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The period of voice1 defines the speed of this viberato effect. When voice1 was programmed to modulate the period of voice2, the words in the sample of voice1 would define the period of voice2. When a voice is programmed to modulate the volume AND the period of the next voice, the first word in the sample defines the volume, the second the period, the thi|x}rd the volume again and so on. Arpeggio : Arpeggio is used for simulating accords. It does this by -------- rapidly changing the notes while playing an instrument. Arpeggios are selected whenever the info byte has a non-zero value and no other commands are selected. When arpeggios are used, SoundTracker looks five times during the play of one note, at the information contained in the info byte. Each nibble (4 bits3) in this byte defines how many notes SoundTracker must add to the the note currently playing. In each of the five passes SoundTracker does the following with the information contained in the info byte : 1 - Add the first nibble to the current note. 2 - Add the second nibble to the current note. 3 - Play the current note. 4 - Add the first nibble to the current note. 5 - Add the secondUV nibble to the current note. Portamento : Portamento is used for 'sliding' of the instrument. ---------- If portamento is in use, the information contained in the info byte will be added to (or subtracted from) the period of the note playing in each of the five passes. Example : D#2 3208 --- 0208 --- 0208 --- 0210 etc. Volume : One of the enhancements that the V4.0 version provides is the ----f-A1-- ability to change the volume at any time during play. When command 12 ($C) is selected, the volume is set to the value contained in the info byte. The volume will remain at this level until a next SAMPLE is played. At this time, the volume is reset to the default volume level of that sample. Example: C#1 1C22 - Set volume to $22 and use instrument # 1 to play the C#1 note. D-2 0000 - Use instrument # 1 to play the2" D-2 note. (Volume level remains at $22) B-1 1000 - Use instrument # 1 to play the B-1 note and set volume to default value for that instrument. It is also possible to "slide" the volume up or down while playing. In this case the first nibble of the info byte defines the amount at which the volume must be incremented, and the second nibble the amount at which it must be decremented. Example: D#3 2D20 - Slide volume up, amount = 2 --- 0D20 --- 0D20 etc. C#3 4D03 - Slide volume down, amount = 3 --- 0D03 --- 0D03 etc. This is all very well until you try to slide the volume and use portamento or arpeggio at the same time. For this reason, SoundTracker IV provides an auto-slide mode. You set the auto-slide mode with command # 14 ($E). Set the amount at which I the volume must be slided up or down as normal. Now play your arpeggio or portamento and the volume will be slided as well. You return from auto-slide mode whenever an info byte with a zero value is encountered. Example: E-2 CE02 - Set auto slide, amount = 2 --- 0203 - Portamento AND volume slide down. D-2 3203 - Volume to default level of instrument #3, portamento and volume slide down. --- 0203 G-1 1000 - Return from auto-slide. Play note G-1 with etc. instrument # 1. Speed: This function allows changing the speed during play. ------ You can only enter a speed between 01 and 0F. Setting the info byte to zero doesn't effect anything. The normal speed is 6. Example: D-2 4F05 - Set speed to 5 --- 0000 E-1 0F00 - Nothing happens to speed. --- 0FC3 - Set speed to 3 G-2 2F06 - Set normal speed  If you load another song it will be played with the actual speed. All songs on these disk are re-written to their normal speeds. (by D.O.C) The Playroutine. ---------------- The playroutine on the SoundTracker disk is for using your music in demos, intros, games etc. It was written using the Seka-assembler and the source of the routine can directly be incorporated in your demo/intro source. When you are finished writing your music using SoundTracker, saveS`` S` S`` S`}@PPPP @PPPPPP@ P7@$fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_snd1: blk.b 2,0 mt_snd2: blk.b 2,0 mt_snd3: blk.b 2,0 mt_snd4: blk.b 2,0 mt_snd5: blk.b 2,0 mt_snd6: blk.b 2,0 mt_snd7: blk.b 2,0 mt_snd8: blk.b 2,0 mt_snd9: blk.b 2,0 mt_snda: blk.b 2,0 mt_sndb: blk.b 2,0 mt_sndc: blk.b 2,0 mt_sndd: blk.b 2,0 mt_snde: blk.b 2,0 mt_sndf: blk.b 2,0 mt_muzakdata: blk.b 2,0 f,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w ۊ ave up or down with the aid of the F1 and F2 keys, thus incrementing the range of the keyboard to three octaves. While editing: Cursor-keys move cursor. ------------- F6 - Set cursor to first line of pattern. F7 - Set cursor to 16th line of pattern. F8 - Set cursor to 32th line of pattern. F9 - Set cursor to 48th line of pattern. F10 - Set cursor to last line of pattern. DEL - Delete note under cursor. W5 shift + F3 - Cut selected voice of actual pattern. shift + F4 - Copy selected voice of actual pattern into copy-puffer. shift + F5 - Copy copy-puffer to selected voice of actual pattern. Instruments. ------------ You can use up to fifteen different instruments in one music-piece. Before you can use a sample as an instrument, some values must be defined. You can do this by either using a preset, or by setting these values your- self. Length : This is s-imply the length of the used sample in bytes. Volume : This is the default volume of that instrument. Replen : When replen is set to 2, each instrument will be played once. When replen is set to any other value, the instrument will be repeated until an other note is played. Repeat : SoundTracker can also be programmed to repeat just a part of a sample constantly. This is usefull when playing waveforms. Whenever Repeat is set to a non-zero value, SoundTracker will j7:ust play a part of that particular sample. In this case Repeat defines the offset and Replen the length of the part that must be repeated. Notes. ------ C#1 3 C 2 3 / / | \| / / | Arpeggio, portamento, volume and speed info. / / Command / Inst# Note to be played. Note : This is simply the note that must be played by that particular ---- instrument. Inst# 9I : This is the number of the instrument that must be used to play ----- the note. When the instrument number is zero, the last selected instrument will be used. Command : This number tells SoundTracker what special functions must be ------- preformed while playing the note. These functions are as follows : 0 - Normal play or arpeggio. 1 - Portamento up. 2 - Portamento down. 3 - Modulate volume of next higher voice. (possibly with arpeggio) 4 - v Modulate period of next higher voice. '' 5 - Modulate period + volume of next higher voice. '' 6 - Modulate volume of next higher voice and portamento up. 7 - Modulate period of next higher voice and portamento up 8 - Modulate period + volume of next higher voice + portamento up. 9 - Modulate volume of next higher voice and portamento down. A - Modulate period of next higher voice and portamento down. B - Modulate period + vol of next  >1higher voice + portamento down. C - Set volume. D - Slide volume. E - Set auto-slide. F - Set speed ! Info : This byte contains the additional information for the commands. ---- Modulation : One voice can be programmed to modulate another. This means that ---------- either the volume, period or volume AND period are no longer static values that are set before starting to play a note, but that these are subject to change durin 肰g play. It can be seen that this provides a way to program viberato and tremolo effects. When a voice is programmed to modulate, it always modulates the next voice. So voice1 modulates voice2, voice2 modulates voice3 and so on. When a voice is told to modulate another, that voice is made silent. When voice4 is told to modulate, it is only made silent, because there are no 'higher' voices than v koice4. How does this modulation work ? Well, say you programmed voice1 to modulate only the volume of voice2. The volume of voice2 is no longer defined by the volume of that instrument. Instead, the words in the sample of voice1 define the volume for voice2. So if the sample of voice1 looked like this : $0030,$0032,$0034 etc., the volume of voice2 would become $30, then $32 and so on. This is umz,mt_arpegrt cmp.b #5,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a=mN6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.? yIs mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2:Ϭ1 lea mt_muzakdata,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d 0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move ѫBbs.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) mo ҋ $ve.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt Êp_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 bne.s mt_noset move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper {$ cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #15,d0 beq.s mt_chgspeed cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_chgspeed: move.b 3(a6),d0 and.b #$0f,d0 beq.s mt_nochnge clr.l mt_counter move.b d0,mt_cool+5 rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modper: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $4!0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples: dc.w $000G0,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w V^M.O.C says : Laengs D.O.C also says : Min guellepump is in mors. Modifications by D.O.C : ------------------------ FEATURES : - SPEED CHANGING during play ! - EQUALIZER ! - NEW playroutine ! Patterns. --------- Any piece of music written with SoundTracker IV is build up from patterns. SoundTracker holds a table with information about the sequence in which these parts must be played. With 'Position' you devtermine your position in the table. With 'Pattern' you define what pattern to play at that position. 'Length' defines the total size of the table. The Keys. --------- The original (V1.21) version of the SoundTracker had a German keymap. Version IV supports a standard USA keymap (oder auch nicht) and this ensures compatibility with nearly all Amigas. The keys on your Amiga have been grouped to represent the layout of a two-octave piano-keyboard. You can "shift" the keyboard one oct(S@}@ @ ``````````S``` S`````S`S```@@@@@@ ׋@``` ` ``` ```S`` Mw` S```` `S`S`` ` @ @@@w @@ @ @S@@S`S@@` S@@S` S@@S@@S`S@@` S@@S`S@@S@פ@S`S@@` S@@S` S@@S@@S`S@@` S@@S`S@@S@@S`S@@` S@@S` S@@S@@S`S@@` S@ @S`S@@_sample8 move.l #mt_snd9,mt_sample9 move.l #mt_snda,mt_sample10 move.l #mt_sndb,mt_sample11 move.l #mt_sndc,mt_sample12 move.l #mt_sndd,mt_sample13 move.l #mt_snde,mt_sample14 move.l #mt_sndf,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpoint move.b mt_muzakda൐ta+$1d6,mt_maxpart+1 move.b mt_muzakdata+$1d7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr.s mt_music movem.l (a7)+,d0-d7/a0-a6 mt_oldirq: jmp $000000 mt_music: addq.l #1,mt_counter mt_cool: cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tsiTt.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L Ⳝs}S@S}S}S@S}S@@S@@@@@q:}``S`@@@@@P@SP}PP}@P}P:ށo}S@@SPP0P@P@@P@P@hԖ@0@0 :@S 0 @ @@@P@SP}PP}@P}P: yh?@@@}@@@@@@@@}}}@}:@h@@@@@@@@@@@@@@衚{@@hh@@hh@@}@h0@@@}@@@@@y@@@}}@}:@h@@@@@@@@@@@괦w@@@@@@  :@:@@@@@@@@@@@@@@@@u@@@  @@@@@ @  @ @ @ G@ @   @@ @ @@@@@@@@@@@ sS@@S}@@S:::@S}@ Vwq}S@@@S}@@@:P}0@@0}0@:P}00@@0}0@P}0@ 7o@0}0:P0@S00:@P0}00:P000:@0}00:P0P0@SP000P0S00@ Cm000 0@00}0S0@@000 0@S k:@0:@SSS@@}P@S@i}@S}}S@@}:@S:`@@󻮗g@@@@S@@::@e@:@@@@:@:S:`S0@S}^cS}S@S}S}:@}:S}:@:}S@waS}S}S@S}S@@@S@@}@@:}uS`S0@S}S}S@S}@S}:@}:S}:@:n0:0@@@0:0@UWl00`@@@"j@@߬@@gL   @ @@^Wi@@:@@@@@g@@:@@SS@0@ @@:e@@:@@@@Sgc@@S:SP0@:@}S:@JaS}@@:@S}@}S:Xu@@@@SS}@@@S:P0@S@:}}7}@ @ @@ @ @ @ @@ @ @@S@}@S@ @ @ @@ }@@ ӷl}p@@@@0@`@@@S@@ Oj@@@@@@S@@@@0}0@Е7h@@@@@0@`@@@SǠf@@@@@@@@S@@@@0:0@ҟd@@@S00`@ w"0P0P0@0@0PPP@PP@P0P@PP@PPP@0PPP@PP@P+? 0PP0P0@PPP@0PPP@PP@P0P@PP@PPP0PPP@P@P,@}W@P0P0P0XP0@XPPXP@0PPXP@PP@XP0P@PP@XPPXP@0PPXP@-APP@XP0PP0P0@XPPXP@X0PPXP@PP@XP0P@PP@XPPXPX0PPXP.B@P@P@P0P0P0P0@p:PP:P@0PP:P@PP@:P0P@P@p}P@p:PP:P@0P/CP:P@PP@:P0PP0p:P0@@pPPP@0PPP@PP@P0P@PhpP@SqPPP0.]w,0PPP@P@P@PX0P0P0hpXP0@ XPPXP@0PPXP@PP@XP0P@P P@ XPPEG*p@p@`p`p@p@`p`pFG(xp@p@`@`pp@p@`@pp@`Gݫ&@@``p@@`@@pH$@`hp@@@@`@@@@@@hp@`@phh@h@`h@IͭG"hhp@`@p}hp@}@`}p}@hp@@}@@`xppppxppp@pp@`pppp J' @p@ppp@`xpphppxppp@pp@`pppp@p@@hp@`xpp@ppxppp@pp@`ppp!KWp@xppphp@`pp@phpppp@p@p`pp}pppp@pphp@p@pp@p@ppp@@"Lh@@ppp@@@@@@@@ppp@#M@@@ppp@@@@@@pppP@$NWP@P@P@@pppP@P@@P@P@@hpppP@%9Sg,P@P@P@}pppP@``P``@``P`@``@`P``@0@00Pٗ*} ``h @@@ `:p: @```: @@ `p@Qw(@`hp@@`@p@  ` hp@@p@`hpp@Rv&``p@@`p`@ `` `` ````p```@`@`S````S```S```S`Sr$`X``@@ppP@@Pp@p@@P@@@PT"hhp@Ph@@P}@p@@P}```UP``p@  @P   @ @P  @hp@@  @P @@  @Ve @P  h@p@h  P hh  @ @P  }hp@}  @P }} }p` W͙<` `P `` p@  @hP  @ @ @hP  hp@  @hP  X̛:@ @@ @hP  @p@  P   @ @P  ph@ h p @P pY,x p@` `@ `P `` `p@p@`p`pxpDط,@p@`@`pp@xp@`@pp@`[*\7(hpp@@P@@P}p@@]&@P@@@Pph@Ph@@P^p}@@P}` ` ` P` `  p@p@@P@@P _'"p@@P@@Php @P @@P `ɇ @p@@P```P``@p@p@@Pp p@p@ aG@P@php@@Phpp@p@@P@pp@Pp pp bag p@@pP p@p@p@@@pPhp@p@````hP```pp @@`ppp cwh @@`p@ @`ppph @@`p @``pdTpp p@@p`pp @p```pp: @@ `p @@`O7, @@} `p: @`: @@ `p @z f$0}p00p0hp0X0 0 0  0 X 0p  0}p00Xp00p00@P000@P0@P00@P0}0@z gg"P}0}0@P}0h0@Ph0@Ph0@Ph0S0S0S0@PS0@0@0@0@P@0.0.0.0@P.0000@P0 000@P\0000@Pzh}00@P00@P0000X00000 00}000000X0000X00}00 00S000000(0000h@X/X S@X X @X ziGX X X S\@X X X X X X X X S@X X X @X X X @X X @X X X X .@X X X X }@X X X X zjNX }@X X S@X X X X S@X X X X S@X X X X X X S@X X X S@X S@X S@X X S@X X X S@X @pXXX@zksXpXXpX@XpXXX@XpXX@pXXX@XpXXX@X}pXXX@XpXX@hpXXXXhpXXhpX@XpXXX@XhpX@XhpXXXXpXXX@X@pXXXXpX@X.pzl'XXX@X.pXX.pX@XpXXX@X.pX@XpXXX@X.pXXpX@XXX@pX@XXXp@XXpXXXXX@X pXXpX@XXXp@XXhpXX}pXXpX@X pXX@pXXxpXzUcXpXXpX@XpXXX@XpXX@pXXX@XpXXX@X}pXXX@XpXX@hpXXXXhpXXhpX@XpXXX@XhpX@XhpXXXXpXXX@X@pXXXXpX@X.pnshppPP}p@P@oPphPhPp}PZ,}@@PH|}jfcrov.  ST-00|e' q6O-,+*)('&%$#8765432*X 15rrg*68:uwxz[WI CE songshpstέtX 1rsr`!firsttunepolysynthV@korgdoi @horns@dxtom@hihat2@hallbrass\@funbass @popsnare2@metalkeys\@ xuvi3210/.-,+*)]\[ZYXWVUv*X _10rṳ˱enforcerswowbass 2bassdrum2@popsnare2@woodblockX@dangerous @pingbells @ x wζ 11rxyg    '&%$#"! y*X /12Grxw7xanalogstringV@asiaV@blastV@bigbowV@blubzingV@chinkV@dreambellsV@detuneV@dxbassV@popsnare2@strings7V@wowbass @ x z{Klkjihgfe~}|{"X 13rz|k2flokguitar3V@snare3V@eleguitarX@laV@birdorganV@bellsV@flickbassV@bongo1V@xz}Z X00 0 0 00 0  0 0  X00 0  0 z~KW00  0 0 0  X000 0 00 0  0 0  X00 0  0z7 00  0 0 0 0@P0P}@P0PS@P 0P@@P 0P0@P P 0(PP 0@PP 0SP 0P 0@P0XP@P0.Pz'@hP0P@P0P 0@P XP0P SP0P P }0SPh0P 0@P0}P@P0P@P0P@:P0P 0@SP P0P hPh0PP}0XPP 0@@P0P@@:Pzз0:P@@:P0:P@@P0P S@P P:P PS@P P @P PP}@PP}@PP}@PP}@PP@P(PPPPSPPPXPz. P.PhPPPPPXPPSPPPSPPP}PPPPP:PPSPPPhPPPXPPz)Ϸ PX  PX  :PX  :PX  :PX  :PX  PX  PX  PX  PX  :PX  PX  PX  PX  @PX  PX   X @  X  X @  X  X @  X  X @  X  X @  X  X @  X  X @  X  z C X @  X  X @  X  X  X  X  X  X S@  X  X @  X  X @  X  X @  X  X  X  X  X  X  X  X @@  X  X @  X  X @  X  X S@  X  X z Ԉ  X  X  X  X  X  X  X  X @  X  X S@  X  X @  X  X @  X  X  X  X  X o`````z elg&````S``S````0Xp0p000000p4͞:10/.CBA@?>=<;:9NMLKJIHGFEDYXWVUTSRQPOdcba`_^]\[ZonmbX 14rK # q@P ְ q@q@ ְq@ q@ְ Pq@ q@ְ  q@q@ ְ  q@P q@ Pq@ ְq@ q@ְ Pq@ q@ְ  q@q@4A4Soundtracker.textpmPTfuturegamebirdorgan@shamus@snare2V@bass2V@highhat1@tom3@strings5V@Vx qmegaxhornblstV@birdorganV@trumpetV@bassdrum2@popsnare2@closehihatX@flickbassV@highhat1V@ x qT00P0P0`0000PP00`000P0P0`00q2Wj00PP0}0`0h000P0P0`000PP0PP0h0`0}000P00``0 d playroutine.Sp|mt_speed=$1f4 bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq+2 move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq+2,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #mt_snd1,mt_sample1 move.l #mt_snd2,mt_sample2 move.l #mt_snd3,mt_sample3 move.l #mt_snd4,mt_sample4 move.l #mt_snd5,mt_sample5 move.l #mt_snd6,mt_sample6 move.l #mt_snd7,mt_sample7 move.l #mt_snd8,mt% "! FX  16r'Zximbass2V@snare2V@flickbassV@birdorganV@attbassV@bellsV@guitar3V@x fW SoundTracker IV - A Quick Clarification. ---------------------------------------- Update : 9-April-1988. Copyrights : Doctor Mabuse Orgasm Crackings. 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