


LENGTH:  45 mins.



JAPANESE  CREDITS: 1992.  Dir:  Takuji
Endo.    Script:   Tatsuhiko  Urahata.
Anime  dir:   Tetsuro  Aoki.  Art dir:
Shinichi     Uehara.      Storyboards:
Yoshiaki     Kawajiri.     Prod    Co:
Madhouse.    Ozaki, Shueisha.



ORIGINS:    Manga   by  Minami  Ozaki,
 serialised in Margaret magazine.


SPINOFFS:     Another   OAV,   Bronze:
Desperate   Love   Since   1989,   was
produced in 1996.



CATEGORIES:  P


RATINGS:  N, XX, G, EROTIC


OVERVIEW:   Izumo  is  a  gifted young
sportsman  with  a  terrible secret in
his  past.  Koji Nanjo is the son of a
wealthy  family who despise his career
as  a  rock  singer.   When he and his
friend  Katsumi  Shibuya enter Izumo's
life,  they  change his entire future.
Neither   of   the   young  men  would
describe  himself  as  `gay', yet they
find   themselves   falling  for  each
other.   Their  love  is too strong to
resist and they become emotionally and
sexually  involved  in an affair which
could  end  both their careers.  Prime
shonen ai material.

GHOST IN THE SHELL
$(Eng title/trans for KOKAKU KIDOTAI)
TYPE: MOVIE.


LENGTH:  75 mins.



JAPANESE  CREDITS: 1995.  Dir:  Mamoru
Oshii.    Screenplay:   Kazunori  Ito.
Character  design:   Hiroyuki  Okiura.
Mecha   design:    Shoji   Kawamori  &
Atsushi   Takeuchi.    Music:    Kenji
#Kawai.   Prod  co:   Production IG.

Shirow, Kodansha, Bandai Visual, Manga
Entertainment.


WESTERN  CREDITS:   US & UK theatrical
release  1995,  video  release 1996 on
Manga  Video,  sub,  dub,  trans  Taro
Yoshida & Paul C.Halbert.



ORIGINS:   Manga  by  Masamune  Shirow
serialised in Young Magazine.



SPINOFFS:   A  sequel  to the manga is
now appearing in Japan.



CATEGORIES:  SF



RATINGS:  N, V, MAINSTREAM


OVERVIEW:    Oshii's  film  is  richly
sensual,  with  a  visceral  score and
wonderful,  almost  subliminal detail.
Ito    wisely    simplifies   Shirow's
right-wing  manga  down  to  the  bare
bones  of a romantic metaphor, but the
result   is  still  powerful.   Motoko
Kusanagi  and  her  colleagues  in  an
elite  government  squad  are  on  the
track  of  a  cybercriminal.   As they
learn  more about him and his origins,
Kusanagi  questions  the  basis of her
world  and  her own existence.  She is
largely  a  machine  yet  has  a human
consciousness; she wants to be free of
the  confines  of  the physical world,
yet   feels   the   need  for  ongoing
relationships   and   contacts.    The
so-called  cybercriminal holds the key
to  a  new way of living, and Kusanagi
wants to find out the truth about him.
Interestingly,  all  the female shells
in  this  story  are  just  that, mere
disposable   dolls  made  to  serve  a
function,   with   the   exception  of
Kusanagi  herself.  The only character
in   the   story  who  talks  about  a
`normal' relationship, with a wife and
daughter,  turns  out  to be a deluded
low-life parroting the fictions fed to
him by a superior intellect.  The only
relationship      which     challenges
Kusanagi's  loyalty to her team is the
one  which  will enable her ultimately
to shed her female shell and swim free
in  the  currents of information which
now  circle  the world as relentlessly
as any ocean's.

THE GIGOLO
4(Eng title for DOCHINPIRA: ONNA DAISUKI!, lit Vulgar
Punk: I Love Women!)
TYPE: OAV.


LENGTH:  45 mins.



JAPANESE  CREDITS:      1993.     Dir:
Hiromitsu Ota. Screenplay:  Amano. Art
dir: Shigemune Kikoyama.  Storyboards:
Hironobu Saito. Prod co:  Studio Kikan
  T.Doko, Seiyo, Jackpot.



WESTERN  CREDITS:   UK  video  release
1994   on  Kiseki  Films,  dub,  trans
Ryoichi Murata.



ORIGINS:    Story   by  Makio  Hara  &
Tetsumi Doko.



POINTS OF INTEREST:   This  title  was
among  the  UK  top  20  selling anime
videos  for  over  18 months after its
release.


CATEGORIES:  P


RATINGS:  XX, NN, V, SM, PORN



OVERVIEW:   It isn't often you get two
for the price of one, but here you can
have  cheap  and  nasty  in one video.
Jin  is  a  young man who drops out of
college  to  make a living selling his
body  to bored rich women in Tokyo.  A
life   of   hanging   round  bars  and
shopping malls suits him to perfection
despite  the  occasional rough client,
but  he  gets  involved with the wrong
woman and finds himself up to his neck
in gangland warfare. The plot, script,
characterisation and pacing are all so
banal  and  predictable that you could
get  more  of  an erotic charge out of
watching paint dry.

THE GIRL FROM PHANTASIA

(Eng title for FANTASIA)
TYPE: OAV.


LENGTH:  40 mins.



JAPANESE  CREDITS:   1993.   Dir:  Jun
Kamiya.    Character  design:   Kazuya
Kise,  Art  dir:  Kazuya Kise.  Music:
Toshiyuki    Watanabe.     Prod    co:
Starchlld  Records.      King Records,
IG.



WESTERN  CREDITS:   US  video  release
1994  on  AD Vision, sub, trans Ichiro
Arakaki.


 ORIGINS:  Manga by Akane Nagano.


CATEGORIES:  C, F



RATINGS:  X, V, EROTIC


OVERVIEW:  Everyone thinks magic makes
life  easier.  But when Akihiro buys a
new  rug  for his student digs, hoping
it  will  help  him seduce his girl by
providing  a  comfier  setting for his
advances,  he  finds that's not always
true.   The gorgeous female sprite who
pops  out of the carpet might not be a
problem   in   herself   (though   his
girlfriend  is unlikely to agree), but
the   rug  is  a  gateway  to  another
dimension and there are much less soft
and  cuddly  things waiting to emerge.
As  evil  spirits start to pour out of
the  rug  and  into our world, Akihiro
has  two  big problems - get them back
before  they do any harm, and stop his
girlfriend  from finding out about the
good-natured generous, uninhibited and
underdressed  Malon  (who  is just one
vowel away from being a pun on her own
anatomy).   All  the  jokes  have been
done  before,  so  that's quite enough
about shag piles at the back.

GOLDEN BOY
TYPE: OAV series, 6 parts.


LENGTH:  Each 30 mins.


JAPANESE  CREDITS:     1995-96.   Dir:
Hiroyuki  Kitakubo  &  Tatsuya  Egawa.
Character Design:  Toshihiro Kawamoto.
Anime    dir:    Toshihiro   Kawamoto,
Yasuhito Kikuchi, Masa Honda & Michiyo
Suzuki.   Art  dir:  Tatsuya Kushida &
Yuji  Ikehata.  Prod Design:  Hiroyuki
Kitakubo.     Storyboards:    Hiroyuki
Kitakubo.    Music   Joyo  Katayanagi.
Prod   co:   APPP.      T.Egawa,  KSS,
Shueisha.



WESTERN  CREDITS:   US  video  release
1996  on  AD  Vision, sub, Eng rewrite
Matt Greenfield.


ORIGINS:   Manga by Tatsuya Egawa, pub
Shueisha.



POINTS OF INTEREST:     Egawa  is also
author    of    the    manga   Magical
Talruto-kun  (also a TV series) and Be
Free.



CATEGORIES:  P, C



RATINGS:  NN, X, EROTIC



OVERVIEW:  The amorous adventures of a
young man who sets out on his pushbike
to  seek the university of life, where
all  the  professors seem to be female
and  gorgeous.   Kintaro  is  a voyeur
with  a beast fetish almost as serious
as his passion for computers, and he's
given  to  practices Western males may
find   a  little  strange  -  sniffing
toilet  seats  after  ladies have used
them,  for instance  -  alongside  the
normal lechery  and  groping.  Amazing
art and some humour.
GUY

3(Eng title for GUY: YOMA KAKUSEI,lit Guy: The Demon

/Awakes, & GUY SECOND TARGET OGON NO MEGAMI HEN,

4lit Guy Second Target Chapter of the Golden Goddess)
TYPE:  OAV series, 2 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:  1988 & 1992.  Dir:
Yorihisa  Uchida.   Character  design:
Yasuhiro  Makino  (1), Yorihisa Uchida
(2).  Mecha  design:  Yukio  Tomimatsu
(1), Eiichi Akiyama & Eiko Murata (2).
Monster design:  Masami Obari.  Music:
Nobuhiko    Kashihara.     Prod    co:
Friends.    Media Station.


WESTERN  CREDITS:   US  video  release
1993  on  AD Vision, sub, trans Ichiro
Arakaki   &  Dwayne  Jones;  UK  video
release 1994 on Animania, dub.


POINTS OF INTEREST:  The US version of
part  1  retains  the sequences edited
from  the  UK release.  However, there
is also an edited version available in
the US.



CATEGORIES:  SF, H


 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:  Schlock horror porn for the
wannabes  of the MTV generation.  It's
trying very hard to be cool, but can't
wipe  off the drool.  The infamous gun
rape  sequence  of part one is the bit
most  likely  to  give  offence to any
thinking  person  (any thinking person
who  hasn't  yet borrowed it for their
own  live  action  thriller, that is),
but the whole premise is largely based
on  mindless titillation and spares no
"stereotype in pursuit of its goal.
HANAPPE BAZOOKA

TYPE: OAV.


LENGTH:  55 mins.



JAPANESE  CREDITS:   1992.  Dir:  Yoyu
Ikegami.    Character  design:   Fujio
Oda.   Art  dir:  Fujio Oda.  Prod co:
Studio Signal.    Koike, Nagai Dynamic
Planning, Nippon Crown.



WESTERN  CREDITS:   US  video  release
1996  on  AD Vision, sub, trans Ichiro
Arakaki;  UK  video release 1997 on AD
Vision UK, sub.



ORIGINS:   Manga  by  Kazuo Koike & Go
Nagai, pub Shueisha.


POINTS OF INTEREST:     A more serious
study  of the same themes can be found
in Nagai's Shutendoji.


CATEGORIES:  P, C, F


RATINGS:  NN, XX, G, SM, EROTIC



OVERVIEW:  Teenage loser Hanappe has a
wildly   disinterested   (not  to  say
dysfunctional)     family    and    is
constantly getting beaten up by a gang
of bullies.  Then his life changes for
the worse.  Two demons - one male, one
female  -  arrive from the netherworld
and  give him the gift of irresistible
sex  appeal.   Like all demonic gifts,
though,  the  catch  isn't clear until
you   read   the   small  print.   But
Hanappe's  sweet nature and kind heart
win  over  the demons, and the girl of
his  dreams.  All he really wanted was
a  happy  family  and a nice girl, and
after  lesbian  bondage,  demonic  sex
parties  and  hordes  of  rampant  old
ladies  have  disrupted  the fabric of
space-time, that's what he gets in the
end.
HOLEY PANTS: DESIRE ON A STROLL

-(Eng trans for PANTS NO ANA:  MANBO DE GANBO)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:      1987.     Dir:
Nobuyuki  Kitajima.   Original  story:
Pants  no  Ana.     Gakushu Kenkyusha,
Soeishinsha, Pony Canyon.



ORIGINS:  Stories and letters in Bomb!
magazine.



POINTS OF INTEREST:         Supposedly
written,  directed,  cast  and  scored
with  the  aid  of  fan  comments  and
questionnaires    returned    to   the
production company.



CATEGORIES:  P, C



RATINGS:  N, EROTIC



OVERVIEW:   The  ad  blurb claims that
this is a sweet, humorous look at teen
worries,   born   from  the  real-life
concerns  of correspondents with Bomb!
magazine.    An  excellent  excuse  to
blame  the  audience  if  a project is
unsuccessful.   Since  there  were  no
follow-ups,  we  can  assume  that the
experiment was a failure.

HOMEROOM AFFAIRS
4(Eng title for TANIN NO KANKEI, lit Human Relations)
TYPE: OAV series, 2 parts.


LENGTH:  Each 45 mins.


JAPANESE  CREDITS:  1994.  Dir:  Osamu
Sekita.      Screenplay:      Hiroyuki
Kawasaki.   Character  design:  Minoru
Yamazawa.   Art  dir:   Akira  Furuya.
Music:   Hiroyuki Takei.  Prod co:  JC
Staff.        Arima,  Hakusensha,  Jam
Creation, JC Staff.



WESTERN  CREDITS:   US  video  release
1994  on  Star Anime Enterprises, sub,
trans John T.Carr III.


ORIGINS:   Manga  by Ichiro Arima, pub
Hakusensha.



CATEGORiES:  P, C



RATINGS:  X, N, V, EROTIC



OVERVIEW:   This  constantly  promises
more than it delivers in erotic terms.
Just   as  the  heroine  can't  decide
whether  she's  really  a  bad girl or
just  a  confused  child  in need of a
strong  man  to look after her, so the
script  and  direction can't decide if
they're  a soft porn flick or a tender
romance    with    bits    of   sexual
titillation.    Through  a  series  of
wildly  unlikely coincidences, a young
man  in  his  first teaching job finds
himself living with one of his pupils.
It's  all  innocent,  despite her best
efforts, but he'd get sacked if he was
caught.  Then her ex shows up, there's
a  bit  of  trouble,  and Teacher gets
beaten  to  a  pulp  saving her from a
gang  rape.   In  the  end  there's  a
proper   engagement,  with  a  wedding
planned for when she graduates.

HOMOSEXUAL REPORT

(Eng trans for OKAMA HAKUSHO)

TYPE:  OAV series, 3 parts.



LENGTH:  Each 45 mins.


JAPANESE  CREDITS:     1992-92.   Dir:
Teruo  Kigurashi.   Screenplay:  Ippei
Yamagami (1), Sheila Yamazaki (2 & 3).
Character  design:   Teruo  Kigurashi.
Music:    Jiro   Takemura.   Prod  co:
Knack.    Knack.


ORIGINS:   Manga  by  Hideo  Yamamoto,
serialised In Young Sunday.



CATEGORIES:  P


RATINGS:  N, G, EROTIC


OVERVIEW:   A  gay man troubled by his
own  uncertainties decides to test out
his  feelings by approaching his close
friend's     girlfriend     in    this
contemporary tragicomedy.

HOUSE OF KITTENS
!(Eng title for KONEKO-CHAN NO IRU

 MISE, lit Where the Kittens Are)
TYPE: OAV.


LENGTH:  30 mins.



JAPANESE  CREDITS:    1984.   Original
Story:    Fumio  Nakajima.   Prod  co:
Wonder  Kids.      F.Nakajima,  Wonder
Kids.



ORIGINS:   The  previous  Wonder  Kids
Lolita   release   was   Dying  for  a
Girl/Altar of Sacrifice.


POINTS OF INTEREST:   According to the
Newtype Animesoft compendium, this was
the most popular of  the Lolita  Anime
series.



SPINOFFS:    Variation  was  the  next
release in the series.


CATEGORIES:  P


RATINGS:  N, PORN



OVERVIEW:    The   third  Wonder  Kids
Lolita  Anime  release, in  which  two
schoolgirls catch their teacher in the
act and decide to experiment with each
other.   Another girl fantasises about
what  sex  would be like with an older
man,      circumventing     censorship
restrictions  by  assuring us it's all
happening inside her head.
I GIVE MY ALL

(Eng trans for MINNA AGECHAU)

TYPE: OAV.


LENGTH:  45 mins.



JAPANESE  CREDITS:  1987.  Dir:  Osamu
Uemura.   Character  design:   Masashi
Tsukasa.  Storyboards:   Osamu Uemura.
Prod:   Minoru  Takahashi.   Prod  co:
Animate Film.    CBS Sony.


ORIGINS:  Based on the manga by Hikari
Yuzuki.



CATEGORIES:  P, C



RATINGS:  NN, XX, PORN


OVERVIEW:  Yuno is a bored girl from a
good  family  who  spends an afternoon
snooping  from her bedroom window with
a  pair  of  binoculars  and catches a
young   neighbour  engaged  in  manual
activity with a pornographic magazine.
Taking pity on his solitary state, she
drops round to see him, and finds that
#he has problems only she can solve.



END.
JUNK BOY
3(Eng tItle for THE INCREDIBLE GYOKAI VIDEO JUNK BOY

(lit The Incredible Trade Video Junk Boy)
TYPE:  OAV.



LENGTH:  45 mins.



JAPANESE  CREDITS:      1987.     Dir:
Katsuhisa Yamada.Screenplay: Tatsuhiko
Urahata    &    Hiroyuki    Fukushima.
Character  design:   Hiroshi  Hamasaki
Chief   animator:   Hiroshi  Hamasaki.
Special    Animation   by:    Yoshiaki
#Kawajiri.   Music:   Takashi  Kudo.

Y.Kunimoto,      Futabasha,     Victor
Entertainment.


WESTERN  CREDITS:     UK  &  US  video
release  1996  on Manga Entertainment,
!dub, Eng rewrite George Roubicek.



ORIGINS:   Manga by Yasuyuki Kunimoto,
pub Futabasha.


CATEGORIES:  P, C



RATINGS:  NN, XX, EROTIC


OVERVIEW:   Ryohei  is  a  nerd  and a
creep  with  an overwhelmingly obvious
interest  in  sex  and correspondingly
fashionable baggy pants.  He talks his
way  into his dream job as dogsbody on
Potato  Boy  magazine, where he has to
evaluate  photos  (of naked girls), do
investigative  journalism  (concerning
naked girls who work in the sex trade)
and attend celebrity photoshoots (with
famous  naked girls).  Oh, and he gets
to  have  a  close  encounter with his
boss's  underwear  drawer.   Reviewers
with  enough sense to know better have
described  this  as amusing, sweet, or
even  inventive  and sexy; the authors
think  it's  a colossal yawn and would
#be offensive if it weren't so dumb.

KAMA SUTRA
1(Eng title for TOKKYO NO SEX ADVENTURE KAMA SUTRA

lit Ultimate Sex Adventure Kama Sutra)
TYPE:  OAV.



LENGTH:  43 mins.



JAPANESE  CREDITS:      1992.     Dir:
Masayuki  Ozeki.   Screenplay:   Seiji
Matsuoka.  Character design:  Shinsuke
Taresawa.  Art dir:  Chihata Miyazaki.
Music:     Ken   Yajima.    Prod   co:
Animate.         Go   Nagai,   Dynamic
Planning, Toho Video.



WESTERN  CREDITS:   UK  video  release
1994  on  Western  Connection, sub; US
video  release  1998  on  Kitty Media,
sub.


ORIGINS:   Ancient  Hindu erotic text;
manga by Go Nagai.


CATEGORIES:  F, C



RATINGS:  X, N, EROTIC


OVERVIEW:   Another  of  Nagai's saucy
postcards,  this  time  from India.  A
nineteen    year-old   virgin   (whose
girlfriend  can't  wait  to remedy the
situation) is on an archaeological dig
when  he  discovers  a beautiful Hindu
princess   who  has  been  frozen  for
centuries,  along  with  a  magic  cup
which  can  give both endless pleasure
and  eternal  life  to those who drink
from it.  Of course, first the cup has
to  be  filled  with  the right mix of
bodily fluids.  A harmless bit of smut
with   Nagai's   characteristic   good
humour.

KEKKO KAMEN

1(US title for KEKKO KAMEN; UK title KEKKOU KAMEN)

TYPE:  OAV series, 4 episodes.


LENGTH:  Each 27 mins.


JAPANESE  CREDITS:     1991-92.   Dir:
Nobuhiro  Kondo.  Screenplay:  Masashi
Sogo.     Character    design:    Tomo
Hirayama.    Opening   animation  dir:
Koji    Morimoto.     Music:     Keiji
Ishikawa.   Exec  prod:   Go  Nagai  &
Genji   Hiruta.   Prod:  Kenji  Nagai,
Yoshinaga  Minami & Masaharu Takayama.
Prod  co:  Studio Signal.    Go Nagai,
Dynamic Planning.



WESTERN  CREDITS:   UK  video  release
1995  on  East2West  on 2 tapes,  dub,
trans   Jonathan  Clements;  US  video
release  1995 on AD Vision, sub, trans
Masako Arakawa & Chris Hutts.



ORIGINS:  Manga by Go Nagai.


POINTS OF INTEREST:    Note  Memories'
Koji  Morimoto  as director of opening
animation.


SPINOFFS:    A   feature-length   live
action version directed by Go Nagai in
1991.   It  has been released on video
in   the  US  and  stars  Chris  Aoki,
Japan's Playmate of 1990.



CATEGORIES:  C, F



RATINGS:  NN, XX, V, SM, EROTIC



OVERVIEW:      Go     Nagai     didn't
single-handedly make sex funny, but he
knows  how  to bring out the humour in
any  sexual  situation.  He points out
the    silliness   of   sex   with   a
heart-warming   absence   of   malice.
Kekko  Kamen, the `Warrior of Love and
Justice',   fights   to   defend   the
innocent  -  no,  make  that hapless -
Mayumi  from  the various perverts and
sadists  who  make up the staff of her
high  school.  The episode one torture
scene,  in  which  a girl is tied to a
giant   rotating   swastika,  was  not
 popular with the British censor.
LA BLUE GIRL
,(Eng  title  for  INJU  GAKUEN LA BLUE GIRL,
$lit Lust-Beast Academy La Blue Girl)
TYPE:  OAV series, 6 parts.



LENGTH:   Each  45 mins except part 6,
60 mins.


JAPANESE  CREDITS:     1992-94.   Dir:
Raizo  Kitakawa (1), Kan Fukumoto (2 &
3,  5  & 6), Rin'o Yanagikaze (4 & 6).
Screenplay:      Megumi    Ichiyanagi.
Character   design:   Kinji  Yoshimoto
(1),   Rin   Shin   (2-6).   Art  dir:
Bibimba  Miyake  (1), Taro Taki (2-6).
!Music   dir:    Teruo   Takahama.

T.Maeda, Daiei.



WESTERN  CREDITS:   US  video  release
1995-96  on  Anime  18,  sub,  dub; UK
video certificate refused by the BBFC,
1996.



 ORIGINS:  Manga by Toshio Maeda.


POINTS OF INTEREST:    The   censoring
digitisation  imposed for the Japanese
%market was removed in the US release.



SPINOFFS:   A  sequel  series entitled
Lady  Blue.  A live-action version was
also released in Japan.



CATEGORIES:  F, H



RATINGS:  XX, NN, VV, SM, PORN


OVERVIEW:  High school girls Miko Mido
and her sister are heirs to an ancient
ninja clan.  Clan rivalry exposes them
to  attack  by lust-crazed demons.  It
turns  out  in  the end that the girls
are   half-demon   themselves,   which
technically   speaking  throws  incest
into  the  mix  as  well.  The ongoing
adventures    of   Miko   mix   family
problems,  high school friendships and
girl   rivalries   with  sequences  of
multi-tentacled demonic rape which, if
they do nothing else, will put you off
eating  squid  for  the  rest  of your
life.

LADY BLUE

TYPE:  OAV series, 4 parts.



LENGTH:  Each 60 mins.


JAPANESE  CREDITS:  1996-97. Dir:  Kan
Fukumoto.   Script:   Megumi  Ichiryu.
Character design:  Rin Shin.  Art dir:
Shoji   Hitachi.    Storyboards:   Kan
Fukumoto.   Exec  prod:  Rusher Ikeda.
Prod:   Smally  Izumi  &  Kento  Maki.
Prod  co:   Daiei.      Toshio  Maeda,
Daiei.


WESTERN  CREDITS:   US  video  release
1998  on  Anime  18,  sub, trans Kevin
McKeown.


ORlGINS:    Manga   by  Toshio  Maeda;
sequel to La Blue Girl.



POINTS OF INTEREST:   The digitisation
imposed  for  the  Japanese market was
removed in the US release.


CATEGORIES:  F, H



 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:  Miko Mido is in college and
falling  in  love  for  the very first
time,   much   to   the  jealousy  and
frustration   of  her  ninja  sidekick
Nin-Nin.   But  an  ancient curse, the
result   of   a   love   affair   gone
tragically  wrong,  puts  her would-be
boyfriend  in  danger.   Thanks to the
BBFC,  the  people  of Britain will be
forever  protected  from  lines  like:
`The  flute strangely resounds through
the  Shikima and forebodes the revived
hatred  of  the  Anti-Shikima stemming
from  an  incident  that  happened 400
years ago'.   And   who   can  forget:
`ln  this  world  the  flute  makes  a
strange,   intoxicating   sound   that
brings  forth  an  amorous  rapture in
young women'.

LEGEND OF LYON: FLARE

)(Eng title/trans for LYON DENSETSU FLARE)

TYPE:  OAV series, 2 episodes.


LENGTH:  Each 30 mins.


JAPANESE  CREDITS:  1986 & 1990.  Dir:
Yorihisa  Uchida.   Character  design:
Yorihisa  Uchida  &  Yakihiro  Makino.
Prod  co:   Media  Station.      Media
Station.


WESTERN  CREDITS:   US  video  release
1994  on  AD  Vision,  sub,  trans Doc
Isaac (sic).


POINTS OF INTEREST:   Described by one
US    reviewer    as   `Urotsukidoji's
drooling Idiot cousin'.



CATEGORIES:  F, H



RATINGS:  X, V, NN, SM, PORN


OVERVIEW:   Once  again, the tentacled
alien  hordes  are  invading  and they
want   our  women.   Luckily  for  the
monstrous   rapists,   psychic  lovely
Flare  doesn't  use  her  considerable
powers until after most of her friends
have  got closer to the calamares than
they  would  have liked.  Aided by her
sword-slinging  sidekick  Neris, Flare
finally  makes  sushi of the monsters.
In  part two, however, she learns that
something  is lurking in the woods and
has  to start the whole process again.
Some   people   never  learn,  whether
they're  tentacled  monsters  or anime
buyers.

LOLIKON ANGEL: PRETTY GIRL
COMIC: SECRET EXPERIENCE
$(Eng trans for LOLIKON ANGEL BISHOJO
COMIC HIMITSU NO AJI)

TYPE:  OAV.



LENGTH:  25 mins.



"JAPANESE  CREDITS:  1985. Prod co:
!Pumpkin Pie.    Japan Home Video.



CATEGORIES:  P


RATINGS:  N, G, PORN


OVERVIEW:   One  of  the  Cream  Lemon
clones  rushed  out  to cash in on the
lolikon  fad,  this  one  is  a thinly
plotted  excuse  to get three underage
girls  under  a shower together.  Even
the  normally  timid  Newtype comments
that:    `while   there  may  be  hard
lesbian   action,  the  animation  and
storyline   are   considerably   below
standard'.
LOVE'S WEDGE
(Eng  trans for Al NO KUSABI, can also
#trans as Ties of Love, Loving Bond)

TYPE:  OAV series, 2 parts.



LENGTH:  Each 60 mins.


JAPANESE  CREDITS:  1992 & 1994.  Dir:
Akira  Nishimori (1), Kazuhito Akiyama
(2).   Script:   Naoko  Hasegawa  (1),
Reiko Yoshihara (2).  Art dir:  Yoichi
Nango.   Prod  co:  AIC.    Yoshihara,
AIC, Magazine.


ORIGINS:   Novel  by  Reiko  Yoshihara
illustrated  by Katsumi Michihara, pub
June magazine.


CATEGORIES:  SF



RATINGS:  XX, N, V, G, EROTIC



OVERVIEW:   Set  in  a future in which
teenage   `Pets'  are  sex  slaves  to
wealthy   and  powerful  adults,  this
powerful  shonen  ai  tale  of  doomed
love,   corruption   and  nobility  is
elegantly  animated, though with major
differences  in  style between the two
episodes.

LUNATIC NIGHT

TYPE: OAV 2 episodes.



LENGTH:  Each 35 mins.


JAPANESE  CREDITS:     1996-97.   Dir:
Fuyumi  Shirakawa  (1),  Teruo  Kigure
(2).   Screenplay:  Shinji Nishiyama &
Haruka    Kaio.    Character   design:
Kiginmaru   Oi.   Gen  prod:   Seiichi
Nishino.   Prod:  Shigeyuki Hasegawa &
#Noriko  Nishino.   Prod co:  Knack.

Mii, Mediax, Knack.



WESTERN  CREDITS:   US  video  release
1998  on  Anime  18,  sub, trans Kevin
McKeown.


ORIGINS:  Manga by Akira Mii.



POINTS OF INTEREST:      US    version
removes  the  censoring  digitisation,
giving    the   characters   infantile
genitalia  to  match  their  infantile
behaviour.


CATEGORIES:  P, SF, F, C


RATINGS:  NN, XX, SM, PORN


OVERVIEW:   Seemingly  written by four
drunken  hacks  taking  turns  on each
page,  this script begins on a moonlit
night  when college boy Kanzaki gets a
sex-crazed  girl  for  a  pet.   She's
there  to  remind him he's the lord of
Atlantis   and  final  incarnation  of
Krishna,  forced  to fight his satanic
schoolmate  Mutsuki for control of the
world    amidst    innumerable   jokey
references  to classic manga and anime
like Babel II, Giant Robe and Striker.
Watch  in  particular  for  V-girl,  a
robotic   minion   who   is  an  evil,
whip-wielding   dominatrix   when  her
batteries  are  inserted the wrong way
round,  but  becomes  a  shy  virginal
schoolgirl   when   you   follow   the
instructions  in  the manual.  In part
two,  overindulgence  has  turned  all
Atlantean   men   into   penises   and
incredible  power  awaits  the man who
can  pass  the  trials  and give Queen
Estelle  the  orgasm  of  a  lifetime.
Kanzaki  also  has to pleasure a giant
Amazon who drowns him with her breasts
and   prompts  the  meaningful  quote:
`She's  huge!   I could stick my whole
head  in  there.'  We  would  like  to
apologise  for making this sound a lot
more interesting than it is.
LUST ALIEN
0(Eng title for INJU ALIEN, lit Lust-Beast Alien)
TYPE:  OAV.



LENGTH:  45 mins.



JAPANESE  CREDITS:  1997.  Dir:  Norio
Takanami.    Character   design:   Ryu
Tsukiyo.   Storyboards:   Shin  Taira.
Prod  co:   Pink  Pineapple.      Pink
Pineapple.


CATEGORIES:  SF



RATINGS:  N, V, PORN


OVERVIEW:  A thousand light years from
home,  and  without a man in sight, an
all-female   space   crew  resorts  to
lesbian  sex  to  slake  their sensual
thirst.  But when the ship is attacked
by  a  multi-tentacled  alien  monster
with  a  craving for female flesh, the
scene  is  set  for many tits and many
tentacles,  in  what  is supposedly an
original  contribution  to  the  genre
because  it  doesn't  take  place in a
high school.


END.
MAD BULL 34

TYPE:  OAV series, 4 episodes.


LENGTH:   Each  60 mins except part 4,
50 mins.


JAPANESE  CREDITS: 1990-92. Dir: Tetsu
Dezaki. Screenpiay:  Toshiaki Imaizumi
Art  dir:  Nobutaka  Ike.  Music  dir:
Katsunori Shimizu. Prod co: Magic Bus.
  Koike, Inoue, Shueisha, Pony Canyon.


WESTERN  CREDITS:     US  &  UK  video
release  1996 on Manga Video, dub, Eng
rewrite John Wolskel.



ORIGINS:   Manga  by  Kanzuo  Koike  &
Noriyoshi Inoue, pub Shueisha.


CATEGORIES:  P, T



RATINGS:  X, V, SM, MAINSTREAM


OVERVIEW:   One  man's exotic location
is  another  man's  home  beat, but he
wouldn't  necessarily  recognise it as
such.   The New York of Mad Bull 34 is
a  white  trash  homeland  of run-down
brownstones    inhabited   by   pimps,
junkies  and  hookers  with  hearts of
gold,  where corrupt cops run the city
and  wet-behind-the-ears  rookies find
out that they're really the good guys,
whatever  police academy may have told
them.   The  mentor  character  Sleepy
`educates'  his  young  partner on the
mean  streets  through  such  romps as
transvestism in the course of duty and
running  a  hospital fund for hookers.
The  sub-standard  animation  was  bad
 enough.  The dub makes it worse.
MAGIC LIPSTICK
(Eng trans for MAHO NO ROUGE LIPSTICK)
TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1985.   Prod  co:
Fairy Dust.    Akushinsha.


CATEGORIES:  P, F



RATINGS:  NN, XX, PORN


OVERVIEW:    Yuma  is  given  a  magic
lipstick  with which she can transform
herself  into  a grown woman.  In this
stunningly beautiful form, she decides
to seduce her brother.
MEGAMI PARADISE 
4(Eng title for MEGAMI TENGOKU, lit Goddess Paradise)
TYPE:  OAV series, 2 episodes.


LENGTH:  Each 30 mins.


JAPANESE  CREDITS:      1995.      Dir
Katsuhiko    Nishijima.    Screenplay:
Mayori   Sekijima.    Original  Story:
Akihiro   Yoshimi.    Scenario:   Koji
Shimana  &  Masaki  Kawato.  Character
design:    Noriyasu  Yamauchi.   Anime
dir:   Noriyasu  Yamauchi.   Art  dir:
Yoji    Nakaza.     Storyboards:    Ko
Matsuzono   (1),  Katsuhiko  Nishijima
(2).   Prod  co:   Animate.     Megami
Takada,  Kensetsu linkai, Media Works,
King Record, MOVIC.



WESTERN  CREDITS:   US  video  release
1996  on  AD Vision, sub, trans Ichiro
Arakaki.


ORIGINS:   Video  game  and subsequent
manga, pub Dengeki PC Engine magazine.


CATEGORIES:  F


RATINGS:  N



OVERVIEW:   Like  the  original  game,
this  is  an  excuse  to  see girls in
skimpy,   see-through   or  collapsing
outfits.   There's  an  apology  for a
plot  about  the lovely shrine maidens
having  to  defend  the realm of peace
and  light  from  the followers of the
Dark  Goddess, but if you expect it to
make  much  sense  you've  come to the
wrong place.
MELANCHOLY SLAVE
1(Eng trans for AI DORU, lit Melancholy Slave, but

'also  pun  on  `Idol' and `Love Slave')

TYPE:  OAV.



LENGTH:  Each 38 mins.


JAPANESE  CREDITS:  1997.  Dir:  Raizo
Kitagawa.   Screenplay:   Yuri Kanai &
Naomi   Hayakawa.    Original   story:
Naomi   Hayakawa.   Character  design:
Aidoru      Project.      Storyboards:
Kazumasa  Muraki.   Prod  co:  Raishin
 Film.    Hayakawa, Raishin, JVC.


CATEGORIES:  P


RATINGS:  SM, N, PORN



OVERVIEW:    Bereft  at  her  mother's
death,  Rachel  goes  into  a convent,
only     to    discover    that    the
contemplative life is not quite as she
imagined when she is bound, gagged and
sexually   assaulted   by   lust-crazy
lesbian nuns.

MIDNIGHT ANIME LEMON ANGEL
TYPE:  TV series, 47 episodes.


LENGTH:  Each 25 mins.


JAPANESE  CREDITS:     1987-88.    Art
director:   Yuji  Moriyama.   Prod co:
Fairy Dust.    Aichi.



CATEGORIES:  P


RATINGS:  N, G, EROTIC


OVERVIEW:   Three  lovely  teenagers -
and  the  three  actresses who provide
their  voices  -  share their midnight
confidences  and  fantasies  with  the
television audience.
MIYUKI-CHAN IN WONDERLAND

4(Eng title/trans for FUSHIGI NO KUNI NO MIYUKl-CHAN)
TYPE:  OAV series, 2 episodes.


LENGTH:  Each 35 mins.


JAPANESE  CREDITS:  1995.  Dir:  Masuo
Maruyama.    Prod:    Masahiro  Otake.
#Prod  co:  Mad House, Animate Film.

CLAMP,   Sony   Music   Entertainment,
Kadokawa, MOVIC.


WESTERN  CREDITS:   US  video  release
1997  on  AD Vision, sub, trans Ichiro
Arakaki.


ORIGINS:    Lewis   Carroll's   novels
Alice's  Adventures  in  Wonderland  &
Through  the  Looking Glass; the manga
#Miyuki-chan in Wonderland by CLAMP.



CATEGORIES:  F


RATINGS:  NN, G, SM, EROTIC



OVERVIEW:    Miyuki   is  an  ordinary
teenager who finds herself pulled into
all  kinds  of strange situations when
she  follows  a  white rabbit and then
again when she passes through a mirror
- or has it all been a dream?  All the
scenes  have some link with Alice, all
seem  to  involve  clothes falling off
and  all  are  played  entirely by and
between     saucy     young     women.
Light-hearted  fantasy  with  gorgeous
art.
MY MARIE
(Eng trans for BOKU NO MARIE)

TYPE: OAV series, 3 episodes.



JAPANESE  CREDITS:      1996.     Dir:
Satoshi  Mochizuki.   Prod co:  Studio
Pierrot.            Pierrot,    Victor
Entertainment.


CATEGORIES:  P, F



RATINGS:  MAINSTREAM


OVERVIEW:   A  boy has a robot girl as
companion and toy, the perfect fantasy
of  a  woman  at  his  beck  and call.
Allegedly,  she's  a  surrogate little
sister,  there to help him woo another
Marie (the girl next door).  Read into
that what you will.

NEW ANGEL

 (Eng title/trans for SHIN ANGEL)
TYPE:  OAV series, 4 parts.



LENGTH:   Parts  1  &  2 each 50 mins,
parts 3 & 4 each 35 mins.



JAPANESE  CREDITS:     1994-95.   Dir:
Kaoru   Toyo'oka.   Screenplay:   Koji
Sakakibara.   Character  design:   Rin
Shin.   Chief animator:  Masato Ijuin.
Prod  co:   Pink  Pineapple.    Studio
Angel, U-Jin, Pink Pineapple.



WESTERN  CREDITS:   US  video  release
1995-96   on  AD  Vision,  sub,  trans
Masako  Arakawa,  Chris  Hutts  &  Doc
$Issaac, Eng rewrite Matt Greenfield.


ORIGINS:  Manga Angel by U-Jin.



CATEGORIES:  P


RATINGS:  XX, NN, PORN


OVERVIEW:     Erotic    adventure   of
Keisuke,   a   young  wan  who  always
manages  to pull something good out of
an  encounter  with  a  girl - even if
she's dead, like the young lady in the
first  episode,  or nude and suicidal,
like  the  one  in  the  second.   Not
tasteful,   not   tactful,   but  well
!animated with lots of sex scenes.

"NEW CREAM LEMON AMI - FROM THEN ON
0(Eng trans for SHIN CREAM LEMON AMI SOREKARA...)
TYPE:  OAV series, 4 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:  1988-90.  Prod co:
Fairy Dust.    Soeishinsha.



ORIGINS:   Follows  on  from  a  Cream
%Lemon Special Ami Image White Shadow.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   This  four-part  series is
considered  by Smet to mark the end of
the  lolikon  era.  All the characters
are  in  their  twenties  and Ami, the
innocent  who was seduced by her older
brother  in the first ever Cream Lemon
story   four  years  earlier,  is  now
nobody's  baby,  but  a young woman in
control   of  her  own  destiny.   The
quality   of   art  and  animation  is
generally  good, and certain stylistic
similarities  with  City  Hunter raise
questions  about  the identity of some
members of staff.

NEW CREAM LEMON DREAM - COLOURED BUNNY
/(Eng trans for SHIN CREAM LEMON YUME IRO BUNNY)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Prod  co:
Fairy Dust.    Soeishinsha.



CATEGORIES:  F, C



RATINGS:  NN, XX, PORN


OVERVIEW:    The   hapless  Takumi  is
forever  hanging  round  his local pet
shop  to  ogle  the  girls  who gather
there   to  coo  at  the  cute  little
animals.   One  day the pet shop owner
tells  him  that if he's going to keep
chasing  customers away, he'll have to
buy  something  himself.   But the pet
Takumi buys isn't your run of the mill
bunny.   She's  got  white ears, so he
calls  her  Milk.   She also has a few
hidden talents.  Super-deformed parody
with  no  respect for anthropomorphics
whatsoever.

%NEW CREAM LEMON ETUDE: SNOW HEARTBEAT

4(Eng trans for SHIN CREAM LEMON E-TUDE YUKI NO KUDO)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Prod  co:
Fairy Dust.    Soeishinsha.



SPINOFFS:   A second episode featuring
the same characters followed.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:    When  fragile,  beautiful
Yurika,  the child of a wealthy family
and  a  brilliant  classical  pianist,
falls  in  love  with  Ryo, her father
isn't  pleased.   Ryo  is  a biker and
plays with a jazz band, not at all the
lover  he  had  in mind for his little
girl.   When Yurika's health begins to
suffer,  Dad tries to break them up by
telling Ryo it's because of the strain
of their affair.  He could well have a
point.
NEW CREAM LEMON ETUDE 2:
EARLY SPRING CONCERTO

%(Eng trans for SHIN CREAM LEMON ETUDE

II SOSHUN CONCERTO)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1988.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:   This  is  a  sequel  to New
#Cream Lemon Etude:  Snow Heartbeat.



CATEGORIES:  P


RATINGS:  NN, XX, PORN


OVERVIEW:   Yurika  has  been very sad
since her break-up with Ryo.  With her
father  away  on  business, her mother
invites  a  childhood  friend along on
the  school  music club's summer trip,
in an attempt to matchmake.  Meanwhile
Ryo has embarked on another passionate
affair,  with  the  singer in his jazz
hand.

NEW CREAM LEMON PART ZERO

4(Eng title for SHIN CREAM LEMON ESCALATION SOSHUHEN,
+lit New Cream Lemon Escalation Compilation)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1988.   Prod  co:
Fairy Dust.    Soeishinsha.



CATEGORIES:  P


RATINGS: NN, XX, G, PORN


OVERVIEW:   A  compilation  of  scenes
from    two   original   Cream   Lemon
episodes, with less censorship.

NEW CREAM LEMON SUMMER WIND

,(Eng trans for SHIN CREAM LEMON SUMMER WIND)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Prod  co:
Fairy Dust.    Soeishinsha.



CATEGORIES:  P, F



RATINGS: NN, XX, PORN



OVERVIEW:  Yo's girlfriend died a year
ago.   On  holiday,  he  meets  a girl
called  Mina  and they decide to spend
the   rest   of  their  vacation  time
together.    But   there's   something
strange  and melancholy about her, and
the  affair  begins to take on an aura
of mystery.

NEW CREAM LEMON THE EVIL DOLL

)(Eng trans for SHIN CREAM LEMON MANINGYO)

TYPE: OAV.


LENGTH:  25 mins.



JAPANESE  CREDITS:  1987.  Dir:  Ayako
Mibashi.    Character  design:   Ayako
#Mibashi.   Prod  co:   Fairy  Dust.

Soeishinsha.


WESTERN  CREDITS:     Edited   for  US
release  by Excalibur Films as part of
Pandora:  An Erotic Trilogy.


CATEGORIES:  P, D



RATINGS:  NN, G, PORN



OVERVIEW:   A  classy,  classic horror
tale  of the possession of a young man
whose  only  mistake  is to perform an
act of kindness, then allow himself to
be   sucked   into   a   web  of  dark
fascination.    This  haunting  modern
fairy  tale really belongs more in the
horror genre than the erotic.

NEW CREAM LEMON TO MORIYAMA SPECIAL 1:
FIVE HOUR VENUS

3(Eng trans for SHIN CREAM LEMON GOJIKANME NO VENUS)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Dir:   To
Moriyama.    Character   design:    To
#Moriyama.   Prod  co:   Fairy Dust.

Soeishinsha.


ORIGINS:   Manga serialised in Penguin
Club and Loli-pop magazines.


POINTS OF INTEREST:     To Moriyama is
the  pseudonym  of  manga artist Naoki
Yamamoto.



SPINOFFS:   A second episode featuring
the same characters followed.



CATEGORIES:  P


RATINGS:  NN, XX, G, PORN



OVERVIEW:    When   she  was  younger,
Shimeji   starred  in  a  porno  video
because  she  needed  the  money.  Now
she's blackmailed to model nude for an
art  class,  but  is  there more to it
than  that?   With  the  help  of  her
friend  Yachio, Shimeji finds out what
the true intentions of the art teacher
are.
NEW CREAM LEMON TO 

MORIYAMA SPECIAL 2:

AFTERSCHOOL XXX

.(Eng trans for SHIN CREAM LEMON HOGAGO NO XXX)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1988.   Dir:   To
Moriyama.    Character   design:    To
#Moriyama.   Prod  co:   Fairy Dust.

Soeishinsha.


ORIGINS:  A sequel to Five Hour Venus.


CATEGORIES:  P


RATINGS:  NN, XX, G, PORN



OVERVIEW:      Shimeji     has    been
blackmailed herself, so she knows just
how  Asuka  feels,  and  naturally she
wants  to  help.   But  those  naughty
pictures of Asuka are just too cute to
resist,  and  besides, Shimeji and her
friend Yachio have their own plans for
one of the pictures.
NEW  CREAM  LEMON TWO

PEOPLE'S LIFE OF HEARTBREAK

(Eng trans for SHIN CREAM LEMON FUTARI
NO HEARTBREAK LIFE)

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Prod  co:
Fairy Dust.    Soeishinsha.



ORIGINS:  Magical girl genre TV shows,
especially Creamy Mami.



POINTS OF INTEREST:     Look  for  the
version of the MGM lion.  So far, they
haven't sued.



CATEGORIES:  F, C



RATINGS:  NN, XX, PORN


OVERVIEW:   Ruri  has  no  interest in
boys  her  own age.  She's crazy about
Koji,  but he's madly in love with pop
idol Saito Konami.  If only Ruri could
be in Saito's shoes...  Then she meets
a little blue fox and suddenly she can
step  right  into  the  singer's body,
getting  exactly  what she wants while
giving  Koji a chance with the girl of
his dreams.

NEW CREAM LEMON WHITE SHADOW
.(Eng  trans for SHIN CREAM LEMON WHITE SHADOW)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:   1987.   Prod  co:
Fairy Dust.    Soeishinsha.



POINTS OF INTEREST:        Not  to  be
confused  with Cream Lemon Special Ami
Image White Shadow.



CATEGORIES:  P, D



RATINGS:  NN, XX, VV, PORN


OVERVIEW:     Demons    from   another
dimension are trying to enter into our
world.   When Shota gives a present to
a girl he wants to impress, one of the
demons  uses  it as a way to take over
the girl's body, and thanks Shota in a
way  he  never  envisaged.   Now she's
going  after  his  rival  - and anyone
else who crosses her path.
OGENKI CLINIC

'(Eng/Jpn title, lit Good Health Clinic)

TYPE:  OAV series, 3 parts.



LENGTH:  Each 45 mins.


JAPANESE  CREDITS:     1991-92.   Dir:
Takashi  Watanabe.   Character design:
Takashi  Watanabe.   Art dir:  Hitoshi
Nagao.   Prod co:  AC Create.    Inui,
Somei Entertainment.


WESTERN  CREDITS:   US  video  release
1998 on Kitty Media, sub.



ORIGINS:    Manga   by   Haruka  Inui,
serialised in Play Comic.



POINTS OF INTEREST:     A  well  known
British  company  allegedly  asked for
the  BBFC's  `opinion'  on  this title
several  years ago.  They were advised
that  submitting  it  would be a major
waste    of   time.    Each   Japanese
laserdisc  is a minute longer than the
video.


CATEGORIES:  P


RATINGS:  XX, N, PORN



OVERVIEW:   Everyday  life  in  a  sex
clinic  is  never dull.  Patients come
to have their problems solved, but the
doctor and nurse have a big problem of
their own - how are they ever going to
get  married  while  her mother thinks
he's not good enough for her?



END.
PICTURES FROM HIGH SCHOOL

(Eng trans for KONAI SHASEI)
TYPE:  OAV series, 3 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:     1990-92.   Dir:
Toshi   Sakurai   (1  &  2),  Takamasa
Ikegami   (3).    Screenplay:    Toshi
Sakurai.    Original   story:   U-Jin.
Character  design:  Yuji Moriyama (1 &
2),   Kinji   Yoshimoto  (2),  Satoshi
Urushihara   (3).    Music:    Takeshi
Yasuda.  Prod:  Hisashi Yoshida.  Prod
co:    Studio   Fantasia.       U-Jin,
Soeishinsha.


ORIGINS:   Manga by U-Jin,  serialised
in Leed/Read Comic.



POINTS OF INTEREST:     Several famous
voice  actresses  on  the  cast  list,
without pseudonyms.



CATEGORIES:  P, C



RATINGS:  NN, X, PORN



OVERVIEW:  Compilation of short erotic
stories  with a comic edge.  The first
tape    includes    `Luck    on    the
Long-Distance  Commute',  `The  Little
Match  Girl'  and `High school Nurse'.
The second tape includes `Take Me Back
to  My  Childhood', `How to Get a Free
Pizza',  `Sailor-suited  Akko-chan  vs
the  Giant Dirty Old Man' and `Qi Gong
Girl'.    The   final   tape  contains
`Silver  Lining', `Back on Form', `Aim
for  the  A', `The Scariest Story' and
`Come for World Peace'.

PRIVATE PSYCHO LESSON

1(Eng title for KOJIN JUGYO, lit Personal Tuition)

TYPE:  OAV 2 parts.



LENGTH:  Each 35 mins.


JAPANESE  CREDITS:       1996.    Dir:
Tetsuro  Amino.  Script:  Nagareboshi.
Character  design:   Makoto  Takahoko.
"Prod:    JC  Staff,  Blue  Mantis.
U-Jin,         Shogakukan,        Gaga
Communications.



WESTERN  CREDITS:   US  video  release
1997  on  Anime  18,  sub, trans Kevin
McKeown.


ORIGINS:     Manga   by   U-Jin,   pub
"Shogakukan in Young Sunday Dynamo.


POINTS OF INTEREST:        Amino  also
directed the anime version of Starship
Troopers.



CATEGORIES:  P


RATINGS:  XX, NN, G, EROTIC



OVERVIEW:   Sara  Iijima  of  Stunford
University  (sic) is a psychotherapist
who   gets  into  a  state  of  sexual
excitement,  rotates  her  breasts  in
opposite  directions  to hypnotise her
patients  and  then  regresses them to
the  point  of trauma.  This scholarly
sex-solves-everything     school    of
analysis  is  very  popular, and makes
her extremely successful - she travels
to  assignments  in her own helicopter
gunship   and  disciplines  inadequate
teachers with a few hundred well aimed
bullets.    Interesting  in  terms  of
anime  erotica  because  it  makes the
disposable   Alien/Older   Woman   the
central  character,  as  she becomes a
journeywoman  sexual  initiatress  for
Boys   and   Girls   Next  Door.   The
script's treatment of rape, especially
as   a  punishment  for  bad  Japanese
girls,  dealt  out  by foreign men, is
particularly distasteful.

REDDENING SNOW/GIRLS 

TORTURED WITH ROSES

1(Eng title for YUKI NO KOGESHO/SHOJO BARAKEI, lit

4Blushing Snow in Scarlet [pun on `rouge' and `shame'
5and visual image of blood]/Girls Tortured With Roses)

TYPE:  OAV.



LENGTH:  30 mins.



JAPANESE  CREDITS:    1984.   Original
story:    Fumio  Nakajima.   Prod  co:
Wonder  Kids.      F.Nakajima,  Wonder
Kids.



POINTS OF INTEREST:   The first erotic
OAV  released  in Japan.  Torture with
Roses   is   the   title   of  a  1960
compilation  of  erotic photographs by
Eiko   Hosoe,   featuring  the  author
Yukio Mishima as a modeL


SPINOFFS:    The  second  Wonder  Kids
Lolita  Anime  release was Dying For a
Girl/Altar of Sacrifice.


CATEGORIES:  P


RATINGS:  X, V, SM, PORN


OVERVIEW:   Two  short and distasteful
stories  of rape and sexual abuse.  In
the  first,  a  girl  is  subjected to
sexual  assault  by  a  gang  of boys,
including  the one who secretly adores
her.   However,  that doesn't stop him
taking  his turn.  The second features
older  men  introducing young girls to
the pleasures of bondage.

REI REI

3(Eng title for UTSUKUSHIKI SEI NO DENDOSHI REI REI,

+lit Li Li the Beauteous Sensual Evangelist)

TYPE:  OAV.



LENGTH:  60 mins.



JAPANESE  CREDITS:      1993.     Dir:
Yoshiki     Yamamoto.      Screenplay:
#Mitsuru  Mochizuki.  Prod co:  KSS.

T.Shimizu,    Shonen   Gahosha,   Pink
Pineapple.


WESTERN  CREDITS:   US  video  release
1995  on  AD Vision, sub, trans Ichiro
Arakaki   &  Dwayne  Jones;  UK  video
release  1997  on  Kiseki,  sub, trans
Jonathan Clements.


ORIGINS:  Manga by Toshimitsu Shimizu.


POINTS OF INTEREST:  Edited US version
available,  for  people  who  want  to
pretend they live in the UK.


CATEGORIES:  F, P



RATINGS:  NN, XX, V, SM, EROTIC



OVERVIEW:    Relationship  counselling
courtesy  of  an  undefined otherworld
and  a  sexy superbeing called Kaguya.
A   real   treat  for  psychoanalysts;
listen  carefully  for  the  sound  of
Freud spinning in his grave.
ROUGE

((Eng title for LADIES COMIC VIDEO ROUGE)
TYPE:  OAV series, 2 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:    1998.   Original
story:   Haruko Kanzaki, Mizuki Iwase,
Kei  Mizugi,  Chiga  Taniguchi  et al.
Prod    co:    Komine.        Authors,
Takeshobo,  Komine Communications, TDK
Core.



ORIGINS:    Stories   in  Comic  Rouge
magazine.



CATEGORIES:  M, F



RATINGS:  NN, X, SM, PORN



OVERVIEW:    Bereaved  strangers  lose
themselves  in a sordid double life of
prostitution,  but  find  love in each
other.   A  loveless  marriage  blooms
through  bondage.  A trainee gets more
than  she  bargains  for when the head
nurse  takes  a  biology lesson to the
limit.   And  a  male  beautician uses
unorthodox  methods to put colour in a
make-up    artist's    cheeks.    Four
erotically  charged tales animated for
a female audience.


END.
SAILOR MOON

$(Eng title for BISHOJO SENSHI SAILOR
%MOON, lit Pretty Soldier Sailor Moon)

TYPE: TV series, 46 episodes.



LENGTH:  Each 25 mins.


JAPANESE  CREDTTS:       1992.    Dir:
Junichi    Sato.    Music:    Takanori
Arisawa,  Tetsuya Komuro & Kazuo Sato.
Prod co:  Toei.    Takeuchi, Kodansha,
Toei, Bandai.



WESTERN  CREDITS:   US  TV syndication
1995,   dub,   Eng  rewrite  Mycheline
Tremblay.



"ORIGINS:  Manga by Naoko Takeuchi.


POINTS OF INTEREST:     The  OAV Venus
Five  is  a  porno-parody  version  of
Sailor Moon.


SPINOFFS:   4  more  TV  series  and 5
movies followed.


CATEGORIES:  F, P



RATINGS:  MAINSTREAM


OVERVIEW:   No  sex,  but  passion and
romance   in   bucketloads,  from  the
apotheosis  of the magical girl genre.
Loved  by  millions  of girls all over
the    world,   Sailor   Moon   speaks
Portuguese,   Polish,  Spanish  and  a
whole  linguistic institute of tongues
as  well  as  Japanese.   The story of
klutzy    Usagi    (known    in    the
English-language  version  as Serena),
her  school  chums  and their destiny:
fighting to save the world through the
power  of  love and make-up.  Luckily.
the  mysterious Tuxedo Mask is on hand
to help  the girls when the going gets
tough,  and  with  friendship on their
side  they'll  always  manage  to  win
through  somehow or (in a shock ending
to the first series which was severely
bowdlerised for the American audience)
die trying.If the Famous Five had been
played by Barbie dolls, this is how it
might  have  looked;  yet the heart of
the  series  is  pure,  honest gold, a
love   story  which  is  so  genuinely
touching that when our heroine finally
finds  words to tell the hero that she
loves    him,    it    reduces   grown
translators to teary-eyed mush.

SEASIDE ANGEL MIYU
"(Eng trans for MIU SEA SIDE ANGEL)
TYPE:  OAV.



LENGTH:  60 mins.



JAPANESE  CREDITS:    1985.   Original
story:    Fumio  Nakajima.   Prod  co:
Wonder Kids.    Nakajima, Wonder Kids.


%ORIGINS:  The  previous  Wonder  Kids

!Lolita release was Surf Dreaming.



POINTS OF INTEREST:  Miyu also `stars'
$in Surf Dreaming & House of Kittens.


CATEGORIES:  P


RATINGS:  X, PORN



OVERVIEW:   The  sixth and last of the
Wonder  Kids Lolita Anime releases.  A
clever   multiple-bind  in  this  show
helps    the    makers   salve   their
consciences   about   producing  child
pornography.    The  animated  heroine
Miyu broadcasts a radio programme from
Earth  orbit, where she listens to the
`confessions'  of  various respondents
who  claim  to  have  had  their first
sexual  experience before reaching the
age   of   consent.   This  makes  the
paedophilia    animated,    fictional,
otherworldy and confessional, with the
ultimate   get-out   clause  that  the
callers might be lying.  There is also
an  interesting  montage,  interesting
because  it  is  the most boring anime
footage   ever.    For  four  minutes,
nothing happens except still images of
Miyu on the screen, presumably to bore
underage   viewers  into  turning  off
before  they  get  to the action.  The
action   itself   is  a  show-reel  of
sequences  from  the other Wonder Kids
releases,   ending  with  the  `bonus'
scene  of Miyu having carnal relations
"with the captain of her spaceship.
THE SENSUALIST
4(Eng  tItle  for IHARA SAIKAKU KOSHOKU ICHIDAI OTOKO
/lit Saikaku Ihara's The Life of an Amorous Man)

TYPE:  OAV.



LENGTH:  53 mins.



JAPANESE  CREDITS:  1991.  Dir:  Yukio
Abe.   Screenplay:   Eiichi  Yamamoto.
Art  dir:   Yukio  Abe.  Music:  Keiji
Ishikawa.     Prod    co:     Groupier
Productions.    Groupier.



WESTERN  CREDITS:   UK  video  release
1993  on Western Connection, sub using
the   spotting  list  (a  very  rough,
invariably   incomplete   translation)
%provided by Japanese release company.



!ORIGINS:  Novel by Saikaku Ihara.



POINTS OF INTEREST:  A sister-novel to
the  original,  The Life of an Amorous
Woman,  was  made  into  a live-action
film  by  Kenji Mizoguchi, released in
the  West in 1952 as The Life of Oharu
(aka Diary of Oharu).



CATEGORIES:  H


RATINGS:  N, EROTIC



OVERVIEW:    Merchant  Yonosuke  takes
pity  on  a  simple yokel who has been
conned into making a very unwise bet -
that   he   will   sleep  with  a  top
courtesan   on   first  meeting.   Any
sophisticate  could  have  told him he
was  onto  a  loser  because  the best
geisha simply don't sleep with clients
straight  away,  even if the client is
important,  wealthy or well connected.
Luckily Yonosuke is an intimate friend
of the lady in question and he appeals
to  her  good  nature to help the poor
fool.   Saturated  in  rich colour and
languid atmosphere, each frame of film
glows like a perfectly cut jewel.  The
pace  is  very  slow and the sexuality
subtle  and  erotically charged - this
isn't  a  story  for those looking for
`action'       in       the      usual
twentieth-century  sense  of the word,
 but  it's  absolutely beautiful.
SOL BIANCA
TYPE:  OAV series, 2 parts.



LENGTH:  Each 60 mins.


JAPANESE  CREDITS:     1990-91.   Dir:
Katsuhito  Akiyama (1), Hiroki Hayashi
(2).     Script:    Mayori   Sekijima.
Character   design:    Naoyuki   Onda.
Mecha design:  Atushi Takeuchi.  Anime
dir:  Naoyuki Onda.  Art dir:  Shigemi
Ikeda.  Music:  Kosei Kenjo.  Prod co:
AIC.    NEC Avenue.



WESTERN  CREDITS:   US  video  release
1993  on  AD Vision, sub, trans Ichiro
Arakaki    &    Dwayne    Jones,   dub
forthcoming.  UK video release 1995 on
Kiseki   Films,  sub,  trans  Jonathan
Clements.



 ORIGINS:  Concept by Toru Miura.


CATEGORIES:  SF



RATINGS:  V, MAINSTREAM



OVERVIEW:   A clever space pirate tale
with  excellent  characterisation  and
design.   The  original was a landmark
lesson  in non-sexist casting, but the
second episode features a pathetically
gratuitous  excuse  to  get everyone's
clothes  off,  purely  (we assume) for
some  bra-and-panties  shots to use in
publicity photographs.  A sad betrayal
of  an  otherwise  bold  experiment in
writing for female characters, by many
of  the  crew who would later sell out
completely on Tenchi Muyo.
%STREET FIGHTER II: THE ANIMATED MOVIE

!(Eng title for STREET FIGHTER II)

TYPE:  MOVIE.



LENGTH:  90 mins.



JAPANESE  CREDITS:       1994.    Dir:
Gisaburo  Sugii.  Screenplay:  Kenichi
Imai   &  Gisaburo  Sugii.   Prod  co:
"Group  TAC,  AIC,  O  Productions.
Capcom.



WESTERN  CREDITS:     US  &  UK  video
!release 1995 on Manga Video, dub.



ORIGINS:  Computer game.


SPINOFFS:   Manga,  Eng  trans pub Viz
(US),  Titan Books (UK).  A TV series,
Streetfighter  II  V (for Victory) was
made in 1996-97.


CATEGORIES:  F


RATINGS:  N, V, MAINSTREAM


OVERVIEW:  A formulaic game-play story
is  enlivened  by  Sugii's directorial
expertise.   Hero Ken sets out to save
his   friend  Ryu  from  the  sinister
Shadowlaw  organisation, while Chun Li
and  American  major  Guile set out to
crack  their  drugs  and crime cartel.
Lots  of  one-on-one  combat, as you'd
expect,   the   best  of  which  is  a
chilling  fight  between  Chun  Li and
Vega  (Balrog  in  the Japanese).  The
whole  sequence  carries a huge erotic
charge   thanks   to  Sugii's  skilful
direction,  which shows very little of
the  fight  itself.   It starts out in
the   shower   (Chun  Li  without  any
clothes  on,  the dream of millions of
game-freaks   world-wide)   and  moves
through   a   bloody   and   genuinely
frightening   ballet  with  the  blond
Hispanic  psycho whose main concern is
to  keep the beautiful face behind his
mask unscarred.

SURF DREAMING

TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDITS:    1984.   Original
Story:    Fumio  Nakajima.   Prod  co:
Wonder  Kids.      F.Nakajima,  Wonder
Kids.



ORlGINS:   The  previous  Wonder  Kids
release was Variation.


SPINOFFS:   The next, and final Wonder
$Kids release was Seaside Angel Miyu.


CATEGORIES:  P


RATINGS:  N, PORN



OVERVIEW:   Young  love blooms between
two  teenagers  who meet on a beach in
this,  the  fifth Wonder Kids release.
Essentially  an erotic encounter, with
the   adult   parts  `played'  by  two
childish  actors,  allegedly to thwart
the   censorship   restriction  (still
powerful    at   the   time)   against
depicting  pubic  hair.  Nevertheless,
sex  between  consenting  children for
the  entertainment  of adults is still
paedophilia,  however you try to dress
it up.
TOKYO PRIVATE POLICE
%(Eng title for TOKIO KIDO POLICE, lit

Tokio Mobile Police)
TYPE:  OAV, 2 episodes.



LENGTH:  Each 30 mins.


JAPANESE  CREDITS:      1997.     Dir:
Moriichi   Higashi.   Screenplay:   Yu
Yamato.   Character  design:  Harunaga
Kazuki.     Mecha   design:    Satoshi
"Teraoka.    Prod  co:   Dandylion.
Hakage, Dandylion.


WESTERN  CREDITS:   US  video  release
1998 on Kitty Media.


ORIGINS:  Pornographic novel allegedly
inspired by Patlabor.



CATEGORIES:  SF



RATINGS:  N, X, PORN


OVERVIEW:  The year is 2034, and Tokyo
is  beset  with  a crime-wave of giant
robots.   Section  One  of  the  robot
division  is  on hand to deal with the
problems, but they spend a lot of time
screwing  each  other  in  the office.
Much  of  the  drama  in Patlabor came
from  the  suppressed emotion:  Goto's
doomed adoration for Nagumo,or Izumi's
purely platonic friendship with Azuma.
Tokyo  Private Police just lets it all
hang   out,   as  new  recruit  Kazuko
succumbs  to the temptation to get off
with  the rest of her team on day one.
There goes the suspense.
TWIN DOLLS
(Eng title for INJU SEISEN TWIN ANGEL,
"lit Lust-Beast Crusade Twin Angel)
TYPE:  OAV series, 2 parts.



LENGTH:  Each 50 mins.


JAPANESE  CREDITS:   1994.   Dir:  Kan
Fukumoto.     Original   story:    Oji
Miyako.     Script:     Oji    Miyako.
Character design:  Shin Rin.  Art dir:
Manami    Matsumoto.   Music:    Teruo
Takahama.   Exec  Prod:  Rusher Ikeda.
Prod:   Kento  Maki  &  Smally  Izumi.
Prod co:  Dandy Lion.    Daiei.



WESTERN  CREDITS:   US  video  release
1995-96  on  SoftCel, sub, Eng rewrite
Matt Greenfield.


CATEGORIES:  P, D



RATINGS:  XX, NN, VV, EROTIC


OVERVIEW:  Demons want to invade Earth
and  rape  our  women.   Luckily,  two
priestesses   turn   out   to  be  the
descendants  of  an  immortal, and are
appointed   guardians   of  the  child
messiah,  whether they like it or not.
The  Immortal Dialogue Sampler came up
with:   `Feel  the  love  nectar flow,
gushing  from  your trembling vagina',
and `It's a treasure trove of tits and
clits'.     Real   historical/mythical
figures   lie   buried   beneath   the
tits-and-tentacles plot, which is more
concerned  with  the incestuous allure
of  twins,  the rejected woman's quest
for  power through sex and the worship
of His Majesty the Baby.
U-JIN BRAND

TYPE:  OAV.



LENGTH:  45 mins.



JAPANESE  CREDITS:  1991.  Dir:  Osamu
Okada.    Writer:    U-jin.   Original
idea:   Hideo Takano.  Chief animator:
Yumi   Nakayama.  Music:   Nobuo  Ito.
Prod   co:    Coconut   Boy   Project,
Animate.       U-jin,  Seiyo,  Animate
Film.



WESTERN  CREDITS:   US  video  release
1994 on US Mange Corps sub.



ORIGINS:  Manga by U-Jin.



CATEGORIES:  P


RATINGS:  XX, NN, PORN


OVERVIEW:    Short  stories  based  on
U-Jin's  manga,  similar  in  tone and
style  to  New  Angel,  Visionary  and
Pictures  from  High  School.  There's
the  tale of a songwriter who produces
hit   after   hit   for  teenage  idol
singers,  but  can  only  work  if  he
really,  really gets to know the girl.
Seducing  girl  after  girl,  he still
cherishes   a   secret  love  for  the
innocent  Akiyo.   So what will happen
when   he   and  Akiyo  have  to  work
together?   Then  we meet Sachiko, who
made  the  common mistake of believing
her  boyfriend when he said he'd still
love her just as much afterwards, only
to  find  that  he  firmly  intends to
marry  a  virgin.  Now he's dating the
seemingly innocent Hitomi.  The jilted
Sachiko   hires  a  renowned  seducer,
Toyama No Benbo, to get her revenge on
her  ex  and  find  out  if  Hitomi is
really  as pure as she pretends to be.
Lastly,  a  young  man is trapped in a
relationship  with  Tomoko, his boss's
nymphomaniac  daughter.   Iwata really
wants  to  marry  sweet, gentle Kyoko,
but  he  can't  just dump the girl who
holds his career prospects in the palm
of her hand.  More business for Toyama
No Benbo as he's called in to sort out
the insatiable Tomoko.
 UROTSUKIDOJI I/II: LEGEND OF THE
"OVERFIEND/LEGEND OF THE DEMON WOMB
0(Eng title for CHOJIN DENSETSU UROTSUKIDOJI, lit
-Legend of the Overfiend: The Wandering Child)

TYPE:   MOVIE/OAV  series:   5 OAVs, 2
movies.



LENGTH:   Part 1 45 mins, parts 2-4 55
mins, part 5 50 mins.  Movie versions:
Legend  of  the  Overfiend  108  mins,
!Legend of the Demon Womb 88 mins.



JAPANESE  CREDITS:     1987-91.   Dir:
Hideki  Takayama.  Screenplay:  Noboru
Aikawa  & Goro Sanyo.  Music:  Jeffrey
Jackson  &  Masamichi Amano.  Prod co:
$JAVN, Angel.   Maeda, Westcape Corp.


WESTERN  CREDITS:   US  video  release
1993  on  Anime  18,  as  edited movie
versions  of  OAVs 1-3, (Legend of the
Overfiend)  &  4  &  5  (Legend of the
Demon  Womb), dub, Eng rewrite Michael
Lawrence,  &  as  Urotsukidoji Perfect
Collection,  all  5 OAVs unedited in a
box set, sub; UK video release 1993 on
Manga Video, movie versions only, dub.


 ORIGINS:  Manga by Toshio Maeda.


SPINOFFS:  2  more OAV series, largely
thanks  to  the  overwhelming response
from the Western market.


CATEGORIES:  F, D



 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:     Violent   and   sexually
explicit  in  the  extreme,  the video
series was edited for movie release in
Japan  before  the British censors got
their  hands  on  it.   Overfiend  has
moments  of  real  grandeur and terror
heavily  mired  in  enough  schlock to
sink   a  battleship,  but  it  merits
attention  as  much because of our own
attitudes  to  it  as  because  of its
content or form.
UROTSUKIDOJI III: RETURN OF THE

OVERFIEND

1(Eng title for CHOJIN DENSETSU UROTSUKIDOJI MIRAI

/HEN, lit Legend of the Overfiend: The Wandering

Child Future Chapter)

TYPE:  OAV series, 4 parts.



LENGTH:   Part 1 60 mins, parts 2-4 50
mins.



JAPANESE  CREDITS: 1993.  Dir:  Hideki
Takayama.   Screenplay:  Noboru Aikawa
(1), Hideki Takayama & Yasuhito Yamaki
(2 & 3), Gonzo Satsuka (4).  Character
design:  Rikizo Sekime & Shiro Kasami.
Monster design:  Sumito Ioi.  Art dir:
Kenichi   Harada.   Music:   Masamichi
#Amano.   Prod  co:   Jupiter Films.

Maeda, Jupiter.



WESTERN  CREDITS:   UK  video  release
1994   on  Kiseki  Films,  dub,  trans
Ryoichi   Murata  (1  &  2),  Jonathan
Clements  (3  &  4);  US video release
1994 on Anlme 18, same version.



ORIGINS:    Manga   by  Toshio  Maeda,
1987-91 OAV series.



POINTS OF INTEREST:  A 120-min, edited
version    with   Eng   subtitles   is
available  as  Urotsukidoji  III:  The
Movie.


SPINOFFS:  A further series was made 2
years later.


CATEGORIES:  F, D



 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:    Amanojako   follows   the
Chojin's  search  for his nemesis, the
Kyo-O, through a devastated wasteland,
clinging  desperately to the hope that
all  the violence and suffering he has
witnessed will lead to a better world,
When humans like Caesar and Munchausen
behave   as   badly   as  the  bestial
makemono,  this  seems  unlikely,  but
there  are still some rare (if futile)
expressions  of  love  in the midst of
chaos.   The  poignant  and foreboding
passage  in episode four, where little
girl  Himi unleashes the Kyo-O's Light
of  Judgement on the world, lingers in
the  mind  more  powerfully  than  the
gross images of rape and torture which
precede it.

UROTSUKIDOJI IV: INFERNO ROAD

3(Eng title for CHOJIN DENSETSU UROTSUKIDOJI INFERNO

0ROAD, lit Legend of the Overfiend: The Wandering
Child Inferno Road)

TYPE:  OAV series, 3 parts.



LENGTH:  Each 40 mins.


JAPANESE  CREDITS:  1995.  Dir: Hideki
Takayama.      Screenplay:     Nobuaki
Kishima.      Storyboards:      Hideki
Takayama.   Character design:  Keiichi
Sato & Tetsuya Yanagisawa.  Anime dir:
Tetsuya Yanagisawa.  Music:  Masamichi
Amano.   Prod co:  MW Films.    Maeda,
Jupiter Films.


WESTERN  CREDITS:     UK   version  on
Kiseki,   trans   Jonathan   Clements,
certificate  refused by BBFC; US video
release 1996 on Anime 18, sub.


ORIGINS:    Manga   by  Toshio  Maeda,
1987-91 and 1993 OAV series.


POINTS OF INTEREST:   Kiseki are still
attempting to get a UK release for the
series.



CATEGORIES:  F, D



 RATINGS:  XX, NN, VV, SM, EROTIC


OVERVIEW:   The  end  of the Overfiend
saga  is  literally  its beginning, as
the  meeting  of  the  Chojin  and the
Kyo-O  turns  time  back on itself and
restarts the cycle.  Maeda drives home
his  message that the only escape from
the  self-centredness  of childhood is
the   clumsy   self-gratification   of
adulthood.   In  a  world in which the
only  way to win is to die before your
dreams,   Amanojaku's  ending  is  the
saddest one possible.



END.
VARIATION

(Eng trans for HENSOKYOKU)
TYPE:  OAV.



LENGTH:  25 mins.



JAPANESE  CREDlTS:    1984.   Original
Story:   Fumio  Nakajiwna.   Prod  co:
Wonder  Kids.      F.Nakajima,  Wonder
Kids.



ORIGINS:   The  previous  Wonder  Kids
release    was   House   of   Kittens.
Variation  is a direct sequel to Altar
of  Sacrifice, the story that followed
Dying  for a Girl in the second Lolita
release.


SPINOFFS:   The next in the series was
Surf Dreaming.


CATEGORIES:  P


RATINGS:  NN, XX, SM, PORN


OVERVIEW:    The  fourth  Wonder  Kids
release,   in   which   a  young  girl
interested  in  art gets more than she
bargains  for when she accepts the art
teacher's  invitation  to dinner.  One
of the most distasteful of the lolikon
genre,  because  it  seems  less  like
fantasy  than  a  beginner's  guide to
statutory rape.

VENUS FIVE
"(Eng title for SAILOR SENSHI VENUS
%FIVE, lit Sailor Soldiers Venus Five)

TYPE: OAV series, 2 parts.


LENGTH:  Each 45 mins.


JAPANESE  CREDITS:   1994   Dir:   Kan
Fukumoto.   Screenplay:  Wataru Amano.
Character design:  Rin Shin.  Art dir:
Shoichiro Sugiura.  Exec prod:  Rusher
Ikeda.   Prod:   Smally  Izumi & Kento
#Maki.   Prod  co:   Daiei  Co  Ltd.

Daiei Co Ltd.



WESTERN  CREDITS:   US  video  release
1996  on  Anime  18, sub, trans Moe I.
Yada.



"ORIGINS:  Parody manga by Jin Ara.


CATEGORIES:  F, P



RATINGS:  XX, NN, V, PORN



OVERVIEW:   A  Sailor  Moon  parody in
which a team of heroic schoolgirls are
granted  mystical powers to battle the
evil  invader  Necros  and her team of
tasty  young  men.   Of course, Necros
and  co are really nasty vicious slimy
alien things in disguise, so there are
lots of tentacles, and even a scene of
bestiality  (bringing  new  meaning to
the  phrase  `pussy-licking').  Set in
the  kind  of  cod-classical rooms you
expect  to find in places decorated by
people with more money than taste, and
larded  with  cod-classical references
on  the  same  level,  the stories are
patently  absurd  and  serve mostly to
remind  us  that  nobody  watches this
kind of tape for the story.

VISIONARY

TYPE:  OAV series, 2 episodes.


LENGTH: Each 20 mins.



JAPANESE  CREDITS:  1995.  Dir:  Teruo
Kigure.   Script:  Toyohiro Ando.  Gen
prod:     Seiichi    Nishino.    Prod:
Shigeyuki  Hasegawa  & Noriko Nishino.
Prod  co:   Knack.      U-Jin, Shiberu
Publishing Co, Knack.



WESTERN  CREDITS:   US  video  release
1997  on  Anime  18,  sub,  trans  nDa
Language Services.
POINTS OF INTEREST:      The   android
catgirl  from  the  future  has a name
which  is  very  close  to that of the
robot  cat  Doraemon  -  most of whose
original  audience  are now old enough
to buy both nostalgia and porn.



CATEGORIES:  F, C



RATINGS:  NN, XX, SM, PORN


OVERVIEW:    Nineteen   year-old  geek
Ujita  has no luck with women and gets
grief  from  the local bully, until he
hits the wrong key on his computer and
the  sexy  Doreimon pops back from the
future.   (No,  you can't do that with
Windows  95.)   Although  Doreimon can
give   Ujita  experiences  beyond  his
wildest   dreams,  everything  doesn't
always go according to plan.
WICKED CITY

6(Eng title/trans for YOJU TOSHI, aka MONSTER CITY, aka
SUPERNATURAL BEAST CITY)
TYPE:  OAV.



LENGTH:  90 mins.



JAPANESE  CREDITS:      1987.     Dir:
Yoshiaki Kawajiri.  Screenplay:  Kisei
Cho.    Character   design:   Yoshiaki
Kawajiri.    Art   dir:   Yuji  Kaeda.
Music:    Osamu   Shoji.    Prod   co:
Madhouse,  Video  Art.      Japan Home
Video.


WESTERN  CREDITS:   US  video  release
1992  on  Streamline, dub, Eng rewrite
Greg Snegoff; UK video release 1993 on
Manga   Video,   same   version;  also
limited  US  &  UK  theatrical release
1993/94.


$ORIGINS:  Novel by Hideyuki Kikuchi.


SPINOFFS:   A  live-action version was
made  in  Hong  Kong  and  released on
video in the UK by East2West.



CATEGORlES:  P, H



RATINGS:  N, X, V, SM, EROTIC



OVERVIEW:   The human and demon worlds
have   enjoyed  an  uneasy  truce  for
centuries,  but now the deal is up for
renegotiation  and  some don't want it
renewed.    In   Kikuchi's   tale   of
horror-political             intrigue,
representatives  from  the  human  and
demon  secret services are assigned to
guard  an interdimensional ambassador.
But  the  human  male  and  the  demon
female  don't  realise  that  they are
being  set  up for a dynastic marriage
to secure the union of opposites.  The
romantic   angle   is  unintentionally
ruined  by  the `Oh, Maki', `Oh, Taki'
dialogue.



END.
ACE OF SPADES



OS/PLATFORM:  Windows 3.x/95/98



CATEGORY:  Card game


DEVELOPER:  LOVEGUN



OVERVIEW:    Anime   Strip  Poker  and
Blackjack.
DIVI DEAD



OS/PLATFORM:  Windows 95/98



"CATEGORY:  Erotic-Horror Adventure


 DEVELOPER:  C's Ware/Himeya Soft


OVERVIEW:    You   play  the  part  of
Ranmaru  Hibikiya  and  you begin your
first  day  at  Asao  HighSchool where
there are strange happenings on campus
and  by  the students themselves.  You
are  sent  to  spy  and investigate by
orders of your uncle, who is also dean
of  the  school.  While investigating,
Ranmaru discovers a connection between
the  student's  unusual behavior and a
mysterious  incense  spreading  around
campus...

NOCTURNAL ILLUSION


OS/PLATFORM:  Windows 95/98



CATEGORY:  H-Adventure


DEVELOPER:  RCY America



OVERVIEW:      `You    are    Shinichi
Kashiwagi,  age  22,  the lead role in
this   game.   A  junior  in  the  Law
Department  of Toshima University, you
are a fairly handsome young man with a
good  personality - although you don't
have   a  steady  girlfriend.   Taking
advantage  of  the  long summer break,
you decide to spend some time in rural
Japan  by  yourself to reflect on your
life.   You  are  caught  in  a storm,
however,  and barely survive.  This is
going to prove a turning point in your
life...'
WELCOME To PIA CARROT 2



OS/PLATFORM:   Japanese Windows 95/98/
3.1



CATEGORY:  Love Simulation


$DEVELOPER:  Cocktail Soft/Ides' Soft


OVERVIEW:   You  apply for a part time
job  at  PiaCarrot,  the  second  one.
Your  friend  Shinji  who also applied
for the job couldn't pass but you did.
After  you  move  into  the  PiaCarrot
dormitory  (what  a restaurant..  it's
own  dorm...)  your  life  gets little
more interesting.

RETURN TO PARADISE HEIGHTS


OS/PLATFORM:  Windows 95/98



CATEGORY:  H-Adventure


DEVELOPER:  Foster Software, published
by Otaku Publishing Ltd.


OVERVIEW:   `Keigo's  landed himself a
job  at  a toy company and finally has
taken his first steps on the corporate
ladder.  The chairman likes him, and a
bright  future  awaits.   So whats the
catch?


Down  at Paradise Heights, Misa's gone
off   to  study  abroad  and  now  the
tomboyish Miki is in charge.  Kayo and
Ayako  are still living there, but now
they  have  to  share  with  new girls
Suzuko,   Tamami   and   Harumi.   And
Keigo's  usual  romantic  exploits get
very  difficult,  because  these three
new  girls  just  don't live together,
they   work   together!    At  Keigo's
company!  And Suzuko is the chairman's
daughter!   Can Keigo get them hot and
keep  them sweet?  You'll just have to
see.  Welcome to Paradise!'

RING OUT


OS/PLATFORM: Windows 95/98


CATEGORY: H-Adventure



DEVELOPER:    ZyX   Software,  English
 version by Otaku Publishing Ltd.


OVERVIEW:    When   Aya  got  up  this
morning,  she  was  an average 18 year
old  high-college  girl.   Sold to the
mob  when  her  parents  can't pay off
their  debts,  she  is  forced  into a
sordid   life  of  lesbian  wrestling,
where   women   wearing   very  little
clothes  beat  each  other  up quite a
lot.   And  in the game, whoever comes
first,  LOSES!   Can Aya hang onto her
virginity?   Well,  there's  not  much
chance of that.  But you can guide her
through  her  rites of passage in this
manga  role-playing game.  Will Aya be
the  champion?   A slave?  A quivering
wreck?  Will she end up in the game...
or on it?

RUNAWAY CITY


OS/PLATFORM:  Windows 95/98/DOS



CATEGORY:  H-Adventure


DEVELOPER:    Jast,   English  version
translated by Jast USA.



OVERVIEW:    `I have the power of Good
Luck.   It's  true.  I win at pachinko
whenever I play, and when it rains and
I'm  stuck  without  an umbrella, some
girl appears out of nowhere to lend me
hers.    Then   there's   Fujiko,   my
luscious  grown-up  girlfriend,  whose
always at home, waiting for me, when I
go on one of my visits for education.'
SEASON OF THE SAKURA


OS/PLATFORM:  Windows 95/98/DOS



CATEGORY:  Romance Adventure


DEVELOPER:    Jast,   English  version
translated by Jast USA.



OVERVIEW : The Sakura's are in blossom
this  year.  This is the first year of
high  school for a new comer like you.
Your   life   back   then   was   less
fortunate.   Now you enter high school
as  a  new  student  who does not care
about   anything   anymore.    Because
excelling  the others in middle school
got every to hate you.  Now is time to
start  over,  to  start over with like
the Sakura's...

THREE SISTERS' STORY


OS/PLATFORM:  Windows 95/98/DOS



CATEGORY:  H-Adventure


DEVELOPER:    Jast,   English  version
translated by Jast USA.



OVERVIEW:  Your father commits suicide
after  his  business  falls  and  your
mother  dies  shortly  after  from too
much   stress.   You  and  your  older
brother  (Eiichi)  are  separated  and
after  a  couple of years, you meet up
with  him.   He had discovered who was
responsible  for  your  father's death
and your brother vowed for revenge.  A
man   named   Shoji  Okamura.   Eiichi
wanted  you  to  help him and you were
more  than willing to do so.  Your job
is to obtain information and basically
spy  on  the  Okamura family, and when
Shoji  Okamura  has  three  daughters,
$things can get pretty `Interesting'.
TIMESTRIPPER MAKO



OS/PLATFORM: Windows 95/98.



CATEGORY: H-Adventure



DEVELOPER:  Foster Software, published
by Otaku Publishing Ltd.


OVERVIEW:     Shinji   Nakayama's   in
trouble.  Trouble with his girlfriend,
trouble  with  all  his  women.   He's
always  late  for  work.   He's always
skipping  classes.   He's  got to book
the   entertainment  for  the  weekend
concert,  and  it's the most important
decision  of  his life.  It's not just
his  chance  to  win  a  bet  with the
snooty  homecoming  queen, it could be
his  last  chance  to hook up with the
love  of  his  life.   But  Shinji  is
caught   in  the  crossfire  from  two
time-travelling nymphomaniacs.  Nonn's
here  to  terminate  the  future,  and
Mako's   here   to  protect  it.   And
Shinji?   Shinji  has to make sure the
inventor  of  the time machine will be
born,  and that means proposing to the
right  woman,  at  the right time.  He
knows she'll be there, is a historical
moment.    If   he   makes  the  wrong
decision,   he'll   destroy   a  whole
timeline,  and  leave  Mako trapped in
the  past.   In  his bedroom, in fact.
And  Mako  just HAS to get back to the
future.  Or does she...?
TRUE LOVE



OS/PLATFORM: Windows 95/98/DOS


CATEGORY: H-Adventure



DEVELOPER:  Foster Software, published
by Otaku Publishing Ltd.


OVERVIEW:   You're in change of a gang
of girls on the rampage.  Can you find
out  their  secret  desires  and match
them  to  their  ideal  man  (or  even
woman)  before  their  last  summer of
freedom  is over for good?  And keep a
look out, because their school teacher
is on the prowl.  TRUE LOVE might take
place  in  modern  Japan,  but  it's a
quest  in  the  classical  mode.  Each
item  you  get  can  work  its powers.
Some  will get you out of trouble, and
some can get you into it!  Accessories
to  make  yourself more beautiful, but
be careful you don't attract the wrong
kind  of  attention...
END.
MAY CLUB


OS/PLATFORM:  Windows 95/98



 CATEGORY:  V.R. Dating Simulator


DEVELOPER:  RCY America.


OVERVIEW:    It is the year 2023.  The
revolution   in   communications   and
human-interface  technology that began
in   the   late   20th   Century   has
culminated  in  the  ultimate  virtual
reality  experience:   a  sexual  V.R.
simulator that makes mere reality pale
by  comparison,  a virtual-space where
every fantasy can be realized.


May  Club is a true `dating simulator'
in  which  you enter a virtual reality
land  in search of your true love, the
girl  who's  right for you.  There are
eight different characters to interact
with, from the shy and lovely Akiho to
the  brazen  Reiko  to  Kirara, a girl
with  a  secret.
HENTAI-SOFTWARE SOURCES

KWARNING: Most  Anime  products  contain  extreme violence or extreme sexual

Kcontent,  therefore  you  must  be at least 18 to purchase a product unless

otherwise stated.



ANIME NATION
URL: http://animenation.com/
E-MAIL: sales@animenation.com



DRAGON SOFTWARE

#URL: http://www.dragonsoftware.com/

#E-MAIL: dragonl7@dragonsoftware.com



HENTAI WORLD JAPAN
URL: http://www.hwj.net/
E-MAIL: hwj@hwj.net



HIMEYA SOFT INC.
URL: http://www.himeya.com/

E-MAIL: hansen@himeya.com



JAST USA
%URL: http://www.jastusa.com/jast.html

E-MAIL: info@jastusa.com
        support@jastusa.com

        sales@jastusa.com



J-LIST
$URL: http://www.jlist.com/jlist.html
E-MAIL: peter@jlist.com



OTAKU PUBLISHING
URL: http://www.otaku.com

E-MAIL: alexmcl@otaku.com

%H-GAME REVIEWS, SOFTWARE PATCHES etc.



ANIME DENSETSU
URL: http://www.densetsu.com/



THE H-GAMER'S GUIDE

0URL: http://www.mcs.net/~spirit/games/index.html
E-MAIL: spirit939@aol.com



LI'S FUN HOUSE
*URL: http://home.istar.ca/~lisun/index.htm
E-MAIL: lisun@istar.ca
URL:
E-MAIL:

TYPE:

LENGTH:

JAPANESE  CREDITS:
WESTERN  CREDITS:

ORIGINS:
POINTS OF INTEREST:

SPINOFFS:

CATEGORIES:

RATINGS:
OVERVIEW:

OS/PLATFORM:


CATEGORY:



DEVELOPER:


OVERVIEW:

©



HReleased on 21/08/99.  Anime-X is an electronic magazine which features:


2  - an A-Z listing of over 100 erotic anime titles
6  - articles of computer games and interactive erotica
  - adult anime PC-CDROM games


KThis  new  production  contains  major  rework  and  enhancements  over its

-predecessor `Anime-V' (released in 01/05/96).



KAnime-X  was  designed  to fit onto a single 880k floppy disk.  Please note

<that there are no hentai or pornographic images on the disk.


JAnime-X  is  freely  distributable.   But sadly,  this  will  be  the last
>production and there will be no further updates for the Amiga.


KCreditz: Anime-X was designed and coded by Bubblegum  (prev handle: Amida).

9         The `About Carnage' section was compiled by Kei.

J         Articles were taken from the book `The Erotica Anime Movie Guide'
M         by McCarthy & Clements. Please buy the book if you like this E-Zine.

=         Music Module 1: mod.awareness by Xtd / Mysitc & Trsi

4         Music Module 2: mod.finale <author unknown>


:Bubblegum ^.- (You can contact me on Bubblegum@valise.com)
Carnage stops here


KAs  of November 1998, the Amiga scene group Carnage finally decided to call

Kit  quits  after  being  around  for  ten  years.   `Its time to move on to

3something new' was Kei's final words on the matter.



'High Heaven aka CyberDreams aka Carnage



1988 - 1998

The group



KBack  in  1988  I  (Kei)  started  an  Amiga group called High Heaven which

Kreleased  cracked  Amiga  software, namely games and compiled them onto one

Kdisk  with a coded menu.  This became tedious and I started to teach myself

Khow  to  code  and  in  1993  I formed CyberDreams.  The new group actually

Kreleased software as part of the Amiga demo scene.  In late 1994 it changed

its name to Carnage.


KI  won't  bore  you with its history.  It was just something that I enjoyed

Kbeing  a  part  of.   The Amiga scene though is far from what it is was and

Ktherefore  we  finally  decided to call it quits so that we can get on with

our lives.


)You can check out the Carnage website on:

/http://www.geocities.com/TimeSquare/Castle/4500

Greetz


0I'll like to send out greets to the following...


KAlesis,  Andy  Bolt,  Anf!,  Aztec, Bootblock, Braindead, Bubblegum, Cabal,

KCage,  Carp,  ChaZzy  B,  Choomy,  Chris, Chris A, Conan, Corn, Curse, Dave

KDiamond,  Denzil,  DJ,  Dooba,  DT214,  Dune, Eon, Falcon, Flyagaric, Fell,

KFireball,  Freak,  Freeman,  Gop, Goz, Hijaak, Hobbit, Horror, Hyperdriver,

KIceman,  Jam,  Jay,  Jinx, Karl, Kenco, Killit, Kooky, L8-X, Loony, Maffia,

KMammoth,  Mayhem,  Mean  Mr.Mustard,  Mentor, Mercenary, Merrdyn, Mr.Magoo,

KMumphie,  Muppett,  Mythos, Neon Dsns, Pazza, Pink Panther, Progen, Ruiner,

KShade,  Shooter,  Silver,  Sirius,  Slate, Slim Jim, Soma, Sonic, Sparhawk,

KSpicoally,  Spin,  Stelf,  TFT,  Thrust,  Tummo,  Violator,  Vodka,  Watts,

8Wavelength, Wizz, Wookie (RIP), Wraith, Zebedee, Ziploc.


Soz if I forgot anyone!



A quick word...



..to ex-crew members


JKei  and  Bubblegum  are  working on a CD (ISO Joliet) featuring all group
Kreleases,   plus   unreleased   work,  internal  magazines  and  texts  and

Kco-productions.   If  you have anything that Kei may not have a copy of (be

Kit  Gfx,  music,  code..) and you think it deserves to be on the CD, get in

3touch by emailing Kei on Keiofcarnage@geocities.com



What we still need:



Old issues of CDMN and CID


Animations done for the group

%Rendered and pixeled group name logos

Music  modules
B(Do you have the missing Wookie mods?  Only 103 recovered so far!)
4Work-in-progress (unreleased unfinished productions)
Your  words to Wookie texts

4(some never reached me and deserve to be on the CD!)


KCrew  members can reserve copies of the CD by contacting Kei via email.  It

Kwill  only cost the price of a blank (TDK) and postage and may serve to wet

your nostalgic appetite in the future.


Kei

GLOSSARY OF TERMS

KWe  tried  to  keep  our use of Japanese terms to a minimum.  Hopefully you

Kwon't have to refer to this page very often.  Here is a short list of terms

/that you will encounter throughout this E-zine.



KANIME:   The Japanese word for animation.  In Japan this means animation of

Kany  kind;  foreign fans use it to distinguish Japanese animation from that

of any other nation.


;BI:  `Pretty'.  Often found as a prefix to SHONEN or SHOJO.



KDOJINSHI:   Amateur  fanzine.   The  material  can  be original or based on

Kpopular ANIME, comics or novels.  (Some dojinshi circles also put real-life

Kcharacters  in  their  work.   One  SHONEN  AI  fanzine in the mid-nineties

Cchronicled the fantasy of life as a roadie for boy-band Take That.)



KECCHI:   Abbreviated  form  of  `HENTAI' (`H').  signifying a mild level of

perversion.



GHENTAI:  Perverse, pervert, person interested in explicit erotic story.



KJUNE:   (Two  syllables.)  The  name  of  a  magazine  devoted to SHONEN AI

.material, another term for this kind of story.


KLOLIKON:   Also  transliterated  as  rorikon  -  abbreviation  for  `Lolita

Kcomplex',  used for material featuring girls who appear to be under the age

of consent.



-MANGA:  Comics.  `Comics' is also often used.



KOAV:   Original Anime Video, ie first appearance on video not television or

film.



KOTAKU:   In  Japan,  a  derogatory  term for someone obsessed by any hobby,

Kcorresponding  to fanboy/anorak.  Some fans view the label as a compliment,

especially in the West.



KSHOJO  MANGA:   Girls' MANGA, directed at elementary and junior high school

Kage  groups  where  the  main  character  is  female.  Stories usually have

Jromantic themes.  Shojo is not acrually erotica, but there are grey areas.


KSHONEN  AI:   A  category of entertainment written for women where the main

Kromantically  involved  characters  are  male,  especially BISHONEN `pretty

Bboys'.  These need not always be explicitly homosexual characters.


4SHONEN MANGA:  Boys' MANGA.  Compare to SHOJO MANGA.
ANIME:
BI:

DOJINSHI:

ECCHI:
HENTAI:

JUNE:

LOLIKON:
MANGA:
OAV:
OTAKU:
SHOJO  MANGA:

SHONEN  AI:

SHONEN MANGA:

GENERAL GUIDE FORMAT
.TYPE:               | A movie/series or other.
0LENGTH:             | Duration of the animation.
1JAPANESE CREDITS:   | Credits for the production.

1WESTERN CREDITS:    | Credits for the production.

3ORIGINS:            | Original author or publisher.

.POINTS OF INTEREST: | High-points of the film.
2SPINOFFS:           | Info. on further production.


"CATEGORIES:               RATINGS:


*P  | Present Day          N  | Mild nudity
-H  | Historical           NN | Lots of nudity

0D  | Horror               X  | Sexually explicit
5SF | Science Fiction      XX | Very sexually explicit

F  | Fantasy              V  | Violent
+C  | Comedy               VV | Ultraviolent

2T  | Thriller/crime       SM | Elements of bondage
+                          G  | Gay elements



KMAINSTREAM:   A  work in which sex and eroticism are not important factors,

although they may still appear.



@EROTIC:  A work in which sex has a major influence on the story.


@PORN:  A work in which the story has minor influence on the sex.
TYPE:

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EROTIC
PORN
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