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@st-04:deep@st-04:deep2@st-03:deepbass@st-04:DeepBass.4@st-03:deepgong n@st-12:deepit@st-12:def@st-12:DemoDrum @st-05:Depeche@st-05:Depeche1@st-05:depeche2@st-05:depechewow@st-10:desk [@st-05:Deutchmark @st-01:detune "@ jst-06:devestatmK ~ing@st-08:dfi"{@st-10:DGuitar@st-03:dididi@st-02:dig@st-01:DigDug@st-01:DigiHarpV@st-04:DigiPop @st-06:Ding @st-03:Ding `@st-12:discobass1@st-12:distguitar @st-10:distguitar L@st-08:Dodo+@st-03:dodo@st-12:doit1@st-02:dongn @st-05:doo @st-12:dovoice @st-06:Dow @st-01:DreamBells@st-10:dring @st-10:dring2 @st-05:Dripping@st-06:drop2@st-07:druidss @st-03:drum@st-07:Drum Light 2D@st-02:Drum1@st-02:Drum2 f@st-04:drum3L@st-10:Drum37 @st-04:drum5@obHst-03:drumdrum Y@st-02:drumkit;@st-02:drumkit2'@st-02:drumkit31@st-05:Drumpingeling2@st-03:Drums@st-02:drumx@st-02:drumx3X@st-06:DryBass @st-09:ds.bullet.echo@st-08:dse2X@st-06:Duck@st-03:Dum@st-12:Dum.12@st-10:dumm@st-04:DumpfBass @st-06:dup/rakkord4@st-04:dwsnt1 @st-01:DXBassF@st-01:DxTom@st-03:Dynamic@st-06:DynamicString@st-06:E-kreisch @st-07:easysynthV@st-02:ebass e@st-03:ebass.3 @st-08:EchoBass@st-02:echodrum@st-02:echohallV@st-08:EchoString1 @st-08:Eee:E@st-05:eeeeV@st-10:Effekt1qvl"@st-10:Effekt2 K@st-10:Effekt3 @st-10:Effekt4@st-10:Effekt5@st-06:egitarre1@st-10:ehem@st-10:ehem2@st-06:ElCondor@st-12:elec-bdr#@st-04:ElecGuitar @st-01:ElecTom@st-07:electricbass1V@st-08:ElGuitarV@st-05:Elguitar @st-04:EloPin Z@st-09:Emergency1-Mr@st-06:EncoreSeq@st-08:EOrgan2@st-06:EPiano )@st-01:EPiano@st-03:EPiano1 @st-09:Escape_@st-03:everybody @st-04:ExBells@st-12:exc-bass@st-04:exotG@st-06:Explod@st-05:Expressbass@st-05:Expressclong3@st-05:eye2@st-12:factorynoise@st-05:fade@stsY-01:FaeryTaleb@st-09:FairlightI k@st-02:falde2@st-05:fanfare@st-10:fastbass@st-04:FatBrass @st-06:fatfuzz.sptV@st-06:fbass.sptw@st-03:fffth}@st-02:fibro@st-01:FilterBass @st-02:fireiff@st-02:flash @st-02:flashext .@st-13:flickbassV@st-03:flippercount@st-02:flumt)@st-02:flush@st-12:flute3%@st-12:fotoap @st-08:FoulShotn@st-05:francebass@st-03:freakmusic@st-04:Friday @st-01:FunBass @st-06:funbass2 g@st-01:FunkBass Z@st-12:Fuzzguitar\@st-08:fyh$@st-07:GameOverH@st-12:garbagemetal@st-07:gatedrumV@st-04:Gatou+ @st-12:gatwood-1-lowE@st-10:geige @st-07:GetReady~@st-08:Glad@st-03:GlassB@st-07:Glass.7@st-03:glass2 b@st-04:GlassMute z@st-06:glassnare @st-03:glockeF@st-04:Glockenspiel@st-02:gong1@st-02:Gong2>@st-02:gonggong@st-10:Good(@st-04:Great @`ɶ+st-06:great1"@st-07:GreatShotKidA@st-13:grguit short+@st-04:Growl @st-03:Grunts\@st-04:gsg-bass@st-04:gsg-brass@st-04:gsg-chords@st-04:gsg-drum@st-04:gsg-funkm@st-04:gsg-guitar@st-04:gsg-horn}@st-04:gsg-orgel@st-04:gsg-rythm@st-04:gsg-slap@st-04:gsg-tom@st-0 wPBST-70 is Default (Edit this proggy to change...) Now press F1 to change or F2 to abort... ydftN$<L&<N xB9B9 \gF ^f y| < g|7|0@f`~ ydf yg` Press 1-9 or A-F to play sample, RETURN to Exit... 쾔ڸByBy3`NNN$<&<6N xB y|B99 vgC"<BgA Af` .B4B0 @gEx> B&R3##33333@3@3 <@f33`& Instructions for using ADSR(tm) TRILOGY 1989 The program will search as soon as you start it (You might allready have noticed it, or else you wouldnt be reading these instructions!?!?!) Well, Well, Here are some Info: DISPLAY!!! Shows all samplenames (15) with their disk-no. CHANGE NAMES!!! You are here able to change all the 15 disknames to ST-70 (yVlVery usefull when compacting samples on one disk!!!) START/STOP MUSIC!!! This will toggle the music (on/off). The music will stop, when you play instruments or save datas... PLAY INSTRUMENT(S)!!! Now you are able to hear a single sample, just by pressing keys 1-9 or A-F. This will not play with Repeat!!! Press F1 for more... SAVE SONG!!! This will... Ehhh! What? Ohhh yes now I remember... This function will save the current song onto a specified disk named ST-00 onto z+ydirectory: SONGS SAVE MODULE!!! Same as above but saves the whole Module. You need to have a disk ST-00 with MODULES directory... SAVE INSTRUMENT(S)!!! The best part of this magnificent ripper... This does what other rippers fails to do!!! It saves the samples without errors (some others dont!!!) NB! NB! While saving datas you are able to use the mouse- buttons: Left button saves data and right button skips the current save... (useful when saving samples and you dont wa{{Int to save them all!!!) Signed: Bowie of TRILOGY on 19.05.1989 Press F1 for Main Menu... BB99 ^fNuN$<&<N xNN$<&<N xN`(0$*X^dj 2HP\jp~RX^dh4DJP`t.:HNV\flt=rP^n J P V bHNTZ`flt 06<Hpx~"(428"(,4<BHNXbjt"*0&,8\&,2>F` }=Y 8:chord2 @st-08:chord3V@st-08:chord4@st-08:chord5?@st-08:chord6u@st-08:chord7 @st-02:chorxV@st-10:church{@st-06:church@st-05:churchbelly@st-10:churchchordF@st-04:Cinema@st-02:clang@st-02:clap@st-03:Clap16@st-03:Clap2@st-12:Clap2. ~eBj12@st-03:Clap3`@st-04:Clap3.4~@st-03:clap4X@st-04:Clap4.4@st-01:Claps1~@st-01:Claps2@st-08:Claps4@st-02:clapsp [@st-02:clapsp2 :@st-03:Clave@st-01:Claves@st-06:Clavinetk@st-08:clhat7@st-10:click@st-04:clicky@st-04:Cliop m[@st-12:closedhi9@st-01:CloseHiHatX@st-08:cocksuckerK@st-02:comeonO@st-11:ComeQuietly%t@st-01:Conga @st-03:Conga1@st-04:CordPiano @st-01:CowBell@st-03:Cowbell1 @st-03:Cowbell2 @st-04:Cowbell2.4@st-04:CowBell3@st-02:crash@st-09:Create@st-07:crowd@ kO~Gst-06:Cry1 x@st-12:Cry1.12@st-06:Cry2z@st-06:Cry3@st-06:Cry4L@st-06:Cry5~@st-04:crystal1"@st-04:crystal2@st-06:CS20v@st-03:CymbalB@st-04:Cymbal1 (@st-04:Cymbal2r@st-01:Dangerous @st-11:dastutweh%@st-11:DeadOrAlive@st-06:deal1 f@st-08:4f n 19.05.1989 Press F1 for Main Menu... BB99 ^fNuN$<&<N xNN$<&<N xN`(0$*X^dj 2HP\jp~RX^dh4DJP`t.:HNV\fltsFdPmal deinen huebschen kopf da weg !!!! eh, die denken nachher ich bin schwul, eh !!! nachher ruft hier keiner mehr an, wah !? wah!? hmhmhm. pspspspsssssssss. mach das mal auf speed 5 oder so.... ich muss gleich los (dr.m) !!! jedesmal das gleiche intro von unknwon kostet nur : dm 100 !!! warte mal... was steht da ??? natuerlich nicht das gleiche intro, logo und scrolltext wird natuerlich anders !!! duetscjhkujfoewi , was !!! haah! mutsst du denn jeden pupser aufschreiben ???? wozu hab ich eigentlich die waits eingebaut, die benutzt du nicht einmal !!! achso !!! fuck you big mac, where's my (dr.m's) elephant ??!! so'n fetten arsch, eklig !!!! das merken die sofort den zusammenhang !!!! benutz mal die waits !!! gleich bleibt fetter arsch W? stehen, oder so !!! okay i think that langt for now, you sau..... tis is the end W? end W? u] eW1nW2d W3 hohoehoehoe satte 136 lines.... $8frz~2>PVbr|>JTl @Zfrz "04FRhnv  &.4:BHN\rz&.<DLZbjxvDd~ 4 @ P \ v " ( . 8 > D P V b f , : @ D R X ` d j p z  & , 6 Z 2Lf  *4>HR\fpx *JfwfP "&,4<DRd|$2BP`l|,8HNZht~(28BN\l~*:FV`px8Dfnv| .........................F5 Save Module.............................F6 Save Instrument(s)......................F7 Instructions............................F8 Continue Searching......................F9 Quit this magnificent utility..........F10 My Pleasure is your Command... NNuN$<6<N xNuB9N ~N$< 6<N xB9 ^gH \g J Zg Xg 8 Vgp Tg Rg Pg Ng Lg:` Thanks for using the best ST-Ri*pper ever made... NN$< &<4N xNu Please wait while I search the Memory... Hey!!! I think I found something... The possible Song is called: Found at MemoryLocation: xxxxxx Press F1 to Accept, F2 to Continue... HBA9!N~9 N~9N~$LNu"$AB  d 0`7  d 0`7Nu3dN"NN ~N$< h&<,N xN.#g2I 3 (<DfN@N$< &<N xB9B9 ^g \f`jN3dAC 1 <@f y|C 9 <@f` This song contains following samples: 1. ........................................ 2. ........................................ 3. ........................................ 4. ........................................ 5. ........................................ 6. ........................................ 7. ................ gOF........................ 8. ........................................ 9. ........................................ A. ........................................ B. ........................................ C. ........................................ D. ........................................ E. ........................................ F. ........................................ Press F1 to continue... y|C <$I"<( Af(H$I.<Gf- @fN$<&<N xNu ydf~NN$<&<N xB9B9 ^f`F Please insert ST-00, press Left MouseButton or Right to Skip... Filename: HN$<R&<PN xN$9t&9xN xN$<&<N x9 gR9f,yCNh,@"9t$<N".$9|&9N"$<BNLNu.<($IGf fNust-00:modules/mod.st-00:songs/ v7.|N#(x ydfN(* #|##t0f0gCNTN`BN#(x ydf&N(* #|##t0f0gCNTN`N#x ydf y| <I$ g@ (g6#tB2(B4##|fgN@f`L This Effect will change all disknames on the samples, so that you can put ripped samples onto One Disk!!! Sh 0~ 0q?ߌ0! 0?~f>ۿn߿0̃?ߎ^%3?n|>ۿ7y߿fs?v>7ృ wv߷_af}۷wϛw0 @30wϟ>gÛ~ߞ߻3 ` /`>}wvcv393  w<~ww?f<~wwǎ?߾`><~ww?f<~wwǏ?߿`?a", !"#$%&'()*+,-./0123456789:;<=>? abcdefghijklmnopqrstuvwxyz[\]^_HaLNuS9+gNu+R9* 9*fB9*p9*@A"y=NX0<"QNu@ @@!cwxoxoxNx!@ @@wL"3E;S?p[7p[7p[&pB"??@ @@?$$#)`-`-`-`!$?@ @@(    @ @@b 0p ` ` ` pp@ @@`` ``` @ @@` 0@ @@  H h h h   @ @@?$`-p-|-l-l-L$|?|@ @@DH;];U3>U36U36]2&DB;;@ @@${ؽ{ܥc_c[c[bS!{{@ @@$cc{c{bs!cSDp@ @@B(?_?U3~U3vU3v_0fB"??@ @@?!0/-|-l-l/l!$?@ @@xxx x@ @@`  p p p 0p@ @@ ``` @ @@@ @@ x ` ` ` x   @ @@?$|%|-dmH`-`-`-`$|?|@ @@wLB3E;U;0]30]30]"0DB;;@ @@!cߍsߥ{XkXkXJX!{{ S2and this is a journey into stereo-speeded scroll, S9steW2-S6steW2-S3steW2-S2stereo-speeded scroll.... this release is called : d.o.c soundtracker v2.1 !!! distribution and spreading by dr. mabuse orgasm crackings (d.o.c) !!! this version of the unrelenting d.o.c soundtracker was coded by unknown of d.o.c !!! thanx evmust of 'coz go to karsten obarski, exterminator of jungle command and tip of tnm for the cool preparation !!! the text for this scroll of 'coz written by doctor mabuse of d.o.c !!!! in a few minutes (if you are not too stupid) you'll notice that this soundtracker is the best one in world !!! you'll get all what you want : analyzer, playroutine, instructions, disk options, pattern play, record, two new commands and an improved tasten-abfrage !!! if you are satisifft*ied or if you can't get satisfaction contact us by smashing the following lines on a letter : plk 089114 c / 2300 kiel 1 / west-germany !!! following now : some greetings... who believes that, eh ??? 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SAbut wait !!! S2W8 hi guys, here's ... S7tracer W7S2the new member of d.o.c !! (since november 1988). this time we bring you soundtracker 2.2 W5 this vetj+]`Ursion has the following new features : directory sort , new equalizer colors and a new d.o.c address ! ?? are you waiting for our new greetings-list ?? moin !! please wait a few minutes ! at first our new contact address ! all winners should write to: plk 088231 c WAS1 2350 neumuenster W9 west-germany W8....!S2 you can also write to plk 089114 c , 2300 kiel 1 , west-germany (that's dr.mabuses plk !) so , here comes our newest greetings-list !! (the personal metk,QPCssages comes later !) special greetings go to (a-z order) :S1 aces , alpha flight , abyss , bros , digitech/ibb , fantasy , mindwarp , red sector , sunriders !! normal greets go to (no order) :S1 megaforce , level one , c.b.c , beastie boys , the web inc. , inxs , invisible crime , vision factory/beyonders , unicorn , critters , dual crew , x-men , destiny/zigag , crush , game-force , freedom force , tsk-crew/acc , star men , complex inc. , e.o.c , traitors , hurricane and agents tl-b0 !! S2 now the d.o.c news ! 1. the next soundtracker is finished ( 31 instruments ) , but only for internal use !! 2. unknown's first game is finished ( funny ..... ) !! 3. p.e.n.i.s kommt doch nicht ( no time to write articles ! ) 4. our next demo comes out in ca. 1-2 months !! here we go ! our messages go this time to :S1 level 1 (hey hans , please send more disk's) , vision factory/beyonders (hey guys , send a bit faster !) , x-men (hello raven, what's up with ytm.rou , where's your sendings ??) , aces (hi dr.soft , nice to swap with you !) , inxs (hey mike , are you dead ??) , unicorn (hi pld , i see ya on cebit !) , c.b.c (thanks for the stickers !) , the web inc. (also thanks for your stickers !) , beastie boys (hi marco , where's the bb stickers ?? send me some !) , abyss (hallo stefan !) , digitech/ibb (hi warlord , our interview comes in 3-4 days !) , e.o.c (hey guys , contact me !) , wanton ( nice intro !) , mindwarp (see ya with unknowntn/+#[q on cebit !) , lightforce (bye , bye !!) , hurricane (hi mat , nice demo !) , alpha flight (keep on your work !) , megaforce (hi shark , hope your next intro is soon finished !) , red sector (hi caucasian , always cool stuff from you !) , sunriders (hi joker , nice to swap with you !) , traitors (hi phil , i contact you soon !) , saxxons crew ( ???? ) , star men ( modem go ! ) , agents (hi raimond , wo bleibt meine disk ?) , jungle command (hi guys , contact us again on our new addreto0\nss !) , accession (hey timo , what's up ?) S2 that's all for this time !! at last , we are proud to show you our latest member-list (d-u order) : dr. mabuse , esteban , frog , tracer , unknown . we hope to see all of you on the cebit 89 !! ........... o v e r and o u t !!!!!!!!! S3 byyyyyyeeeeeeeee S5 wuuuuuuuuuuuuuuuuuuuuueeeeeeeeeeeeeeeeeeeeeeeeeeeeeerrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrgggggggggggggggggggggggggggggg !!!! S7 ....................tpJ;V ...................... e n d o f s c r o l l t e x t !!!!!! 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EW@(B!P1.@h00edH D2O"8t U|l } ^-0Jp"@`򇼪 D$iIJ$:@<@B A? %v :J&0P? x`7xF<7RD2#DK/Q/uZ`k_$?r ]B7tD$0CGC!!@DAF@`D\BTrdh~$FQ  D PbXL; 5A0 4 p '@@M ĎN8G@BLPs0aS,/6<:<( (a̤ ARAU? ~8 m( JRL@Y \8$PJSy0]87SB Pć&  0 @,ACB@ZD4S[ZYXmlkjihgfedcxwvutsrqpon~}|{zy X op=ٍA   t X PED!!p!0000lllll~|&F|0`00000T8|8T|0`|00 0`||8x88||~<<l ~|||||~0000` 0 xx`001G`-;:9Y\ X8resetEDpflS?  0  ? <???? 03  0?3? ? { ???30?3?3L^ TRILOGY 1989 -- ------------------------------------------------------------ Tapped together by BOWIE on 19.05.1989 Saves instruments without errors (others DONT !!!) Song found at $00000: .................... ------------------------------------------ Display Songdatas.......................F1 Change ins.disk-names...................F2 Start/Stop Music........................F3 Play Instrument(s)......................F4 Save Song......2,;HA PJ"H,xHE6 a2L/&IP .P,SN @I (g @BI [-I] [-O] [-M] is the filename of the song you want to play. The -I (you may also type -i) option forces Songplayer to replace the disk-number with 'instr/'. Otherwise Songplayer tries to load the instruments from the given volume in the correct order. The -O (for Bҡ computers without Shift: -o) option lets Songplayer play the song only once. With this feature it is possible to make a long-play-disk. You only have to write a startup-sequence with the Songplayer calls, copy the songs and instruments on the disk and run it. The -L option will switch the lowpass-filter off. This feature will only work with the Amiga 500 and 2000 (sideeffect: the Power-LED darkens). Sorry, Amiga 1000 users, but your filter isn't connected with PA}1 (the pin that controls the LED) and so the LED will be dark, but the lowpass-filter is still working (unless you've made a hardware-modification). Songplayer can be stopped by pressing the left mousebutton. When -O was given, it will stop by itself after playing the song for one time. If an error occured, Songplayer will give you the reason why it aborted loading. How to make a long-play-disk ---------------------------- If you want to make a lo-ng-play-disk, it would be silly to place all files in the root directory. A better way: create two directories: "songs" and "instr". Now you have to copy all used instruments to the 'instr'-directory. To load a song, use: Songplayer songs/songname -I -O. Bugs known ---------- Sorry, that I have to include this paragraph, but there is a little bug I have to tell you about. If the songname contains a '-' you have to cancel a little Requester thlat appears in the upper left corner named 'System Request'. MnemoTroN, 25-May-1989 (1:51 a.m.) less you've made a hardware-modification). Songplayer can be stopped by pressing the left mousebutton. When -O was given, it will stop by itself after playing the song for one time. If an error occured, Songplayer will give you the reason why it aborted loading. How to make a long-play-disk ---------------------------- If you want to make a lo$sr X SongPrinter.DOCry[ SongPrinter.DOC - A Quick Clarification. ---------------------------------------- Date of development: 15-May-1988. Copyrights : MnemoTroN. Coding : BASIC version (not supplied) by MnemoTroN. Modula-2 conversion by Tuca. Instructions : MnemoTroN. --------------------------------------------------------------------------- Task ---- SongPrinter enables you to print any SoundTracjiMba`_^]\qponmlkjihg|{zyxwvut4 X!/Soundtracker.DOCrtU Note: This Soundtracker is based on the MasterSoundtracker V1.0 by TIP/PROPHETS and mainly on Soundtracker V2.2 by Unknown/D.O.C Soundtracker V2.3 - A Quick Clarification. ------------------------------------------ Update : April 1989. Update done by : MnemoTroN. Instructions : Tracer and Unknown of D.O.C / Based on J.C.-Instructions MnemoTroN. ------------------------------------------------------------------------- Modifications by D.O.C: ------------------  XCONTACT TRILOGY !!!pKp**************************************************************************** * * * * * Sound Abspiel Routine zu Sound FX * * * * 1988 LINEL Switzerland * * * * * * * **************************************************************************** ;Einbau: ; 1.Sound FX laden ; 2.Song schreiben oder einladen ; 3.Sounddaten mit Save Datas abspeichern ; 4.Sound FXverlassen und Seka laden ; 5.S/D $ource des Programms laden in den wir den Song einbauen ; wollen. ; 6.Am Anfang des Programms 'bsr StartSound' einsetzen ; 7.Am Schluss des Programms 'bsr StopSound' einsetzen ; 8.Diesen AbspielSource laden ; 9.Das Label 'Laenge' auf die Laenge des Datenfiles setzen ; 10.Assemblieren ; 11.DatenFile mit 'ri' nach 'datas' laden ; 12.fertig ;------------------------------------------------------------------------ Laenge = 60000 ;Lnge der Sounddaten ;----------------------------O-------------------------------------------- Beispiel: bsr.s StartSound bsr.s Intro bsr.L StopSound moveq #0,d0 rts ;------------------------------------------------------------------------- Intro: move d0,$dff180 addq #1,d0 btst #6,$bfe001 bne.s Intro rts ;--------------------------------------------------------------------------- ;Ergebis in D0 0=alles Ok. $ff = Timer nicht bekommen StartSound: movem.l d1-d7/a0-a6,-(SP) clr ChipFlag ;Flag fuer Datef$n im Chip move.l 4,a6 ;ExecBase move.l SongPointer(pc),a1 ;Zeiger auf Daten jsr -534(A6) ;TypeOfMem() btst #1,d0 ;Sind Daten im Chip ? bne.s ChipOK ;ja -> st ChipFlag ;Flag fuer AllocMemChip setzen move.l #Laenge,d0 ;wenn Fast Memory -> addq.l #4,d0 moveq #2,d1 ;Chip Speicher jsr -198(a6) ;reservieren moveq #-1,d5 ;Fehlerflag tst.l d0 ;Speicher bekommen ? beq.L EndStart ;wenn nicht -> Ende move.l d0,a1 ;Ziel move.l SongPointer(pc),a0 ;Quelle move0̢.l #Laenge,d1 addq.l #4,d1 ;Reserve lsr.l #2,d1 ;divu #4 subq #1,d1 ;fr dbf CopyMem: move.l (a0)+,(A1)+ ;Daten ins ChipMem move (a0),$dff180 dbf d1,CopyMem ;kopieren move.l d0,SongPointer ChipOk: move.l SongPointer(pc),a0 ;Zeiger auf SongDaten add #60,a0 ;Laengentabelle ueberspringen move.b 470(a0),AnzPat+1 ;Laenge des Sounds move 4(A0),DelayValue ;Geschwindigkeit bsr SongLen ;Lnge der Songdaten berechnen add.l d0,a0 ;Zur Adresse der Songstr. add.w #60=%0,a0 ;Laenge der SongStr. move.l SongPointer(pc),a2 lea Instruments(pc),a1 ;Tabelle auf Samples moveq #14,d7 ;15 Instrumente CalcIns: move.l a0,(A1)+ ;Startadresse des Instr. add.l (a2)+,a0 ;berechnen un speichern dbf d7,CalcIns lea CiaaResource(pc),a1 ;'ciaa.resource' moveq #0,d0 ;Version egal jsr -498(A6) ;OpenResource() move.l d0,CiaaBase ;Resource Base speichern move.l d0,a6 bsr PlayDisable ;Sound DMA abschalten lea Interrupt(pc),a1 ;Sound Interupt Structure moveq #0,d0 ;TimerA jsr -6(A6) ;installieren move.l d0,d5 ;ergebnis speichern bsr PlayInit ;Loop Bereich setzen bsr PlayEnable ;Player erlauben bsr InitTimer ;Timer starten moveq #0,d0 ;Ergebnisregister loeschen EndStart: tst.l d5 ;ergebnis von Resource sne d0 ;ergebnis in d0 setzen movem.l (SP)+,d1-d7/a0-a6 rts ;--------------------------------------------------------------------------- StopSound: movem.l d1-d7/a0-a6,-(SP) move.l 4,a6 ;ExecBase I(tst ChipFlag ;mussten wir Speicher reservieren ? beq.s NoFreeSong move.l #Laenge,d0 ;Lnge der Daten addq.l #4,d0 ;Reserve move.l SongPointer(pc),a1 ;Zeiger auf Daten jsr -210(a6) ;FreeMem() NoFreeSong: move.l CiaaBase(pc),a6 ;Zeiger auf Ciaa Resource lea Interrupt(pc),a1 ;Zeiger auf Int. Strukture moveq #0,d0 ;Timer A jsr -12(A6) ;Interupt entfernen bsr PlayDisable ;Player sperren moveq #0,d0 ;Alles Ok movem.l (SP)+,d1-d7/a0-a6 rts ;--------------------- c------------------------------------------------------ SongLen: movem.l d1-d7/a0-a6,-(SP) move.l SongPointer,a0 lea 532(A0),a0 move AnzPat(pc),d2 ;wieviel Positions subq #1,d2 ;fr dbf moveq #0,d1 moveq #0,d0 SongLenLoop: move.b (a0)+,d0 ;Patternnummer holen cmp.b d0,d1 ;ist es die hchste ? bhi.s LenHigher ;nein! move.b d0,d1 ;ja LenHigher: dbf d2,SongLenLoop move.l d1,d0 ;Hoechste BlockNummer nach d0 addq #1,d0 ;plus 1 mulu #1024,d0 ;Laenge eines Block c,д0 movem.l (SP)+,d1-d7/a0-a6 rts ;-------------------------------------------------------------------- Interrupt: dc.l 0 ;letzter Node dc.l 0 ;nchster Node dc.b 2 ;Node Type = Interrupt dc.b 0 ;Prioritt dc.l InterruptName ;Name dc.l 0 ;Zeiger auf Daten dc.l IntCode ;Interrupt Routine ;------------------------------------------------------------------- InitTimer: move.b #%10000001,$bfee01 ;Timer starten lea DelayValue(pc),a1 move.b 1(a1),$bfe401 ;Timer8#5@?>=<;PONMLKJ X"VTNM.ssJ3****************************************** * Master Soundtracker V1.0 replayroutine * * based on V9.0 of DOC ******************* ****************************************** * Improved by TIP of The New Masters in JULY 1988 * start: bsr.s start_muzak main: btst #6,$bfe001 bne.s main bsr.L stop_muzak moveq #0,d0 rts start_muzak: move.l #data,muzakoffset ;** get offset init0: move.l muzakoffset,a0 ;** get highest used pattern add.l #472,a0 move.l #$80,d0 clr.l d1 init1: mo XAp6543210EDCBAB X " replay20.SsA; ----------------------------------------------------- ; ------- D.O.C SoundTracker V2.0 - playroutine ------- ; ----------------------------------------------------- ; ---- Improved and omptimized by Unknown of D.O.C ---- ; --------- Based on the playroutine from TJC --------- ; ----------------------------------------------------- mt_init:lea mt_data(pc),a0 add.l #$01d8,a0 move.l #$0080,d0 moveq #$00,d1 mt_init1: move.l d1,d2 subq.w #1,d0 mt_init2: move.b (a0)+,d1 cmp.b d2$. 7:9 X!90stadderp |||||||||| |||||||||| |||||||| ||| |||||||||| |||||||||| ||| ||| |||||||||| |||||||||| |||||||| ||| |||||||||| |||||||||| ||| ||| |||| ||| ||| |||| ||| ||| ||| ||| ||| ||| |||| ||| ||| |||| ||| ||| ||| ||| ||||| |||||||||| |||| ||||||||| |||| ||| ||| ||| ||| ||||| |||||||| |||| |||||||| |||| ||| ||| ||| ||| ||| |||| |||| ||| ||||| |||||||| ||||||||| %|||||||||| |||||||||| |||| |||| ||| |||| |||||||| ||||||||| |||||||||| |||||||||| |||| -)> POSTBOX 57 - 3480 FREDENSBORG - DENMARK <(- - N O L A M E R S - \ X 8resetEDpւ#8B >aMaKzAN6BGaK@APa *#lB,xN:Jg#hѹl @#pa#4#8#aa<F #8 F.y8B,B$B|#WTR#GVByZ#:\aK0.y8\ANByByBGaIhM\Jgv f  !gK am K> dBHJUj&a'a' 9[gg ag6 aN`^ gaLh`N flBGa`p*aKp*aKaKaI`I09gk3#an`9-7H@aaa aa"aapNuA4aba| qg" rg lgN ag wg`Nu Use 'r' to read PresetList Use 'w' to write PresetList Use 'a' to add a Sample-Disk Use 'l' to List the Actual PLST Use 'q' to Quit PLST ADDER COMM>,y"<6$<N#Bg"$9&<Nր3F"9BN`st-00:PLST,y"<6$<N#Bg"$969FN"9BN`,y>9FgSG*yA.a9g MaAa>IAaKzjaKlaI`(Ha La.yHa,Jfy/a ,_`e<`AO`N006҉;"Z.ָTf66ԃ>:0ķL384J:>IAO` "9h$9lAMan"9p$9ta^"9`$9daT&948gd"9,$9$a."90$9(a"94$98a"98$9g,@N#Na,x"zNbNudos.libraryCON:0/0/640/168/* Lord Performers SoundTracker Ripper. Copyright 1/89 by Traitors INC. * ********************************************** * Lord Performers SoundTracker Ripper DeLuxe * * ------------------------------------------ * * Copyrighted 1989 by Traitors Inc. * * ---------------------------------HlPONMLKJI^]\[ZYXWVUTihgfedcba`_tsrqponmlkj~}|{zyxwvu ̶--------- * ********************************************** A -> Search a module within chipram. ($0-$7ffff) B -> Play activated module. C -> Show status of activated module. D -> Show samplenames of activated module. E -> Write moduledata to selected disk. F -> Write samples to current directory. G -> Write songdata to selected disk. H -> Read moduledata from selected disk. TX -> Quit this program >ap ap $< BvJgR`,zJ":VNNuI*LpBQ$<avP$ ,z ":,NJg xg^ ag bg dg , cg hg eg d fgF gg tinag 6243f~ T90g `taNu$<aHat`\ Na du Sack, haste mal e Kipp du Kapp? Ficken, Bumsen, Blasen, alles auf dem Rasen. Bitte, Bitte, lass mich dein Sklave sein! Hey, hier kommt Alex. Vorhang auf... Ja simmer im Wald hier, wo bleibt unser Altbier? Generator 7/8 .&.. Radio & Tv ... Absolute Fashion Hey! Watch out for my forthcoming product: The ultimate Musique Journal ... With - Sound Tracker Top Twenty in the month - Interviews with the best MusicArtists - Detailed critics of new Amigatunes - and much much more.... Watch out for TusMal, the ultimate Musique Journal! Published by T R A I T O R S ! ! (C)TM $<a$<aa$< av$<alGa` Press left mousebutton to continue... *************************************************** * Lord Performers SoundTracker Ripper Version 1.1 * *************************************************** C R E D I T S This product was written in the interest of the better "ripping" of music, for those guys who are not able to create own music, or for those guys who like my tunes and want to hear them outside of my stunning intro effects (mh, Eigenlob und so...s?) Thanx for the inspiration to this product from Icebreaker, who created the first ST-Ripper, but his program wasn't able to save songdata and had a few bugs. Also my product provides saving songdata / sampledata / moduledata on which disks YOU want and not everytime on disks with ST-...! If you find any bugs, or you have any ideas concerning the improvement of this product, then please contact me (Lord Performer), writing to Traitors! Signed, Lord Performe]r after 7 hours developing on the 14th of January 1989. At last, some hellos. Friendly Regards to: Crazy Typer (MFC) / TIP / Unknown (DOC) / Exciter Frog (Strangers) / Stack & X-Man / Hans (Ex-TSK-CREW) $< aar,z $<"<N# gP"$:^z::`REX&,zN":L,zN` What name shall it be, Lord? >a zp*::30:Xк(@*z$<" ,zVN# g":6-fC$ N":NSyf3`+a $< aa^,z$<"<N# g>"$<&< ,zN##BBy":,,zN`b$<,zvP":NAHB0Nu$< aa,zl$<"<N# g"$:&:,zFN":,z:N` Statusinformation about module: ---------------------------------------------------------- START: $12345678 STOP: $ LENGTH: $ TRAX: $ SAMPLES: $$<a$:a$<=a":Aa$<a  I$$<a":ҺAfa$<a$<a":jAFal$<a$<a~":NA&aL$<ah$<a^r2:0 |a($<aD$<a&$<a0a\`D Name of sample LENGTH VOLUME REPSTRT REPLEN -------------------------------------------------------- xyxyxxyxyxxyxyxyxyxy$$xxxx Jgz$<a`Jykf::,SEI&$ aH"AaA"aACx"$ SHaLQ$<FaQ$<aa"`  X Press left mousebutton to return to main menu.aapByL$<NaGI TstgJTmJyLg4$<anIBvP$ ,z":Np@0oְyLnah`\ ,-f ,0g ,:f,L&r.Kز5l5Sf&"XRyLAaa$<a`TA#3Ry"pt&(r818*ԄxQ#Xt4:VչzAJ"z: g JgRptJft QBX `3NuACBXfNu ht:99Nu.g BNuX(\:}hS@. xq,yCNh,@NNudos.libraryc ------------------------------------------------------------ -- Advanced Digital Song Ripper (ADSR(tm))  H     '&%$#"! 210/.-,+*)(=<;:9876543HGFEDCBA@?>SRQ  210/.@?=<SxA X  iff.libraryk, Xdevspj`CHW!Cyp,xN,@N"A4$v.Np NuJ, FRiff.libraryIFF 14.01 (24-Mar-1988) by Christian A. 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Press left mousebutton to stop. #( zT <B$S@nQR yC !XԈp"B2(*ԁQByByByByByBB y#ld!`lNu lg! lByByByBy3NuaNHRy ygMxJ.gKa3Jnf=|a8=V+n;n;V0.y=nNuX(\:}hS@. xqj(R\jt & > H , : P Z | P&8BXbxvBHjr$0R\l$8 "nv$.\8FL&,4N3 f"BRB09fBLNu,XB. gf(C-q(=sH=sH/. fn`;sH "````p````p$a.pPa(pC`"aN2Ha`d<Da<0` <A`p#Jfz`x`a p+`p#ap$`ap1`a`g " H`" 0HҀa `a g0` `a0a`pSalpR`fpCa`pCaZpR`TB`(B`pUa pSapP` x` 1] `2( `tQPQ2Nu2 (faBBxDaBxAId Jgp/aa0at/R fNua`(a0-@`EXG EXG EXG ILLEGAL   (08>|R (D.6%ݚvOR.@ AND.@ SUB.@ ADD.@ EOR.@ CMP.@  BTST BCHG BCLR BSET  "*208@HBTST BCHG BCLR BSET MOVEP.W MOVEP.L MOVEP.W MOVEP.L MOVE.B MOVE.L MOVE.W JR (D.6NEGX.@ CLR.@ NEG.@ NOT.@ TST.@ MOVEM.W (NBCD.B   SWAP PEA   EXT.W MOVEM.W &.6TRAP LINK UNLK MOVE.L&E MOVE.L  (v.6>RESET NOP STOP RTE RTS TRAPV RTR JSR CHK.W LEA D$,4MOVE.W MOVE.W  MOVE.W  TAS MOVEM.L JMP   EXT.L MOVEM.L ADDQ.@ SUBQ.@  Scc DBcc   (0.,*(&$" BRA BSR Bcc MOVEQ 2OR.@  SBCD.B SBCD.B OR.@  DIVU DIVS 2SUB.@  SUBX.@'Pt SUBX.@ SUB.@ SUB.@ LINE-A (CMP.@  EOR.@ CMPM.@ CMP.@ 2AND.@  ABCD.B ABCD.B AND.@  MULU MULS 2ADD.@  ADDX.@ ADDX.@ ADD.@ ADD.@ d (08@HASd.@ LSd.@ ROXd.@ ROd.@ ASd.@ LSd.@ ROXd.@ ROd.@  (:864ASd.B LSd.B ROXd.B ROd.B LINE-F ?????? a`Ba`:H@a`H@aH@?Ha0a(au0 9o`aHaLpa?B@a0NuM\*N(Na| gh gR g g g g ej NRRafgpaxS`g NR`g NS<aRg@aB`p a8S`,LBNugRa `HgBpaS`6  e a`(N`afNuaj@`?< a< a0Nu,yCQ>Nh# *,@"<QO$<N# 6,y *"<QJ$<N# 2ByBy#XPNuNuNuHB@abaLA09yg0R9) ;n fa@%LNu/a _09yNu"9 6B,y *N4J@g|"9 6$<TvN9Tf0@. g g g W f9\g* g gA29R9Nu3A=BGal`A4aa"9 6,y *N"9 2,y *N"yh 9l,xN.B,y *Np< a6 fZ gH yPJg (f*&$<Xg"9 6,y *Na |X#PLNuHA ($v"9 2,y *Na|LNup `pH`\NuNu?2<ap;2apH`^*!/'aTRA aHA0@0`>pK`Nu<a0p7a*pm`$pm?<a0` Andelos 68000 Assembler SEKA v1.5 - Copyright (C) Andelos Systems 1984-1986 Amiga Version -- Sole distributors: Kuma Computers, Pangbourne, Berks, UK SEKA>OPTIONS>BEGIN>END>DEST>DATA> ErrorsSure? ^C Exit to System, Sure? FILENAME> PAGENo Errors of D0= A0= SSP=USP=SR= PC= *** Bus Error at $ *** Address Error at $ *** Illegal Instruction at $ *** Privilege +"ˮl2Violation at $ *** Exception $ raised at $ accessing $ type instruction $BREAKPT>Reassembling... --SYMBOL TABLE-- -MACRO- Work Link Src RelC RelD Code Data option O: please wait... 23;1HSEKA:15;1H-------------------------------------------------------KWORKSPACE KB> blocks used blocks free dir dos.libraryPRT:RAW:0/0/639/199/SEKAt.s........xnzvcIllegal CommandIllegal DataUndefined ValueEnd of FileIllegal OperandWorkspace memory full*,#)ʧ* Warning: insufficent memory to run Reserved WordSymbol Table FullDouble SymbolUndefined SymbolIllegal OperatorFile ErrorOut of RangeInvalid DestinationNot DoneNot FoundRelative Mode errorWord at odd addressNo SymbolLOAD without ORGIllegal SizeMismatched quotesInvalid Addressing ModeAddress reg Byte/LogicalNo FilesBranch forced to LongRelative word/byteNo ObjectNot LinkableLink option not specifiedFile not foundNo file spaceDisk Write Protect5 0-$6Nu,y |  7j7p77777::::;F<KKKX,BHPZ`fx:lr>FLRbnt&,8>blt (.8j.j $:BT^fnx~>DNZz  2 F L ` f   $ , : @  4 H T     & , Z ^ h  , 6 < \ *6@Jpvx6<BHRX^d4:& -g& ~g4 [gXNu 99ZraNua (gD` r-NuaF af6JfFNua.gNuagNurapBBJkJGk4Nu`G+ d  Dg P Af BBrcNuA aTfNuUS?S=CC>SP> *gFgFB g g0 e` e eat $gFt @gNuH@"9 >gP gH g@Jg: A# >7$f&H~$<3$# >&<"9 Bag"9 BaB >"9 BB B`r Xg$ IgR Og LgXJf&`8a Baag)toa SfNuHLNuHLJ@Nu$<S.aBa$y$<$&< / aV$_I$g& 4fS"@&Ja"`Q A ga`^`taaB y g$9dPB#$9va y P`fR&(֨֨$# #$aH$94a$9,va#$a 94#\`a `taFaaaj`a$`~A` Og Igj Xg LgJf˖ y`/$<S.aaf _C$$ "<BRf<  gQ/a _`a``ta+Dma a6a`J y4fJ,gBapa 984X#8(#84 9X#8,#8H 94D,98Da$<8v$ad$94&98XCaL$<88va@ y,a, y0a"$<8 Nsx l## :x --}g rg3Z#\HBNh#V.y8 F.y8K| 9\# :f x,g"f x,F0 VJf<`9x gb@UgvSgxSgSgJ 2AGa0aja 9\a@aa`A`A`09g09gS@g`A`AaF 9\a Aa4 9a a&29pRfpWapIgpNa0@@0aa09a a`@,yN @!|:2NuJfAC4<avatQQavabQ 9 Zf!.B )a 4ava@ana8af0a 2AE^vAda4Qa@*Q a ` a `BB Dg dgt ag Af.@@@B N`/a GANa2g4 _a a Ba(f4"9[HCCpap apa QSQaB@Nu9[HSCa Q` g 9*@z a h?a:Q#NuAL0?2AH2AH2AH2AAH2AH@ @ @f0R@t mrJ9MV 2C AJgFAC A@g6C AHg*C AgCJf00H@`2< cg\ dg @f <BJ( g#u<W ( g<La Qgalg<,a haX` EB(Ԃa JRSA`T F HILSCCCSNEEQVCVSPLMIGELTGTLE<LJ(f<R`Jk((` ((H( CN22HX^jn. nVbrNuJgSg SgDSg0Sg2SgSgHЍUa|p(1$y1,mt_partpoint clr.w mt_dmacon lea $dff0a0,a5 lea mt_aud1temp(pc),a6 bsr mt_playit lea $dff0b0,a5 lea mt_aud2temp(pc),a6 bsr mt_playit lea $dff0c0,a5 lea mt_aud3temp(pc),a6 bsr mt_playit lea $dff0d0,a5 lea mt_aud4temp(pc),a6 bsr mt_playit move.w #$01f4,d0 mt_rls: dbf d0,mt_rls move.w #$8000,d0 or.w mt_dmacon,d0 move.w d0,$dff096 lea mt_aud4temp(pc),a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: lea mt_aud3temp(pc),a6 c2WKmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: lea mt_aud2temp(pc),a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$dff0b4 mt_voice1: lea mt_aud1temp(pc),a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: move.l mt_partnote,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop mt_higher: clr.l mt_partnote addq.l #1,mt_partnrplay moveq #$00,d0 move.w mt_maxpart, 3w>wd0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop:tst.w mt_status beq.s mt_stop2 clr.w mt_status bra.s mt_higher mt_stop2: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 moveq #$00,d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange moveq #$00,d3 lea mt_samples(pc),a1 move.l d2,d4 asl.l #2,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3  4hbeq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: tst. 5f}w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #11,d0 beq.s mt_posjmp cmp.b #12,d0 beq.s mt_setvol cmp.b #13,d0 beq.s mt_break cmp.b #14,d0 beq.s mt_setfil cmp.b #15,d0 beq.s mt_setspeed rts mt_posjmp: not.w mt_status moveq #$00,d0 move.b 3(a6),d0 subq.b #$01,d0 move.l d0,mt_partnrplay rts mt_setvol: move.b 3(a6),8(a5) rts mt_break: not.w mt_status rts mt_setfil: moveq #$00,d0 move.b 3(a6),d0 and.b #$01,d0 6  rol.b #$01,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts mt_setspeed: move.b 3(a6),d0 and.b #$0f,d0 beq.s mt_back clr.l mt_counter move.b d0,mt_cool+5 mt_back:rts mt_aud1temp: blk.w 10,0 dc.w $0001 blk.w 2,0 mt_aud2temp: blk.w 10,0 dc.w $0002 blk.w 2,0 mt_aud3temp: blk.w 10,0 dc.w $0004 blk.w 2,0 mt_aud4temp: blk.w 10,0 dc.w $0008 blk.w 2,0 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples:dc.l 0 mt_sample1:blk.l 15,0 mt_ ba\maxpart:dc.w $0000 mt_dmacon:dc.w $0000 mt_status:dc.w $0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_data:blk.b 0,0  rts mt_setvol: move.b 3(a6),8(a5) rts mt_break: not.w mt_status rts mt_setfil: moveq #$00,d0 move.b 3(a6),d0 and.b #$01,d0@z+Y"y09F`,RBRC`$y09F&J7"f`"yApQA (|22@"RyFNu,$*JP`lr  0",4:P^st- :,x%[x`a<F cf``VA&`՜abڀ`az`aʀ`a`av`aRW`aF]` a:^HHJg:A&R`8aHfJg JfNu,NuBNua&fJgfNua f؄fNua86H@HEH@CHEBEڄ`ar Bd؀QF`a cfP8 g( >ff8D9Zf.|2a ,g" )ffFHal +fPFa^NuaN cfB l:aP WgPB:a. )fI {grc``a bgb *g:lNQaT`L AaApaAC:Aa,y"<~tNJg."$<NJg>"$<NJg.AJJjPHCHpQaA2a(Ata `"N` DISK>ST-ST- :st- :,x79 <"<N:#Nu,x"y <N.Nu,xCNh#Nu,x"yNbNudos.library"<D$<,yN#Nu"9,yNNuraw:50/20/398/200/PLST ADDER by A.Sander >> Public Domain <<"9$vJgR`,yNNuABPpa 9Nu>*H|a@A^ g  gga `RF`B5`NuSFjRF`Aa` ,y"9$< vN9 NuAa^9fNu <9FgxSFA2"ytv0 gB `m 10g `m n$gQ <|,a6 bsr.L chanelhandler lea $dff0d0,a5 ;chanel 3 lea datach3(pc),a6 bsr.L chanelhandler move.w #400,d0 ;** wait a while and set len rep1: dbf d0,rep1 ; of oneshot to 1 word move.w #$8000,d0 or.w enbits,d0 move.w d0,$dff096 cmp.w #1,datach0+14 bne.s rep2 clr.w datach0+14 move.w #1,$dff0a4 rep2: cmp.w #1,datach1+14 bne.s rep3 clr.w datach1+14 move.w #1,$dff0b4 rep3: cmp.w #1,datach2+14 bne.s rep4 clr.w datach2+14 move.w #1,$dff0c4 rep4: cmp.w #1,datach3+14 bne =UW.s rep5 clr.w datach3+14 move.w #1,$dff0d4 rep5: add.l #16,patpos ;next step cmp.l #64*16,patpos ;pattern finished ? bne.s rep6 clr.l patpos addq.l #1,trkpos ;next pattern in table clr.l d0 move.w numpat,d0 cmp.l trkpos,d0 ;song finished ? bne.s rep6 clr.l trkpos rep6: movem.l (a7)+,d0-d7/a0-a6 rts chanelhandler: move.l (a0,d1.l),(a6) ;get period & action-word addq.l #4,d1 ;point to next chanel clr.l d2 move.b 2(a6),d2 ;get nibble for soundnumber lsr.b #4,d >Ը2 beq.s chan2 ;no soundchange ! move.l d2,d4 ;** calc ptr to sample lsl.l #2,d2 mulu #30,d4 lea pointers-4(pc),a1 move.l (a1,d2.l),4(a6) ;store sample-address move.w (a3,d4.l),8(a6) ;store sample-len in words move.w 2(a3,d4.l),18(a6) ;store sample-volume move.l d0,-(a7) move.b 2(a6),d0 and.b #$f,d0 cmp.b #$c,d0 bne.s ok3 move.b 3(a6),8(a5) bra.s ok4 ok3: move.w 2(a3,d4.l),8(a5) ;change chanel-volume ok4: move.l (a7)+,d0 clr.l d3 move.w 4(a3,d4),d3 ;** calc r ?Iepeatstart add.l 4(a6),d3 move.l d3,10(a6) ;store repeatstart move.w 6(a3,d4),14(a6) ;store repeatlength cmp.w #1,14(a6) beq.s chan2 ;no sustainsound ! move.l 10(a6),4(a6) ;repstart = sndstart move.w 6(a3,d4),8(a6) ;replength = sndlength chan2: tst.w (a6) beq.s chan4 ;no new note set ! move.w 22(a6),$dff096 ;clear dma tst.w 14(a6) bne.s chan3 ;no oneshot-sample move.w #1,14(a6) ;allow resume (later) chan3: bsr.L newrou move.w (a6),(a4) move.w (a6),16(a6) ; @Sgsave note for effect move.l 4(a6),0(a5) ;set samplestart move.w 8(a6),4(a5) ;set samplelength move.w (a6),6(a5) ;set period move.w 22(a6),d0 or.w d0,enbits ;store dma-bit move.w 18(a6),20(a6) ;volume trigger chan4: rts datach0: blk.w 11,0 dc.w 1 datach1: blk.w 11,0 dc.w 2 datach2: blk.w 11,0 dc.w 4 datach3: blk.w 11,0 dc.w 8 voi1: dc.w 0 voi2: dc.w 0 voi3: dc.w 0 voi4: dc.w 0 pointers: blk.l 15,0 notetable: dc.w 856,808,762,720,678,640,604,570 dc.w 538,508,4;80,453,428,404,381,360 dc.w 339,320,302,285,269,254,240,226 dc.w 214,202,190,180,170,160,151,143 dc.w 135,127,120,113,000 muzakoffset: dc.l 0 trkpos: dc.l 0 patpos: dc.l 0 numpat: dc.w 0 enbits: dc.w 0 timpos: dc.w 0 data: blk.b 00000,0 chan2: tst.w (a6) beq.s chan4 ;no new note set ! move.w 22(a6),$dff096 ;clear dma tst.w 14(a6) bne.s chan3 ;no oneshot-sample move.w #1,14(a6) ;allow resume (later) chan3: bsr.L newrou move.w (a6),(a4) move.w (a6),16(a6) ;Bĸt,d1 bgt.s mt_init1 dbf d0,mt_init2 addq.b #1,d2 mt_init3: lea mt_data(pc),a0 lea mt_sample1(pc),a1 asl.l #$08,d2 asl.l #$02,d2 add.l #$0258,d2 add.l a0,d2 moveq #$0e,d0 mt_init4: move.l d2,(a1)+ moveq #$00,d1 move.w 42(a0),d1 asl.l #1,d1 add.l d1,d2 add.l #$1e,a0 dbf d0,mt_init4 lea mt_sample1(pc),a0 moveq #$00,d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq.l #4,d0 cmp.l #$3c,d0 bne.s mt_clear clr.w $dff0a8 clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 clrC.l mt_partnrplay clr.l mt_partnote clr.l mt_partpoint move.b mt_data+$1d6,mt_maxpart+1 rts mt_end: clr.w $dff0a8 clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 move.w #$000f,$dff096 rts mt_music: addq.l #1,mt_counter mt_cool:cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra mt_rout2 mt_notsix: lea mt_aud1temp(pc),a6 tst.b 3(a6) beq.s mt_arp1 lea $dff0a0,a5 bsr.s mt_arprout mt_arp1:lea mt_aud2temp(pc),a6 tst.b 3(a6) beq.s mt_arp2 lea $dff0b0,a5 bsr.s mt_aD)rprout mt_arp2:lea mt_aud3temp(pc),a6 tst.b 3(a6) beq.s mt_arp3 lea $dff0c0,a5 bsr.s mt_arprout mt_arp3:lea mt_aud4temp(pc),a6 tst.b 3(a6) beq.s mt_arp4 lea $dff0d0,a5 bra.s mt_arprout mt_arp4:rts mt_arprout: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 beq.s mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn rts mt_portup: moveq #$00,d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6),6(a5) rETts mt_portdwn: moveq #$00,d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: moveq #$00,d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: moveq #$00,d0 move.b 3(a6),d0 and.b #$0f,d0 bra0WM6.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: asl.w #1,d0 moveq #$00,d1 move.w 16(a6),d1 lea mt_arpeggio(pc),a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2: lea mt_data(pc),a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 moveq #$00,d1 move.b (a2,d0),d1 asl.l #$08,d1 asl.l #$02,d1 add.l mt_partnote,d1 move.l dGF5es 'STP' bne.s NoStop ;Nein! clr 8(A5) bra Super NoStop: move.l 4(a6),0(a5) ;Intrument Adr. move.w 8(a6),4(a5) ;Lnge move.w 0(a6),6(a5) ;Period Super: move.w 20(a6),d0 ;DMA Bit or.w d0,DmaCon ;einodern NoNote: rts ;-------------------------------------------------------------------- ArpeTable: dc.l Arpe1 dc.l Arpe2 dc.l Arpe3 dc.l Arpe2 dc.l Arpe1 ChannelData0: blk.l 5,0 ;Daten fr Note dc.w 1 ;DMA - Bit ChannelData1: blk.l 5,0 ;u.s.w dc.w 2 ChanneH lData2: blk.l 5,0 ;etc. dc.w 4 ChannelData3: blk.l 5,0 ;a.s.o dc.w 8 Instruments: blk.l 15,0 ;Zeiger auf die 15 Instrumente PosCounter: dc.l 0 ;Offset ins Pattern TrackPos: dc.l 0 ;Position Counter Timer: dc.w 0 ;Zhler 0-5 DmaCon: dc.w 0 ;Zwischenspeicher fr DmaCon AnzPat: dc.w 1 ;Anzahl Positions PlayLock: dc.w 0 ;Flag fuer 'Sound erlaubt' DelayValue: dc.w 14565 SongPointer: dc.l LenghtTable ChipFlag: dc.w 0 CiaaBase: dc.l 0 InterruptName: dc.b I靶"Chris's SoundInterrupt",0 CiaaResource: dc.b 'ciaa.resource',0 even Reserve: dc.w 856,856,856,856,856,856,856,856,856,856,856,856 NoteTable: dc.w 856,808,762,720,678,640,604,570,538,508,480,453 ;1.Okt dc.w 428,404,381,360,339,320,302,285,269,254,240,226 ;2.Okt dc.w 214,202,190,180,170,160,151,143,135,127,120,113 ;3.Okt dc.w 113,113,113,113,113,113,113,113,113,113,113,113 ;Reserve dc.w -1 LenghtTable: Datas: Songstr = lenghttable+60 blk.b Laenge,0 ;hierhin di"$e Daten!!! EndSongStr: . dc.w 4 ChannelData3: blk.l 5,0 ;a.s.o dc.w 8 Instruments: blk.l 15,0 ;Zeiger auf die 15 Instrumente PosCounter: dc.l 0 ;Offset ins Pattern TrackPos: dc.l 0 ;Position Counter Timer: dc.w 0 ;Zhler 0-5 DmaCon: dc.w 0 ;Zwischenspeicher fr DmaCon AnzPat: dc.w 1 ;Anzahl Positions PlayLock: dc.w 0 ;Flag fuer 'Sound erlaubt' DelayValue: dc.w 14565 SongPointer: dc.l LenghtTable ChipFlag: dc.w 0 CiaaBase: dc.l 0 InterruptName: dc.b Knve.l d1,d2 subq.w #1,d0 init2: move.b (a0)+,d1 cmp.b d2,d1 bgt.s init1 dbf d0,init2 addq.b #1,d2 init3: move.l muzakoffset,a0 ;** calc samplepointers lea pointers(pc),a1 lsl.l #8,d2 lsl.l #2,d2 add.l #600,d2 add.l a0,d2 moveq #14,d0 init4: move.l d2,(a1)+ clr.l d1 move.w 42(a0),d1 lsl.l #1,d1 add.l d1,d2 add.l #30,a0 dbf d0,init4 init5: clr.w $dff0a8 ;** clear used values clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 clr.w timpos clr.l trkpos clr.l patpos iniLht6: move.l muzakoffset,a0 ;** initialize timer irq move.b 470(a0),numpat+1 ;number of patterns move.l $6c.w,lev3save+2 move.l #lev3interrupt,$6c.w rts stop_muzak: move.l lev3save+2,$6c.w clr.w $dff0a8 clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 move.w #$f,$dff096 rts lev3interrupt: bsr.s replay_muzak lev3save: jmp $0 replay_muzak: movem.l d0-d7/a0-a6,-(a7) addq.w #1,timpos speed: cmp.w #6,timpos beq.L replaystep chaneleffects: ;** seek effects lea datach0(pc),aMu6 tst.b 3(a6) beq.s ceff1 lea $dff0a0,a5 bsr.s ceff5 ceff1: lea datach1(pc),a6 tst.b 3(a6) beq.s ceff2 lea $dff0b0,a5 bsr.s ceff5 ceff2: lea datach2(pc),a6 tst.b 3(a6) beq.s ceff3 lea $dff0c0,a5 bsr.s ceff5 ceff3: lea datach3(pc),a6 tst.b 3(a6) beq.s ceff4 lea $dff0d0,a5 bsr.s ceff5 ceff4: movem.l (a7)+,d0-d7/a0-a6 rts ceff5: move.b 2(a6),d0 ;room for some more and.b #$f,d0 ;implementations below tst.b d0 beq.s arpreggiato cmp.b #1,d0 beq.L pitchup cmp.b #2Nx/,d0 beq.L pitchdown cmp.b #12,d0 beq.L setvol cmp.b #14,d0 beq.L setfilt cmp.b #15,d0 beq.L setspeed rts arpreggiato: ;** spread by time cmp.w #1,timpos beq.s arp1 cmp.w #2,timpos beq.s arp2 cmp.w #3,timpos beq.s arp3 cmp.w #4,timpos beq.s arp1 cmp.w #5,timpos beq.s arp2 rts arp1: clr.l d0 ;** get higher note-values move.b 3(a6),d0 ; or play original lsr.b #4,d0 bra.s arp4 arp2: clr.l d0 move.b 3(a6),d0 and.b #$f,d0 bra.s arp4 arp3: move.w 16(a6),d2O%>5\ bra.s arp6 arp4: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea notetable,a0 arp5: move.w (a0,d0.w),d2 cmp.w (a0),d1 beq.s arp6 addq.l #2,a0 bra.s arp5 arp6: move.w d2,6(a5) rts pitchdown: bsr.s newrou clr.l d0 move.b 3(a6),d0 and.b #$f,d0 add.w d0,(a4) cmp.w #$358,(a4) bmi.s ok1 move.w #$358,(a4) ok1: move.w (a4),6(a5) rts pitchup:bsr.s newrou clr.l d0 move.b 3(a6),d0 and.b #$f,d0 sub.w d0,(a4) cmp.w #$71,(a4) bpl.s ok2 move.w #$71,(a4) ok2: move.w (a4),6(a5) P rts setvol: move.b 3(a6),8(a5) rts setfilt:move.b 3(a6),d0 and.b #1,d0 lsl.b #1,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts setspeed: clr.l d0 move.b 3(a6),d0 and.b #$f,d0 move.w d0,speed+2 rts newrou: cmp.l #datach0,a6 bne.s next1 lea voi1(pc),a4 rts next1: cmp.l #datach1,a6 bne.s next2 lea voi2(pc),a4 rts next2: cmp.l #datach2,a6 bne.s next3 lea voi3(pc),a4 rts next3: lea voi4(pc),a4 rts replaystep: ;** work next pattern-step clr.w timpos move.l muzako;^Yffset,a0 move.l a0,a3 add.l #12,a3 ;ptr to soundprefs move.l a0,a2 add.l #472,a2 ;ptr to pattern-table add.l #600,a0 ;ptr to first pattern clr.l d1 move.l trkpos,d0 ;get ptr to current pattern move.b (a2,d0),d1 lsl.l #8,d1 lsl.l #2,d1 add.l patpos,d1 ;get ptr to current step clr.w enbits lea $dff0a0,a5 ;chanel 0 lea datach0(pc),a6 bsr.L chanelhandler lea $dff0b0,a5 ;chanel 1 lea datach1(pc),a6 bsr.L chanelhandler lea $dff0c0,a5 ;chanel 2 lea datach2(pc)R,0,2(A4) move 2(A4),d0 move 4(A4),d1 cmp d0,d1 bhi.s StepOk move d1,d0 StepOk: move d0,6(a5) MOVE D0,2(A4) rts StepItUp: add d0,2(A4) move 2(A4),d0 move 4(A4),d1 cmp d0,d1 blt.s StepOk move d1,d0 bra.s StepOk NoStep: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #1,d0 beq appreggiato cmp.b #2,d0 beq pitchbend cmp.b #3,d0 beq LedOn cmp.b #4,d0 beq LedOff cmp.b #7,d0 beq.s SetStepUp cmp.b #8,d0 beq.s SetStepDown rts LedOn: bset #1,$bfe001 rts LedOff: bclr #1,SU$bfe001 rts SetStepUp: moveq #0,d4 StepFinder: clr (a4) move (A6),2(a4) moveq #0,d2 move.b 3(a6),d2 and #$0f,d2 tst d4 beq.s NoNegIt neg d2 NoNegIt: move d2,(a4) moveq #0,d2 move.b 3(a6),d2 lsr #4,d2 move (a6),d0 lea NoteTable,a0 StepUpFindLoop: move (A0),d1 cmp #-1,d1 beq.s EndStepUpFind cmp d1,d0 beq.s StepUpFound addq #2,a0 bra.s StepUpFindLoop StepUpFound: lsl #1,d2 tst d4 bne.s NoNegStep neg d2 NoNegStep: move (a0,d2.w),d0 move d0,4(A4) rts EndST$){tepUpFind: move d0,4(A4) rts SetStepDown: st d4 bra.s StepFinder StepControl0: dc.l 0,0 StepControl1: dc.l 0,0 StepControl2: dc.l 0,0 StepControl3: dc.l 0,0 appreggiato: lea ArpeTable,a0 moveq #0,d0 move Timer,d0 subq #1,d0 lsl #2,d0 move.l (A0,d0.l),a0 jmp (A0) Arpe4: lsl.l #1,d0 clr.l d1 move.w 16(a6),d1 lea.l NoteTable,a0 Arpe5: move.w (a0,d0.l),d2 cmp.w (a0),d1 beq.s Arpe6 addq.l #2,a0 bra.s Arpe5 Arpe1: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.UXs Arpe4 Arpe2: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s Arpe4 Arpe3: move.w 16(a6),d2 Arpe6: move.w d2,6(a5) rts pitchbend: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s pitch2 add.w d0,(a6) move.w (a6),6(a5) rts pitch2: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 tst.b d0 beq.s pitch3 sub.w d0,(a6) move.w (a6),6(a5) pitch3: rts ;-------------------------------------------------------------------- PlaySound: move.l SongPointer(pc),a0 ;Zeiger auf SongV{File add #60,a0 ;Laengentabelle ueberspringen move.l a0,a3 move.l a0,a2 lea 600(A0),a0 ;Zeiger auf BlockDaten add #472,a2 ;zeiger auf Patterntab. add #12,a3 ;zeiger auf Instr.Daten move.l TrackPos(pc),d0 ;Postionzeiger clr.l d1 move.b (a2,d0.l),d1 ;dazugehrige PatternNr. holen moveq #10,d7 lsl.l d7,d1 ;*1024 / lnge eines Pattern add.l PosCounter,d1 ;Offset ins Pattern clr.w DmaCon lea StepControl0,a4 lea $dff0a0,a5 ;Zeiger auf Kanal0 lea ChannelData0(pcW),a6 ;Daten fr Kanal0 moveq #3,d7 ;4 Kanle SoundHandleLoop: bsr PlayNote ;aktuelle Note spielen add #8,a4 add.l #$10,a5 ;nchster Kanal add.l #22,a6 ;nchste Daten dbf d7,SoundHandleLoop ;4* move DmaCon(pc),d0 ;DmaBits bset #15,d0 ;Clear or Set Bit setzen move.w d0,$dff096 ;DMA ein! move #300,d0 ;Verzgern (genug fr MC68030) Delay2: dbf d0,Delay2 lea ChannelData3(pc),a6 lea $dff0d0,a5 moveq #3,d7 SetRegsLoop: move.l 10(A6),(a5) ;Adresse move 14(A6X),4(A5) ;lnge NoSetRegs: sub #22,a6 ;nchste Daten sub #$10,a5 ;nchster Kanal dbf d7,SetRegsLoop tst PlayLock beq.s NoEndPattern add.l #16,PosCounter ;PatternPos erhhen cmp.l #1024,PosCounter ;schon Ende ? blt.s NoEndPattern clr.l PosCounter ;PatternPos lschen addq.l #1,TrackPos ;Position erhhen NoAddPos: move.w Anzpat(pc),d0 ;AnzahlPosition move.l TrackPos(pc),d1 ;Aktuelle Pos cmp.w d0,d1 ;Ende? bne.s NoEndPattern ;nein! clr.l TrackPos ;ja/ Sound vYŢ-on vorne NoEndPattern: rts PlayNote: clr.l (A6) tst PlayLock ;Player zugellassen ? beq.s NoGetNote ; move.l (a0,d1.l),(a6) ;Aktuelle Note holen NoGetNote: addq.l #4,d1 ;PattenOffset + 4 clr.l d2 cmp #-3,(A6) ;Ist Note = 'PIC' ? beq NoInstr2 ;wenn ja -> ignorieren move.b 2(a6),d2 ;Instr Nummer holen and.b #$f0,d2 ;ausmaskieren lsr.b #4,d2 ;ins untere Nibble tst.b d2 ;kein Intrument ? beq.L NoInstr2 ;wenn ja -> berspringen clr.l d3 lea.l InstrumentZȕs(pc),a1 ;Instr. Tabelle move.l d2,d4 ;Instrument Nummer subq #1,d2 lsl #2,d2 ;Offset auf akt. Instr. mulu #30,d4 ;Offset Auf Instr.Daten move.l (a1,d2.w),4(a6) ;Zeiger auf akt. Instr. move.w (a3,d4.l),8(a6) ;Instr.Lnge move.w 2(a3,d4.l),18(a6) ;Volume move.w 4(a3,d4.l),d3 ;Repeat tst d3 ;kein Repeat? beq.s NoRepeat ;Nein! ;Doch! move.l 4(a6),d2 ;akt. Instr. add.l d3,d2 ;Repeat dazu move.l d2,10(a6) ;Repeat Instr. move.w 6(a3,d4),14(a6) ;rep lae[tnge move.w 18(a6),d3 ;Volume in HardReg. bra.s NoInstr NoRepeat: move.l 4(a6),d2 ;Instrument add.l d3,d2 ;rep Offset move.l d2,10(a6) ;in Rep. Pos. move.w 6(a3,d4.l),14(a6) ;rep Laenge move.w 18(a6),d3 ;Volume in Hardware CheckPic: NoInstr: move.b 2(A6),d2 and #$0f,d2 cmp.b #5,d2 beq.s ChangeUpVolume cmp.b #6,d2 bne.L SetVolume2 moveq #0,d2 move.b 3(A6),d2 sub d2,d3 tst d3 bpl SetVolume2 clr d3 bra.L SetVolume2 ChangeUpVolume: moveq #0,d2 move.b 3(Fc .A6),d2 add d2,d3 tst d3 cmp #64,d3 ble.L SetVolume2 move #64,d3 SetVolume2: move d3,8(A5) NoInstr2: cmp #-3,(A6) ;Ist Note = 'PIC' ? bne.s NoPic clr 2(A6) ;wenn ja -> Note auf 0 setzen bra.s NoNote NoPic: tst (A6) ;Note ? beq.s NoNote ;wenn 0 -> nicht spielen clr (a4) move.w (a6),16(a6) ;eintragen move.w 20(a6),$dff096 ;dma abschalten move.l d7,-(SP) move #300,d7 ;genug fr MC68030 Delay1: dbf d7,Delay1 ;delay move.l (SP)+,d7 cmp #-2,(A6) ;Ist ]$iand use instrument # 1 to play the C#1 note. D-2 0000 - Use instrument # 1 to play the D-2 note. (Volume level remains at $22 (=34)) B-1 1000 - Use instrument # 1 to play the B-1 note and set volume to default value for that instrument. Pattern break: -------------- Pattern break is used to create shorter patterns than 64 notes. The note with the $0D command will be pl^ payed and after that the next pattern in the position-table will be played. Example: A#3 1D00 - At this point the pattern interrupts. --- 0D00 - same. C-1 0D30 - same. Filter: This Soundtracker version allows you to turn the lo-pass filter ------- on/off. Example: G#2 1E01 - Turns the filter and the power-led off. --- 0000 E-1 1E00 - Turns the filter and the power-led on. Warning to all Amiga 1000 owners (like Unknown and Esteban)_뮂: Don't play with the power-led because some A500 and A2000 owners will not be happy when they hear your song. Speed: This function allows changing the speed during play. ------ You can only enter a speed from $01 to $0F. Setting the info byte to zero doesn't effect anything. The normal speed is 6. Example: D-2 4F04 - Set speed to 4 --- 0000 E-1 0F00 - Nothing happens to speed. --- 0FC3 - Set speed to 3 G-2 2F06 - Set `Dnormal speed For your convenience the speed will now be set to 6 everytime you load a song/module or clear the song. The Playroutine. ---------------- The Playroutine on the Soundtracker disk is for using your music in demos, intros, games etc. It was written using the Seka-assembler and the source of the routine can directly be incorporated in your demo/intro source. When you are finished writing your music using D.O.C-Soundtracker, save it to Disk. Use the funcation 'SAVE MODULE'. You will find in the 'MODULES'-DIR a file, which contains all songdata and samples. Load with SEKA the source of the playroutine and enter the size of saved module at the label 'mt_data'. Assemble. Now load the saved module to 'mt_data'. How to play a song: ------------------- At the beginning of your program, call the 'mt_init' routine. Each vertical blank jump to the 'mt_music' routine. To stop the song jump to the 'mt_end' routine. -----------bz>---------------------------------------------------------------- ADDITIONAL INFORMATION: - This Soundtracker-Version consists of ONE disk which should include the following files: - Soundtracker (V2.3) - Songplayer (V1.4) - SongPrinter (V1.1d) - PresetEd,PED!,PED!! (V1.1 by The BallCrackers) - PresetEd + - PLST (this is my (MnemoTroN) PLST and please do not ask for the samples because that are 13 disks! - MuzakRipper (by NorthStar) - Soundtra?cker Instruments Ripper (by Beastie Boys) - 'mod.echoing' and 'mod.my way to the stars' in the module-directory (my favourites!) - all DOC files in the 'Text'-Directory - the 31 Instruments Replay-Routine (also in 'Text') ---------------------------------------------------------------------------- he beginning of your program, call the 'mt_init' routine. Each vertical blank jump to the 'mt_music' routine. To stop the song jump to the 'mt_end' routine. ----------- d A low move.b 0(a1),$bfe501 ;Timer A high rts ;-------------------------------------------------------------------- PlayInit: lea Instruments(pc),a0 ;Zeiger auf instr.Tabelle moveq #14,d7 ;15 Instrumente InitLoop: move.l (A0)+,a1 ;Zeiger holen clr.l (A1) ;erstes Longword lschen dbf d7,InitLoop rts ;----------------------------------------------------------------------- PlayEnable: lea $dff000,a0 ;AMIGA move.w #-1,PlayLock ;player zulassen clr $a8(A0) ;Alle  e!Voloumenregs. auf 0 clr $b8(A0) clr $c8(a0) clr $d8(a0) clr.w Timer ;zahler auf 0 clr.l TrackPos ;zeiger auf pos clr.l PosCounter ;zeiger innehalb des pattern rts ;---------------------------------------------------------------------- PlayDisable: lea $dff000,a0 ;AMIGA clr.w PlayLock ;player sperren clr $a8(a0) ;volumen auf 0 clr $b8(a0) clr $c8(a0) clr $d8(a0) move.w #$f,$96(A0) ;dma sperren rts ;------------------------------------------------------------- fE<-------- IntCode: bsr PlaySong ;Note spielen moveq #0,d0 ;kein Fehler rts ;---------------------------------------------------------------------- ;hier werden 5 * effekte gespielt und einmal der song PlaySong: ;HauptAbspielRoutine movem.l d0-d7/a0-a6,-(SP) addq.w #1,Timer ;zhler erhhen cmp.w #6,Timer ;schon 6? bne.s CheckEffects ;wenn nicht -> effekte clr.w Timer ;sonst zhler lschen bsr PlaySound ;und sound spielen NoPlay: movem.l (SP)+,d0-d7/a0-a6 rtsQ“ ;------------------------------------------------------------------- CheckEffects: moveq #3,d7 ;4 kanle lea StepControl0,a4 lea ChannelData0(pc),a6 ;zeiger auf daten fr 0 lea $dff0a0,a5 ;Kanal 0 EffLoop: movem.l d7/a5,-(SP) bsr.s MakeEffekts ;Effekt spielen movem.l (Sp)+,d7/a5 NoEff: add #8,a4 add #$10,a5 ;nchster Kanal add #22,a6 ;Nchste KanalDaten dbf d7,EffLoop movem.l (a7)+,d0-d7/a0-a6 rts MakeEffekts: move (A4),d0 beq.s NoStep bmi.s StepItUp add d h', then from 'ST-03' and so on. Sample zero function: --------------------- While editing you're able to set the sample to the value zero (0!). Press both mousebuttons at the position of the samplegadgets (plus, minus = +,-). Now you can edit the pattern with the sample 0 to prevent difficulties according to the volume (Frog's idea) !!! Correct 'DisplayPattern' routine: --------------------------------- The 'MasterSoundtracker V1.0' and the 'D.O.C-Soundtracker V2.0' ha iyłEd an incorrect 'DisplayPattern' routine !!! The highest bit of the command- and infobyte had been deleted on screen, but not in the memory !!!!!!!!!! Unknown discovered this bug and removed it. Example: Entered - E-2 C2FF <=- Correct ! Printed out later - E-2 427F <=- Wrong instrument and infobyte! Still in memory - E-2 C2FF <=- Correct ! Instruments. ------------ You can use up to thirtyone different instruments in one music-piece.  jv,All instruments are listed in the preset-list. The volume is always 64, but you can change it to each value between 0 and 64. To change the other values of each instrument you have to load the preset-editor or use the gadgets in the program (this is only for small changes. use the preset-ed otherwise!). With the PresetEd you can change the whole preset-list. TIP improved the preset-editor: some values (Length, Repeat and RepLen) have to be entered in hexadeck9cimal !!! Now you can use samples up to $8000 (=32768) bytes !!!! (Press right mouse-button to quit). Unknown corrected the preset-editor: It got a nice bug ! (Not TIP's fault) Example: You've an instrument called 'HeavySynth' in your preset-list, now you want to INSERT an instrument with the name 'Heavy' in it. The preset-editor searches for the word 'HEAVY' in the list, find the name 'HEAVYsynth' and DELETES it to insert the name 'Heavy' ! lӁ\Of course Unknown discoverd and removed this bug, too. Notes: ------ C#1 0 3 C 2 3 / / | \| / / | Info / / Command / Inst# Note to be played. Note: This is simply the note that is played with that particular ----- instrument. Inst#: This is the number of the instrument that is used to play that ------ note. When the instrument number is zero, the last smz>elected instrument will be used. Command: This number tells Soundtracker what special functions shall be -------- performed while playing the note. These functions are as follows: 0 - Normal play or arpeggio. 1 - Portamento up. 2 - Portamento down. A - Volume slide. B - Position jump. C - Set volume. D - Pattern break. E - Set filter on/off. F - Set speed. Info: This byte contains the additional information for the comntmands. ----- Arpeggio: Arpeggio is used for simulating accords. This is done by rapidly --------- changing the notes while playing an instrument. Arepggios are selected whenever the info byte has a non-zero value and no other command is selected. When arpeggios are used, Soundtracker looks five times during the play of one note, at the information contained in the info byte. Each nibble (4 bits) in this byteo<|) defines how many notes Soundtracker must add to the the note currently played. In each of the five passes Soundtracker does the following with the information in the info byte: 0 - Play the current note (immediately). 1 - Add the first nibble to the current note. 2 - Add the second nibble to the current note. 3 - Play the current note. 4 - Add the first nibble to the current note. pw 5 - Add the second nibble to the current note. Portamento: Portamento is used for 'sliding' the frequency of the sample. ----------- If portamento is in use, the information contained in the the info byte will be added to (or subtracted from) the period of the note playing in each of the five passes. Example: D#2 3208 Slides down $08 --- 0208 Slides down $08 --- 0108 Slides up $08 --- 0210 Sq="lides down $10 (=16) etc. Volume slide: This function uses the same parameters as Portamento except ------------- for that it changes the volume. Position jump: -------------- The position jump command will do the same like the pattern break command, but the info byte gives the playroutine the no. of the position. Example: E-2 3B04 - Break the pattern and jump to position 4 --- 0000 --- 0B06 - Break the pattern an\d jump to position 6 Volume: One of the enhancements that the V2.3 version provides is the ------- ability to change the volume at any time during play. When command $0C (=12) is selected, the volume is set to the value contained in the info byte. The volume will remain at this level until the next SAMPLE is played. At this time, the volume is reset to the default volume level of that sample. Example: C#1 1C22 - Set volume to $22 (=34) sLZs. Now load SongPrinter from the CLI (drawing an icon for Workbench will cause no remarkable effect) using this syntax: SongPrinter [-S] [-P] [-L] is the path to the SoundTracker song you want to print. The -S option will cause SongPrinter to put all it's output to the current CLI-Window. So you don't have to use a printer. The -P option forces SongPrinter to print all patterns that are USED (!) in the song. The -L option will swit!ch your printer to NLQ/LQ (Tuca has a NEC P2200, so don't wonder why he wrote Letter Quality in the program). Be careful! SongPrinter can't be stopped when it's running. So be sure, you have typed the right command before you press Return. MnemoTroN, 25-May-1989 (1:53 a.m.) a song to the printer make sure the desired devices are on your boot-disk. These include: parallel/serial.device, the port-handler in directory l and your favourite printer driver in devs/printeruu----- A sample sort function Corrected 'DisplayPattern' routine Corrected preset-editor Improved record function Extended keymap (Sonix style) Pattern play function Delete Song function in the dos menu Improved ANALYZER Pattern changing during play Pattern break command Position jump command Sample zero function New playroutine for use in demos/intros/games Improved graphics (colors,styling,font) Nice scrolling Animated mousepointer Directory Sort vA function New Colors for the Analyzer Extension to 31 Instruments Modifications by MnemoTroN: --------------------------- Scroll-Line removed Animated Mousepointer removed Extended DOS-Window Key-Help-Page Nice 'Sure?'-Requester Reinsertion of Length-,Repeat- and RepLen-Gadgets Lowpass-Filter is switched off Load Module Save Sample Format Disk Clear Song and some small details that must not be mentioned here The Song. --------- Any piece of music writtew^n with Soundtracker 2.3 is build up from patterns. Soundtracker holds a table with information about the sequence in which these parts must be played. With 'Position' you determine your position in the table. With 'Pattern' you define what pattern to play at that position. 'Length' defines the total size of the table. The full sequence of Patterns is the Song. The Keys. --------- The original (V1.8) version of the Soundtracker had a German keymap. Version x A2.3 supports a standard USA keymap and this ensures compatibility with ALL Amigas. The keyboard has been extended, try typing on the whole key-rows. The keys on your Amiga have been grouped to represent the layout of a two- octave piano-keyboard. You can "shift" the keyboard one octave up or down with the aid of the F1 and F2 keys, thus incrementing the range of the keyboard to three octaves. The Functions. -------------- The Soundtracker V2.3 offers many functions tyCo the user to make the development of music as easily as possible. The Play, Stop and Edit-Functions should be self-explaining. Record allows you to record a pattern in real-time, but it is recommended that you better use the normal Edit-Mode. 'Clear Song' will erase all song- and sample-data from memory after a security-check. 'Use PSET' will load the selected sample into the current slot and 'Disk Op' switches to the DOS-Menu. Here you can Load/Sazt}ve/Delete Songs and Modules. If you are into ripping music, you will find the 'Save Sample' option useful. Just select the sample to be saved (you may change the disk and name by simply clicking on the 'sample-name'-line) and it is done! 'Format disk' will do just that. After a security-check you are asked for the volume-number. Only numbers will be accepted. The formatting will begin just after you entered the number, so please be careful. If {l/ you enter '00', Soundtracker will automagically create a song- and a module-directory. While editing: -------------- Cursor-keys move cursor. shift + Cursor-keys move cursor fast. alt + Cursor-keys move cursor fastest. F6 - Set cursor to first line of pattern. F7 - Set cursor to 16th line of pattern. F8 - Set cursor to 32th line of pattern. F9 - Set cursor to 48th line of pattern.  | F10 - Set cursor to last line of pattern. DEL - Delete note under cursor. shift + F3 - Cut track of current pattern and copy into a buffer. shift + F4 - Copy track of current pattern into a buffer. shift + F5 - Copy buffer to track of current pattern. alt + F3 - Cut the whole pattern and copy into a buffer. alt + F4 - Copy pattern into a buffer. alt + F5 - Copy buffer to current pattern. As a new featur g0e, these commands can be reviewed at any time (except when using the DOS-Menu) by pressing the HELP-key! A small word about the +/- gadgets: pressing the left AND right mousebutton will in-/decrease the value faster !! Sample sort function: --------------------- Unknown inserted a special sort function in the load-song routine, so you needn't be a D.J. anymore. Only the D.O.C-Soundtrackers V2.1 to V2.3 will load ALL Samples from the Disk 'ST-01', then from 'ST-02 ~gu Os`gyrn|RyܜY3#,ypw]Ƀqr_q_arh! DpO ML<.b?&3biɨ4$U_ | /xl|%|lG=/E\忟Irg朘8 rf(ri]g Yh>"'3F paɳL|2pGwpyx- LdA;$yy&)q'-?7!@ N>B3L"I3$?O>L'e1c/ ẹM_ǿ}?wa>?Jqp0l%2C^|>FT|@44 dy l:< # Y 9XhP>&88~0 ?C@9o/@?z(PZ@ @,:)tRޤH% @,4iaclX&` %9i!]J0 X` d@4r1DE F @<؀|D&z*nT&! jT3PfY*T٨iP& J0`/0` 0 0ib.q0=k`/%p {ڮB E0`/qP!Y\ 7@rP%_b 0)R)H,LT.QH6LrR7  .H8J0 ` f|@f/(&ǴL*04/Qh >A`. `8 !V `0` %AK5 :0 Vf()r0 VE`0 V s3`0 N s 0p`$1Jc1 ` 'LFt n`8#q  x0`P"KF 20 `"рGW/kj ߴ~ lVFf0b4 mt_voice1: lea mt_aud1temp(PC),a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: move.l mt_partnote(PC),d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop mt_higher: clr.l mt_partnote addq.l #1,mt_partnrplay moveq #0,d0 move.w mt_maxpart(PC),d0 move.l mt_partnrplay(PC),d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay st Pflag mt_stop:tst.w mt_status beq.s mt_stop2 clr.w mt_status bra.s mt_higher mt_stop2:  rts mt_playit: move.l (a0,d1.l),(a6) addq.l #4,d1 moveq #0,d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 move.b (a6),d0 and.b #$f0,d0 or.b d0,d2 tst.b d2 beq.s mt_nosamplechange moveq #0,d3 lea mt_samples(PC),a1 move.l d2,d4 asl.l #2,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4.l),8(a6) move.w 2(a3,d4.l),18(a6) move.w 4(a3,d4.l),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4.l),8(a6) move ,w:.w 6(a3,d4.l),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4.l),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #$0b,d0  ze' beq.s mt_posjmp cmp.b #$0c,d0 beq.s mt_setvol cmp.b #$0d,d0 beq.s mt_break cmp.b #$0e,d0 beq.s mt_setfil cmp.b #$0f,d0 beq.s mt_setspeed rts mt_posjmp: not.w mt_status moveq #0,d0 move.b 3(a6),d0 subq.b #1,d0 move.l d0,mt_partnrplay rts mt_setvol: move.b 3(a6),8(a5) rts mt_break: not.w mt_status rts mt_setfil: moveq #0,d0 move.b 3(a6),d0 and.b #1,d0 rol.b #1,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts mt_setspeed: move.b 3(a6),d0 and.b #$0f,d0 beq.s m ]Ot_back clr.w mt_counter move.b d0,mt_cool+3 mt_back:rts mt_aud1temp: blk.w 10,0 dc.w 1 blk.w 2,0 mt_aud2temp: blk.w 10,0 dc.w 2 blk.w 2,0 mt_aud3temp: blk.w 10,0 dc.w 4 blk.w 2,0 mt_aud4temp: blk.w 10,0 dc.w 8 blk.w 2,0 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.w 0 mt_partpoint: dc.l 0 mt_samples: dc.l 0 mt_sample1: blk.l 31,0 mt_maxpart: dc.w 0 mt_dmacon: dc.w 0 mt_status: dc.w 0 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_data: blk.b 0,0 move.l d0,mt_partnrplay rts mt_setvol: move.b 3(a6),8(a5) rts mt_break: not.w mt_status rts mt_setfil: moveq #0,d0 move.b 3(a6),d0 and.b #1,d0 rol.b #1,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts mt_setspeed: move.b 3(a6),d0 and.b #$0f,d0 beq.s mr8ker song you've made. 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