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The period of voice1 defines the speed of this viberato effect. When voice1 was programmed to modulate the period of voice2, the words in the sample of voice1 would define the period of voice2. When a voice is programmed to modulate the volume AND the period of the next voice, the first word in the sample defines the volume, the second the period, the thi|x}rd the volume again and so on. Arpeggio : Arpeggio is used for simulating accords. It does this by -------- rapidly changing the notes while playing an instrument. Arpeggios are selected whenever the info byte has a non-zero value and no other commands are selected. When arpeggios are used, SoundTracker looks five times during the play of one note, at the information contained in the info byte. Each nibble (4 bits3) in this byte defines how many notes SoundTracker must add to the the note currently playing. In each of the five passes SoundTracker does the following with the information contained in the info byte : 1 - Add the first nibble to the current note. 2 - Add the second nibble to the current note. 3 - Play the current note. 4 - Add the first nibble to the current note. 5 - Add the secondUV nibble to the current note. Portamento : Portamento is used for 'sliding' of the instrument. ---------- If portamento is in use, the information contained in the info byte will be added to (or subtracted from) the period of the note playing in each of the five passes. Example : D#2 3208 --- 0208 --- 0208 --- 0210 etc. Volume : One of the enhancements that the V4.0 version provides is the ----f-A1-- ability to change the volume at any time during play. When command 12 ($C) is selected, the volume is set to the value contained in the info byte. The volume will remain at this level until a next SAMPLE is played. At this time, the volume is reset to the default volume level of that sample. Example: C#1 1C22 - Set volume to $22 and use instrument # 1 to play the C#1 note. D-2 0000 - Use instrument # 1 to play the2" D-2 note. (Volume level remains at $22) B-1 1000 - Use instrument # 1 to play the B-1 note and set volume to default value for that instrument. It is also possible to "slide" the volume up or down while playing. In this case the first nibble of the info byte defines the amount at which the volume must be incremented, and the second nibble the amount at which it must be decremented. Example: D#3 2D20 - Slide volume up, amount = 2 --- 0D20 --- 0D20 etc. C#3 4D03 - Slide volume down, amount = 3 --- 0D03 --- 0D03 etc. This is all very well until you try to slide the volume and use portamento or arpeggio at the same time. For this reason, SoundTracker IV provides an auto-slide mode. You set the auto-slide mode with command # 14 ($E). Set the amount at which I the volume must be slided up or down as normal. Now play your arpeggio or portamento and the volume will be slided as well. You return from auto-slide mode whenever an info byte with a zero value is encountered. Example: E-2 CE02 - Set auto slide, amount = 2 --- 0203 - Portamento AND volume slide down. D-2 3203 - Volume to default level of instrument #3, portamento and volume slide down. --- 0203 G-1 1000 - Return from auto-slide. Play note G-1 with etc. instrument # 1. Speed: This function allows changing the speed during play. ------ You can only enter a speed between 01 and 0F. Setting the info byte to zero doesn't effect anything. The normal speed is 6. Example: D-2 4F05 - Set speed to 5 --- 0000 E-1 0F00 - Nothing happens to speed. --- 0FC3 - Set speed to 3 G-2 2F06 - Set normal speed  If you load another song it will be played with the actual speed. All songs on these disk are re-written to their normal speeds. (by D.O.C) The Playroutine. ---------------- The playroutine on the SoundTracker disk is for using your music in demos, intros, games etc. It was written using the Seka-assembler and the source of the routine can directly be incorporated in your demo/intro source. When you are finished writing your music using SoundTracker, saveS`` S` S`` S`}@PPPP @PPPPPP@ P7@$fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_snd1: blk.b 2,0 mt_snd2: blk.b 2,0 mt_snd3: blk.b 2,0 mt_snd4: blk.b 2,0 mt_snd5: blk.b 2,0 mt_snd6: blk.b 2,0 mt_snd7: blk.b 2,0 mt_snd8: blk.b 2,0 mt_snd9: blk.b 2,0 mt_snda: blk.b 2,0 mt_sndb: blk.b 2,0 mt_sndc: blk.b 2,0 mt_sndd: blk.b 2,0 mt_snde: blk.b 2,0 mt_sndf: blk.b 2,0 mt_muzakdata: blk.b 2,0 f,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w ۊ ave up or down with the aid of the F1 and F2 keys, thus incrementing the range of the keyboard to three octaves. While editing: Cursor-keys move cursor. ------------- F6 - Set cursor to first line of pattern. F7 - Set cursor to 16th line of pattern. F8 - Set cursor to 32th line of pattern. F9 - Set cursor to 48th line of pattern. F10 - Set cursor to last line of pattern. DEL - Delete note under cursor. W5 shift + F3 - Cut selected voice of actual pattern. shift + F4 - Copy selected voice of actual pattern into copy-puffer. shift + F5 - Copy copy-puffer to selected voice of actual pattern. Instruments. ------------ You can use up to fifteen different instruments in one music-piece. Before you can use a sample as an instrument, some values must be defined. You can do this by either using a preset, or by setting these values your- self. Length : This is s-imply the length of the used sample in bytes. Volume : This is the default volume of that instrument. Replen : When replen is set to 2, each instrument will be played once. When replen is set to any other value, the instrument will be repeated until an other note is played. Repeat : SoundTracker can also be programmed to repeat just a part of a sample constantly. This is usefull when playing waveforms. Whenever Repeat is set to a non-zero value, SoundTracker will j7:ust play a part of that particular sample. In this case Repeat defines the offset and Replen the length of the part that must be repeated. Notes. ------ C#1 3 C 2 3 / / | \| / / | Arpeggio, portamento, volume and speed info. / / Command / Inst# Note to be played. Note : This is simply the note that must be played by that particular ---- instrument. Inst# 9I : This is the number of the instrument that must be used to play ----- the note. When the instrument number is zero, the last selected instrument will be used. Command : This number tells SoundTracker what special functions must be ------- preformed while playing the note. These functions are as follows : 0 - Normal play or arpeggio. 1 - Portamento up. 2 - Portamento down. 3 - Modulate volume of next higher voice. (possibly with arpeggio) 4 - v Modulate period of next higher voice. '' 5 - Modulate period + volume of next higher voice. '' 6 - Modulate volume of next higher voice and portamento up. 7 - Modulate period of next higher voice and portamento up 8 - Modulate period + volume of next higher voice + portamento up. 9 - Modulate volume of next higher voice and portamento down. A - Modulate period of next higher voice and portamento down. B - Modulate period + vol of next  >1higher voice + portamento down. C - Set volume. D - Slide volume. E - Set auto-slide. F - Set speed ! Info : This byte contains the additional information for the commands. ---- Modulation : One voice can be programmed to modulate another. This means that ---------- either the volume, period or volume AND period are no longer static values that are set before starting to play a note, but that these are subject to change durin 肰g play. It can be seen that this provides a way to program viberato and tremolo effects. When a voice is programmed to modulate, it always modulates the next voice. So voice1 modulates voice2, voice2 modulates voice3 and so on. When a voice is told to modulate another, that voice is made silent. When voice4 is told to modulate, it is only made silent, because there are no 'higher' voices than v koice4. How does this modulation work ? Well, say you programmed voice1 to modulate only the volume of voice2. The volume of voice2 is no longer defined by the volume of that instrument. Instead, the words in the sample of voice1 define the volume for voice2. So if the sample of voice1 looked like this : $0030,$0032,$0034 etc., the volume of voice2 would become $30, then $32 and so on. This is umz,mt_arpegrt cmp.b #5,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a=mN6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.? yIs mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2:Ϭ1 lea mt_muzakdata,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d 0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move ѫBbs.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) mo ҋ $ve.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt Êp_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 bne.s mt_noset move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper {$ cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #15,d0 beq.s mt_chgspeed cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_chgspeed: move.b 3(a6),d0 and.b #$0f,d0 beq.s mt_nochnge clr.l mt_counter move.b d0,mt_cool+5 rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modper: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $4!0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples: dc.w $000G0,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w V^M.O.C says : Laengs D.O.C also says : Min guellepump is in mors. Modifications by D.O.C : ------------------------ FEATURES : - SPEED CHANGING during play ! - EQUALIZER ! - NEW playroutine ! Patterns. --------- Any piece of music written with SoundTracker IV is build up from patterns. SoundTracker holds a table with information about the sequence in which these parts must be played. With 'Position' you devtermine your position in the table. With 'Pattern' you define what pattern to play at that position. 'Length' defines the total size of the table. The Keys. --------- The original (V1.21) version of the SoundTracker had a German keymap. Version IV supports a standard USA keymap (oder auch nicht) and this ensures compatibility with nearly all Amigas. The keys on your Amiga have been grouped to represent the layout of a two-octave piano-keyboard. You can "shift" the keyboard one oct(S@}@ @ ``````````S``` S`````S`S```@@@@@@ ׋@``` ` ``` ```S`` Mw` S```` `S`S`` ` @ @@@w @@ @ @S@@S`S@@` S@@S` S@@S@@S`S@@` S@@S`S@@S@פ@S`S@@` S@@S` S@@S@@S`S@@` S@@S`S@@S@@S`S@@` S@@S` S@@S@@S`S@@` S@ @S`S@@_sample8 move.l #mt_snd9,mt_sample9 move.l #mt_snda,mt_sample10 move.l #mt_sndb,mt_sample11 move.l #mt_sndc,mt_sample12 move.l #mt_sndd,mt_sample13 move.l #mt_snde,mt_sample14 move.l #mt_sndf,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpoint move.b mt_muzakda൐ta+$1d6,mt_maxpart+1 move.b mt_muzakdata+$1d7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr.s mt_music movem.l (a7)+,d0-d7/a0-a6 mt_oldirq: jmp $000000 mt_music: addq.l #1,mt_counter mt_cool: cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tsiTt.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L Ⳝs}S@S}S}S@S}S@@S@@@@@q:}``S`@@@@@P@SP}PP}@P}P:ށo}S@@SPP0P@P@@P@P@hԖ@0@0 :@S 0 @ @@@P@SP}PP}@P}P: yh?@@@}@@@@@@@@}}}@}:@h@@@@@@@@@@@@@@衚{@@hh@@hh@@}@h0@@@}@@@@@y@@@}}@}:@h@@@@@@@@@@@괦w@@@@@@  :@:@@@@@@@@@@@@@@@@u@@@  @@@@@ @  @ @ @ G@ @   @@ @ @@@@@@@@@@@ sS@@S}@@S:::@S}@ Vwq}S@@@S}@@@:P}0@@0}0@:P}00@@0}0@P}0@ 7o@0}0:P0@S00:@P0}00:P000:@0}00:P0P0@SP000P0S00@ Cm000 0@00}0S0@@000 0@S k:@0:@SSS@@}P@S@i}@S}}S@@}:@S:`@@󻮗g@@@@S@@::@e@:@@@@:@:S:`S0@S}^cS}S@S}S}:@}:S}:@:}S@waS}S}S@S}S@@@S@@}@@:}uS`S0@S}S}S@S}@S}:@}:S}:@:n0:0@@@0:0@UWl00`@@@"j@@߬@@gL   @ @@^Wi@@:@@@@@g@@:@@SS@0@ @@:e@@:@@@@Sgc@@S:SP0@:@}S:@JaS}@@:@S}@}S:Xu@@@@SS}@@@S:P0@S@:}}7}@ @ @@ @ @ @ @@ @ @@S@}@S@ @ @ @@ }@@ ӷl}p@@@@0@`@@@S@@ Oj@@@@@@S@@@@0}0@Е7h@@@@@0@`@@@SǠf@@@@@@@@S@@@@0:0@ҟd@@@S00`@ w"0P0P0@0@0PPP@PP@P0P@PP@PPP@0PPP@PP@P+? 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P.PhPPPPPXPPSPPPSPPP}PPPPP:PPSPPPhPPPXPPz)Ϸ PX  PX  :PX  :PX  :PX  :PX  PX  PX  PX  PX  :PX  PX  PX  PX  @PX  PX   X @  X  X @  X  X @  X  X @  X  X @  X  X @  X  X @  X  z C X @  X  X @  X  X  X  X  X  X S@  X  X @  X  X @  X  X @  X  X  X  X  X  X  X  X @@  X  X @  X  X @  X  X S@  X  X z Ԉ  X  X  X  X  X  X  X  X @  X  X S@  X  X @  X  X @  X  X  X  X  X o`````z elg&````S``S````0Xp0p000000p4͞:10/.CBA@?>=<;:9NMLKJIHGFEDYXWVUTSRQPOdcba`_^]\[ZonmbX 14rK # q@P ְ q@q@ ְq@ q@ְ Pq@ q@ְ  q@q@ ְ  q@P q@ Pq@ ְq@ q@ְ Pq@ q@ְ  q@q@4AL4deSoundtracker.textpڻy%dDOC!p%]SoundtrackerIV.by_DOC SoundtrackerIV ?8? ?mPTfuturegamebirdorgan@shamus@snare2V@bass2V@highhat1@tom3@strings5V@Vx qmegaxhornblstV@birdorganV@trumpetV@bassdrum2@popsnare2@closehihatX@flickbassV@highhat1V@ x qT00P0P0`0000PP00`000P0P0`00q2Wj00PP0}0`0h000P0P0`000PP0PP0h0`0}000P00``0 d playroutine.Sp|mt_speed=$1f4 bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq+2 move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq+2,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #mt_snd1,mt_sample1 move.l #mt_snd2,mt_sample2 move.l #mt_snd3,mt_sample3 move.l #mt_snd4,mt_sample4 move.l #mt_snd5,mt_sample5 move.l #mt_snd6,mt_sample6 move.l #mt_snd7,mt_sample7 move.l #mt_snd8,mt% "! FX  16r'Zximbass2V@snare2V@flickbassV@birdorganV@attbassV@bellsV@guitar3V@x fW SoundTracker IV - A Quick Clarification. ---------------------------------------- Update : 9-April-1988. Copyrights : Doctor Mabuse Orgasm Crackings. 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Z@st-99:gaehh?ynb@st-01:gato @st-03:gato2 @st-02:glassmute z@st-02:glockenspiel@st-01:great @st-02:growl @st-03:guitar1 @st-02:haV@st-01:hallbrass\@st-02:hammerbasst@st-02:hapsi @st-02:heV@st-01:heavysynth$@st-01:heifer@st-03:highhat1@st-03:highop4h2 @st-02:highvibes@st-01:hihat1@st-01:hihat2@st-02:hihat3@st-02:hihat4@st-02:hitbass@st-02:hitme1@st-02:hitme2 (@st-01:hooman @st-01:horns@st-02:hosbass @st-99:hua@st-03:human@st-02:icerain @st-02:importdev8@st-01:jahrmarkt1$@hgost-01:jahrmarkt2$@st-99:jajahhh @st-02:jamjam @st-01:jetes@st-02:k @st-02:kermie1&@st-02:kermie2 @st-02:kermie3@st-02:kermie4@st-02:kermie5@st-02:kermie6 @st-02:kermie7@st-01:korgbass@st-01:korgbeau @st-01:korgbow @st-01:korgfilter@st-0hia@ yst-02:baba@st-02:balancet@st-03:bass11@st-01:bassdrum1&@st-01:bassdrum2@st-01:bassdrum3@st-01:bassdrum4@st-02:bassdrum5@st-02:bassdrum8@st-99:bau@st-01:bigbow<@st-01:blastV@st-02:blower@st-01:blubzing@st-02:bouncy:@st-02:bratzht @st-02:break L@st-01:breathl@st-02:brian@st-02:bright @st-02:bubble @st-01:call@st-01:celeste@st-02:china @st-01:chink @st-01:cinema@st-01:claps1~@st-01:claps2@st-01:claves@st-02:cliop@st-01:closehihatX@st-03:comon:hG@st-01:conga @st-02:cordpiano @st-01:cowbell@st-02:cowbell2@st-03:crash@st-02:cymbal1 (@st-02:cymbal2r@st-01:dangerous @st-01:detune "@ jst-01:deepbass@st-03:die U@st-01:digdug@st-03:digiharpV@st-02:digipop @st-03:distguitar L@st-01:dreambells@stbn'=Znken die, ich bin voll der 'c' programmierer!! was hier ? waaaas ??? ich sag lieber nichts mehr !!! hoer auf, sack !! jetzt reicht's aber du altes (knack!) nee komm, jetzt schreib mal was vernuenftiges, hier !! komm nun schreib mal echt was vernuenftiges, echt jetzt, hoer auf, mann !!! das ist nicht mehr witzig, echt !!! aupfff... nee, jetzt kam auch noch kotze mit hoch !!!! brrrrr, ist mir schlecht, brpbrp !! ich !!! zwei snickers, eineboq milka nuss, ein yes torty nuss.... doch... hmmmmhmmmmmhmmmmmmmmdaumdaummmmmmmmm.... an alle : ir seid alte saecke, wichser, pisser, abgefuckte scheissriegel, mir ist so schlecht, uhaaaaaaa !!!!!! waaas ??? hey! eh, du hast erst 95 zeilen, das ist echt nicht viel !!! das ist nicht mehr witzig, echt !!! was faellt dir ein, das ist echt nicht witzig !!! das ist auch nicht viel mehr !!! denkst du das liest noch irgendeiner durch ??? ahbp4ohohoooo!!!! oh! oh!! mal sehen das sieht bestimmt lustig aus.... waas ??? los schreib mal hin da !!! toword ze real ov ze bildink ley onn ould chip. schlidly largscher zen ze asers, ant barried benass iven tripper geils ov thrust and copper nets. pack die scheisse weg !!!! okay schreib hin : interest !!! echt, echt voll die id... echt, echt !!! echt, hahahaha ha ha !!! eins ausrufezeichen ???? dogge, jetzt ganz im ernst, das liesbqFt doch keiner durch, echt nicht !!! helloechen d.o.c !!! hey der will wieder 'ne demo !!! 100 maerkers, billiger bin ich nicht und ausserdem skywichser ist immer gut !!!! echt, du bist die letzte sau, jetzt reicht's mir aber, du ficker !!! will die happy lesen !!! dogge, du musst den scrolltext schreiben, nicht ich !!! dogge! okay !! okay ! diddelliddeldimdemmdimdim !!! doc ich moechte jetzt gerne die eier von shut berlin abhacken !!!! dasbr+us klingt voll schwul... aech moechtae jetzt gaene die eier von shud baerliin abhackaen... eh das klingt echt oberschwul... achja leute : p.e.n.i.s kommt doch !!!! ausserdem : we don't swap with people who swap with generation x , is that noticed, man !!!??? nimm mal deinen huebschen kopf da weg !!!! eh, die denken nachher ich bin schwul, eh !!! nachher ruft hier keiner mehr an, wah !? wah!? hmhmhm. pspspspsssssssss. mach das mal auf speed 5bsB  oder so.... ich muss gleich los (dr.m) !!! jedesmal das gleiche intro von unknwon kostet nur : dm 100 !!! warte mal... was steht da ??? natuerlich nicht das gleiche intro, logo und scrolltext wird natuerlich anders !!! duetscjhkujfoewi , was !!! haah! musst du denn jeden pupser aufschreiben ???? wozu hab ich eigentlich die waits eingebaut, die benutzt du nicht einmal !!! achso !!! fuck you big mac, where's my (dr.m's) elephant ??!! sbtNo'n fetten arsch, eklig !!!! das merken die sofort den zusammenhang !!!! benutz mal die waits !!! gleich bleibt fetter arsch W? stehen, oder so !!! okay i think that langt for now, you sau..... tis is the end W? end W? eW1nW2d W3 hohoehoehoe satte 136 lines.... $8frz~2>PVbr|bu|>JTl @Zfrz "04FRhnv  &.4:BHN\rz&.<DLZbjxHh < H X d ~ * 0 6 @ F L X ^ j n  4 B H Lbv=; Z ` h l r x   . 4 > b  :Tn (2<FPZdnx(2Rn $*.4<DLZl ,:JXht$4@PVbp|bw9{ $0:@JVdt  2BN^hx$@Lnv~(0:BJV^dlv06Xv  ,bxu:FR^hv"*28@HVhpx$*.8>FTbpz"*<BZblv0<DLXt04:>HRbjp|bc>%G@@`  p p p 0p@ @@ ``` @ @@@ @@ x ` ` ` x   @ @@?$|%|-`-`-`-`$|?|@ @@wLB3E;U;0]30]30]"0DB;;@ @@!cߍsߥ{XkXkXJX!{{ S2and this is a journey into stereo-speeded sbd:croll, S9steW2-S6steW2-S3steW2-S2stereo-speeded scroll.... this release is called : d.o.c soundtracker v2.0 !!! distribution and spreading by dr. mabuse orgasm crackings (d.o.c) !!! this version of the unrelenting d.o.c soundtracker was coded by unknown of d.o.c !!! thanx must of 'coz go to karsten obarski, exterminator of jungle command and tip of tnm for the cool preparation !!! the text for this scroll of 'coz written by doctor mabuse of d.o.c !!!! in a beTosfew minutes (if you are not too stupid) you'll notice that this soundtracker is the best one in world !!! you'll get all what you want : analyzer, playroutine, instructions, disk options, pattern play, record, two new commands and an improved tasten-abfrage !!! if you are satisified or if you can't get satisfaction contact us by smashing the following lines on a letter : plk 089114 c / 2300 kiel 1 / west-germany !!! following now : some greetings... who bbfA:elieves that, eh ??? no, i think it's better you throw a look in our demo, there you can perhaps read your name (proud?) !!! are you slow of mind ?? no ? then stay awhile... and now some stories transmitted from daily life... yesterday my (dr. m's) brother married and i was very funny at the end of the marriage (approx. 4 o'clock am).... some guests left the party at about three o'clock in the morning, and two of them had to sleep in my brother's flat... so my brobgR~-|ther gave 'em the key for it and told them to hide it on a place before the door... and so they left the party... one hour later we (my brother, his wife, the dj and me) left the party, too... as we arrived at the flat we began to search for the key... and as you may think now - we didn't find it !!! we searched everywhere, but we couldn't find it... it was such a fun to see my brother digging with his hands (in his fine clothes) in all that rubbish flying around therebh7 ... used chewing gums, cigarettes and mega spiders are very nice to get in touch with... the end of august is nearly reached, and i'm now the master of the cutter and the besen !!! never forget : d.o.c has a neutral smell, is waterproof, refillable, odeur neutre, etanche, rechargeable, olor neutral, resistente, rellenable - zu deutsch : d.o.c ist geruchsneutral, wasserfest und nachfuellbar !? and of course : made in germany !!! for our norwegian friends : en doc' gjobi̅C)mer godt for munn og svelg !! doc' halspastiller, doc portemonaies, doc vine, doc snacks - all from d.o.c !!! keep this tracker out of children's reach !!! the next story is coming up... in the middle of my brother's party some guys got the idea to pup up the following german folk song (melody : the walking is that muellers fun) : S2der s p a r g e l in neustadts fruechtereichem land ist ein gemuese wohlbekannt - der spargel. er schmeckt sehr gut und istbjͣ| famos, drum freut sich immer klein und gross, wenn endlich geht das stechen los - des spargels. im dunkeln schlaeft er klein und still und kann nicht so, wie er wohl will - der spargel. und wenn es warm und etwas feucht, er schnell aus seinem loche kreucht, und seinen kopf ganz offen zeigt - der spargel. die hausfrau ist meist sehr entzueckt, wenn sie 'nen schoenen kopf erblickt - vom spargel. und war 'ne gute stange dran, spricht laechelnd sie zu ihrem mann : er hatbkΰԘ uns beiden gut getan - der spargel. nicht immer haben frauen glueck, nicht immer ist er schoen und dick - der spargel. oft ist er duenn und langgestreckt, oft krumm, als wollt' er um die eck. doch stets erfuellt er seinen zweck - der spargel. ein langer off'ner aufenthalt, ist auf die dauer auch zu kalt - dem spargel. drum schuetzt ihn sorgsam und auch schlau, denn ist der kopf erst veilchenblau, verliert den wert er fuer die frau - der spargel. und stecket, wblϧlenn er gut und fein nur in gesunde dosen rein - den spargel. denn wenn er erst vergiftet ist und wehmutstropfen er vergiesst, dann werft ihn lieber auf den mist - den spargel. wie jedes ding auf dieser welt, so auch der zeit zum opfer faellt - der spargel. drum merkt, solang er steht und schiest (sach mal machst du das mit absicht ??) , dass ihr ihn voll und ganz geniesst. bis er den letzten saft vergiesst - der spargel! tjatjatrallaalaaaa! now only some more masbmWsagen an some popel : 1. bytemaster / tuf 2. zeronine 3. defjam 4. tip / tnm 5. ftf / tcg 6. chris huelsbeck ist doch sowieso die niete da (unknown) to number 1. : ehee. (unknown) hoehoe. (dr.m) 2. du altes schwein (unknown) sowassagichnicht (dr.m) 3. some compactings don't work 100! (unknown) isaynothing. (dr.m) 4. ruf mal an! (unknown) call germany 110 (dr.m) 5. wie gefaellt's dir im altersheim ? (unknown) naja. 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