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[*] r E M O R S e I 9 8 I [*]
pRESENTs
__ //\ ______ //\ ___________ /\\ __
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/ \/ \ / / \ /____ \ \klr/R81
/______\ ____/ ____/ / \___/ ____\ \\
%%%%%%%%%\__\%/____________/%%/______/%%%%%%%%/_____\%%%%\__\%%
/(tAkEs mE hIgh)\
iN
______/\\____ _ _/\\ ___/\\_____ ___ _
\ //_______\_\\\_ \_______\\ // // _///_/____
___\\ \ \ \ \___\_________ //__
// \ \ \ / //___.
\ , \ \ ___ \ ___ / \ |
\\ \ \ \__ __/ /_ / \ |
\____ _____ \_ \_ \ \____ \_ |
<######/_____________\###\_____________/####\_________\######\___________//>
| \ |
_| ____________ ._____________ |
\\_ <<------------------(____________)-|-------- ----------------->> |
| |
_ ___|_/\\__ ______ __ _ ____/\\__________//\_____ ______//\_____|
\\\ \/ //___/__\\\____// \ \\ /
\ \/ \ / / \__ __/|
\ / \ ______/ / / \ |
<<< / \ \\__ ___//___/ \_|
/ / \ / _/ :
__/ / \\ :
\\______/ ____ ____ ______\ ____ :
<####/_____ ____\##/_____ ____\##/____ _____/#####/ /##/________:
| \( \( \( \____ __/sILAZ<ACiD> |
_| -+**DaYS oF MiGHT**+- \( | |
\\_________ VOLUME II | |
| \_ \_____________ |_ |_
| | )_______________________________________// _/
| | |. |
| | :iNTRO::english version: |: |
| |_______________ |: |
_| .---' `-----------------------------------. |: |
\\_ | This mighty days are transcurring lonely and smooth | |______,----'
| |___ I only wish to be understood; I've done this com | | |
| | pilation and release of my "Infamous Pomes" that | |____|
| | are the picture of what I'll never be. I dare u 2 | |
__| | discover the meaning of this colly, if you can... | |
| | | u should let me know w/an email. This is a very | |
| | | uncommon type of asciis collection, so I do not | |
| | | know if I'll be understood. Probably yes, it aint | |
| | | so difficult to discover the motive of it, if you | |
| | | aren't an ignoramuse [donkey] white/euro thrash | |
| | | or niggers like certain that I know... I can be | |
| | | frontal and tell that I'm very tired of the peo- | |
| | | ple who is envious of the bohemians. They try to | |
| | | put everyone in the same gregarians situations | |
| | | in which they pass most of their time! I can step | |
| | | into the podium to say that not everywhere is US | |
| | | or India where there's no alternatives for a | |
| | | youth that has beauty and love and still doesn't | |
| | | wants to contribute w/the (tamed) societies of | |
| | | those places and alike ones... I wish that in the | |
| | | Argentina start appearing jobs where one can work | |
| | | from the house and earn like u$2OOO and where the | |
| | | corp. doesn't cares if their programmers or admins| |
| | | use long hair, baggy pants or whatever other stuff| |
| | | other stuff like body piercings and tatoos, still | |
| | | if they have the tatoos in the face, like a person| |
| | | that I saw who had Sandokan (of Emily Salgari) | |
| | | tatood in his cheek. This is all, stay tuned. | |
| | | kelarak/Remorse | |
| | | Spanish Version | |
| | | ~~~~~~~~~~~~~~~ | |
| | | Estos poderosos d¡as estan trasncurriendo soli- | |
| | | tarios y tranquilos S¢lo deseo que me entiendan; | |
| | | He creado esta compilaci¢n y publicaci¢n de mis | |
| | | "Poemas infames" que son la proyecci¢n de lo que | |
| | | yo nunca ser. Los desaf¡o a descubrir el signi- | |
| | | ficado de esta colecci¢, si pueden... | |
| | | uds. deber¡an hacrmelo saber con un e-mail. Es | |
| | | una colecci¢n de asciis muy fuera de lo com£n, | |
|_/ | as¡ que no se s¡ me entender n. Probablemente s¡, | |
| | no es tan dif¡cil descubrir su motivo, si uds. son| |
| | unos ignorantes [burros] basura euro/blanca o unos| |
| | negros como algunos que yo conozco... Puedo caer | |
| | frontal y decirles que estoy muy harto de las | |
| | personas que envidian a los bohemios. Ellos tratan| |
| | de poner a todos en las mismas situaciones gregari| |
| | as en las que ellos pasan la mayor¡a de su tiempo!| |
| | Puedo subirme al podio y decir que no en todos | |
| | lados es EEUU o India donde no hay alternativas | |
| | para una juventud que tiene belleza y amor y | |
| | todav¡a no quiere contribuir con las (domadas) | |
| | sociedades de esos lugares y otros por el estilo. | |
| __| Yo deseo que en la Argentina empezacen a aparecer | |
| / | empleos donde uno puede trabajar desde la casa y | |
| _/ | ganar como 6OOO pesos y que a la corporaci¢n no | |
| | | le importe si sus programadores o admins usan el | |
| | | pelo largo, pantalones bolsita, o cualquier otra | |
| | | cosa como piercings y tatuajes, hasta si es que | |
| | | tienen tatuajes en la cara, como una persona que | |
| | | v¡ que tenia a Sandokan (de Emilio Salgari) | |
| | | tatuado en su mejilla. Esto es todo, estense al | |
| | | loro. | |
| | |- - - - - - - - - - - - - - | |
| | | | |
.--' | |____________ kelarak/Remorse | |_
| |____/ \______________________________________| _//
|_____________ |
`--------------------------------------------------'
Two spectral blondes,
surly and jaundiced,
weld warehouses.
.-< iNDEX >-----------.
| |
| |
| bury st. edmunds |
`---. suffolk |
| lawford .---'
.--' essex |
| manningtree |
| faversham |
| kent |
| st. osyth `---,
.--' kirby |
| great holland |
| great yarmouth |
| norfolk |
| langham .---'
| great clacton |
| wivenhoe |
| thorpe-le-soken |
| arlesford |
| walton-le-soken |
`-. ramsey |
| peta |
| ipswich |
| minotauro |
| quartex |
.-' style `----. | tower of babel |
.--' triloxy |
| tristar partysound |
| the morning crew |
| a.l.f |
| |
`---------------------------'
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTiON bY kelarak \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | BURY ST. EDMUNDS ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
BuRy St. eDMuNDS
_____ ______ ___ ___ _______ _______ ____ ____ __ ____ _______
\\ ///--/ / \--/ _// _/_\\_ _// \\ __ /_\ /_\_ /--/ /_\_ /_\ _/ _//
/ / / / /__ / / \\___ / \ / \__/ / // / / / / / \__ \\
_/ , / / / __\ / /// / /\ _/ / . / // / / / / / . _/ / /\
\\____/____/__/ / /_/ / \____/____/ / \____/____/_//_/____/--/_/____\_____/ /
::\___\____\__\//::\_\//::\\___\____\/::\\___\____\_\\_\____\--\_\____\_____\/
sGK<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTiON bY kelarak \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | SUFFOLK ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__ ______________________ ____
//_//___// __/ __/ < /--/ /\
\__ / / __/ __/ , / / / //
_/ / / / / / / / / / \/SuFFoLK
\\___/____/__/ /__/ /____/___/____/____\
: :::::\__\____\__\/:\_\/\____\___\____\_____\:::::: :
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \_______________,
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | LAWFORD ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
______ ____ __ _________ _____ ____
< /_\_ /-/\ / __/ / /_\ /\
// / / / __/ / /_ / //
/ / , / / / / . / / / , / /
. ...../____/____/_/\_/__/ /____/__/ /____/ /....... .
\\____\____\_\ \\__\/\____\__\/\\_LaWFoRDkelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | ESSEX ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
________ ___ ______ ___
// _ / _/_/ _/___/ _ /-/ /\
......../ \__\___ \___ \__/ / //
\ / / / / / / \/ eSSeX
\\____\____\____/____/__/____\...... .. .
\____\____\___\____\__\\___/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | MANNINGTREE ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
____ ____ ____ ____ ______________________________
_\_ /_\_ /_\_ /_\_ /_[]_ _\_ / /\_ _/ /__ /__ /\
. ......./ // / / / / / / / / /__/__/ \ /_/ \__/ \__/ //
/ // / , / / / / / / / / \ / / / / / /\/..... . ..
//_//_/____/__/_/__/_/____/__/_/____/____/__/ /____/____/ /MaNNiNGTRee
\_\\_\____\__\_\__\_\____\__\_\____\____\__\/ \___\____\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | FAVERSHAM ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__/\\__ _____________________ ___ ____ ____
\\ __/_\_ / /__ / /_/__/ //___\\_ /_\_ /\
.........../ __ / / \__/ /__\_ /--\ / // / //
_/ / / , / / / / / / / , / // / /FaVeRSHam
\\__/ /____/____/____/__/ \____/\__\__/____/_//_/ /......... .
\_\/\____\\___\____\__\/ \___\/ \_\____\_\\_\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | KENT ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
____ ____ __________
\ /--/ __ \_\_ \_ _//
. ........./ / \__/ / // \__
_/ / / / /\....... .. .
\\__/__\____/__/__/______/ /KeNT
\_\__\____\__\__\______\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | ST. OSYTH ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__ ______ ______ ________
//_/__\_ _// ___/ /_//____// /_ _//
. .........\___ / \__\\_ \___ / /_/ \__
/ / / /\_ \ . / / __ _ /\\ st. oSYTH
\\____\____/ [_] \___\____/ /__/ \____/ /........ .. .
\___\____\/ \___\___\/\__\/ \___\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | KIRBY ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
___ _________ ____
/--/ /_[]_/ / /___/ /\
_/ _/ /_/ / __/ //
. ........\ \ / / / , /\_\/........... .
//__/___\___/__/ /____//__/KiRBY
\__\___\___\__\/\____\\__\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | GREAT HOLLAND ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_________________ ________GReaT HoLLaND______________ ____ _____ ____
\ / /__ /_\_ _ _// / /// _/ < < /_\_ /_\ /_\ /\
......./_/__/ /_/ \__/ / \ / /---/ / / / / / / / /
_/ \ / / / / , / _/\ / / / . / / / , / / / , / /
\\____/__/ /____/____/____/\\/ \__\ /____/____/____/____/--/__/____/ //
\___\__\/ \___\____\____\/ \__\_\ ___\____\____\____\--\__\____\/... .
kelarak<ACiD>
.------------------------.
| ::: ::: |
úù+*| sAdIstIcAl IntErlUdE *|*+ùú
| ::: ::: |
`------------------------'
Extracto del "Martillo de Brujas"
Hasta con el toro papal los inquisidores alemanes encontraron su preparaci¢n
incompleta. En seguida despus the su vuelta de Roma, ellos se tomaron la
tarea de compilar un manual - una exposici¢n de brujer¡a y un c¢digo de pro-
cedimiento para la detecci¢n y castigo de brujas. Completado en 1486, fu
llamado El Martillo de Brujas.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
El mtodo para empezar la examinaci¢n con tortura es como sigue: primero, los
carceleros preparan los implementos de tortura, entonces desnudan al
prisionero (si es una mujer, ya ha sido desnudada por otras mujeres, [honestas
y de buena alcurnia. Este desnudamiento es por si tienen alg£n medio de brujer¡a
que hayan cosido dentro de sus ropas-como es com£n, ense¤ado por el Diablo, que
ellos preparan de cuerpos de infantes no bautizados, [asecinados], ellos pueden
perder el derecho a la salvaci¢n. Y cuando los implementos de tortura han sido
preparados, el juez, tanto en persona como a travs de otros buenos hombres
celosos de la f, trata de persuadir a los prisioneros de confesar la verdad
libremente; pero, si l no confiesa, l les pide a los ayudantes que lo aten
al strappado o alg£n otro implemento de tortura. Los ayudantes obedecen en el
acto, aunque con fingida agitaci¢n. Entonces, en la plegaria de alguno de los
presentes, el prisionero es soltado de nuevo y es puesto a un lado y una vez
mas persuadido a confesar, haciendole creer que si el lo hace, en ese caso no
ser ejecutado.
Aqu¡ el puede ser interrogado por el juez, en el caso de un prisionero muy
difamado, convicto tanto por testigos y pruebas, sin nada que falte salvo sus
propia confesi¢n, y que pueda llevarlo a esperar que su vida sea perdonada
cuando hasta si l confiesa su crimen, l ser castigado con la muerte.
Puede contestarse que las opiniones var¡an. Algunos sostienen que hasta una
bruja de enferma reputaci¢n, contra quien las evidencias justifican violenta
sospecha, y quien, como un cabecilla de las brujas, es considerada muy peli
grosa, puede ser asegurada que vivir , y que en cambio ser condenada a pri-
si¢n perpetua a pan y agua, en el caso de que ella de seguro y convincente
testimonio en contra de otras brujas; aunque esta pena de prisi¢n perpetua no
se le debe anunciar, pero s¢lo que su vida ser perdonada, y que ella ser
castigada de alguna otra manera, talvez con el exilio. Y sin duda que tales
notorias brujas, espcialmente aquellas que preparan posiones o que por mtodos
m gicos curan a los embrujados, ser entonces peculiarmente indicado a ser
as¡ preservada, de manera de ayudar a los embrujados o acusar a otras brujas,
donde si no que sus acusaciones pueden ser confiadas, desde que el Diablo es
un mentiroso, hasta que se confirme por pruebas y evidencias.
Otros sostienen, hasta este punto, que por un tiempo la promesa hecha a la
bruja sentenciada a prision ser cumplida, pero despus de un tiempo ella
deber ser quemada.
Una tercera postura es, que el juez pueda prometer con seguridad a las brujas,
s¢lo si l despus se arrepiente por pronunciar la sentencia y deja a otro
hacer esto en su lugar....
Pero s¡, ni por las amenzas ni por las promesas como stas, la bruja puede ser
inducida a contar la verdad, entonces los carceleros deben llevar a cabo la
sentencia, y torturar el/la prisionero/a de acuerdo con los mtodos aceptados,
con m s o menos severidad como el crimen del delincuente demande. Y, mientras
l/ella est siendo torturado, debe ser interrogado sobre los art¡culos de la
acusaci¢n, y esto frecuente y persistentemente, empezando con los cargos leves
y-porque l/ella se sentira mas predispuesto a confesar los leves m s que los
graves. Y, mientras esto se est haciendo, el notario debe anotar todo en su
registro del juicio - como el/la prisionero/a es torturado, en que puntos el es
cuestionado y como el/ella responde.
Y notarle que, si l/ella confiesan en la tortura, l/ella debe, despus, ser
llevado/a a otro lugar, que l/ella confirme y certifique que no fu debido
s¢lo a la fuerza de la tortura.
Pero, si el prisionero no confesase la verdad satisfactoriamente, otros tipos
de torturas deben serle puestos delante, con la afirmaci¢n de que si no confi
esa la verdad, l/ella debera soportar estos tambin. Pero, si ni as¡ l/ella
puede ser llevado dentro del terror y la verdad, entonces el pr¢ximo d¡a o el
siguiente, pero uno, deber ser decidido por una continuaci¢n de las torturas
- no una repetici¢n, porque no deben ser repetidas si no se producen nuevas
evidencias.
El juez debe entonces dirigirse a los prisioners con la siguiente sentencia:
Nosotros, el juez, etc., lo/a asignamos a tal y tal d¡a por la continuaci¢n
de las torturas, que de su propia boca la verdad sea escuchada y que todo sea
anotado por el notario.
Y durante el intervalo, antes del d¡a asignado, el juez, en persona o a travs
de hombres aprobados, debe en la manera antes descripta tratar de persuadir
al/a prisionero/a de confesar prometindole (si hay algo que ganar de esta
promesa) que su vida ser perdonada.
El juez deber ver por ello, y es m s, que a travs de este intervalo guardias
estn constantemente con el prisionero, as¡ l/ella no est s¢lo/a; porque
l/ella ser visitado/a por el Di y tentado/a al suicidio.
University of Pennsylvania. Dept. of History: Translations and Reprints from
the Original Sources of European history, published for the Dept. of History of
the University of Pennsylvania., Philadelphia, University of Pennsylvania Press
.------------------------.
| ::: End Of thE ::: |
úù+*| sAdIstIcAl IntErlUdE *|*+ùú
| ::: ::: |
`------------------------'
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | GREAT YARMOUTH ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
______ ____ _____ ___ ______GReaT YaRMouTH______ ___ ___ ___________
\\ // /__ /_\_ /_ ___/___/ /\_\_ / /_\ /_/ /__/ /_ _/ /
....../ __// /_/ \__/ /_/ \_ \ / / / / / / / / / / / \ /-\
/ \ / / / / , / /\ \ / / , / /_ / / . / / / / /\
/____/__/ /____/____/______/ / /_/ /____/__/ /__/_/____/____/_________\_/ /
\\____\__\/\____\____\______\/ \_\/\____\__\/ \_\____\____\_______\__\\/.
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | NORFOLK ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
______________________________ ___
\\_ / / / __/ < /---/ /\
. ....../ / / . / /_/ __/ . / / / / //
// / / / / / / / / / \ \/NoRFoLK....... .
/__/_/____/__/ /__/ /____/____//_____\__\\
\\__\_\____\__\/\__\/\____\____\______/__/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | LANGHAM ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
____ ____ _____________ __ _____
< \_\_ /_\_ \ /\ / __\_\_\_ /\\
/ / / / /__/_/__/_/ / // / /
. ........../ / , / / / \ / \ / , / // / /LaNGHaM
/____/____/__/_/____/__/_/____/_//_/ /..... ..........
\\____\____\__\_\____\__\_\____\_\\_\//
kLR[rEMORSE]
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | GREAT CLACTON ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_____ __________ __________ __________ ___ ______________ ____
\\ /// /__ /_\_ __ __// / < /_\_ / __ _/ \_\ /\
....../__/_/ /_/ \__/ // \ / /__/ / / /__// \ . / / //
_/ \ / / / / , / \_/ / / / , / / / / / / /... .
\\____/__/ /____/____/_______/\____/____/____/____/____/\___/--/_/ /
\____\_\/\____\____\_______\/\___\____\____\____\____\/\__\--\_\/kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | WIVENHOE ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_______ ________ ___ _____ ___________
\\ /\ /_[]__// /__ /_\ \\\ / / /__ /\
. ........./ / / / / \__/ / / /__/_/ / / \__/ /
_/ / / / / / / / / \ / / /\/.WiVeNHoe.... .
\\_/\_/____/\___/____/__/__/ /__/_/_____/____/ /
\\/\\\___\/\__\____\__\__\/___\_\____\\____\//
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | THORPE-LE-SOKEN ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | ARLESFORD ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
___________________ ___ _______________ ____
_\\_ / < /_ // _/_/ __/ / /_\ /\\
/ / /__/ / \_/_\__ / __/ . / /_/ / /
. ....../ , / / // / // / / / / / / . / /aRLeSFoRD
/____/__/ //____/___//____/__/ /____/__/ /____/ //
\\____\__\/ \____\___\\____\__\/ \___\__\/\____\/......... .
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | WALTON-LE-SOKEN ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
-=/ W4LToN-|e-5o|<3N \=-
__/(___ _____/(____/(____ ____ ___/(__/(___ __ _/(_____ _/(__ ____
\\ /\ /_\_ \___ _/ \__\ /\\ < /___ /__//_//__/ / //__ /_\ /
\______/____/_____/___/__/ / / / _/ \_ \/ \_________/__\______/__/_/ /
\\\___\____\_____\___\__\/_/./.\\_________\/...\___\____\_____/___\__\_\/
\_\/ sGK<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | RAMSEY ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_______ ____ ______ ______ ___
\\ /_\_ /_\ /_//__/ _ /-/ /\
. .... ......./ /_ / // \_ \___ / / /
__/ /_/ , / // / /\ / /RaMSeY
\\___/ \____/_//_ /_____/_____/ /_/ /............ . .
\__\/ \___\_\\__\_____\_____\/\_\//
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | IPSWICH ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_________ _______ ___________
___[]_\ ./ _/_\ /\ /[]_\ \ /
. ........\\ / __\__ / / / /___/ /-\
_/ / /_/ / / / / / _/ /\
\\____/__/ \____/_/\_/____/_____/__\__/ /iPSWiCH........ .
\___\__\/ \___\_\ \\____\_____\___\_\/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | PETa ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__ _____/\\_________/\\____ ______/\\____ /\
/ /_//__ _ __ _//\_ __// / \___
/ ___ \______/____/ \____/ __// pETa
__/ / _/ / \__
.----\\_________/-\\___________/_______________/_________//----.
| ^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ |
`--------------------------------------------------------------'
sGK<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | MINOTAURO ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_____//\______
__\\_ _//__
__________| |___________
/ ______) mInOtAUrO (_______ \
/ __/ :__________________: \__ \
_________________/ \\_ _) (_ _// \_______________
__ __ |______|______________ ___| ____|_________________
// \/ \\___)______\\_ \ __ _/__\\_ \__\\ \ //
/ \/ \ / \ / \/ \\ . \ \ \ \__ , \
\\___/ ___ ____/ \___ ____ ___ \___ \_ \ \___ \
<***/_______\\*\_//*//_______\\*\___/**\\___/***\___//**\___/*\___//****\___/*>
_________________ | | | |kelarak<ACiD>
\ _| )__________________( |_ _______________
\ \\________: :_________// /
\ | | /
\_________)___ mAgAzInE ___(___________/
/_____ _____\
\//
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | QUARTEX ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
______________________________
._____) \\____________________________
| __ ________ ____/\ _____________________ ____ \\__.
_| \/ \\ //__// / \\ \\ \_ _/_ /--/ // - - - - -|_ __
\\_ \/ _/ . / / \_/ /___/ \ \__/ / qUARTEX _/ /_/
| \/ \\__ __________/ ___ // \ _/ _____/ \\- - - - - -|kelarak
|<======(_//========\\____/= \\/======\_/=\__/=====\___/===========>|remorse
|______ _______________,------'
)_____________________________________//
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | STYLE STYLE ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
___ ___ ___ ___
__/\\__ __// \__// \_ _// \__ ___// \___
/ __ \_/ ___//\_____/\\__\_/ __//\__ \/ ___/\\__ \\
\\ //_//____\\_ __ /----\ //__// __ \\ \__
__/\__ _/ _\___ \_/ \\ / / / / \(____/_ //__/\__
\ UU / / _/ / / \_ __ / / // / \ nn /
/_/\_\ /\o\ / ___ _/ooo/ _/oo\_ __ ____ /oo/ /_--_\
\ \\\__ __// \_ _/ __ \\_/ ___ \// \_ _/ \_ _// / \/
\ \_ \\/ ___/\_ \// /_/\____/__/\_____ \/ ____ \\/ /
\//\___/_____/\___/ \/___/ \/____/\___/___/\______/
\/__/ \/__/ \/__/ \/_____/
kelarak[rEMORSE]
___ ___ ___ ___
_______ ___/ \___/ \_ __/ \__ ____/ \___
/ __ \_/ ___//\_____/\\__\_/ __//\__ \/ ___/\\__ \
\ //_//____\\_ __ /----\ //__// __ \\ \
_/ _\___ \_/ \\ / / / / \(____/_ \
/ _/ / / \_ __ / / // /style
\\\ / ___ _/ / _/ \_ __ _____ / /
\ \__ __// \_ _/ __ \\_/ ___ \// \_ _/ \_ _// /
\_ \\/ ___/\_ \// / \____/ \_____ \/ ____ \\/ /
\___/ \___/ \___/ \______/
kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | TOWER OF BABEL ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__________________________ ___________________________________
\\__ _/_\\ _ //__________
_/ \\ / _ \\
/\__ _____ ___ / /
\/_/\___________________/____/\___________________/__/\__________________/NET
<####\/__________________/#####\/__________________/###\/_________________/###>
. . ..t.O.W.E.r....O.F....b.4.B.3.L.. . . kelarak<ACiD>
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | TRiLOXY MEMORABILIA ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
____/\\______/\\__ _/\__ __//\___ ____ _/\_
._______\\_ __/ \___)___/ /__/ /--/ /---/ /\
_|tLY__ ___/ \/ /_ / / / , / __ / / /__
\_ \_\\ _____/ __/ / ____/ ____/ ____/___/ \/ __/ //_/_/__.
| .-----\__/\____\__/\_\/\__/\___\__/\___\__/\___\__/________/\_\/------. |_
_| | <%%%%\_\/%%%%%\_\/%%%%\_\/%%%%\_\/%%%%\_\/%%%%%%\______\_\/%%%%%%%> | _/
\\_ `---------------------------------------------------------------------' |_
|__ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ___________________//
)___________________________________________________//kelarak[rEMORSE]
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | TRiSTAR PARRRTYSOUND ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
___________________________________________
_/ _//
___|________________ ____ ____|_________________________
._/ \\_____// \_______// \_
| _________//\_________________//\__________ _ |
|\\___ __ /_///_______/\\___________)_______ |_
| / /_/ /____ \_________ / _//
| / ______/ \_ ___// // _/ __ ________// |
|<*\__ ___/**********\_ ___/********\______ ______/**\__ ___/**********>|
`-----\//---------------\//_____________ \// \//kelarak[rEMORSE]
__ _| \\_____________________________,-----'
\\_\\_______ tRiSTAR aND tHE rED sECTOR iNC. |_ __
)_____________________________________//_/ /
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | THE MORNING CREW ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
_________________________
.-' _____________ ______`----,
_| \\_ _/ __//_// __ \\ |
\\_ __/ \ \ )/___/ |_
.--' \\ ______/ _____/ _//
._____________|<<****\__/*****\___/\__/********>>|______________
_| _____ ___________________ _______ ____________ //_
\\_ \\____\/__/ / \_\ //__(____\\ / __//_ _//
| _/ \/ , / /_ / / \\_ \\ |
.-' \\____/ _______/ __/ \\__/ ___ ___/ ___ / / `--.
__ _|<<*****//__//*****\\__//*****//_____/***\__/**/_____//**\____/****>>|
\\_\\_____________, ________________________ ______.--------------'
| \\ / / __ \\---/\ /|
_| _/ /---/ /_/ )/___/ //|Silaz<ACiD>
\\_ \\ ___/ __/ / _____/ /\__/ `--.
|<<**\__//**\__//***\__//***\____//*******>>|_
`---------------,____________________________//
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| |
| | _______________|
| | A.L.F ____________________________// |
| | | |
| `------------------------------' |
`--------,__ |
|_____________________ |
`------------------------------------------'
__________________,
_/ . | ______________________________________
| _________|_____// ...................\_______.
| . ,___/ : _ ________/\\____ _ : __ ______/\\______ : |
_| | ....____/\\__:___\\\_ / ///__:/_// \\ |_
\\_ . _| : \\ / / \_____/: _/
| \\__ :.../ / / ____> : |
| . \___/ , / /.:aNiMAL:.... |
| ::__/ / //.:liBERATION: |
| .___:\\ __ ________/__ /___:fRONT:._ : |
| <=====\\____ _____//[]\_____ _____//=======[]\\_ _/=============> : |
\\ . \// \// .-\//----------------^-'
|_________________________ _ _ _ _ _ _ _ |kLR[rEMORSE]
)_________________________|
_______________________//\\_______________________
\ /
\ /
\\ dAYZ oF miGHT (#ý) /
\ /
.-----------------/ aN oLDSCHOOL/LiT cOLLECTION bY kELARAK \________________
| / oF rEMORSE 1981<ACiD> \ |
| ____________/ \\ |
| | /______________________ ______________________\ |
| | \\// |
| _| MiGHTY FuN: Discover 1*who is the hacker/virucker who has written such |
| | an improper english .dox for a program 2*For which group ______________|
| | he wrote it and 3*what's the program?____________________// |
| | | and then |
| `------------------------------' Email the answers for a surprise. |
`--------,__ |
|_____________________ pvre@post.com |
`------------------------------------------'
Documentation for XXXX Version X.XX BETA TEST
Copyright (c) 1994 XXXXXX & [XXXX] WaReZ
written by XXXXXX
Enjoy [XXXX] members!! XXXX dominate the world.
[XXXX] WaReZ present X.X.X.X XXXX XXXXXXXX XXXX XXXXXXXXX VX.XX XXXX XXXX
XXXX is a new generation of virus tools.
This program [|make|s] resident virus |vased| in ramdomic's |rutines|.
The final idea is [to] create virus 100% different between |they|.
This version is a BETA TEST [it does|not have|] every randomic [e|structures|]
[it] only is a basic virus generator and [it] is [distribute|d] for [|test|ing] the virus|'
behavior.
The full randomic version [|stand|s] [finish|ed] in the [XXXX] LABS and [it'll] be
[|distribute|d] in the next [week|'|s].
[XXXX], XXXX Members and XXXXXX not |responsibility| for damages cause
the use of this program. This program is ONLY for test and [owe|s| used|] only
for expert's in low level [program|m|ing.]
The virus maker is [consider|ed] [I|L|LEGAL] in some [country|'s].
Read your [statute|'s|] before [commit|ing|] errors.. ===>>>> jail. ok?
The normal mutant [virus|es|] (MtE,TPE,NeD) are always find for the A.V. products
because the randomic (variants) |is| [are] very reduced.
In [a|n|] ASSEMBLER code of 600 bytes the possibility is very little.
Because of this [XXXX] deliver a program |for|[to] generate virii code
with much differences each one.
With this program put in problems a various A.V. soft's.
NO more string detectors..
Heuritics is a falsehood!
No more AV!
Look this version |y| quickly have the FULL RANDOMIC !
XXXXXX [XXXX]
----------------------------------------------------------------------------
IMPORTANT!!!!
- - - - - - - - -
3O errors.
__________________ ___________________ __________ ____
\\_ \ // ____\\_ \______ \ //_ _____\\_\ //_____\\_ /
/ /____/ ____/__/ / / / / / / / / /
_/ / / \ . / / / / . / . / / / . /94
\\__ _/___/ _____/ / / / ____/ ____/ ____/ ____\\
[=====\___/====\________//====`--/_/__/\___/====\___/====\___/====\___/=======]
kelarak<ACiD>
I
Chambala 94
~~~~~~~~~~~
Spring of 1994 A.D., baby, do you know what I mean?
Although, the accounting for it will be futile
if you don't love the computers the way we do and the way
I loved them in ninetyfour... though, examining it intently,
lets relegate it; w/out evoking those great, immortal days,
you might understand me. The most important quantum leap,
till the moment, of my bohemian life-style, ocurred,
of course that I was lured by idiotic defiances...
but w/the digital power in front of me... they could not
have a chance. Needless to say. Nevertheless... anyway.
___ ____ _________ _______ ____________ __ _________
__\\ \\__)__// _/_____)_\\__ _//_\_ \ \\_// \__ \/_//_\\__ _//
\ , \ \ \_ \ / \ , \ \ \ \_\ \____\___ / \_
\\___ \___ \___ \___ \__ \____ \___ \_ \ \___ \___ \____ \
<====\__/===\__/===\__/===\__/==\__/====\__/===\__/=\__/=====\__/===\__/====\_/
kelarak<ACiD>
Digital Rest
~~~~~~~~~~~~
The life arriving at its own conclusion in the heart
of the raising of Network Age's curtain, in a
sad cogitation of what a wretchedly clan and
lineage it is leaving behind, it's the life of those
out of question because of and from their very
essence.
Depravities, conceit, familiarity... under
bad smells and sonic strains, and the contagious anguish
or acridity resulting from restless, multi-generational
suffusion.
____________ _____
\\ \\___// \\______ _______ __________ ___
/ /____ / . \\___)_____\\ //___)_\\_ _//__// \
// / / / / ____ / . / \/ / __/
/ ______/ _______/ / / ____/ ____ _____/ ____ __/_//
\___/%%%%%%\___/%%%%%%%\___/%%%%\___/%%%%\___/%%%%\___/%%%%\___/%%%%\___/%%%%%]
kelarak<ACiD>
Cupidity
~~~~~~~~
And then we witnessed numb assaults in the subtle planes
they were mostly aimed straight to our cyber-nature... I am
talking from the position of a person who stands 12 hours
per day, by the keyboard and the screen... What they had envied
us the most? To justify their enmities... the collegiate faade
of the scene... I think... Perhaps, but ultimately, is the
surreal nature of the precints for non-realtime
and jazzy deeds and interactions... there were lives
who clearly couldn't stand the extensive, circumjacent
comeliness.
________ _________ _________ _________ __________
___ \\ __//_/ / /--/ /_ __/__\_ / \\_)_____/ \_____ \
-|- |___ |_/ _/ __ / / /--/ / / \/ / /_ / / / / / /
|__ | / |_ \\___/ \_____/ __/__\ \_____/ . __/ _/ / __/ ___/__/-/__/
<=========================\__/======\__\====\__/==\_/===\__/==\__/============>
kelarak<ACiD>
The Fucktarium
~~~~~~~~~~~~~~
The life that has been always stormed w/turpitudes
obscure perishings in innocent ranknesses w/sweats.
The life able to compute in a fragment of second
the own lost youth among bloodsucking kinsmen.
The life dying hypnotized w/loath in front of a
can w/black wax on it. And not exactly paranoid
testimony of subtle fallus-cracies---If you know
what I'm saying---Soon better think twice before
going on bragging w/those spare shirts and pants.
/ .----------------------,
| A |
____________/\ ___|______________ ____|______ _____
\\ ___/ \ // / \__/ /\----\/ _//___
__ _/ __/ / \_/ /__/ /__/ . _____ \\
\ \_\ \ __/ / ___ ___/ / ___/ / ______ _/\__\ // ___/
<-----\__/-----\__/---\__/--|===\__/======\__/=====|\__/------\_____/------->
| LiFE |
`----------------------' kelarak<ACiD>
A Farrow's Life /
~~~~~~~~~~~~~~~
The life which is essential for the completion of
several deficient other lives, the worried lives
-The puckered bodies of gross neighborgly routs
they're the undersize, surface-prone and tiny life...
and all their contemplations? Nonsensical, ill willed
ways to circumvent the fact of the Techno Revolution;
how global power swerved and how the youth has, in some
way, taken over again. Youth has shuffled the cards of
culture and society. There's no place for cheap
discharges of the sanctimonious wolfs. There's no place.
_________________ _________________________
\\ __/ //______\\_ \_____ / _ / _//__ __/\__
,-----/ ___/ / / / / / \_____/\____ \\--\ -- /---.
| _/ / / / . / / / / / / / /_O _\ ||
`--\\ _/ / _____ _____/ /-/__/ _____/ _____/------\/-----'
* ***\__/****\__/*****\__/*****\__/*****\__/*****\__/******* *
kelarak<ACiD>
Flames
~~~~~~
The inane ways of determined lives w/their
ludicrous contemplations... also with the spasms
of inimical fetishism... even worse: when the feeling
is culled from a meshy amalgam of minds of the prickly
heated type of life. Asbestos, pumps and dust...
leper dogs, illegal kiosks and peddlers---Also restless nights
of the wardens w/their whistles, unsatisfactory
and deeply loathsome; now for swift gregarian dawns.
_______________________________ ______ _________ ________
// , \ \ /__\\ \\_\____ \__\\____ //
PRoBLeM\ __ \___ / \ , \ \ \ /_____\ / / \
\\_ / \_ / \_____ \_____ \_____ \_____ \__/_/__ \\
>>>\__/>>>>>\__/>>>>>>>>>\__/>>>>>\__/>>>>>\__/>>>>>\__/>>>>>>>\_/>>
kelarak<ACiD>
Problem
~~~~~~~
The life that has been always coerced in an infinite
sucession of gregarian states. The emasculated
life. Twelve relatives during the day;
six roommates at night---In the eighties
twenty relatives and ten roommates for the night
in the nineties
Homosexual, dying with A.I.D.S. and suicidal, nowadays.
____ ___________ _____ _______ _____ ___
\\ \/ / /__\ /__)___/ /---/ / \/ \
_/ \/ / . / / / /---/ / / \/ _//
.-------------\____/ / ___/ . ___/ ___/ ___/ ___/ _/__/------------.
| . . ::&&&&&\__/\__/&&&\__/&&&\__/&&&\__/&&&\__/&&&\__/&&&&&::. . |
| ______ _______ ___________ _____ _______ _______________ ___ |
|- - - -\ ___//_/_ /_\\ \_ _// /_/_ //_\ /__ / _//__/ _//_|
| _/ \_ / \____/ / / \/ / / \____/ / / \____/___ /___ /
`-----\\_ / _/ ___/ /___/ ___/ ___/ ___/ /__/ __/ ____/ ___/
..:&&&\__/&\__/&&&\__/&&&\__/&&&\__/&&&\__/&&&\__/&&&\__/&&\__/&&&&\__/&&&:.
kelarak<ACiD>
Modicum Gentleness
~~~~~~~~~~~~~~~~~~
Creased lives taken ill
till the vestiges of their
queasy fag ends.
Appreciate this thrash:
the Most Posh Contemplations.
Kimonos and dim northern cants,
embroils---Decayed feeders
w/their hanger-ons suckeds.
_______________ _________________________
.-----' __________ `----------' ___ ____________ `--------,
|_ _._ _ \\ / / / \\ \\ |
.____| . / _____//___ // /_ __\___// /_ _ _ _ _ _ _ |
| | . _/ \\ \__ _ _ / / \ _____//___ |
| | . \\_____\ \_ / // \___ \ // |___,
| | : ::@@@@@@@@/___________//@/__/@@@@@@@@@/___________\@@@@@@:: : | |
| `-----------------------------------------------------------------' |
|__________________ __________|
)_____________________________,---------------'kelarak<ACiD>
H/2
~~~
The life that's in the midst of a mixture of several
or some of these physical or social throes.
+-----------------------------------------------------------------------------+
//\\ ___ ___ ________ __________ ___ ________
/ \/ \__/ //__\ / //____\\_ / /--/ /__)___\\ /__//_
__/ \/ / / . / / / , / /_ / / / \_ /
\\_____/ __/ ___/ ____/ __/ / / /____ /__/ / __//
& &&&&&&&&\_/\__/&&\__/&&&\__/&&&&\__/&&\__/&&\__/&&&&&\_/&&/__/\__/&&&&&&&& &&
+-----------------------------------------------------------------------------+
kelarak/RMRS
Mudlarking
~~~~~~~~~~
A topic to study in depth: the commonplace views to
a plethora of things that the little lives will never own;
lets outline w/this two: worldliness and zest.
Will Earth's resources and/or axioms pick them apart?
Who knows..?
But nevertheless nature will ensnare them w/Her
fetters for the sins of covetousness and greed.
___/\\_____ _/\\________/\\____________/\\_____ ___/\\_______
_/ \\_____// \__ __/ \_/ //
\ / \/ \_\ \ \ \
\\ / \ \ \\
\ . \ \___ . \
//____ ___ ___ \___ \_\\__ /
<======\\_________//=\\__________//=\\________//==\_________//==\\________//=>
.________________________________________________________, |
| | bYE-bYE... |
|Para terminar con el volumen No2 de estas series )--------------'
|llamadas Dias de Poder, Quiero decirles porque |
|la estoy dise¤ando. Yo nunca esper llegar a |
|sentime con un semejente asco por el mundo como |
|estoy sintiendo este verano por aqu¡ en Argentina, |
|pero yo subconcientemente me he dado la libertad |
|de guardarme la idea de continuar con la serie en |
|momentos como el que estoy viviendo... S¢lo puedo |
|decir que estoy viendo que pervertidas que est n |
|las juventudes del mundo -y que quiero trascenderlas- |
|tambin con todos los otros que son diferentes y que |
|son los que yo prefiero; si tengo que marcar los l¡mites|
|entre los dos tipos de juventud, ser¡a as¡: los que |
|viven situaciones como las situaciones en los poemas |
|son los que no soporto. Y los otros son los |
|j¢venes que yo amo, los que en cualquier situaci¢n |
|que estn, se comportan como si fueran monjes y |
|tienen el golpear al sistema como su manera de vida. |
| |
|Es algo c¢mico (aunque no muy gracioso) ver a ciertos |
|analfabetos y a los malnacidos ir de aqu¡ para all¡ |
|odiando la suerte que rodea a otros pero ellos no |
|pueden tener, para ponerlo de manera expl¡cita, que |
|triste que tiene que ser la vida en EEUU o Europa, |
|donde si no pods pagar 5OOOO d¢lares por a¤o, no |
|pods ir a la univer$idad, eh? Una sociedad como |
|esa ser muy comemierda, se imaginar n. Despus de |
|todo es la caca que ellos se merecen comer por tener |
|una sociedad prejuiciosa y amarga como la que tienen. |
|Como no es mi problema, porque no vivo en US ni en Euro |
|la termino aqu¡, ok? Pero de todas maneras, por m s de |
|que uno sea afortunado y pueda estudiar y todo, hay |
|otras cosas que son dignas de una denuncia, como por |
|ejemplo: PORQUE LA GENTE QUE PRACTICA LAS ARTES NEGRAS |
|TIENE QUE QUEDAR IMPUNE? Porque por si no se dan cuenta |
|todav¡a hay gente con el cerebro podrido que es tan |
|ignorante y tan subdesarrollada espiritualmente que |
|continua con los mismas ritual¡sticas perversiones |
|por las cuales, hace 4OO a¤os juzgaron y ejecutaron |
|a tanta gente. Y eso es toda la cultura de la brujer¡a |
|que trata de hacer de todo el mundo la misma porquer¡a |
|que ellos son: una sociedad donde tiene que existir `------.
|la brujer¡a como culto para acaparar a todos los malnacidos/ |
|desacastados que tienen predistinado el ser unos ignorantes |
|sin educaci¢n. Y es obvio que los casi 4 a¤os que pas |
|en la India me cambiaron respecto de todos estos temas, |
|porque all¡ he aprendido que la Sociedad de la India no |
|soporta la brujer¡a, y si la practic s, la cosa m s probable |
|que te pueda pasar es que una multitud te vayan a buscar a tu |
|casa y te la prendan fuego y te maten a vos junto con toda tu `-----.
|familia, y te estoy hablando de unos 1OOOO tipos con proyectiles y |
|bastones, s¢lo para matarte a vos y a la bruja de tu vieja. ___,-----'
|Yo desear¡a que otras sociedades del mundo aprendan |
|esto de la sociedad India. |
| |
| Cambiando el tema: disculpen si soy repetitivo, pero se |
|me antoja recordar este incidente que ocurrio hace unos |
|a¤os de un phlaco que empezo a vender emails |
| .--'
| your_name@scene.com.ar |
| `----------.
| |
|el pasado pisado dice el dicho no? La verdad que me gusta que |
|siempre salga el tema de que enfermiza que se torna a veces este `--.
|hobby, arte o manera de vida que es la escena de las artes digitales..|
|A mi no me gust¢ y no se cuantos habr n sentidose robados, estoy .--'
|hablando de alguien que nadie conoc¡a al menos eso me dijo la |
|apat¡a de todos respecto al tema en IRC cuando apenas lo v¡ y les |
|coment a las personas que en ese momento estaban en #pvm de efnet,`-----.
|estoy hablando del a¤o 2OO1... pero no s¢lo eso me parece un tema como |
|para pisar, sino otra cosa que me pas¢ tambin un d¡a cuando estaba |
|en el IRC desde un cybercafe en cierto lugar de Asia, me pareci¢ como si `---.
|uno de los que estaba en el servidor privado de la scene de buenos aires, |
|hubiese hecho algo y haya apagado la terminal que yo estaba usando... fu |
|tanto el haberlo tenido a @Nataraja, el bot de #PVM que yo ya lo vea mani- |
|festarse por todos lados? La computadora literalmente se apag¢, as¡ que ser |
|por eso que me lo acuerdo. Como que el tipo le dijo a alguna flaca: "Mir |
|lo que le hago ahora" y la computadora se apag¢... Lo que me sent¡ fu 'que |
|cebados con el kali-yuga que estan todos... Pero algo que no me quiero guar- |
|dar es la explicaci¢n de algo: Yo cuando ten¡a el BBS hace 1O a¤os era |
|distro de una aberraci¢n que se hac¡a llamar E-Zine, y nunca v¡ uno de sus |
|n£meros que lo veo recin hoy (me reservo el nombre del zine, pero digamos |
|que era famoso...) y quiz algunos sepan a cual de los mastodontes de esos |
|tiempos me estoy refiriendo, el que despus de tanto semen etrico recibido |
|en los orificios de su cabeza espiritual acept¢ lo que aparentemente era y |
|renunci¢ a su aparente pose para ponerse un bb$ (pago y privado) de pr0n. |
| |
| Pero algunos otros, entre los que me incluyo nunca llegamos a estar tan |
| pervertidos, yo nunca hubiera permitido algo como lo que hay en estos |
| fanzines sat nicos: para mandarlo al muere a l y a sus neckties lacayos: |
| instrucciones de como torturar y desmembrar animalitos y cosas as¡. |
| |
| Es una l stima ver como un tornillito de cadalso as¡ como ellos son puede |
| tener el poder de abusarse de la gente, con magia, para que uno no vea lo |
| que realmente son, para encontrarlo 1O a¤os despus y ver que seriamente |
| da¤adas y degeneradas sus auras ya estaban desde aquel entonces... pero ni |
| siquiera es c¢mico... saco el tema porque me pareci¢ un abuso lo que a mi |
| me han hecho cuando era un adolescente y as¡ como ellos trataron de corrom- |
| perme a mi con brujer¡as y ranchos apartes de envidia y wannabeismo necktie |
| de un jefe, o aspiracioncitas peladas y reprimiditas en el movimiento |
| hare-krishna, despus de tanto espamento con el under y la escena, as¡ co- |
| mo uds. trataron de infectarme con sus injusticias AS¡ YO SE LAS VOY A HACER|
| PAGAR A USTEDES Y A SUS INFERIORES Y MUERTAS DE HAMBRE FAMILIAS, ENFERMOS |
| ESCROTOS-MEGALOS, MALNACIDOS.. QUE LINDO CUANDO EL VIERNES DE LOS BOHEMIOS |
| QUE ES EL DOMINGO, LLEGA Y NOS PREPARAMOS PARA UNA SEMANA SIN UDS. QUE SOLO |
| SON ESO, LO £NICO QUE PUDIERON LLEGAR A SER: UNOS ESCLAVOS CIVILES EXPLOTA- |
| DOS POR CUALQUIERA. DE MAS ESTA DECIRLES, QUE EN REALIDAD YA NO EXISTEN. |
| |
| Y QUE JUNTO CON CIENTOS DE ARTISTAS DIGITALES DE TODO EL MUNDO, YA SIEMPRE |
| TENDREMOS NOSOTROS EL PODER DE REPRIMIRLES A USTEDES CUALQUIER ASPIRACION |
| ARTISTICA O DE ENTRETENIMIENTO QUE PUEDAN TENER, JODANSE HAMBRIENTOS. |
| |
| sHREE gUHO kAVI/rEMORSE%1981<ACiD> |
| |
`-----------------------------------------------------------------------------'
--<<English Version>>-----------------------------------------.
.--------------------------------------------------------. |
|To finish with the volume #2 of this series | |
|called Days of Might I want to tell why I am | |
|designing it. I never expected to come to feel | |
|such a deep loath for the world as I'm feeling .---' |
|this summer over here in Argentina, but I |--------'
|subconciously I gave myself the freedom of keeping |
|the idea of continuing w/the serie in moments |
|like the ones I'm living... I only can say that |
|I am seeing how debased are the youths of world .---'
|and how I want to trascend them, along w/all the|
|others who are different and are the ones I |
|prefer, if I have to mark the limits between the|
|two types of youth goes like this: the ones who |
|live situations like the situations in the poems|
|are the ones I can't stand. And others are the |
|youths that I love, the ones who in whatever |
|situation they be, they behave like as if they |
|monks, whose have beating the system as |
|their way of life. It's sort of comic (althoug |
|not ver graceful) to see how the uneducated and |
|the baseborns go by here and there hating the |
|luck that surrounds others but they can't have, |
|to put it explicitily, how sad has to be life |
|in US or Euro. where if you can't pay 5OOOO per |
|year, you can't go to the university, huh? A |
|society like that has to be very shit-eating, |
|you figure it out. After all is the shit they |
|deserve to eat after having the prejudiced and `-------.
|also jaundiced society that they have. |
|Since that's not my problem, because I don't live in |
|the US nor in Europe, I finish the topic here, ok? |
|But anyway, in spite that one can be fortunate and |
|able to study and everything, there are other things |
|which deserve a denouement, as for example: WHY THE |
|PEOPLE THAT PRACTICES THE BLACK ARTS CAN STAY IN THE |
|SOCIETY WITH IMPUNITY? Because if you didn't noticed, |
|there's yet people with their brains rotting that is |
|so ignorant and so underdeveloped spiritually that |
|continues with the same ritualistic pervertions for |
|which, 4OO years before, the inquisition judged and |
|killed so many persons. And that is all the witch- |
|craft culture, that tries to make of everybody the |
|same rubbish that they are: a society where there's |
|the need of the existence of witchcraft for monopolizing|
|all the baseborns who have the predestination to be |
|ignorants without education. And it is obvious that the |
|almost 4 years I've passed in India have changed me res-|
|pecting all this subjects, because I have learnt there |
|that Indian Society doesn't tolerates witchcraft, and if|
|you practice it, the most probable thing that can happen|
|to you is that a mob goes to get you at your house, they|
|set it on fire and kill you along w/your whole family, |
|and I'm talking about 1OOOO men w/projectiles and rods, |
|only to kill you and the witch of your oldie mother. |
|do you realize it? I was accostumed to a society where |
|witchcraft isn't supported, I only can wish that other `--------------------.
|societies of the world learn this from the Indian Society. |
| |
|To change the subject: forgive me if I'm repetitive, but I want |
|to remember this incident that happened some years before, of the |
|flake who begun selling emails |
| |
| your_name@scene.com.ar |
| |
|the popular saying says 'past is trodden' huh? The truth is that |
|I like that always returns the topic of how sickly becomes sometimes |
|this hobby, art or way of life that's the scene of digital arts... |
|I didn't liked and I don't know how many of you felt robbed, I'm |
|talking of somebody that nobody knew, at least that is what the apathy |
|og all told respecting this subject, on IRC, when I had just seen it and |
|I told the ones who where on that momento on #pvm of efnet, I'm talking of |
|the year 2OO1... but not just that, I think it's still a subject to tread, |
|or other thing, that also happened to me some day when I was on IRC from |
|a cyberparlour in some place of Asia, it seemed as if one of the ones who |
|where in the private of the scene of buenos aires, like if he did something |
|and turned off the terminal that I was using... was it because of having |
|@Nataraja for a long time, the bot at #pvm that I see he manifest everywhere?|
|The computer literally went off, so may be it's because of it that I remember|
|it. Was as if the bloke told to some chick: "Look what I'll do him next" and |
|the computer went off... What I felt was 'how exacerbated with the kali-yuga |
|are all... But now something that I don't want to keep for myself is the |
|exaplanation of something: When I had the BBS ten years back, it was the |
|distro site of an aberration autodenominated e-zine, and I never saw one of |
|their numbers, that I see it just today (I kept the name of the zine, but |
|lets say that it was famous...) and maybe somebody knows to which one of the |
|mammuts of those times I'm talking about, the one who after so much eteric |
|semen in the oriffices of his spiritual head accpeted what he apparently was |
|and renounced to his apparent posse to open a bb$ (priv8 and w/fee) of pr0n. |
| |
| But some others, among whom I include myself, we never came to be so |
| perverted, I never would let something like the things there are in this |
| satanic fanzines: for sending him and his lackey neckties to the hell: |
| instructions on how to dismember and torture little beasts and such. |
| |
| It's a pitty to see that a little bolt of scaffold like they are, can have |
| the power of abusing people, with magic, for one to not see what they really|
| are, to find it 1O years later and then to see how seriously injured and |
| deranged their auras where, even from those old days... but it is not even |
| comic... I touch de subject because I take as an abuse what they've done to |
| me when I was an adolescent and so, in the way they tried to corrupt me with|
| witchcraft and schismatic double-dealings of envy and wannabeism necktie pro|
| perty of some boss, or the little aspirations bald and repressed in the hare|
| krishna movement, after such a bluster with the undergorund and the scene.. |
| in the way they tried infecting me with their unjustices, IN THE SAME WAY I |
| AM GOING TO MAKE YOU AND YOUR INFERIOR FAMILIES PAY, DISEASEDS, ESCROTO- |
| MEGALOS, LOWBORNS.. HOW CUTE WHEN THE FRIDAY OF THE BOHEMIANS, THE SUNDAY |
| COMES AND WE PREPARE FOR A WEEK W/OUT YOU. THAT ARE ONLY THAT, THE ONLY |
| THING YOU COULD COME TO BE: A BUNCH OF CIVIL SLAVES EXPLOITED BY ANYBODY. |
| IT IS REDUNDANT TO TELL YOU, THAT THE TRUTH IS THAT YOU DON'T EXIST ANYMORE.|
| |
|AND THAT WITH HUNDREDS OF DIGITAL ARTISTS OF THE WHOLE WORLD, NOW ALWAYS /WE/|
|WILL HAVE THE POWER OF REPRESSING YOU WHATEVER ARTISTICAL OR ENTERTAINING |
|ASPIRATION THAT YOU MAY HAVE, FUCK YOURSELVES UNDERFEDS. |
| .---------'
|To 'distant' scenes and to the international scene I want to tell |
|you sorry for this confessions, but it is the best way I found |
|of denouncing something that I can't support. The stories in the |
|outro are about the local scene of BsAs.ar I hope the persons who |
|where on it in those years of '95 '96 '97 can read what I finally |
|think of them and pertaining the international scene, in every |
|sense, thanks, because I could grow thanks to the international |
|scene, that gave me this membership I OSTENTATE in the most high |
|group of text-art of the history: <ACiD> and its division to which |
|I was invited, Remorse 1981. `-------.
| |
| sHREE gUHO kAVI/rEMORSE%1981<ACiD> |
| |
`---------------------------------------------------------------------------'
@BEGIN_FILE_ID.DIZ.----------------------------------.
| (___.
|__ |
| | kelarakK oF <ACiD> / rEMORSE 1981 |-.
| | | |
| | p r e s e n t s |@|
| | |@|
| (D===4===Y===S)=(o f)=(M===1===G=H=T)@|
| | |@|
| |_______________ MADE IN o1-2oo5 |@|
| \___________________|@|
| |@@@|
)------------------------------------'@@@|
|@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@|
|@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@|
|@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@|
|@@@@@@@@@@@@@@@@@@@@@@@@@/ |
| No.2 |
`----------------------------------------'
@END_FILE_ID.DIZ
===========================================)gREETZ et rESPECTS(===============
(G)EORGE/Fedcon ª ABrain/Impure ª Adriel^Rozkam ª Aiz^Kiub/kOr ª Alexis
Arrogance/Kwest ª Beasty/rWC.data ª Biomemo/Circe ª Bloody^Rose/aMB
Boheme/Style ª Brvno/sC ª Black^Panther/Prestige ª Cactus/Hora25_BBS
Cain-one/Kwest/Noname ª Cexilia/vNG ª Cirano/rWC.data ª Coda/BASH
Cote ª Cromos/BASH/Etherial ª Cthulu/Mistigris ª CycO/kOr
Diamond/Circe/Pungaz/aMB ª Dracvl/rWC.data ª DRShizuma/Mimic ª Druida/Etherial
Ethnic/Fedcon ª Excess ª Eziman/mTX ª Fear/Circe/BASH ª Fafa/ToB
The Fatman/mTX ª Serguei/vNG ª Giz ª Hazzan/Etherial ª Fac/dLB
Inquirer/mTX ª Isha/Black^Riders ª Koza/jSD
La^Muertita/Lima ª Lady^AleSita/kOr ª L.G.Hanssen/Cr¢nica^Libertaria ª Led/ToB
Lovelia/Lima ª Luck/Razor^1911 ª Madbit/aMB ª MA-Dog/Eth ª Manolo/dLB
Marky/Losýý ª Mary-P ª Mere/dGC ª Moderno/Darkness ª Mozart/aO ª Murk/Fedcon
Naka/Necropolis Netwrks. ª Neodir ª nOCHES/Circe
Panoramix/Mindprobe/tLY ª Pariah/Kwest/Eclipse ª Passionale/Etherial/Ambush
Peekaboo/Fedcon ª Pix/Impure ª Pogue/Impure ª Poskg/kTS
Prask/Lima ª Predator/pGA ª Prowler/Attack! ª Radman/ACiD
Rave-N/Mindprobe/dSP/uMi/aMB/3o3 ª Rorshack/Maiden.br ª Zavas/kOrtatu
Sludge/Pungaz ª Sweet Mortimer Twang/Low^Profile ª sA/Circe ª Sonik/aMB
Spektor/Etherial/Synthesis ª Stormee/BASH ª Threaz/Twisted ª Tarn
TresX/eTH/dGC ª T-Bob/Hazmat ª Toshi/Black^Riders ª uLLA-S ª Uctumi/Circe
Veyda/BASH ª Velikani/Divine^Stylers/Mimic ª Viper/ToB ª Wendigo
Xose/rWC.data
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
et the REMORSE greetz:
Cypher Hex * Cleaner * Hiro * Erupt * Ewheat * Merlin
mHz * Mjolnir * Necromancer * Necronite * Nightrain * Ogre * Omicron
Palmore * Polymorph * Poskgubbe * Spinsane * TUM * Tupaj * Tzeentch
Virago * Whirr81 * Whodini * Zerohour
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
_______________________________________ _ ____________
__\\_ /__/ / /_(_)__\ _//__
__/ o / ___/ / __ ___ \_
/\\ \\ o ____ o / o \\ \_ _> / / / /\\
\// \ / / / / / \//
\__ _ / /_ __ __ __ /_ __ \ /sgk
::%%%%%%%___%%\_/%%%%%____%%/____%%/____%%/____/%/____%%/____%%\____/%%%%%%::
(A) (P) (O) (L) (O) (G) (i) (E) (S)
As the poems tell, I'm acquainted w/the scene and a fan of it since 1994,
when I was 17 years. Nowadays, with so many hackers, phreakers, rogue pro-
grammers and cyber-pirates falling, accused, sued, etc I've thought of it and
come to the conclusion that there is, for me, no way of beign prosecuted for
breaking the law w/the computer.
I've been always good and careful, I've never jeopardized my freedom doing
illegal things like: phreaking, hacking, spreading virii, rogue coding, etc.
I've never supported piracy nor did I commit any type of fraud inspired by
underground, clandestine, lectures and/or moods.
I have never contributed to the circulation of dishonest information
like: kiddy porn, explosive's recipes, witchcraft texts and the like...altho-
uhg one "/magik" directory on my former system always was there keeping on
growing, I have always being selective w/the files on it, letting there only
texts of the occult w/no connections to witchcraft.
(...)
I WANT TO BE FORGIVEN for my _alienated_ poems and logos for Circe/1997,
and I WANT TO LIVE PEACEFULLY and never disturbed by nobody respecting my life
w/the computer.
MY LIFE *IS THE COMPUTER*.
peace and freedom from the earth.
Shree G.S. Kavi-Maharaja.
<Eof>