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6 n$W[ODZŹy]%/i4@j8[$ϰdhw7 `g0`8 ,cy     58#4"/%D H h'$ , $$#(,%sHtO_ {|s? aF8o`=`D_ a!>I/XP?}[(%  O7σ((8, ?4}p!? ](/n?Pp`?0/g1! ?߸Zs c!"@D~6>`8 =D /၁_AKPOL"F( Dk~z4/4.!A > Az@0/8 4w}@@XO @@ wUTk!i > х(7tBА? \? PP0 @(0_hL !N 0@d }^#~4\{Ƥ7sk8x+ъѢn==..$Dd-B0񈫩X9X{x+qܮMT57G&'%jz]YGɅ_ʏBQrjxei>3!>3w翺.|r{cNWX͜ڟuƌtano5:l6ǤqvMk][΂FGڍD }j!e:'p}`dwpk~{sl\z] џPhot~ct(fgpeށ\q O lx'qafhh׃SÙE@V  }Mrplv2}z zt>Ltqr2]Q /_Q-<ќ>>P`Sޢ#a~0b]{ _` @/? d~<#Q^a/>N'נϽ!=^\Cm^DD𿸀ߴ0ԗhȈkYߞ 6^gOSﻛ+G#G۬tO 0dPD<V  lPOϯw{Toϸ'pwDWЂ !x!}C};Xp{ 倄zF) XW80'(OxXk  0@M ^Aa/О  ?ϐg#||= @0- +q? PGx8!? ? ~PA c/`[f@a_{ _0%?oJ ?` /pX8hK `3?1IA@߿nf w½A/"~{:XA0Ot6#`oͣ(+n_sw{-04M0Ao p__Oh߿Oi|x}BEq4? p@ _(//@wN( 3!C @c@@@`dz+пߦ    }x:( $(A !(@Po @ @ @`` `?߯00òo We had to convert to an other assembler, and the moose got us a german version 2.30D of the devpac assembler. We continued the work, and split the code into three hunks. Only the main screen and copperlist will load into chip-ram, and you will get as much freemem as on noisetracker <-- GENERAL UP/DOWN MAINSCREEN --> ^0C:E1,0B,0D,21 2.0, if you have fast ram. In the mean time, noisetracker 1.2 and 2.0 had been released, so we put some of the best functions from those trackers into protracker. We hope you like this first version of protracker. Please write to us if you find any bugs, or have some things you would like to see in the next version. If you copy protracker to another disk, name the disk ST-00, and copy the files "pt1.0", "pt.config-00" and "pt.help" to the disk. If you format <-- GENERAL UP/DOWN MAINSCREEN --> ^0D:E1,0C,0E,21 ST-00 with protracker, the default directories called "songs" and "modules" will be crea9ted. Otherwise you will have to make them yourself. In earlier versions of PT we stated that coders could get the source from us if the wanted it. Well, after some thinking we found out that maybe it wasn't such a good idea after all. So, sorry coders... <-- GENERAL UP/DOWN MAINSCREEN --> ^0E:E1,0D,0F,21 Send disks, HardDisks, candy, samples, money, Synth Modules, ram chips, the Suzanne Vega live CD, Digiview gold, Headphone .xs (with both bass and treble), Cray-XMP's, Pepsi Cola, a new(er) VHS VCR, a new sofa, 16 bit sampler, CD rom, Kickstart 2.0, 200W loudspeakers, Fairlight CMI, Korg T1, swimming pools, etc. to: Amiga Freelancers Bekkeliveien 10 N-2010 Str0mmen Norway <-- GENERAL UP/DOWN MAINSCREEN --> ^0F:E1,0E,00,21 Amiga Freelancers are: Lars "Zap" Hamre (Coding, Music, Hardware) Anders "The Mad Martian" Hamre 1 (Gfx, Sfx, Music) Sven "The Moose" Vahsen (Coding, BBS) Rune "Quantarc" Johnsrud (Gfx, Fonts) Planned release date for pt v1.1: Christmas 1990 or a little later. <-- GENERAL UP MAINSCREEN --> ^21:01,00,22,31 MAINSCREEN ---------- ## PLAY ## Will play the song from the current position in the song. The pointer turns yellow, just to show you what's going on. ## PATTERN ## Will play the"p ^01:E1,00,02,21 PROTRACKER V1.0C ---------------- (C)1990 AMIGA FREELANCERS THIS PROGRAM IS PUBLIC DOMAIN CODING: ZAP LAYOUT & HELP: THE MAD MARTIAN IDEAS: THE MAD MARTIAN, ZAP INTROGRAPHICS: QUANTARC (ideas too) USE CURSOR LEFT/RIGHT TO SELECT TOPIC, AND UP/DOWN TO READ ABOUT THAT TOPIC. PRESS ESC OR HELP TO EXIT HELPSCREEN. <-- GENERAL DOWN MAINSCREEN --> ^02:E1,01#ɰٞ,03,21 HYPER-MEGA-SPECIAL GREETINGS TO: QUANTARC AND THE MOOSE (MEMBERS OF AMIGA FREELANCERS) QUITE NORMAL GREETINGS TO: KARSTEN OBARSKI, UNKNOWN, EXTERMINATOR, TIP, MNEMOTRON, MAHONEY & KAKTUS, RIFFRAFF & ANTICHRIST, Dr.Awesome, Dr.Outtasight, Fleshbrain, El Cubo, The rest of Crusaders, Vamp 7, Amega, It, Cryptoburners, Siobhan Fahey, Jan Hammer, Gloria Estefan, Mike <-- GENERAL UP/DOWN MAINSCREEN --> ^03:E1,02,04,21 Oldfield, Jean-Michel Jarre, Lev$%el 42, Phil Collins, Morten, John, Carl Macek, Kevin Siembieda, Elminster, Axel & Finn Thirud, Dag Glad, Everybody at Norsk Data Magazin, Roland Techno- logies, Everybody at SpillSpesialisten in Oslo, Arngren Electronics, J.R.R Tolkien, Margaret Weis, Tracy Hickman, 7-Eleven, Saga Grill & Pizza Bar, Rema 1000, Polly Potetgull, Commodore Norge, Paul Hardcastle, Iron Crown Enter- prises, Games Master WorkShop, TSR Hobbies, Semic Forlag, Dragon Magazine, GoldStar, Sony, Mar%'antz, Everybody at L0ren Leir in Oslo, Jan, MCA Recording <-- GENERAL UP/DOWN MAINSCREEN --> ^04:E1,03,05,21 Studios, The Coca Cola Company, Tronsmo Bokhandel, Seikosha, Ringnes Pils, Freia SjokoladeFabrikk, Diplom/ Hennig Olsen Is, Alesis, Funai, Korg, Yamaha, JVC, Amblin Entertainment, Maxell Disks, BYTE Magazine, Keyboard Magazine, Clive Barker, Larry Niven, Isaac Asimov, Douglas Adams, David Brin, Jeff Grubb & Kate Novak, Borland, Benny Theodor Abraham Waldemarse&dn, Samsung, Alcatel STK, Filmnet, TV3, Oslo Ruta, Bj0rn Rybakken, Daniel Bloch, Torkel Lodberg, Mike Robertson, Bent & Linda Broklev, Trond & Rune Hamre, Arne Hamre, Motorola, Scritti <-- GENERAL UP/DOWN MAINSCREEN --> ^05:E1,04,06,21 Politti, Roger Rabbit, Steve Martin, Don Martin, Rhesus -, Tommy Tusj, Bud Grace, Bill Watterson, Charles Schulz, Sergio Aragones, Keith Parkinson, Larry Elmore, Philips, Nidar Bergene, King Tut, New England Digital, Robert Moog, Pepsi'c Cola, Nora Mineralvann, Findus, Fairlight, Stabburet, Marion Zimmer Bradley, Matt Dillon, Jay Miner, Kodak, Everybody at Romerike Foto, SwingOut Sister, Jane Wiedlin, Vortex, MTV, Olav Thon, King Olav V, Bark Records, The Art Of Noise, Elgkameratene, 0ystein Sunde, Howard Jones, Crysalis Records, EMI Records, <-- GENERAL UP/DOWN MAINSCREEN --> ^06:E1,05,07,21 Touchstone Pictures, Industrial Light and Magic, The L.A. Effects Group, Svensk Dator Magazin, Mc Donalds,  (oCMalik's, Venezia Pizzeria Trattoria, Tomas, Tore, Jens, Karsten, Arvid Kristoffersen, Martyn "Spadge" Brown, Ulf "Mr.Lister" Betlehem of Ind-X, Fet Kommune, Norsk Data A/S, Thom Berre, Wiseguy of Triumph, Gandalf the Magician, Ole Klevstrand, Jane Child, The B-52's, Genesis, Suzanne Vega, Edie Brickell & the new bohemians, Michael Penn, Mc Hammer, Gary Larson, Max Headroom, Robert A. Heinlein, Alfred E. Neuman and manymanymanymore! <-- GENERAL UP/DOWN MAINSCREEN -->  )/^07:E1,06,08,21 Thanks to dr. awesome for being our only beta-tester. Thanks to dr. outtasight, the sysop at the crusaders bbs, for letting us fuck around on his system. 8-) Thanks to Spadge uk for newsflash. Thanks to arvid kristoffersen for sending the font editors. <-- GENERAL UP/DOWN MAINSCREEN --> ^08:E1,07,09,21 Thanks to sven "the moose" vahsen for continuing the hard work on ABBS! Moose BBS opening soon? Thanks to zap for writing this supah soundtr *aGacker. Thanks to myself for writing this. Thanks to quantarc for the icon, etc. Thanks to...someone, anyone or no one. <-- GENERAL UP/DOWN MAINSCREEN --> ^09:E1,08,0A,21 The making of Protracker 1.0 ---------------------------- We wanted to make our own soundtracker but how? We didn't have any st source- code, so we disassembled soundtracker 2.5 by mnemotron using the *great* resource disassembler. After a few weeks we were finished, and put the sou +wrce into masterseka 1.5. After some rewriting and debugging we finally got it up and running. ** YO ** !!! Now the real work began. First we corrected the st v2.5 bugs, stole <-- GENERAL UP/DOWN MAINSCREEN --> ^0A:E1,09,0B,21 the plst and text-edit functions from noisetracker 1.1, and put in some of our own (edit op., setup, etc...). Then masterseka's symboltable exceeded 32k and all sorts of strange bugs appeared when we tried to assemble the just over 200k long s rTource... grrr!!! We got masterseka 1.53, but the symbol table bug was still there. We deleted all the rawkeycode-defines and other stuff, and were able to continue for a while, but suddenly the fucking table was full again! doublegrrr!!! <-- GENERAL UP/DOWN MAINSCREEN --> ^0B:E1,0A,0C,21 Message to buddha (mseka programmer): FIX THAT DAMNED SYMBOLTABLE BUG! PUT IN SUPPORT OF HUNKS (yes, data hunks too!). Apart from this we really like masterseka. Well... -sN~0߳?i is?:՗w4(IKwNQ~dP)?(" J *#*Jr³"ȊʈH􀲚r JJ /f7:NMw(w^%e rISa(km 7 hט\XLMaidL/AMd AM"AMdAM+0AMd 312345 3,x49ĽJA\CzB "0 g 0 |B B |"AN.09ĽAj0 @A*1a |B*3p!CSUpW:XZ\^`bce-fhDikFlno:q6s u5wpx{|~YGLSPQaUjf{5%(ũuȍʔ1~-8Rdeath, addicted to gore... filesave:dc.w 0 ;version dc.l title2 dc.l 0 dc.l 0 dc.l frpath dc.l 0 dc.w 0 dc.w 14 ;numlines dc.w 30 ;numcolumns dc.w 12 ;devcolumns dc.l $10+$40+$800 ;hideinfo,absxy,save($1000=load) dc.w 3 ;dircolor dc.w 0 ;filecolor dc.w 3 ;devcolor dc.w 0 ;fontnamecolor dc.w 0 ;fontsizecolor dc.w 0 ;detailcolor dc.w 0 ;blockcolor dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 blk.b 36,0 blk.l 3,0 ;datestamp dc.w 3 ;wdleft dc.w 11 ;wd9Ɔtop dc.w 0 dc.w 0 dc.l 0 blk.b wildlen+2,0 blk.b wildlen+2,0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 dc.l 0 dc.l 0 dc.l 0 blk.b dsize+2,0 dc.l 0 dc.w 0 dc.w 0 dc.w 0 dc.w 0 ; with my chainsaw in hand your death I command... topreq: dc.l topname dc.l 12 ;default dc.l 0 ;min dc.l 256 ;max dc.l 0 ;result dc.l 0 dc.w 0 dc.l 0 dc.l 0 hgtreq: dc.l hgtname dc.l 0 ;default dc.l 0 ;min dc.l 256 ;max dc.l 0 ;result dc.l 0 dc.w 0 dc.l 0: dc.l 0 csrreq: dc.l csrname dc.l 20 ;default dc.l 1 ;min dc.l 32 ;max dc.l 0 ;result dc.l 0 dc.w 0 dc.l 0 dc.l 0 bpltab: dc.l bpl1 coltab: dc.w 0 reqbase:dc.l 0 bytes: dc.w 0 ;# of bytes/gfxline lines: dc.w 0 ;# of gfxlines leftoff:dc.w 0 ;# pixel to left border bytenum:dc.w 0 ;gfxbytecounter csrrow: dc.w 0 ;row to put cursor at end of pic file: dc.l 0 dosbase:dc.l 0 srchd: dc.l 0 ;filehandle source desthd: dc.l 0 ;filehandle dest title: dc.b "Select IFF-source (LORES;C:., 1 bitplane) ",0 title2: dc.b "Select the filename of the ANSI-text ",0 frpath: blk.b dsize+fchars+2,0 hgtname:dc.b "Height of ANSIpic ",0 topname:dc.b "Offset to TOPLINE ",0 csrname:dc.b "Put cursor in ROW ",0 reqname:dc.b "req.library",0 ;Yo! the only one, you NEED it. clitxt: dc.b 12,$9b,"0;31;42m" dc.b $9b,"49",$43 dc.b " IFF-to-ANSI V0.1 9-Nov-90 ",10 dc.b $9b,"49",$43 dc.b " a tool completely FreeWare ",10 dc.b $9b,"49",$43 dc.b "to convert a LORES-IFF-BRUSH",10 dc.b <%zֱ$9b,"49",$43 dc.b "into an optimised ANSI-text.",10 dc.b $9b,"49",$43 dc.b "Done by Carnivore/BeerMacht.",10 dc.b $9b,"49",$43 dc.b " Stoned greetings go to all ",10 dc.b $9b,"49",$43 dc.b " lovers of Diebels Alt and ",10 dc.b $9b,"49",$43 dc.b " all those nice sick movies ",10 dc.b $9b,"49",$43 dc.b "(ILSA and Necromantic rule).",10 dc.b $9b,"0m" clilen=*-clitxt linenum:dc.b 0 ;gfxlinecounter inv: dc.b 0 ;inverseflag: 0:normal,-1:inverse tab: dc.b " ",0,0,0,0,0,0,0 ;c={hartab for normal display dc.b "/",0,0,0,0,0,0,0 ;TOPAZ 80 !!! dc.b "(",0,0,0,0,0,0,0 dc.b $9b,"7m","L",0,0,0,0 dc.b ")",0,0,0,0,0,0,0 dc.b "",0,0,0,0,0,0,0 dc.b "0",0,0,0,0,0,0,0 dc.b $9b,"7m","\",0,0,0,0 dc.b "\",0,0,0,0,0,0,0 dc.b "V",0,0,0,0,0,0,0 dc.b $7f,0,0,0,0,0,0,0 dc.b $9b,"7m",")",0,0,0,0 dc.b "L",0,0,0,0,0,0,0 dc.b $9b,"7m","(",0,0,0,0 dc.b "B",0,0,0,0,0,0,0 dc.b $9b,"7m"," ",0,0,0,0 ;don't deny the necrophile! tab2: dc.b $9b,"0m"," ",0,0,0,0 ;chartab for>v1 inverse display dc.b "B",0,0,0,0,0,0,0 dc.b $9b,"0m","(",0,0,0,0 dc.b "L",0,0,0,0,0,0,0 dc.b $9b,"0m",")",0,0,0,0 dc.b $7f,0,0,0,0,0,0,0 dc.b "V",0,0,0,0,0,0,0 dc.b "\",0,0,0,0,0,0,0 dc.b $9b,"0m","\",0,0,0,0 dc.b "0",0,0,0,0,0,0,0 dc.b "",0,0,0,0,0,0,0 dc.b ")",0,0,0,0,0,0,0 dc.b $9b,"0m","L",0,0,0,0 dc.b "(",0,0,0,0,0,0,0 dc.b "/",0,0,0,0,0,0,0 dc.b " ",0,0,0,0,0,0,0 dc.b "another sick BeerMacht production" data ;3 MB are mine, so why bother with AllocMem? iffdata c:blk.b maxiffsize,0 ;lores bplsecurity: blk.b 40,0 ;line -1 bpl1: blk.b 16000,0 ;bitplanedata ansibuf:blk.b $10000,0 ;ansi/destination ; ;Yo, this is the end... dc.b "0",0,0,0,0,0,0,0 dc.b $9b,"7m","\",0,0,0,0 dc.b "\",0,0,0,0,0,0,0 dc.b "V",0,0,0,0,0,0,0 dc.b $7f,0,0,0,0,0,0,0 dc.b $9b,"7m",")",0,0,0,0 dc.b "L",0,0,0,0,0,0,0 dc.b $9b,"7m","(",0,0,0,0 dc.b "B",0,0,0,0,0,0,0 dc.b $9b,"7m"," ",0,0,0,0 ;don't deny the necrophile! tab2: dc.b $9b,"0m"," ",0,0,0,0 ;chartab for,s !_ x1D69Ug31t,0 1`yTleb|p2NEM$L@$ڏ '??lDT]g)&>@ G8h"8hbe81jP ON`[f>0;?%хl&w%09F

0߳?i is?:՗w4(IKwNQ~dP)?(" J *#*Jr³"ȊʈH􀲚r JJ /f7:NMw(w^%e rISa(km 7 hט\XLMaidLA?i\y-iF:JPL]p|Q!M 9[ˤM,adt$]kGkIWxn5r j@Yz#d2fy,< [miJ:ha3b'?v26ckIbm<kR-E̠ Ut-YBӕʘZ?Xg@tܖҽ~@* LIb.~B}3~|= T9>9>Ͻc!KxW/<،p6fXKu-b`_<>3_:-'F@W~ýs?xrM酋c.|ʋ*7^]_!'%x G\x[BMpàܹ#0+>MqƀӜAjt āGK|U\h- yH{;;H_x:r}ͻ;MQq䅶'`]=lzHʞ _ܷφaQRO~ SetFilter bgt.s mt_setspeed ;$f => SetSpeed cmp.b #$c,d0 beq.s mt_setvol ;$c => SetV Tbolume bgt.s mt_pattbreak ;$d => PatternBreak cmp.b #$b,d0 bne.s mt_rts2 ;$b => PositionJump mt_posjmp: subq.b #$1,d5 lea mt_songpos(pc),a4 move.b d5,(a4) lea mt_break(pc),a4 not.b (a4) rts mt_setfilt: and.b #$1,d5 asl.b #$1,d5 and.b #$fd,$bfe001 or.b d5,$bfe001 rts mt_pattbreak: lea mt_break(pc),a4 not.b (a4) rts mt_setvol: cmp.b #$40,d5 ble.s mt_vol4 moveq #$40,d5 mt_vol4:move.b d5,$8(a5) rts mt_setspeed: and.w #$1f,d5 beq.s mt_rts2 lea mt_counter(pc),a4 c C&Rlr.b (a4) lea mt_speed(pc),a4 move.b d5,(a4) mt_rts2:rts mt_putstuff: move.l $a(a6),(a5)+ move.w $e(a6),(a5) lea -mt_erotus(a6),a6 lea -$14(a5),a5 rts mt_setdma: move.w #$12c,d0 mt_wait:dbf d0,mt_wait move.w mt_dmacon(pc),d0 or.w #$8000,d0 lea $dff096,a5 move.w d0,(a5) move.w #$12c,d0 mt_wai2:dbf d0,mt_wai2 lea $dff0d0-$dff096(a5),a5 lea mt_voice4(pc),a6 bsr.s mt_putstuff bsr.s mt_putstuff bsr.s mt_putstuff bsr.s mt_putstuff lea mt_pattpos(pc),a6 add.w #$10,(a6) ̞S cmp.w #$400,(a6) bne.s mt_endr mt_nex: clr.w (a6) mt_nex2:lea mt_break(pc),a6 clr.b (a6) lea mt_songpos(pc),a6 addq.b #1,(a6) and.b #$7f,(a6) move.b (a6),d1 move.l stc_playbase(pc),a5 cmp.b $3b6(a5),d1 bne.s mt_endr clr.b (a6) mt_endr:move.b mt_break(pc),d0 bne.s mt_nex2 movem.l (a7)+,d0-d7/a0-a6 moveq #0,d0 rts mt_setmyport: move.w (a6),d2 and.w #$fff,d2 move.w d2,$18(a6) move.w $10(a6),d0 clr.b $16(a6) cmp.w d0,d2 beq.s mt_clrport bge.s mt_rt move.b #$1,$1/V6(a6) rts mt_clrport: clr.w $18(a6) mt_rt: rts mt_myport: tst.b d0 beq.s mt_myslide move.b d0,$17(a6) clr.b $3(a6) mt_myslide: tst.w $18(a6) beq.s mt_rt moveq #0,d0 move.b $17(a6),d0 tst.b $16(a6) bne.s mt_mysub add.w d0,$10(a6) move.w $18(a6),d0 cmp.w $10(a6),d0 bgt.s mt_myok mt_my2: move.w $18(a6),$10(a6) clr.w $18(a6) mt_myok:move.w $10(a6),$6(a5) rts mt_mysub: sub.w d0,$10(a6) move.w $18(a6),d0 cmp.w $10(a6),d0 blt.s mt_myok bra.s mt_my2 mt_vib: tst.b d0 r beq.s mt_vi move.b d0,$1a(a6) mt_vi: move.b $1b(a6),d0 lea mt_sin(pc),a4 lsr.w #$2,d0 and.w #$1f,d0 moveq #0,d2 move.b (a4,d0.w),d2 move.b $1a(a6),d0 and.w #$f,d0 mulu d0,d2 lsr.w #$6,d2 move.w $10(a6),d0 tst.b $1b(a6) bmi.s mt_vibmin add.w d2,d0 bra.s mt_vib2 mt_vibmin: sub.w d2,d0 mt_vib2:move.w d0,$6(a5) move.b $1a(a6),d0 lsr.w #$2,d0 and.w #$3c,d0 add.b d0,$1b(a6) rts mt_nonew: lea mt_voice1(pc),a6 lea $dff090,a5 ;=$dff0a0-$10 bsr.s mt_checkcom lea mt_aFvoice2(pc),a6 bsr.s mt_checkcom lea mt_voice3(pc),a6 bsr.s mt_checkcom lea mt_voice4(pc),a6 bsr.s mt_checkcom bra mt_endr mt_checkcom: lea $10(a5),a5 move.w $2(a6),d0 and.w #$fff,d0 bne.s mt_yop move.w $10(a6),$6(a5) rts mt_yop: clr.l d0 move.b $3(a6),d0 move.b $2(a6),d5 and.b #$f,d5 beq mt_arpeggio cmp.b #$2,d5 beq.s mt_portdown ;$2 => PortamentoDown blt.s mt_portup ;$1 => PortamentoUp cmp.b #$4,d5 beq mt_vib ;$4 => Vibrato blt mt_myport ;$3 => TonePortamento *% move.w $10(a6),$6(a5) cmp.b #$a,d5 beq.s mt_volslide rts mt_volslide: lsr.b #4,d0 beq.s mt_voldown add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_vol2 move.w #$40,$12(a6) bra.s mt_vol2 mt_voldown: move.b $3(a6),d0 and.b #$f,d0 sub.w d0,$12(a6) bpl.s mt_vol2 clr.w $12(a6) mt_vol2:move.w $12(a6),$8(a5) rts mt_portup: sub.w d0,$10(a6) move.w $10(a6),d0 and.w #$fff,d0 cmp.w #$71,d0 bpl.s mt_por2 and.w #$f000,$10(a6) or.w #$71,$10(a6) bra.s mt_por2 mt_portdown: P add.w d0,$10(a6) move.w $10(a6),d0 and.w #$fff,d0 cmp.w #$358,d0 bmi.s mt_por2 and.w #$f000,$10(a6) or.w #$358,$10(a6) mt_por2:move.w $10(a6),d0 and.w #$fff,d0 move.w d0,$6(a5) rts mt_arpeggio: clr.l d5 move.b mt_counter(pc),d5 divs #$3,d5 swap d5 cmp.w #1,d5 blt.s mt_arp2 bgt.s mt_arp1 lsr.b #4,d0 bra.s mt_arp3 mt_arp1:and.b #$f,d0 mt_arp3:asl.w #1,d0 move.w $10(a6),d5 lea mt_periods(pc),a0 moveq #$24,d7 mt_arploop: move.w (a0,d0.w),d2 cmp.w (a0)+,d5D mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs D mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs <6 mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs add.w d0,a0 add.w d1,a1 move.l a0,(a3) moveA2.l a1,(a4) rts mt8_speed: dc.w 0 mt8_speedcnt: dc.w 0 mt8_songpos: dc.w 0 mt8_trackpos: dc.l 0 mt8_trackpos2: dc.l 0 mt8_patpos: dc.w 0 mt8_pbflag: dc.w 0 mt8_doublebuf: dc.w 0 mt8_voices: dc.l mt8_voice1,mt8_voice5,mt8_voice2,mt8_voice6 dc.l mt8_voice3,mt8_voice7,mt8_voice4,mt8_voice8 mt8_oldins: blk.w 8,0 mt8_sin: dc.b 128,153,177,199,219,234,246,254,255,254,246 dc.b 234,219,199,177,153,128,103,79,57,37,22,9,2,0 dc.b 2,9,22,37,57,79,103 mt8_samplestarts: blk.l 31,0 mt8_buf0: blk.w 313,0 mt8_buf1: blk.w 313,0 mt8_buf2: blk.w 313,0 mt8_buf3: blk.w 313,0 mt8_voice1: blk.w 18,0 mt8_voice2: blk.w 18,0 mt8_voice3: blk.w 18,0 mt8_voice4: blk.w 18,0 mt8_voice5: blk.w 18,0 mt8_voice6: blk.w 18,0 mt8_voice7: blk.w 18,0 mt8_voice8: blk.w 18,0 mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs add.w d0,a0 add.w d1,a1 move.l a0,(a3) move=nunched module. stc_decrunch: move.l #DeCrunchBase,a1 move.l a1,stc_playbase ;Start of decrunched module. move.l #CrunchBase+8,a0 ;DeCrunching starts 8 bytes lea stc_e-3(pc),a4 ;after start of crunched module moveq #0,d0 move.l CrunchBase+4,d1 ; Original size to d1. moveq #8,d2 bsr.s stc_c move.b d3,(a1)+ subq.l #1,d1 stc_1: moveq #2,d2 bsr.s stc_c beq.s stc_2 cmpi.w #2,d3 blt.s stc_8 bgt.s stc_3 moveq #7,d2 bra.s stc_4 stc_3: moveq #2,d2 bsrb.s stc_c move.l d3,d2 addq.l #3,d2 stc_4: move.b -1(a1),d4 stc_5: bsr.s stc_c cmp.b 0(a4,d2.w),d3 beq.s stc_7 blt.s stc_6 or.b 5(a4,d2.w),d3 stc_6: add.b d3,d4 move.b d4,(a1)+ subq.l #1,d1 bne.s stc_5 bra.s stc_7 stc_2: bsr.s stc_d sub.l d5,d1 moveq #8,d2 stc_2b: bsr.s stc_c move.b d3,(a1)+ subq.l #1,d5 bne.s stc_2b stc_7: nop ; <--- If you want those decrunching colours tst.l d1 ;this would be a perfect place... bne.s stc_1 ;(You can try f>G#or example 'clr.w $dff180' rts ;or 'ror.w #1,$dff180' or 'move.w $dff006,$dff180') stc_8: bsr.s stc_d sub.l d5,d1 moveq #8,d2 bsr.s stc_c stc_9: move.b d3,(a1)+ subq.l #1,d5 bne.s stc_9 bra.s stc_7 stc_c: move.l (a0),d3 tst.w d0 beq.s stc_a lsl.l d0,d3 stc_a: rol.l d2,d3 add.w d2,d0 cmpi.w #16,d0 blt.s stc_b andi.w #$f,d0 addq.l #2,a0 stc_b: move.l #$ffff0000,d6 rol.l d2,d6 and.l #$0000ffff,d6 and.l d6,d3 rts stc_d: moveq #6,d2 bsr.s eڰstc_c move.l d3,d5 cmpi.w #%111000,d5 blt.s stc_gl2 cmpi.w #%111011,d5 blt.s stc_gl1 moveq #16,d2 bsr.s stc_c lsl.l #2,d3 move.l d3,d5 moveq #2,d2 bsr.s stc_c or.l d3,d5 bra.s stc_gl2 stc_gl1: andi.w #3,d5 lsl.l #8,d5 lsl.l #2,d5 moveq #10,d2 bsr.s stc_c or.l d3,d5 stc_gl2: addq.l #1,d5 rts stc_playbase: dc.l 0 stc_e: dc.b %00000100,%00001000,%00010000,%00100000,%01000000 dc.b %11111000,%11110000,%11100000,%11000000,%10000000 mt_erotus: equ 2o 8 mt_init:move.l stc_playbase(pc),a0 lea $3b8(a0),a1 moveq #$7f,d0 clr.l d1 mt_loop:move.l d1,d2 subq.w #1,d0 mt_lop2:move.b (a1)+,d1 cmp.b d2,d1 bgt.s mt_loop dbf d0,mt_lop2 addq.b #1,d2 lea mt_samplestarts(pc),a1 asl.l #8,d2 asl.l #2,d2 add.l a0,d2 move.l d2,a2 lea $43c(a2),a2 moveq #$1e,d0 mt_lop3:clr.l (a2) move.l a2,(a1)+ moveq #0,d1 move.w 42(a0),d1 asl.l #1,d1 add.l d1,a2 lea $1e(a0),a0 dbf d0,mt_lop3 or.b #$2,$bfe001 bra.s mt_end2 mt_end: move.w #$fi}9,$dff096 mt_end2:lea $dff0a8,a0 clr.w (a0) clr.w $10(a0) clr.w $20(a0) clr.w $30(a0) moveq #0,d0 rts mt_music: movem.l d0-d7/a0-a6,-(a7) move.l stc_playbase(pc),a0 lea mt_counter(pc),a6 addq.b #$1,(a6) move.b (a6),D0 cmp.b mt_speed(pc),d0 blt mt_nonew clr.b (a6) mt_getnew: lea $c(a0),a3 lea $3b8(a0),a2 lea $43c(a0),a0 clr.l d0 clr.l d1 move.b mt_songpos(pc),d0 move.b (a2,d0.w),d1 asl.l #8,d1 asl.l #2,d1 add.w mt_pattpos(pc),d1 lea mt_dmacon(pc),a6 clr.w (a6$:bmt8_voice1,a3 lea $dff0a8,a6 lea mt8_oldins,a4 move.l mt8_trackpos,a2 moveq #7,d7 mt8_voiceloop: moveq #0,d0 move.b d0,d3 move.b 2(a2),d0 and.b #$f,d0 beq mt8_ncm cmp.b #$f,d0 ; tempo change bne.s mt8_nsc move.b 3(a2),mt8_speed+1 bra mt8_ncm mt8_nsc:cmp.b #$d,d0 ; pattern break bne.s mt8_npq st mt8_pbflag bra mt8_ncm mt8_npq:cmp.b #$c,d0 ; volume change bne.s mt8_nvc move.b 3(a2),1(a6) move.b 3(a2),25(a3) st d3 bra mt8_ncm mt8_nvc:cmp.b #$1,d0 ; picth up bne`.s mt8_nfu moveq #0,d0 move.b 3(a2),d0 lsl.w #7,d0 add.l d0,8(a3) bra mt8_ncm mt8_nfu:cmp.b #$2,d0 ; pitch down bne.s mt8_nfd moveq #0,d0 move.b 3(a2),d0 lsl.w #7,d0 sub.l d0,8(a3) bra mt8_ncm mt8_nfd:cmp.b #$a,d0 ; volume slide bne.s mt8_nvs move.w (a2),d0 and.w #$fff,d0 bne.s mt8_n64 move.w #64,24(a3) mt8_n64:moveq #0,d0 move.b 3(a2),d0 move.w d0,d1 and.w #$f,d0 add.w d0,d0 and.w #$f0,d1 lsr.w #3,d1 add.w d1,24(a3) sub.w d0,24(a3) bpl.s mt8_vm1 clr.w 24(ba3) bra.s mt8_vm2 mt8_vm1:cmp.w #64,24(a3) ble.s mt8_vm2 move.w #64,24(a3) mt8_vm2:move.w 24(a3),(a6) st d3 bra mt8_ncm mt8_nvs:cmp.b #$4,d0 ; vibrato bne mt8_ncm move.b 3(a2),d0 beq.s mt8_nv2 move.b d0,26(a3) move.l 8(a3),28(a3) mt8_nv2:move.b 27(a3),d0 lsr.w #2,d0 and.w #$1f,d0 moveq #0,d2 move.l a4,-(sp) lea mt8_sin,a4 move.b (a4,d0.w),d2 move.l (sp)+,a4 sub.b #128,d2 ext.w d2 move.b 26(a3),d0 and.w #$f,d0 muls d0,d2 move.l 28(a3),d0 add.l d2,d0 move.l d0 7,8(a3) move.b 26(a3),d0 lsr.w #2,d0 and.w #$3c,d0 add.b d0,27(a3) mt8_ncm:move.w (a2),d0 and.w #$fff,d0 beq mt8_nxt move.b #$22,26(a3) tst.b d3 bne mt8_vas move.w #64,(a6) move.w #64,24(a3) mt8_vas:move.l #227*16384,d1 divu d0,d1 swap d1 clr.w d1 swap d1 add.l d1,d1 add.l d1,d1 move.l d1,8(a3) move.l d1,28(a3) moveq #0,d0 move.b 2(a2),d0 lsr.b #4,d0 btst #7,(a2) beq.s mt8_n10 add.b #16,d0 mt8_n10:tst.w d0 bne.s mt8_nsa move.w (a4),d0 bra.s mt8_nas mt8_nsa Ӷ6:move.w d0,(a4) mt8_nas:move.w d0,d1 subq.b #1,d1 add.w d0,d0 add.w d0,d0 move.l (a0,d0.w),d2 move.l d2,(a3) mulu #$1e,d1 move.w (a1,d1.w),d0 add.l d0,d0 sub.l #313,d0 bpl.s mt8_sma move.l #313,d0 mt8_sma:add.l d2,d0 move.l d0,4(a3) tst.w 4(a1,d1.w) beq.s mt8_nir move.l (a3),12(a3) moveq #0,d0 move.w 4(a1,d1.w),d0 add.l d0,d0 sub.l #313,d0 bpl.s mt8_sm2 move.l #313,d0 mt8_sm2:add.l d0,12(a3) move.w 6(a1,d1.w),d0 add.l d0,d0 move.l d0,16(a3) bra.s mt8_nxt mt8 u]A_nir:clr.l 12(a3) clr.l 16(a3) clr.l 20(a3) mt8_nxt:cmp.w #4,d7 bne.s mt8_chp lea $dff0a8,a6 move.l mt8_trackpos2,a2 bra.s mt8_urk mt8_chp:add.w #$10,a6 addq.w #4,a2 mt8_urk:addq.w #2,a4 lea 36(a3),a3 dbra d7,mt8_voiceloop tst.w mt8_pbflag bne.s mt8_pb addq.w #1,mt8_patpos cmp.w #64,mt8_patpos bne.s mt8_zup mt8_pb: clr.w mt8_pbflag addq.w #1,mt8_songpos mt8_gtsongpos: clr.w mt8_patpos lea mt8_data,a0 move.w mt8_songpos,d0 cmp.b $3b6(a0),d0 blt.s mt8_grz clr.b  $nmt8_songpos move.b $3b7(a0),mt8_songpos+1 mt8_grz:move.w mt8_songpos,d0 lea mt8_data+$3b8,a0 moveq #0,d1 move.b (a0,d0.w),d1 lsl.l #8,d1 lsl.l #2,d1 add.l #mt8_data+$43c-16,d1 move.l d1,mt8_trackpos add.l #1024,d1 move.l d1,mt8_trackpos2 mt8_zup:move.w mt8_doublebuf,d5 eor.w #313,mt8_doublebuf mt8_zip:lea mt8_voices,a2 movem.l (a2)+,a3-a4 lea mt8_buf0,a5 add.w d5,a5 bsr mt8_makebuffer movem.l (a2)+,a3-a4 lea mt8_buf1,a5 add.w d5,a5 bsr mt8_makebuffer movem.l (a2) OVΧ+,a3-a4 lea mt8_buf2,a5 add.w d5,a5 bsr mt8_makebuffer movem.l (a2)+,a3-a4 lea mt8_buf3,a5 add.w d5,a5 bsr mt8_makebuffer rts mt8_gs: macro move.b (a0,d0.w),d4 ext.w d4 move.b (a1,d1.w),d6 ext.w d6 add.w d6,d4 asr.w #1,d4 move.b d4,(a5)+ swap d0 swap d1 add.l d2,d0 add.l d3,d1 swap d0 swap d1 endm mt8_makebuffer: move.l (a3),d0 cmp.l 4(a3),d0 bcs.s mt8_sun tst.l 12(a3) beq.s mt8_nr1 move.l 12(a3),d0 move.l d0,(a3) move.l 16(a3),4(a3) add.l d0,4(a3)H4 bra.s mt8_sun mt8_nr1:clr.l (a3) clr.l 4(a3) clr.l 8(a3) mt8_sun:move.l (a4),d0 cmp.l 4(a4),d0 bcs.s mt8_pbx tst.l 12(a4) beq.s mt8_nr2 move.l 12(a4),d0 move.l d0,(a4) move.l 16(a4),4(a4) add.l d0,4(a4) bra.s mt8_pbx mt8_nr2:clr.l (a4) clr.l 4(a4) clr.l 8(a4) mt8_pbx:move.l (a3),a0 move.l 8(a3),d2 move.l (a4),a1 move.l 8(a4),d3 moveq #0,d0 moveq #0,d1 mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs D޾ mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs D mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs mt8_gs  s׾"b2:move.b $19(a4),d0 lsr.w #2,d0 and.w #$1f,d0 moveq #0,d2 move.b mt_sin(pc,d0.w),d2 move.b $18(a4),d0 and.w #$f,d0 mulu d0,d2 lsr.w #7,d2 move.w $10(a4),d0 tst.b $19(a4) bmi.s mt_vibsub add.w d2,d0 bra.s mt_vib3 mt_vibsub: sub.w d2,d0 mt_vib3:move.w d0,6(a5) move.b $18(a4),d0 lsr.w #2,d0 and.w #$3c,d0 add.b d0,$19(a4) rts mt_arplist: dc.b 0,1,2,0,1,2,0,1,2,0,1,2,0 dc.b 1,2,0,1,2,0,1,2,0,1,2,0,1,2,0,1,2,0,1 mt_arp: moveq #0,d0 move.b mt_counter(pc),d0 move.b  lmt_arplist(pc,d0.w),d0 beq.s mt_arp0 cmp.b #2,d0 beq.s mt_arp2 mt_arp1:moveq #0,d0 move.b 3(a4),d0 lsr.b #4,d0 bra.s mt_arpdo mt_arp2:moveq #0,d0 move.b 3(a4),d0 and.b #$f,d0 mt_arpdo: asl.w #1,d0 move.w $10(a4),d1 and.w #$fff,d1 lea mt_periods(pc),a0 moveq #$24,d2 mt_arp3:cmp.w (a0)+,d1 bge.s mt_arpfound dbf d2,mt_arp3 mt_arp0:move.w $10(a4),6(a5) rts mt_arpfound: move.w -2(a0,d0.w),6(a5) rts mt_normper: move.w $10(a4),6(a5) rts mt_com: move.w 2(a4),d0 and.w # Ʌ$fff,d0 beq.s mt_normper move.b 2(a4),d0 and.b #$f,d0 tst.b d0 beq.s mt_arp cmp.b #1,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdown cmp.b #3,d0 beq mt_port cmp.b #4,d0 beq mt_vib cmp.b #5,d0 beq.s mt_volport cmp.b #6,d0 beq.s mt_volvib move.w $10(a4),6(a5) cmp.b #$a,d0 beq.s mt_volslide rts mt_portup: moveq #0,d0 move.b 3(a4),d0 sub.w d0,$10(a4) move.w $10(a4),d0 cmp.w #$71,d0 bpl.s mt_portup2 move.w #$71,$10(a4) mt_portup2: move.w $10(a4),6(a5) rts Kmt_portdown: moveq #0,d0 move.b 3(a4),d0 add.w d0,$10(a4) move.w $10(a4),d0 cmp.w #$358,d0 bmi.s mt_portdown2 move.w #$358,$10(a4) mt_portdown2: move.w $10(a4),6(a5) rts mt_volvib: bsr mt_vib2 bra.s mt_volslide mt_volport: bsr mt_port2 mt_volslide: moveq #0,d0 move.b 3(a4),d0 lsr.b #4,d0 beq.s mt_vol3 add.b d0,$13(a4) cmp.b #$40,$13(a4) bmi.s mt_vol2 move.b #$40,$13(a4) mt_vol2:moveq #0,d0 move.b $13(a4),d0 move.w d0,8(a5) rts mt_vol3:move.b 3(a4),d0 and˼S.b #$f,d0 sub.b d0,$13(a4) bpl.s mt_vol4 clr.b $13(a4) mt_vol4:moveq #0,d0 move.b $13(a4),d0 move.w d0,8(a5) rts mt_com2:move.b $2(a4),d0 and.b #$f,d0 cmp.b #$e,d0 beq.s mt_filter cmp.b #$d,d0 beq.s mt_pattbreak cmp.b #$b,d0 beq.s mt_songjmp cmp.b #$c,d0 beq.s mt_setvol cmp.b #$f,d0 beq.s mt_setspeed rts mt_filter: move.b 3(a4),d0 and.b #1,d0 asl.b #1,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts mt_pattbreak: move.b #1,mt_break rts mt_songjmp: move.b #1,mt_break move.b 3(a4),d0 subq.b #1,d0 move.b d0,mt_songpos rts mt_setvol: cmp.b #$40,3(a4) bls.s mt_sv2 move.b #$40,3(a4) mt_sv2: moveq #0,d0 move.b 3(a4),d0 move.b d0,$13(a4) move.w d0,8(a5) rts mt_setspeed: moveq #0,d0 move.b 3(a4),d0 cmp.b #$1f,d0 bls.s mt_sp2 moveq #$1f,d0 mt_sp2: tst.w d0 bne.s mt_sp3 moveq #1,d0 mt_sp3: move.b d0,mt_speed rts mt_periods: dc.w $358,$328,$2fa,$2d0,$2a6,$280,$25c,$23a,$21a,$1fc,$1e0 dc.w $1c5,$1ac,$194,$17d,$168,$153,$140,$12]1 Le,$11d,$10d,$fe dc.w $f0,$e2,$d6,$ca,$be,$b4,$aa,$a0,$97,$8f,$87 dc.w $7f,$78,$71,0 mt_speed: dc.b 6 mt_counter: dc.b 0 mt_pattpos: dc.w 0 mt_songpos: dc.b 0 mt_break: dc.b 0 mt_dmacon: dc.w 0 mt_samplestarts:blk.l $1f,0 mt_voice1: blk.w 13,0 dc.w 1 mt_voice2: blk.w 13,0 dc.w 2 mt_voice3: blk.w 13,0 dc.w 4 mt_voice4: blk.w 13,0 dc.w 8 ),d0 and.b #1,d0 asl.b #1,d0 and.b #$fd,$bfe001 or.b d0,$bfe001 rts mt_pattbreak: move.b #1,mt_break rts mt_songjmp: move.b #1,mtΑ8_speedcnt clr.w mt8_songpos clr.w mt8_doublebuf bsr mt8_gtsongpos move.w #$f,$dff096 move.l #mt8_buf0,$dff0a0 move.l #mt8_buf1,$dff0b0 move.l #mt8_buf2,$dff0c0 move.l #mt8_buf3,$dff0d0 move.w #313,d0 move.w d0,$dff0a4 move.w d0,$dff0b4 move.w d0,$dff0c4 move.w d0,$dff0d4 move.w #227,d0 move.w d0,$dff0a6 move.w d0,$dff0b6 move.w d0,$dff0c6 move.w d0,$dff0d6 moveq #64,d0 move.w d0,$dff0a8 move.w d0,$dff0b8 move.w d0,$dff0c8 move.w d0,$dff0d8 mt8_fw2:move.l $dff0ϸ_04,d0 lsr.l #8,d0 and.w #$1ff,d0 cmp.w #301,d0 bne.s mt8_fw2 move.w #$800f,$dff096 rts mt8_end:move.w #$f,$dff096 clr.w $dff0a8 clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 bclr #1,$bfe001 rts mt8_music: move.l $dff004,d0 lsr.l #8,d0 and.w #$1ff,d0 cmp.w #301,d0 bne.s mt8_music subq.w #1,mt8_speedcnt beq.s mt8_dor bra mt8_zup mt8_dor:move.w mt8_speed,mt8_speedcnt add.l #16,mt8_trackpos add.l #16,mt8_trackpos2 lea mt8_samplestarts-4,a0 lea mt8_data+42,a1 lea ЭWt8_music from a vblank interrupt. In fact, shut off ; all interrupts when using this player... ; The mt8_data doesn't have to be in CHIP mem, it can be as well in ; fast mem. ; HOWEVER the mt8_buf0 and others have to reside in CHIP mem. Therefore ; the ORG below. mt8_data: EQU $40000 ORG $35000 LOAD $35000 TESTPLAY: move.w #$4000,$dff09a bsr mt8_init loop: bsr mt8_music btst #6,$bfe001 bne.s loop bsr mt8_end move.w #$c000,$dff09a rts mt8_init: lea mt8_data+$3b8,a1O moveq #$7f,d0 moveq #0,d1 mt8_l1: move.l d1,d2 subq.w #1,d0 mt8_l2: move.b (a1)+,d1 cmp.b d2,d1 bgt.s mt8_l1 dbra d0,mt8_l2 addq.b #2,d2 lea mt8_samplestarts,a1 lsl.l #8,d2 lsl.l #2,d2 lea mt8_data,a2 lea 42(a2),a0 add.l d2,a2 add.w #$43c,a2 moveq #31,d0 mt8_il: move.l a2,(a1)+ moveq #0,d1 move.w (a0),d1 add.l d1,d1 add.l d1,a2 add.w #$1e,a0 dbra d0,mt8_il lea mt8_buf0,a0 move.w #697,d0 mt8_clr:clr.l (a0)+ dbra d0,mt8_clr move.w #6,mt8_speed move.w #1,mt# %@ `Jg x h!Cp.ELAp`("H"(Q/|`ЙQ"`ЙЙЙЙYn"(gR A`NuHy>NU x h.(jp`\ Ox&<IaT g!Hּ QB&<C~ a0C| a( G"OE'@`+gJkn` a$fRkJkk.Rk `&vA`vA"$A a8JgJf`L `~H< *a/"H&<pJWFgFH&<af6$ мNvg"g" @!_ A"_f B $@aos dbf d3,mt_wai2 moveq #8,d2 mt_wai4:dbf d2,mt_wai4 mt_nonew: lea mt_voice1(pc),a4 lea $dff0a0,a5 bsr mt_com lea mt_voice2(pc),a4 lea $dff0b0,a5 bsr mt_com lea mt_voice3(pc),a4 lea $dff0c0,a5 bsr mt_com lea mt_voice4(pc),a4 lea $dff0d0,a5 bsr mt_com bra.s mt_exit mt_mulu: dc.w 0,$1e,$3c,$5a,$78,$96,$b4,$d2,$f0,$10e,$12c,$14a dc.w $168,$186,$1a4,$1c2,$1e0,$1fe,$21c,$23a,$258,$276 dc.w $294,$2b2,$2d0,$2ee,$30c,$32a,$348,$366,$384,$3a2 mt_playvoice: move.l (a0,d1.lRg ),(a4) moveq #0,d2 move.b 2(a4),d2 lsr.b #4,d2 move.b (a4),d0 and.b #$f0,d0 or.b d0,d2 beq.s mt_oldinstr lea mt_samplestarts-4(pc),a1 asl.w #2,d2 move.l (a1,d2.l),4(a4) lsr.w #1,d2 move.w mt_mulu(pc,d2.w),d2 move.w (a3,d2.w),8(a4) move.w 2(a3,d2.w),$12(a4) moveq #0,d3 move.w 4(a3,d2.w),d3 tst.w d3 beq.s mt_noloop move.l 4(a4),d0 asl.w #1,d3 add.l d3,d0 move.l d0,$a(a4) move.w 4(a3,d2.w),d0 add.w 6(a3,d2.w),d0 move.w d0,8(a4) bra.s mt_hejaSverige mt_noloop: Tƻ move.l 4(a4),d0 add.l d3,d0 move.l d0,$a(a4) mt_hejaSverige: move.w 6(a3,d2.w),$e(a4) mt_oldinstr: move.w (a4),d0 and.w #$fff,d0 beq mt_com2 tst.w 8(a4) beq.s mt_stopsound tst.b $12(a4) bne.s mt_stopsound move.b 2(a4),d0 and.b #$f,d0 cmp.b #5,d0 beq.s mt_setport cmp.b #3,d0 beq.s mt_setport move.w (a4),$10(a4) and.w #$fff,$10(a4) move.w $1a(a4),$dff096 clr.b $19(a4) move.l 4(a4),(a5) move.w 8(a4),4(a5) move.w $10(a4),6(a5) move.w $1a(a4),d0 or.w d0,mt_dm facon bra mt_com2 mt_stopsound: move.w $1a(a4),$dff096 bra mt_com2 mt_setport: move.w (a4),d2 and.w #$fff,d2 move.w d2,$16(a4) move.w $10(a4),d0 clr.b $14(a4) cmp.w d0,d2 beq.s mt_clrport bge mt_com2 move.b #1,$14(a4) bra mt_com2 mt_clrport: clr.w $16(a4) rts mt_port:move.b 3(a4),d0 beq.s mt_port2 move.b d0,$15(a4) clr.b 3(a4) mt_port2: tst.w $16(a4) beq.s mt_rts moveq #0,d0 move.b $15(a4),d0 tst.b $14(a4) bne.s mt_sub add.w d0,$10(a4) move.w $16(a4),d0 c *mp.w $10(a4),d0 bgt.s mt_portok move.w $16(a4),$10(a4) clr.w $16(a4) mt_portok: move.w $10(a4),6(a5) mt_rts: rts mt_sub: sub.w d0,$10(a4) move.w $16(a4),d0 cmp.w $10(a4),d0 blt.s mt_portok move.w $16(a4),$10(a4) clr.w $16(a4) move.w $10(a4),6(a5) rts mt_sin: dc.b 0,$18,$31,$4a,$61,$78,$8d,$a1,$b4,$c5,$d4,$e0,$eb,$f4 dc.b $fa,$fd dc.b $ff,$fd,$fa,$f4,$eb,$e0,$d4,$c5,$b4,$a1,$8d,$78,$61 dc.b $4a,$31,$18 mt_vib: move.b $3(a4),d0 beq.s mt_vib2 move.b d0,$18(a4) mt_vi٠0j,d2 lea 4(a1,d2.l),a2 lea mt_samplestarts(pc),a1 add.w #42,a0 moveq #$1e,d0 mt_lop3:clr.l (a2) move.l a2,(a1)+ moveq #0,d1 move.w (a0),d1 clr.b 2(a0) asl.l #1,d1 add.l d1,a2 add.l #$1e,a0 dbf d0,mt_lop3 or.b #2,$bfe001 move.b #6,mt_speed moveq #0,d0 lea $dff000,a0 move.w d0,$a8(a0) move.w d0,$b8(a0) move.w d0,$c8(a0) move.w d0,$d8(a0) clr.b mt_songpos clr.b mt_counter clr.w mt_pattpos rts mt_end: clr.w $dff0a8 clr.w $dff0b8 clr.w $dff0c8 clr.w $dff0d8 mo%ve.w #$f,$dff096 rts mt_music: lea mt_data,a0 addq.b #1,mt_counter move.b mt_counter(pc),d0 cmp.b mt_speed(pc),d0 blt mt_nonew clr.b mt_counter lea mt_data,a0 lea $c(a0),a3 lea $3b8(a0),a2 lea $43c(a0),a0 moveq #0,d0 moveq #0,d1 move.b mt_songpos(pc),d0 move.b (a2,d0.w),d1 lsl.w #8,d1 lsl.w #2,d1 add.w mt_pattpos(pc),d1 clr.w mt_dmacon lea $dff0a0,a5 lea mt_voice1(pc),a4 bsr mt_playvoice addq.l #4,d1 lea $dff0b0,a5 lea mt_voice2(pc),a4 bsr mt_playvoice 1faddq.l #4,d1 lea $dff0c0,a5 lea mt_voice3(pc),a4 bsr mt_playvoice addq.l #4,d1 lea $dff0d0,a5 lea mt_voice4(pc),a4 bsr mt_playvoice bsr mt_wait move.w mt_dmacon(pc),d0 or.w #$8000,d0 move.w d0,$dff096 bsr mt_wait mt_nodma: lea mt_voice1(pc),a4 lea $dff000,a3 move.l $a(a4),$a0(a3) move.w $e(a4),$a4(a3) move.w $12(a4),$a8(a3) move.l $a+$1c(a4),$b0(a3) move.w $e+$1c(a4),$b4(a3) move.w $12+$1c(a4),$b8(a3) move.l $a+$38(a4),$c0(a3) move.w $e+$38(a4),$c4(a3) move.w Ӟ($12+$38(a4),$c8(a3) move.l $a+$54(a4),$d0(a3) move.w $e+$54(a4),$d4(a3) move.w $12+$54(a4),$d8(a3) add.w #$10,mt_pattpos cmp.w #$400,mt_pattpos bne.s mt_exit mt_next:clr.w mt_pattpos clr.b mt_break lea mt_data,a0 addq.b #1,mt_songpos and.b #$7f,mt_songpos move.b $3b6(a0),d0 cmp.b mt_songpos(pc),d0 bne.s mt_exit move.b $3b7(a0),mt_songpos mt_exit:tst.b mt_break bne.s mt_next rts mt_wait:moveq #4,d3 mt_wai2:move.b $dff006,d2 mt_wai3:cmp.b $dff006,d2 beq.s mt_wai3ӄ  )0SundayMondayTuesdayWednesdayThursdayFridaySaturdayTodayYesterdayTomorrowFutureH04&HCHCBCԃH@H@B@ЂL Nu/BJjDRDJjD Da"JDgD(Nu/BJjDRDJjDa `H0HAJAf HA64B@H@"H@20BAHAL NuHA&"BAHAH@B@tЀӁbR@QL NuH? 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Ad"JaAQ[@vL@ml~@}'@  JBPn3 0 qh)3@ QgBD0Is` [_& : `&C0 Z -mD4 Qߙ!`"T2"80L`.QG& v2'0 8`'] a0 \Q Jǁ# `P8 @p FHB@|"HDd@0 H`2 <` y/˒+(? G - A6g%/ B6$N`&A%p>0w(D$b6I +U&v,7xPw2&b8J-"E\!$3uYq'2! HL.7OW^"JH9 CZ< JYo zyI[{1<ӎL$砧h]'aDqXN@̱?FcBN hLoRWQ lAwH"c1B !<7h·uD4YqEP{dE"P 7! Z<3Pm5A `Dt1z/A l$H Ї*hc 983C})(b<رX ! 5VH+rO`x&C@1[p !Ic<ܜ T8 New features are crypting of modules, IFF/RAW toggle for samples and a directory browse gadget. It will be possible to show directories as well. -PLST Editor It's not very good, but it's getting better. With delete disk, finetune instead of volume, etc. We're dropping MIDI, because not too many people seems to be interrested in that. (MIDI in is still there, but there are no MIDI output). If a lot of users complain we'll put it back i ?n at once. No problem. Just use NT2.0 in the mean time. V1.1A will be released in january/february 1991 (or around christmas) if all goes well. We have plans for version 1.2 (or 2.0). We will include synthetic sounds! There will be a number of sound generations methods: Wave-sequencing, Karplus-Strong, PW-modulation, mixing w/modulation, FM, etc. I have made a new IFF format for Protracker modules (PTMD). Packing of modules (and samples) will be possible, 65536 patterns, 256 sample vws/waveforms and some other things. --------------------------------------------------------------------------- We have another program under development: Amiga Bulletin Board System or ABBS. It's a conversion of the superb PC program MBBS by Mike Robertson. As I said, it is still under development, and a release date can not be given. - ZAP --------------------------------------------------------------------------- Amiga Freelancers are: Lars Hamre - ZAP Anders Hamre - The ӴV Mad Martian Rune Johnsrud - Quantarc Sven Vahsen - The Moose If you want to contact us (please do) write to: Lars & Anders Hamre / Amiga Freelancers Bekkeliveien 10 N-2010 STRMMEN Norway Phone: (06) 817466 Or to: Rune Johnsrud / Amiga Freelancers Skogveien 16 N-2010 STRMMEN Norway Phone: (06) 813850 You can also contact us at Crusaders BBS, by writing a message to: ANDERS HAMRE, LARS HAMRE, R vuUNE JOHNSRUD or THE MOOSE. Phone Norway: 6 810881 (Node 1) 6 810864 (Node 2) /* End of File */ ve another program under development: Amiga Bulletin Board System or ABBS. It's a conversion of the superb PC program MBBS by Mike Robertson. As I said, it is still under development, and a release date can not be given. - ZAP --------------------------------------------------------------------------- Amiga Freelancers are: Lars Hamre - ZAP Anders Hamre - The 803`D"` ve$I|;$H5HPZ }0Ao2$Pxq -^D d(7Ab t&|@P ') P fX`9h !a҂$G/@zNl?P#aHQ ^}N !”|\QR{`!,N'qdVȂ7 nDcpMO8OMHO>^k0Im7~dbfaecg`261530%k/y <7Y$<B!dYP U1ЀA8nP 0/IK2@^bL }` a8A@1Fc0;PrlgD07h^ P XT<9а;C6nl,80 y=`@`dY2ͺY!#enXt4=E8ف'1.9H7e~c\ªH4hKA0#"8X8> hI@h0@ 9 l `\8$De ?7|KVONe S|dРeV8j&dϝ.i+(H0j=  ! 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J¢@xxa?`?|089 Qͼ&u3(Pi@ :HdQ\s0 `0)`0 2`t0 L̘0]8ˀn7\1+qM 4 9h@sPB} <@jTiRF( ZPLc0 J-( ŠK@ncFxu0`0oՀVX#`0 NSd:H m@`A B4j f@(I$H mHd79 l2@$BK94P7e@"E39T:c3B/u4h0s@ݮ] 0;`xaCц !C cL*07 `}運xLU08*`hTũS0',Xt%;m, "X>Y`n%[Ǯ1\j%p2Jd+i]ڸ.^~p0 Wsp0`\ 7q3O < x4)mSǧOtazJ8`@S7aI :;`@$@ V? ihi_A(.@$H >Ie/ @t0 HfzIm$9\@D0i``E<``03o%>k,X2Kd"e l̢DO r aˢDiP0 T41P b-@;y5*TP -@2Zdɪ_E@4ji&L20;L}0 \^p ;H@zP,/I "D o0 _zU 0@2`fH r 0@c)R 4@yT)R 8@`|I(P0 Jʔ(u9^RP0`` /ChZ4+@j.1h}حZ t` 0 8` A7C.iD ҈|(Qj1D 1 cA,"р_C(QE> `T&uI uR@꤁ISTU0 I }RC.$Hc$^H/!Ͻ`d <,Y S= ,]"k0 Y s#0 E P0 E  n"]("ـBcP=J}AD"AHC @*UP5`$G#Fm*McT3@0 `&AN. 0(` aJ? 0A@0 H>1l `\ 7q3O < x4)mSǧOtazJ8`@S7aI :;`@$@ V? ihi_A(.@$H >Ie/ @t0 HfzIm$9\@D0i``E<``^qMix exited from the whole edit op.! - CutBeg no longer fucks up the Sample length and Pos. - The help file was FULL of bugs / misspellings. Bugs corrected in Release C: ---------------------------- - Error in Finetune-table2 (note B-2) - Abort Load sometimes caused a guru! - Toneportamento (cmd 3) didn't work correctly with finetune. - PLST screen was one pixel off. MIDI screen has been removed. If you find anything else, let us know. This version will probably NOT work hwith WB/KICK 2.0! Improvements coming in release 1.1: ----------------------------------- -QuadraScope Four channel oscilloscope that shows the samples graphically. Nostalgic users may switch back to the good old spectrum analyzer. The QuadraScope looks cool, but has no other useful function. -Sampler Just about the same as on Noisetracker 2.0, but with much better graphing. -Sample-editor Almost like AudiomastO٬er II! With cut, copy, paste, volume- changing, resampling w/tuning tone and much more... -Setup 2 A new setup screen where you can enter all your paths, max. PLST size, guru-salvage-address (the song will be copied there when a guru occurs!), CIA or VBLANK timing w/tempo control, eight new on/off toggles, spectrum analyzer/VU-meter color editor, etc... -DiskOp A few changes have been made here.V - The main program (not packed, do it yourself) ProTracker v1.0c.info - The Icon for ProTracker, by Quantarc PTPlay.s - Playroutine for the Seka or DevPac assemblers PT.help - Online helpfile for PT1.0c (press the Help key) PT.config-00 - Default configuration file PT.ReadMe! - ****--> This file <--**** Some info.. ----------- This disk contains all the necessary files to run Shell, CLI, and all the most usedw> CLI-Commands. It is possible to print songs, but we'we only included the Generic printerdriver, so you'll have to install your own. Remember to set the new printerdriver with Preferences. If you make your own workdisk, remember to copy the commands "Run" and "EndCLI". If you are going to make make a compact-disk containing Protracker, please include PT.help!!!! THIS IS VERY IMPORTANT!!! DO NOT ATTEMPT TO EDIT THE HELP-FILE!!! The first 1024 bytes are a text-offset index for Protracker, so keep off. For more info, press the HELP key, when you have started Protracker. Bugs corrected in Release B: ---------------------------- - PatternLoop (It always jumped to the start of the pattern, not the loop) - Zap had put FineTune AND Glissando-Control in the same command! (E3) - Fade Up / Down caused shit and even a few gurus! - Delete Pos inserted pattern 77 (!) at position 127 in the song, causing it to be longer than 80k! - Filter All Samples was slow as hell because it tried to filter non- existant samples. - If you selected sample 0 from the keypad, it always played the last sample played as sample 0! - A590 owners couldn't use the keyboard because of the way Mahoney & Kaktus set up the keyboard interrupt (we used their NT1.1 routine). 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B 4B 4Nu0123456789ABCDEFJ.gNuH`r@fQ0`@Q LNuJ.gNuH@"jD-C8tpve Rdҙ`Jj P0AAQt)K 0LNu;B@'d HDDk4Dk.HĈHDJDf"HDAF0Dm0a*J.fap`pLNuI`Iv8DDkzDktHĈHDJDfhHDACda|g.gA CQabg.gAC>aHg.gA C+a.gJCgTK Nu ; EXE ; DOS ; GFX ; INT0Dm\0J.fNaVJCg ;  _LVOa (a6)Ia IRC0NupNuS@k JgJf`NudSupervisorExitIntrScheduleRescheduleSwitchDispatchExceptionInitCodeInitSt*LrtructMakeLibraryMakeFunctionsFindResidentInitResidentAlertDebugDisableEnableForbidPermitSetSRSuperStateUserStateSetIntVectorAddIntServerRemIntServerCauseAllocateDeallocateAllocMemAllocAbsFreeMemAvailMemAllocEntryFreeEntryInsertAddHeadAddTailRemoveRemHeadRemTailEnqueueFindNameAddTaskRemTaskFindTaskSetTaskPriSetSignalSetExceptWaitSignalAllocSignalFreeSignalAllocTrapFreeTrapAddPortRemPortPutMsgGetMsgReplyMsgWaitPortFindPortAddLibraryt+MГRemLibraryOldOpenLibraryCloseLibrarySetFunctionSumLibraryAddDeviceRemDeviceOpenDeviceCloseDeviceDoIOSendIOCheckIOWaitIOAbortIOAddResourceRemResourceOpenResourceRawIOInitRawMayGetCharRawPutCharRawDoFmtGetCCTypeOfMemProcureVacateOpenLibraryInitSemaphoreObtainSemaphoreReleaseSemaphoreAttemptSemaphoreObtainSemaphoreListReleaseSemaphoreListFindSemaphoreAddSemaphoreRemSemaphoreSumKickDataAddMemListCopyMemCopyMemQuickhBltBitMapBltTemplateClearEOLCt,N5tlearScreenTextLengthTextSetFontOpenFontCloseFontAskSoftStyleSetSoftStyleAddBobAddVSpriteDoCollisionDrawGListInitGelsInitMasksRemIBobRemVSpriteSetCollisionSortGListAddAnimObAnimateGetGBuffersInitGMasksDrawEllipseAreaEllipseLoadRGB4InitRastPortInitVPortMrgCopMakeVPortLoadViewWaitBlitSetRastMoveDrawAreaMoveAreaDrawAreaEndWaitTOFQBlitInitAreaSetRGB4QBSBlitBltClearRectFillBltPatternReadPixelWritePixelFloodPolyDrawSetAPenSetBPenSetDrMdInit-99BtViewCBumpCMoveCWaitVBeamPosInitBitMapScrollRasterWaitBOVPGetSpriteFreeSpriteChangeSpriteMoveSpriteLockLayerRomUnlockLayerRomSyncSBitMapCopySBitMapOwnBlitterDisownBlitterInitTmpRasAskFontAddFontRemFontAllocRasterFreeRasterAndRectRegionOrRectRegionNewRegionClearRectRegionClearRegionDisposeRegionFreeVPortCopListsFreeCopListClipBlitXorRectRegionFreeCprListGetColorMapFreeColorMapGetRGB4ScrollVPortUCopperListInitFreeGBuffersBltBitMapRastPortOrRegitPngNuA(`Aq( K`* *g|"@prt0)gl2)gf"4)vRSBg )f`J.gNuta J.f*Sk0$a9`,QSHaZ`ִ|gSHaLNuHPYKCfSHL NuJ.g,Nu8+ a$g aga`aaahaa`aaI|wGx4J.f$aַg0afJDg ,Q< XO~pNu@|g|Nu:[NuA08@t2@Df 0(Q`NuXOI|brGtA*J.fJ0 g ""`tV嫉$aNg Jg,Q~pNuAtf (Q`Nu0@|g | g|0NuJ. gaag aaaD2+.g*|Nf n 0gp~NuJ.g|/flpt ,xf k,_ft kNfl8+` pt ,yfZ k,_ fR kNfJ8+IJgIf4a"g. ~pNu|,xf Nf8+Itp`0@N|Nfa$f2` |Nfaf$Hp0@XC\@Ng(HpLNup|b`p|w`p/A@@f< _Nuccrsrusp<;:980( H`@?r A|f@8gQ0LNutWI FNV^v4<f~ak/A@N _pNupNua``aXP<bg g~pNuHԋUadaf`a.PHHԋUaHaJ`V#|bg&|lg0jD@|n(H` jDn`|m~pNuHH``a0pcNu4xdgxaZaR ga"`a)Nu(NuaHa.wNu.lNuazxd`at<f spNuxa0NuaNaa`a+Nua>-`a6HJ.fa8faN4`aH0HHa:L alxaa`@CgNuHx.f$A x0k@gRD` a"a LpNuLpNu@?|?f~pt XvvNu4B8gʴ|(gn|g|g|g| g|0g|8gn|9gL|:gf|;gn| \> L>  > @ > > @$ @ $  $  $  g,|wg|lgaFaa`aaat!Y62`p~Nu0@@(Nu4<a 0f~pNu4Bf4B|n0<<|wa|0`4<a fNuaa0`4<a fNuafNu0<l8>.bSG nj 划k REQp`|"nHHA aLNuC0& g:$@A ;f| at $aL BA a`Nu::JJJx:::N*j:::::::ENDUNITNAMECODEDATABSSRELOC32RELOC16RELOC8EXTSYMBOLDEBUGENDHEADEROVERLAYBREAKDRELOC32DRELOC16DRELOC8LIBLIBINDEX_Beginequ ;G O L E M-Reassembler Version 1.0 1990 von Achim Schulze Internal: Keine Hunktabelle! Internal: ket]/inen Hunk fr diese RelInfos Kann Quelldatei nicht ffnen. Fehler beim Lesen der Quelldatei. kann Datei nicht reassemblieren Execute File Objekt File Pass 1 Pass 2 ; Offene Referenzen Zu viele neue Labels in Pass2. ;------------------------------- Frei Frei Fehler in der Kommandozeile. Kann Zieldatei nicht erzeugen. Internal: HunkError ; Labelstatistik: ; Name Aufrufe Hunk Offset Programm durch Benutzer unterbrochen ! Fehler beim Speichern Keinen Speicher mehr bet^A4kommen. Befinde mich in einer Endlosschleife ! Erhhe Adresse um 1, und schalte Counter ein Programm hat Residentstruktur bei $;Diese Relocs konnte ich nicht finden Bytes wurden durch Strukturen ersetzt wenn dieses ein Aztec Programm ist, dann ist die ExecBase in SECTION G O L E M-Reassembler 1990 Programm von Achim Schulze -a Ascii-dump an -d schaltet die Codeerzeugung im Datemsegment aus -g Suche nach Gadgets usw. einschalten -h Hex-dump an -i setzt INCDIR auf -ixxxxt_@xx -m Macrooptimierung aus -s Stringoptimierung aus -t Tabellenoptimierung aus -v zeigt gefundene Hunks an. _INTName_DOSName_GFXName_ARPName_ICONName_MRANSName_MIEEEName_MFFPName_DISKFName_EXPName_TRANSName_ROMBNamelibrarydeviceresourcediskciabciaamisckeymap FileSystempotgodosgraphics intuitionicondiskfont mathtransmathieeedoubbasmathffp translatorromboot expansionarpexectimerconsoleinput trackdiskaudioserialparallelt`y CALLEX MACRO move.l a6,-(sp) move.l (AbsExecBase).w,a6 jsr _LVO\1(a6) move.l (sp)+,a6 ENDM CALLEXL MACRO move.l a6,-(sp) move.l AbsExecBase,a6 jsr _LVO\1(a6) move.l (sp)+,a6 ENDM CALLEXC MACRO move.l (AbsExecBase).w,a6 jsr _LVO\1(a6) ENDM INCDIR sys:devpack/include/ include hardware/custom.i ifnd custom custom equ $dff000 endc include exec/exec_lib.i ifnd AbsExecBase AbsExecBase equ 4 endc ; include libraries/dos_lib.i ; include graphics/gtaoraphics_lib.i ; include intuition/intuition_lib.i A>S@k JgJf`JNup fQNu4ag"C fISHCFBp01 Rq aCNBNuHB.  .:g"@" ҄ g @f2(aJ. 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You may not charge anything for the program other than the cost of the disk and the PD-service. This disk should contain the following files: ProTracker v1.0c HlcMegaDphqv#HzxHI TXH&HPK,x/t0a$AFgpaQe$NugNu* HBWVUTSRgfedcba`_^]rqponmlkjih}|{zyxwvuts~%XWH33{%$#"! 0/.-,+*)('&;:987654321FEDCBA@?>=<QPONMLKJIHG\[ZY4c PackIt_V1.0pYi,HzxHI TXH&HPK,x/aV WQH&ֈPK.PK n (g @BI<,Eh|z( Df5F gXJ` DgJgRz TrHAgT$N:Jg"@" ((IXI f*I g/ Dg6$A(""Sf$W Be$Sf$W ^"CN.t%XX`XzRbN5F/M@" Af0HAa$ g"a" $BӒSf`"MYSAe"Q`XNu AgrHAJAg"_Q N.AJf (LNuK|x~z$K" Jga(ae>t0a$AFgpaQe$NugNu*  Brl    Hc.Startrekker.doc.pp.ppp }PP20 σB$-*$Nǿ1CQORoxp)' B _E#R!IE0=ba*=AQTx ހ/>tEk.-iZJfg\6YeU~8C qכ¨"xqZIp50J! >XgGWSSXK/6f"r(1 8[> 0c InstallCTOpچh|HI6<<NN<<a&Q ,xN.SF FfaB|a /IC"QQXNuh|zRFN IRFN,I$N8< lH<N&Ia6j RE EfNuЀja$"ga<N& taԀ׳(Sf`g"Ka`CpgUf !NuH&J:IV4f>JBg SEkJ SBfSg>f dVf dFf d6f d&f d ~`,~f Q\~`p~`p~` p~`p~6f d f d"|;pX` f B`|;pf BSHl``cStarTrekker1.2phbMHzxHI TXH&HPK,x/^aV WQH&ֈPK.PK n (g @BI<,Eh|z( Df5F gXJ` DgJgRz TrHAgT$N:Jg"@" ((IXI f*I g/ Dg6$A(""Sf$W Be$Sf$W ^"CN.t%XX`XzRbN5F/M@" Af0HAa$ g"a" $BӒSf`"MYSAe"Q`XNu AgrHAJAg"_Q N.AJf (LNuK|x~z$K" Jga(ae>t0a$AFgpaQe$NugNu* H`utsrqponmlk~}|{zyxwv)GFEDCBA@?TSRQPONMLKJ_^]\[ZYXWVUjihgfedcba s:987654IHHc / reass.doc.pppHd$PP20  p#:-#LʢB2J?&ίqP5/fi@5T߼O*;#F=#y~!- C3 ztY !(ur Vxz ]g:Bv/JFR֌gl$.LLJ {AwY8pj۞-sj6  BC Σ[(^Q@u1i3D55H?/u'.O Tֶ PF]@`k1#auT> A!JZM*HZW(:b"xWG_\# ް#Gi]hlM}D9~7 0{OUyi^jbaI }c0[v!/Kfcewmh_m1(K:Zw֜M|* ~ ~a !]IPFc jModulespUd#cFMSOUNDSpXxc bassdrum2x?G <6G"q-``cStarTrekker1.2pJxc bassdrum1xg1?G'< G"q-c jModulesp Pxc snaredrum2xs0*?G<-v d :987654IHHc / reass.doc.ppp Axc snaredrum1x)0?G'<w,d xc bassdrum2Įxc | mingsound1xu;6'dJ(2F(tP,  . Pc FMSOUNDSpxc doktor koxo"nG*' 06%G"q-Pc FMSOUNDSp*70xc ebells1xqoP"nG<6'G"q- Pc FMSOUNDSp#oxc simplebassx9?G <6G"q-c FMSOUNDSp!xck megabass1x9 ?GE<4G"q-c+FMSOUNDSp.nxcpiskaxR" r?_R[ 0  XQGqPcFMSOUNDSp]ctlibspS<('&%$#"! 3210/.-,+*)>=<;8pc req.library;)  pNuJ4 *req.libraryReq 1.21 (Dec 17 1989) dos.libraryintuition.librarygraphics.libraryconsole.deviceDBp~Lx'&,. V @ v ^5 ,H *H*@+N"+H2B&B*B.B6Bcdiskfont.libraryRݯ ";<`NJP! 0Pdiskfont.librarydiskfont 33.16 (10 Feb 1986) HACE" <8NLJg "@#H"NtpNu/ @#,@#Cp/,yN,_#gJCrp/,yN,_# gA* XB!H ,_Nu"y/,yNb,_"N0.nH/,yN.,_p`dos.librarygraphics.library !6 DRzB/ $n*JgNJjTnD"J Q"i"!I]U  c9explode.library`YYpNuJd .bexplode.libraryExecutable exploder V4.6 (1 Feb 1990) dos.library6rdlll ./ *@;| +H&Cp!,xN+@"f .<NA.BC#HA2BC#HB* m"jC` PNf #hr`( pg/.<N.`&X X`f#Hr"m"0|j <pЁN\ *_NuR* NupNupNH瀀gR @ HfF expl(f< ode.,f2 libr0f( ary4fRH~K >(O    8c icon.library j :w )<pNuJ" F+Hicon.libraryicon 34.2 (22 Jun 1988) .XHD&4BP "+dos.libraryRn  NupSn f .gaNuJn f4/.*"N Q"i"!I"Npr0.2.Ё/,n"N.,_ `pNupNu/ $@%H*%N"CzNh%@&fH.< ,xNL`p`#"#& $_Nu//N ;Hc)mathtrans.library=l%^/@: J! ,Lmathtrans.librarymathtrans 33.8 (11 Sep 1986) "d\#Nu ! &b\$zJn f2"N Q"i"!I"Np0.n/,yN.,_ 9NupNu.f0Rn n f #BHyN$P# NupNupSn f .gap/Jn f/9N$S#Bc- arp.libraryp'NuJ' MZARP Shell ProcessARP Background Shellarp.libraryArpLib 39.1 (cdh/sdb 4/9/89) dos.libraryintuition.librarygraphics.libraryenvironmentArp EnvLib ~6"R`\  h048<@DHLPTX\`rd 4 X ^z\.P %r$%$T$$$%j V !#l##%%$'' Ftz,2,/ '(>?z@(0r+d++@X~>>Z$%< H~c {Sourcepå c normalreplay.Sؒ{m; STARTREKKER 1.2 NORMAL REPLAYROUTINE ; call mt_init, then mt_music each frame, call mt_end to stop mt_data: EQU $58000 ; load your module here TESTPLAY: bsr mt_init tp_loop:cmp.b #$f8,$dff006 bne.s tp_loop bsr mt_music btst #6,$bfe001 bne.s tp_loop bsr mt_end rts mt_init:lea mt_data,a0 lea $3b8(a0),a1 moveq #$7f,d0 moveq #0,d2 moveq #0,d1 mt_lop2:move.b (a1)+,d1 cmp.b d2,d1 ble.s mt_lop move.l d1,d2 mt_lop: dbf d0,mt_lop2 addq.b #1,d2 asl.l #8,d2 asl.l #2b'1c8channelreplay.S|]; STARTREKKER 1.2 8 CHANNEL REPLAYER ; BY BJOERN WESEN / EXOLON OF FAIRLIGHT ; This player takes quite a lot of rastertime... (And it could use a ; bit more optimizing) But I made it so no one should complain. ; To use, call mt8_init, and call mt8_music first among your raster ; routines. mt8_music waits for the raster itself, so you should not ; do that. This is important, again, call mt8_music first and then your ; own routines. To finish, call mt8_end. ; NOTE! DON'T call m\}&!c STCdecruncher+player.asm); *** DeCrunching and playroutine for STC *** bsr stc_decrunch bsr mt_init ; ... ; MAIN PROGRAM ; ... ; bsr mt_music (repeat every 1/50 seconds!) ; .... ; .... ; bsr mt_end ; ; You must allocate memory for decrunched module (size equal to ; original module, size found on crunched module. See document.) ; Put address of crunched module to a0 and address of allocated memory ; to a1. ; ; Look at line #3 on a source code. As you see, you must add #8 to ; startaddress of cr-Mpon~}|{zyTjcPTplay.sQ;+-----------------------------------------+ ;| **** Protracker V1.0C Playroutine **** | ;| | ;| Lars "Zap" Hamre/Amiga Freelancers 1990 | ;| Bekkeliveien 10, 2010 STRMMEN, Norway | ;+-----------------------------------------+ ; This playroutine is not very fast, optimized or well commented, ; but all the new commands in PT1.0C should function correctly. ; If it's not good enough, you'll have to change it yourself. ; mt_chanXtemp offsets ng^]\[ZYXmlkjihgfedcqxwvutsr1c amreplay.Sr픝; STARTREKKER 1.2 AM REPLAYROUTINE ; ; BY BJOERN WESEN / EXOLON OF FAIRLIGHT ; Call mt_init, then mt_music each frame, call mt_end to stop ; NOTE! The mt_amwaveforms have to reside in CHIPMEM! Therefore the ORG ; below... mt_data: EQU $58000 ; load your module here mt_data2: EQU $55000 ; load the .NT file here org $40000 load $40000 TESTPLAY: bsr mt_init tp_loop:cmp.b #$f8,$dff006 bne.s tp_loop bsr mt_music btst #6,$bfe001 bne.s tp_loop bsr mt_end rts ;xHba`_ BcSTCdecruncher.asm_zu; *** DeCrunching and playroutine for STC *** bsr stc_decrunch ; ... ; MAIN PROGRAM ; ... ; bsr mt_music (repeat every 1/50 seconds!) ; .... ; .... ; bsr mt_end ; ; You must allocate memory for decrunched module (size equal to ; original module, size found on crunched module. See document.) ; Put address of crunched module to a0 and address of allocated memory ; to a1. ; ; Look at line #3 on a source code. As you see, you must add #8 to ; startaddress of crunched module.d(PONM 1c > TFAdecrunch.sM &; include crunched data at bottem of file ; ; set decrunchadress ; set jumpto adress ; set decrunch methode (not neccesary) ; (remember to reloc file before crunching) decrunchadress: equ $40000 jumptoadress: equ $40000 decrunchmet: equ $dff180 start: lea datstart(pc),a0 add.l #endfile-datstart,a0 LEA decrunchadress,A1 MOVE.L -(A0),A2 ADD.L A1,A2 MOVE.L -(A0),D0 lbC0010BC MOVEQ #3,D1 BSR lbC0011BC TST.B D2 BEQ.S lbC001120 CMP.W #7,D2 BNE.S lbC0010F0 LSR.L #zF>=<;:987LKJIHGFEDCBVUTSRQW25c  IFF2ANSI.sW FA; IFF-to-ANSI V0.1 Sourcecode (Buddha's MasterSeka rules) ; active font should be TOPAZ 80 (no 60 char display, please...) ; this one really NEEDS the genious 'Req.library' ! ; ; programmed by Carnivore/BeerMacht ; on 9-Nov-1990 ; ; I declare executable and sourcecode as 100% FreeWare ; ; Notes:TOPLINE below 12 changes to borderless window ; take care of the HEIGHT value to prevent text beeing written ; below the bottomline (NTSC?) if no borderless window is set ; |ug c IFF2ANSIpbHc2,xC 5Nh#g @#&,zN"gE $ &<6N,zA~NJg<,zA "$<N# g"$<&<N N":NA FORMfa f3 A(bp(AH33ACEBa,zANLJg0: }y0:zb3ANLJgp3ANLJg\3ab.ANJgB,zA"$<N#g&"$<&N":NpA1PzQ,x"zfNbBNuQ ~ACNH 0 p000m 2:B Ac 9CG }b$ 32t 81u0y0x a"x8:a SDk&I30:(IS@$IrRJf JVJ@kbJg gyAaCSykBBB aBa0:S@k$K(KtQJgPJVJ@jJgKR`ZMtuxy0m2:a2H pCȑNuBA:qa yR9 }NuQHdJAg P0BAHA JfJAg0HA0Nu E+J9 ~gE 27 fP ~ 20 fQ ~2 gRB`Nu/ BMHDg (A`2(4I BgRAA4( p( _NuH BMHDg "(A`&H CMAPg "(A`r+iI`JBB CC4Q BODYg (A`~+SGp2/1X@Q?<+4NBgRFF (EPlBv4(q8a #8XQ`K`l6J+f0`HkQ`D@Q`02Y@#QLNu` P 49` P خ k    ( NHSelect IFF-source (LORES, 1 bitplane) Select the filename of the ANSI-text Height of ANSIpic Offset to TOPLINE Put cursor in ROW req.library 0;31;42m49C IFF-to-ANSI V0٬.z.1 9-Nov-90 49C a tool completely FreeWare 49Cto convert a LORES-IFF-BRUSH 49Cinto an optimised ANSI-text. 49CDone by Carnivore/BeerMacht. 49C Stoned greetings go to all 49C lovers of Diebels Alt and 49C all those nice sick movies 49C(ILSA and Necromantic rule). 0m /(7mL)07m\\V7m)L7m(B7m 0m B0m(L0m)V\0m\0)0mL(/ another sick BeerMacht productiond0\H\Xlz&2pfc2Height of ANSIpic Offset to TOPLINE Put cursor in ROW req.library 0;31;42m49C IFF-to-ANSI V0ۘ׎-,?A@ Tc B STC.doc.ppp@㎫PP20 T/Z`d@QM (,"+B,#Jrr@ 2*IJ*='#y(iiXBJ>HAڸ_^`/-ʼc}!p4 ;KcءlʿOE"r|xbyaOqk/:Ӱ1+@\2xtRjqy02>u53*2rp0SGZMEED5"U[<Պ_14ӍaZ= =7wl;aQ)ߘ`H_h(|X"`90b;Fy윒_c-&P{(=J-BZ[?A!BHCEGI>KNLNPbQ*~}Tohg|{zyxwvutsr <cmod.amsyntdemopSĿamsyntdemosyntbass1@normal synt@vibrating synt@flyby@bassdrum1@snaredrum1@ghostish@electric tom@H|a^+*)('&%:9876543210EDCBA@?>=<;PONMLKJIHGF[ZYXWVUTSRQfedcba`_^]\mlkjiqponc:PT1.0cpnhy,HzxHI TXH&HPK,x/aV WQH&ֈPK.PK n (g @BI<,Eh|z( Df5F gXJ` DgJgRz TrHAgT$N:Jg"@" ((IXI f*I g/ Dg6$A(""Sf$W Be$Sf$W ^"CN.t%XX`XzRbN5F/M@" Af0HAa$ g"a" $BӒSf`"MYSAe"Q`XNu AgrHAJAg"_Q N.AJf (LNuK|x~z$K" Jga(ae>t0a$AFgpaQe$NugNu* 83     $#"! /.-,Kcsp-V(cloader(׬44H,yCjNJgL,@#v"< Bytef"<z CMonf"<ztvN",y"yvNbLNudos.libraryecho "To enter Bytekiller or CMon, just enter 'BK' or'CM' at the CLI-Prompt ..." 6H\yÌ9?y/w')L瘏~rsrs_<7a{_m/_og|GVEVUGDE!}\D]qrUO!Av<?_ NN/9Hj^NJO g/96NlNpX`HyNNpXL NuH 0$oN/<HxN &@Pg. j!pclparallel.device parallel 33.7 (18 Jun 1986) J!<8parallel.devicemisc.resourcezNuB)Jn g.ug)5f|`pB.v)5guJ)f J. fRn nu5v)5g #nZ6#n^:NuB)Jn g Sn fBnrB&u.vgNpNu0</ /,n"N,_"_|0) @ nHA pN<Q)f/,n2N,_ if .vgP9v`8 if69f.vf </ /,n"N,_"_v </ /,n"N `9`c  serial.device^Oserial 33.2 (19 Feb 1986) J!<8serial.devicetimer.deviceintuition.librarymisc.resource<NuB)Jn g.Eg )Of |`B.B.=|A XB!HA XB!HH / Crp/,nbN,_&@g <r/,nbN:,_ @g <$/,KN|,_"K/,nbNb,_"_&B0+HAV=pBn|C+g|C<AB|D+g|DnCMnBLnDNaN+@HABn6=p8+gY{hc Multi-Ripper.DOC.ppp:PP20 {s32?2?Xda?ZS!jA!EJYDxLJ3NʨȪJvH}z!Q1 K@2X#$n@QEИ*ʚ7H j*ڠUH1U9YfI  t;!Ꚃ1 !P&B@ +‚rQ JAHuT$F BX`K3H-$:tA8q%AYYATShB$TDFnU yB;MTISEBW&P'AI+(ò[sD?[C{ ':Ը3Z`Sꗙ$t0a$AFgpaQe$NugNu* mc+cp9ljc_Reset}R00 reasgn Instgb instgV AAAgL Reasg@ ReAsg4 AAAAg( yAAg,yNj# |NpNpNuCindy - I'll never forget you. 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This program is shareware, for $10 you will have latest versions of this cruncher direct by airmail. This version is not fully tested. If you find any bugs, please inform us. (By the way, this program is spreaded by SlKID ROW...) 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Failed to 46Eread ROOT block! Failed to read bitmap block! Disk not empty between block %ld - %ld Problems with the disk!!! Allocating space on disk for code! Failed to write bitmap block! Writing %d blocks. Failed to write block# %ld Writing boot! Failed to write boot! 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PT will ask if you are sure, and if you are, allocate more memory for the sample. Volume ------ Use this to set the volume the current sample will be played with. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E7:D1,E6,E8,01 Repeat ------ Here you set the start of the sample- loop. Replen ------ Here you set the length of the samluple- loop. Pressing both the left aaand right button on the sample-gadgets will speed them up a bit. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E8:D1,E7,E9,01 The PatternNumber Gadget ------------------------ To the middle left of the screen is a box with a number in it. The number is the current pattern number. Click on it to type in a new number. When in type-in mode, use return, ESC or right mousebutton to exit. This should also work on most other such gadgets. Thmt|e "Are you sure ?" requester ------------------------------ In addition to the gadgets, you can use "Y" for Yes and "N" or ESC for No. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E9:D1,E8,EA,01 The Clear requester ------------------- In addition to the gadgets you can use "A" for All, "O" for Song, "S" for samples and "C" or ESC for Cancel. The Load (sample) gadget ------------------------ This gadget will simply try to load the current samplename. Use this when you've nZfucked up in the sample editor, and have destroyed a sample. <-- KEYBOARD UP/DOWN PROTRACKER --> ^EA:D1,E9,EB,01 The text-input routine ---------------------- Now this is really simple. Clicking on a textline will enable you to edit it. Some text lines are longer than they seem, so use the arrowkeys to scroll back and forth in the text. The text- input mode is just like an ordinary text editor. You can use backspace, delete, space and such. In text-input mode you co2an also use the numeric pad for entering numbers. Pressing the right mousebutton will clear the text- line and exit the editing. Use ESC or return to just exit. <-- KEYBOARD UP/DOWN PROTRACKER --> ^EB:D1,EA,EC,01 Tips 'n tricks -------------- When inserting, pasting or join- pasting, hold down shift to keep the cursor from jumping to the end of the block. e.g. shft+ctrl+P Holding shift while pressing ctrl+K (kill to end of track) will kill to start of track instepHX ad. Use Esc or right mousebutton to exit form a lot of things. <-- KEYBOARD UP/DOWN PROTRACKER --> ^EC:D1,EB,ED,01 Effect tips ----------- You can set the volume without playing a note. e.g. ---01000 This will set the volume for sample 1 without trigging the note. Or try trigging the sample and sliding the volume down. e.g. C-301A08 ---01A08 ---01A08 This will create a strange arpeggio effect, like on "Cream of the earqiA,th" by Romeo Knight / RSI. <-- KEYBOARD UP/DOWN PROTRACKER --> ^ED:D1,EC,EE,01 Pointer Colors -------------- Gray - Nothin's happening. Yellow - Playing song / pattern. Green - Disk action. Blue - Edit / record. Magenta - Waiting for something (text or number). Cyan - Select entry or delete. Red - Something went wrong. <-- KEYBOARD UP/DOWN PROTRACKER --> ^EE:D1,ED,00,01 Now something that has never been seen inr56X any doc file for soundtrackers: How to quit!!!! Just click in the top left corner of the screen! and...oh! I almost forgot! Holding down shift or alt while moving up and down in the pattern will speed that up a bit. Help text written by the mad martian. <-- KEYBOARD UP PROTRACKER --> wkeys to scroll back and forth in the text. The text- input mode is just like an ordinary text editor. You can use backspace, delete, space and such. In text-input mode you c lEXO4_`P`P`rsPP`P`P`P``& Delete command only shft+Del - Delete note and command <-- EFFECT CMDS UP/DOWN GENERAL --> ^D7:B1,D6,D8,E1 On Numeric pad: 0 - Select Sample $0 1st row - Select Sample $1-$4 2nd row - Select Sample $5-$8 3rd row - Select Sample $9-$c 4th row - Select Sample $d-$f Just Enter - Select Sample $10 Holding Enter + the other keys select sample $11-$1f Period (.) - Kill current sample <-- EFFECT CMDS UP/DOWN GENERAL --> ^D8:B1ay,D7,D9,E1 Left Amiga (Plus keys below) - Transposing like in Edit Op. Screen 1 Sample/Track Sample/Pattern ---------------------------------- 1 - Note Up 2 - Note Up Q - Note Down W - Note Down A - Octave Up S - Octave Up Z - Octave Down X - Octave Down All/Track All/Pattern ------------------------------- 3 - Note Up 4 - Note Up E - Note Down R - Note Down D - Octave Up F - Octave Up bySMC - Octave Down V - Octave Down <-- EFFECT CMDS UP/DOWN GENERAL --> ^D9:B1,D8,DA,E1 Tab - Move cursor to next track Shft+Tab - Move cursor to prev track Ctrl+A - Toggle channel on/off Ctrl+B - Mark block Ctrl+C - Copy block to buffer Ctrl+D - Delete block, drag notes up Ctrl+e - expand track Ctrl+f - toggle filter on/off Ctrl+g - Boost all samples Ctrl+h - Transpose block up Ctrl+i - Insert block, push notes down Ctrl+j - Join-paste block Ctrl+k - Kill to cĥend of track Ctrl+l - Transpose block down <-- EFFECT CMDS UP/DOWN GENERAL --> ^DA:B1,D9,DB,E1 Ctrl+m - Toggle multikeyboard on/off Ctrl+n - Re-mark last block Ctrl+o - Contract track Ctrl+p - Paste block Ctrl+q - Unmute all channels Ctrl+r - Restore F6-F10 positions Ctrl+s - Toggle split keyboard on/off Ctrl+t - swap tracks Ctrl+u - undo last change Ctrl+v - Filter all samples Ctrl+w - Polyphonize block Ctrl+x - Cut block to buffer Ctrl+y - Backwards block Ctrl+zd^ - Restore Effects <-- EFFECT CMDS UP/DOWN GENERAL --> ^DB:B1,DA,00,E1 shft+0-9 - Store current command on selected key alt+0-9 - Insert command in current track alt+"\" - Copy command above cursor to current patternposition. alt+"=" - Copy command above cursor to current patternposition and add one to the value. alt+"-" - Copy command above cursor to current patternposition and subracevt one from the value. <-- EFFECT CMDS UP GENERAL --> ^E1:D1,00,E2,01 GENERAL INFO. ------------- Making Music ------------ Any piece of music written with Pro- tracker is built up from patterns. Each pattern is built up from four tracks, one for each of the amiga's audiochannels. A pattern is 64 lines long. The magni- fied line is always the one you edit. If you need shorter patterns, use the patternbreak effect command. <f?(-- KEYBOARD DOWN PROTRACKER --> ^E2:D1,E1,E3,01 A track is built up like this: 32 C-3 01 C20 / \_/ |/ \_/ / / | \ Pos Note Sample Effect cmd. The C-3 is the note being played at patternposition 32. 01 is the sample- number, and the three last digits are the effect command, in this case, set volume to $20 (C-Command, 20-Value). <-- KEYBOARD UP/DOWN PROTRACKER --> ^E3:D1,E2,E4,01 Protracker holds a table with info about the sequencg`1ve in which the patt- erns will be played. With the "Pos" gadget you determine your position in the table. With "Pattern" you define what pattern to play at that position. "Length" defines the total size of the table. The full sequence of Patterns is the Song. A song is built up from up to 64 different patterns, each being played at up to 128 different positions. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E4:D1,E3,E5,01 The small gadgets labeled "I" and "D" are Insert anhլd Delete. With them you can Insert or Delete a position from your song. The length of your song will be adjusted automatically. Remember that the length of your song always must be one more than the last position, since the first position is 0. Holding down the right button when pressing the Pos, Pattern and Length gadgets will speed them up a bit. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E4:D1,E3,E5,01 Finetune -------- This is a goodie. Tune your untuned samples toiH match the others. Right button will set finetune to zero. 0 436.4 hz -1 432.1 hz 1 439.0 hz -2 429.6 hz 2 441.6 hz -3 426.3 hz 3 445.1 hz -4 423.1 hz 4 447.8 hz -5 419.9 hz 5 451.5 hz -6 416.7 hz 6 455.2 hz -7 414.4 hz 7 457.0 hz -8 412.0 hz The first one to figure out this table wins 2 norwegian chocolates! <-- KEYBOARD UP/DOWN PROTRACKER --> ^E5:D1,E4,E6,01 Sample ------ Clicking on the sample up/down gaj}dgets will flicker through the samples. You can use up to 31, or hex $1F samples in a song. Sample zero function -------------------- Pressing both mousebuttons at the same time will set the sampleno. to zero. You can then record the pattern with sample 0 to prevent protracker from setting the volume each time you play a new note. <-- KEYBOARD UP/DOWN PROTRACKER --> ^E6:D1,E5,E7,01 Length ------ The Length gadgets are simply used for setting the length of the sampUZz!x------------------------- Usage: $EB + value This command works just like the normal volumeslide down, except that it only slides down once. It does not continue sliding during the length of the note. Example: C-300EB6 Slide volume down 6 at the beginning of the note. <-- EDIT OP. UP/DOWN KEYBOARD --> ^CB:A1,CA,CC,D1 Cmd EC. Cut note [Value:$0-$F] ------------------------------ Usage: $EC + Tick to Cut note at. This command will cut the note aV~Ot the selected tick, creating extremely short notes. Example: C-300F06 Set speed to 6. C-300EC3 Cut at tick 3 out of 6. Note that the note is not really cut, the volume is just turned down. <-- EDIT OP. UP/DOWN KEYBOARD --> ^CC:A1,CB,CD,D1 Cmd ED. NoteDelay [Value:$0-$F] ------------------------------- Usage: $ED + ticks to delay note. This command will delay the note to the selected tick. Example: C-300F06 Set speed to 6W. C-300ED3 Play note at tick 3 out of 6. <-- EDIT OP. UP/DOWN KEYBOARD --> ^CD:A1,CC,CE,D1 Cmd EE. PatternDelay [Notes:$0-$F] ---------------------------------- Usage: $EE + notes to delay pattern. This command will delay the pattern the selected numbers of notes. Example: C-300EE8 Delay pattern 8 notes before playing on. All other effects are still active when the pattern is being delayed. <-- EDIT OP. UP/DOXqϜWN KEYBOARD --> ^CE:A1,CD,CF,D1 Cmd EF. Funk Repeat [Speed:$0-$F] --------------------------------- Usage: $EF + funkspeed This command will need a short loop ($10,20,40,80 etc. bytes) to work. It will move the loop through the whole length of the sample. Sounds like shit, really, but who cares? Example: C-300EF8 Set Funkspeed to 8. To turn off the funking, set the speed to 0, or press ctrl + Z. <-- EDIT OP. UP/DOWN KEYBOARD --> ^CF:A1,CE,00,D1 CmdYH F. Set speed [Speed:$00-$FF] -------------------------------- Usage: $F + speed This command will set the speed of the song. The lower the number, the higher the speed. 1=fastest, FF=slowest. The default speed is 6. This will be set every time you load or clear a song. Speed 6 equals 125 bpm. Protracker v1.1 will hopefully feature CIA timing, which is needed if you want a song to go in a very exact speed. <-- EDIT OP. UP KEYBOARD --> ^D1:B1,00,D2,E1 Z  KEYBOARD -------- The keymap on protracker is a standard us keymap. The font has been enhanced and redrawn a little, so you now have a lot more special characters than before. Remember to always use the left shift and alt, as the right ones are used for other things. High notekeys: 2 3 5 6 7 9 0 = Q W E R T Y U I O P [ ] Low notekeys: S D G H J L ; Z X C V B N M , . / <-- EFFECT C[?MDS DOWN GENERAL --> ^D2:B1,D1,D3,E1 F1 - Choose lo octave(From C-1 to G-3) F2 - Choose hi octave(From C-2 to B-3) shft+F3 - Cut track to buffer shft+F4 - Copy track to buffer shft+F5 - Paste track-buffer to track alt+F3 - Cut whole pattern to buffer alt+F4 - Copy whole pattern to buffer alt+F5 - Paste patt-buffer to pattern ctrl+F3 - Cut commands to buffer ctrl+F4 - Copy commands to buffer ctrl+F5 - Paste cmd-buffer to track <-- EFFECT CMDS UP/DOWN GE\yNERAL --> ^D3:B1,D2,D4,E1 F6 - Go to patternposition 0 F7 - Go to patternposition 16 F8 - Go to patternposition 32 F9 - Go to patternposition 48 F10- Go to patternposition 63 shft+F6-F10 - Store current patternpo- sition on selected F-key alt+F6-F10 - Play pattern from the stored patternposition ctrl+F6-F10 - Record from the stored patternposition Esc - Exit DiskOp/EditOp/PLST/PsetEd/ Setup/Help and MIDI screens <-- EFFECT]As CMDS UP/DOWN GENERAL --> ^D4:B1,D3,D5,E1 shft+Return - Insert blank note at cursorposition and move the others down. Notes beyond patternposition 63 will be lost! shft+Bckspce - Delete note above cursorposition and move the others up. You can NOT do this if you're at patternposition 0! alt+Return - As above, but with all 4 trac^9ks alt+Backspace - As above, but with all 4 tracks <-- EFFECT CMDS UP/DOWN GENERAL --> ^D5:B1,D4,D6,E1 ctrl+Return - Push cmds one down ctrl+Backspace - Drag cmds one up ctrl+0-9 - Select how many slots PT will jump down each time you insert a note (this is only in Edit-mode) alt+cursor right - patternnumber up alt+cursor left - patternnumber down shft+cursor right - song-position up shft+cursor left - song-po_*sition down BackwardsSingleQuote (The key over TAB, you know?) - Go to CLI <-- EFFECT CMDS UP/DOWN GENERAL --> ^D6:B1,D5,D7,E1 Help - Go to help or plst screen shft+Help - Toggle between help or plst on help key Space - Toggle between Stop/Edit-mode < (beside Z) - Kill DMA & Volumes to 0 right Amiga - Play Pattern right Alt - Play Song right Shift - Record Caps Lock - Toggle Keyrepeat on/off Del - Delete note under cursor alt+Del -Jstead of restart as on noisetracker, but you must enter the position in hex! <-- EDIT OP. UP/DOWN KEYBOARD --> ^BE:A1,BD,BF,D1 Cmd C. Set volume [Volume:$00-$40] ---------------------------------- Usage: $C + new volume Well, this old familiar command will set the current volume to your own selected. The highest volume is $40. All volumes are represented in hex. (Programmers do it in hex, you know!) Example: C-300C10 C is the command, 10 is the volumKse (16 decimal). <-- EDIT OP. UP/DOWN KEYBOARD --> ^BF:A1,BE,C0,D1 Cmd D. Pattern-break [Pattern-pos:00-63, decimal] ---------------------------- Usage: $D + pattern-position This command just jumps to the next song-position, and continues play from the patternposition you spesify. Example: C-300D00 Jump to the next song-position and continue play from patternposition 00. Or: C-300D32 Jump to the next song-position and cL8-ontinue play from patternposition 32 instead. <-- EDIT OP. UP/DOWN KEYBOARD --> ^C0:A1,BF,C1,D1 Cmd E0. Set filter [Range:$0-$1] -------------------------------- Usage: $E0 + filter-status This command jerks around with the sound-filter on some A500 + A2000. All other Amiga-users should keep out of playing around with it. Example: C-300E01 disconnects filter (turns power LED off) C-300E00 connects filter (turnMPJs power LED on) <-- EDIT OP. UP/DOWN KEYBOARD --> ^C1:A1,C0,C2,D1 Cmd E1. Fineslide up [Range:$0-$F] ---------------------------------- Usage: $E1 + value This command works just like the normal portamento up, except that it only slides up once. It does not continue sliding during the length of the note. Example: C-300E11 Slide up 1 at the beginning of the note. (Great for creating chorus effects) <-- EDIT OP. UP/DOWN KEYBOARD --> ^C2:NA6A1,C1,C3,D1 Cmd E2. Fineslide down [Range:$0-$F] ------------------------------------ Usage: $E2 + value This command works just like the normal portamento down, except that it only slides down once. It does not continue sliding during the length of the note. Example: C-300E26 Slide up 6 at the beginning of the note. <-- EDIT OP. UP/DOWN KEYBOARD --> ^C3:A1,C2,C4,D1 Cmd E3. Glissando Ctrl [Range:$0-$1] ------------------------------------ UORvsage: $E3 + Glissando-Status Glissando must be used with the tone- portamento command. When glissando is activated, toneportamento will slide a halfnote at a time, instead of a straight slide. Example: C-300E31 Turn Glissando on. C-300E30 Turn Glissando off. <-- EDIT OP. UP/DOWN KEYBOARD --> ^C4:A1,C3,C5,D1 Cmd E4. Set vibrato waveform [Range:$0-$3] ---------------------------- Usage: $E4 + vibrato-waveform Example: C-300E40 Set sinPe(default) E44 Don't retrig WF C-300E41 Set Ramp Down E45 Don't retrig WF C-300E42 Set Squarewave E46 Don't retrig WF C-300E43 Set Random E47 Don't retrig WF <-- EDIT OP. UP/DOWN KEYBOARD --> ^C5:A1,C4,C6,D1 Cmd E5. Set finetune [Range:$0-$F] ---------------------------------- Usage: $E5 + finetune-value Example: C-300E51 Set finetune to 1. Use these tables to figure Q `Fout the finetune-value. Finetune: +7 +6 +5 +4 +3 +2 +1 0 Value: 7 6 5 4 3 2 1 0 Finetune: -1 -2 -3 -4 -5 -6 -7 -8 Value: F E D C B A 9 8 <-- EDIT OP. UP/DOWN KEYBOARD --> ^C6:A1,C5,C7,D1 Cmd E6. PatternLoop [Loops:$0-$F] ---------------------------------- Usage: $E6 + number of loops This command will loop a part of a pattern. Example: C-300E60 Set loopstart. C-300E63 Jump to loop 3 times before playing on. RI. <-- EDIT OP. UP/DOWN KEYBOARD --> ^C7:A1,C6,C8,D1 Cmd E7. Set tremolo waveform [Range:$0-$3] ---------------------------- Usage: $E7 + tremolo-waveform Example: C-300E70 Set sine(default) E74 Don't retrig WF C-300E71 Set Ramp Down E75 Don't retrig WF C-300E72 Set Squarewave E76 Don't retrig WF C-300E73 Set Random E77 Don't retrig WF <-- EDIT OP. UP/DOWN SE KEYBOARD --> ^C8:A1,C7,C9,D1 Cmd E9. Retrig note [Value:$0-$F] --------------------------------- Usage: $E9 + Tick to Retrig note at. This command will retrig the same note before playing the next. Where to retrig depends on the speed of the song. If you retrig with 1 in speed 6 that note will be trigged 6 times in one note slot. Retrig on hi-hats! Example: C-300F06 Set speed to 6. C-300E93 Retrig at tick 3 out of 6. <-- EDIT OP.Tp_%/ UP/DOWN KEYBOARD --> ^C9:A1,C8,CA,D1 Cmd EA. FineVolsl up [Range:$0-$F] ---------------------------------- Usage: $EA + value This command works just like the normal volumeslide up, except that it only slides up once. It does not continue sliding during the length of the note. Example: C-300EA3 Slide volume up 1 at the beginning of the note. <-- EDIT OP. UP/DOWN KEYBOARD --> ^CA:A1,C9,CB,D1 Cmd EB. FineVolsl down [Range:$0-$F] -----------?;8Vol Up E3- Glissando Control EB- FineVol Down E4- Vibrato Control EC- NoteCut E5- Set Finetune ED- NoteDelay E6- Patternloop EE- PatternDelay E7- Tremolo Control EF- Funk Repeat <-- EDIT OP. UP/DOWN KEYBOARD --> ^B3:A1,B2,B4,D1 Cmd 0. Arpeggio [Range:$0-$F/$0-$F] ----------------------------------- Usage: $0 + 1st halfnote add + 2nd halfnote add Arpeggio is used to simulate chords. This is done by rapidly changing the pitch between 3(or@? 2) different notes. It sounds very noisy and grainy on most samples, but ok on monotone ones. Example: C-300047 C-major chord: (C+E+G or C+4+7 halfnotes) C-300037 C-minor chord: (C+D#+G or C+3+7 halfnotes) <-- EDIT OP. UP/DOWN KEYBOARD --> ^B4:A1,B3,B5,D1 Cmd 1. Portamento up [Speed:$00-$FF] ------------------------------------ Usage: $1 + portamento speed Portamento up will simply slide the sample pitch up. You can NOT slide higheAJr than B-3! (Period 113) Example: C-300103 1 is the command, 3 is the portamentospeed. NOTE: The portamento will be called as many times as the speed of the song. This means that you'll sometimes have trouble sliding accuratly. If you change the speed without changing the sliderates, it will sound bad... <-- EDIT OP. UP/DOWN KEYBOARD --> ^B5:A1,B4,B6,D1 Cmd 2. Portamento down [Speed:$00-FF] ------------------------------------- Usage: $2 + portamento BtMspeed Just like command 1, except that this one slides the pitch down instead. (Adds to the period). You can NOT slide lower than C-1! (Period 856) Example: C-300203 2 is the command, 3 is the portamentospeed. <-- EDIT OP. UP/DOWN KEYBOARD --> ^B6:A1,B5,B7,D1 Cmd 3. Tone-portamento [Speed:$00-$FF] -------------------------------------- Usage: Dest-note + $3 + slidespeed This command will automatically slide from the old note to the new. You don'tC1 5 have to worry about which direction to slide, you need only set the slide speed. To keep on sliding, just select the command $3 + 00. Example: A-200000 First play a note. C-300305 C-3 is the note to slide to, 3 the command, and 5 the speed. <-- EDIT OP. UP/DOWN KEYBOARD --> ^B7:A1,B6,B8,D1 Cmd 4. Vibrato [Rate:$0-$F,Dpth:$0-$F] -------------------------------------- Usage: $4 + vibratorate + vibratodepth Example: C-300481 4DS is the command, 8 is the speed of the vibrato, and 1 is the depth of the vibrato. To keep on vibrating, just select the command $4 + 00. To change the vibrato, you can alter the rate, depth or both. Use command E4- to change the vibrato-waveform. <-- EDIT OP. UP/DOWN KEYBOARD --> ^B8:A1,B7,B9,D1 Cmd 5. ToneP + Volsl [Spd:$0-$F/$0-$F] -------------------------------------- Usage: $5 + upspeed + downspeed This command will continue the current toneportaE2g mento and slide the volume at the same time. Stolen from NT2.0. Example: C-300503 3 is the speed to turn the volume down. C-300540 4 is the speed to slide it up. <-- EDIT OP. UP/DOWN KEYBOARD --> ^B9:A1,B8,BA,D1 Cmd 6. ToneP + Vibra [Spd:$0-$F/$0-$F] -------------------------------------- Usage: $6 + upspeed + downspeed This command will continue the current vibrato and slide the volume at the same time. Stolen FW釠from NT2.0. Example: C-300605 5 is the speed to turn the volume down. C-300640 4 is the speed to slide it up. <-- EDIT OP. UP/DOWN KEYBOARD --> ^BA:A1,B9,BB,D1 Cmd 7. Tremolo [Rate:$0-$F,Dpth:$0-$F] -------------------------------------- Usage: $7 + tremolorate + tremolodepth Tremolo vibrates the volume. Example: C-300794 7 is the command, 9 is the speed of the tremolo, and 4 is the depth of the tremolGo. To keep on tremoling, just select the command $7 + 00. To change the tremolo, you can alter the rate, depth or both. Use command E7- to change the tremolo-waveform. <-- EDIT OP. UP/DOWN KEYBOARD --> ^BB:A1,BA,BC,D1 Cmd 9. Set SampleOffset [Offs:$00-$FF] -------------------------------------- Usage: $9 + Sampleoffset This command will play from a chosen position in the sample, and not from the beginning. The two numbers equal the two first numbers in the lengthH of the sample. Handy for speech- samples. Example: C-300923 Play sample from offset $2300. <-- EDIT OP. UP/DOWN KEYBOARD --> ^BC:A1,BB,BD,D1 Cmd A. Volumeslide [Speed:$0-$F/$0-$F] -------------------------------------- Usage: $A + upspeed + downspeed Example: C-300A05 5 is the speed to turn the volume down. C-300A40 4 is the speed to slide it up. NOTE: The slide will be called as many timIles as the speed of the song. The slower the song, the more the volume will be changed on each note. <-- EDIT OP. UP/DOWN KEYBOARD --> ^BD:A1,BC,BE,D1 Cmd B. Position-jump [Pos:$00-$3F] ---------------------------------- Usage: $B + position to continue at Example: C-300B01 B is the command, 1 is the position to restart the song at. This command will also perform a pattern-break (see 2 pages below). You can use this command in4$+tering a value like 8 will quantize to every 8th note, and so on. Got that? ## Metro(nome) ## The first number is the speed of the metronome, and the second is the channel to play it on. The Sample used for metronomes is always sample $1F. Load your own favourite metro- nome sample. The metronome will always be played at C-3, but you can still <-- MIDI UP/DOWN EFFECT CMDS --> ^A6:81,A5,A7,B1 change the volume and loop values. To turn off the metronome, just 5F2set the speed or channel to 00. ## Multi ## When on, pt will jump to another channel after you play a note on the keyboard. This makes it possible to play two or more notes at the same time (very useful with midi). On the setup screen you can choose what channel to jump to after playing a note. <-- MIDI UP/DOWN EFFECT CMDS --> ^A7:81,A6,A8,B1 Edit Op. screen 2: (Samples) To the right of the title bar is a small box with the letter "T", "P" or "S". T - Mo6ve & Exchange apply to current track only. P - Move & Exchange will affect the the whole pattern. S - Move & Exchange will move the samples in memory. To toggle between the two, click on the edit op. title bar. <-- MIDI UP/DOWN EFFECT CMDS --> ^A8:81,A7,A9,B1 ## Delete ## Will delete all notes with the current sample in current track or whole pattern. ## Kill ## Will kill the current sample. That is, remove it from memory and reset all sample se7Wttings. It will not be deleted from the track or pattern. You can also use the period (.) key on the numeric keyboard to invoke this function. <-- MIDI UP/DOWN EFFECT CMDS --> ^A9:81,A8,AA,B1 ## EXCHGE (Exchange) ## Will exchange the samplenumber shown in the "from" gadget with the sample- number in the "to" gadget and vice versa. "T" or "P" selects track or pattern. "S" exchanges the samples. ## MOVE ## Will move the samplenumber shown in the "from" gadget t8WDo the sample- number in the "to" gadget. <-- MIDI UP/DOWN EFFECT CMDS --> ^AA:81,A9,AB,B1 Edit Op. screen 3: (Sample Editor) To the right of the title bar is a small box with the letter "H" or "C". H - Will halve the volume when mixing and echoing to avoid clipping. C - Will not halve the volume. The sample may be clipped. To toggle between the two, click on the edit op. title bar. <-- MIDI UP/DOWN EFFECT CMDS --> ^AB:81,AA,AC,B1 ## Mix 99x## Will mix one sample with another. Pt asks you which two samples to be mixed, and where to put the result. Holding the right button and pressing mix will mix the current sample with itself. You can offset the sample by setting a position in the "pos" gadg. If you set "mod" to a non-zero value, the sample will also be modulated. <-- MIDI UP/DOWN EFFECT CMDS --> ^AC:81,AB,AD,B1 ## Echo ## Will create a echo effect on the current sample. Use "pos" to set the:D delay time of the echo. If you want more room to echo in, just turn up the length of the sample. ## Boost ## Will turn up the treble of the sample. Use this on hi-hats and snares! ## Filter ## Will Delta-filter the sample. Use this on noisy basses. <-- MIDI UP/DOWN EFFECT CMDS --> ^AD:81,AC,AE,B1 ## X-Fade ## Will crossfade the sample (mix with itself, backwards). Handy for looping samples that are hard to loop. ## Backwd (backwards) ## Will turn the sam;*ple backwards! ## Upsample ## Will remove every second byte of the sample, halving the length and shifting the pitch one octave up. <-- MIDI UP/DOWN EFFECT CMDS --> ^AE:81,AD,AF,B1 ## Downsample ## Will double every byte of the sample, doubling the length, and shifting the pitch one octave down. If you downsample samples longer than $7FFE, you will lose the end of them. ## POS ## This is just a offset in the sample, used for a lot of things. ## MOD ##<> This is used for modulation. Press "MOD" to modulate the current sample. <-- MIDI UP/DOWN EFFECT CMDS --> ^AF:81,AE,B0,B1 ## Cutbeg(inning) ## Will chop the number of bytes set in the "pos" gadget off the beginning of the sample. ## FU (Fade Up) ## Will fade the volume from 0 to 100%. Use "Pos" to select where in the sample to fade up to. ## FD (Fade Down) ## Will fade the volume from 100 to 0%. Use "Pos" to select where in the sample to fade down from. <--= h9 MIDI UP/DOWN EFFECT CMDS --> ^B0:81,AF,00,B1 ## VOL ## With this you can change the "real" volume of the sample. Just set a percentage and press "VOL". <-- MIDI UP EFFECT CMDS --> ^B1:A1,00,B2,D1 EFFECT COMMANDS --------------- Effect commands on protracker should be compatible with all other trackers. 0 - None/Arpeggio 8 - * NOT USED * 1 - Portamento Up 9 - SampleOffset 2 - Portamento Down A - VolumeSli>de 3 - TonePortamento B - PositionJump 4 - Vibrato C - Set Volume 5 - ToneP + VolSlide D - PatternBreak 6 - Vibra + VolSlide E - Misc. Cmds 7 - Tremolo F - Set Speed <-- EDIT OP. DOWN KEYBOARD --> ^B2:A1,B1,B3,D1 E - COMMANDS ------------ The E command has been altered to contain more commands than one. E0- Filter On/Off E8- * NOT USED * E1- Fineslide Up E9- Retrig Note E2- Fineslide Down EA- Fine)  set the original PT defaults and colors. ## Multi ## This table is used with the multi key- board option. The four numbers repre- sent what channel each channel will jump to next. 1-2, 2-3, 3-4 and so on. <-- PRESET ED UP/DOWN MIDI --> ^64:51,63,65,81 ## The dot ## The gadget with a dot and a textline can be used to execute dos commands. Each of the 8 commands can be up to 31 letters long. Pressing the dot will browse through the commands. Holding the right *{ button and pressing it will execute the command. Note that PT needs the command "run" to execute the other commands. This is because of commodore's stupid programming of the dos library function "execute". Type "endcli" to go back to protracker. <-- PRESET ED UP/DOWN MIDI --> ^65:51,64,66,81 ## The Color Palette ## The color palette is simple to use. Just select a color, and use the R, G and B sliders to set the color. ## Undo ## Will put back the latest chan+HPge. ## Cancel ## Will set the config colors. ## Def(ault) ## Will set the original ST colors. <-- PRESET ED UP/DOWN MIDI --> ^66:51,65,67,81 ## Split ## You can set 4 splits on the keyboard, each with it's own sample, splitpoint and transpose. Just type in a sample number and select the key to split at by pressing the appropriate one. The transpose note for each split is the first note in that split-range. Notes below the first split will be played with the,~!m current sample. Split is great for recording drums, or for playing untuned samples in tune (use together with finetune). ## Clear ## will clear the splits. <-- PRESET ED UP/DOWN MIDI --> ^67:51,66,68,81 ## KeyRep(eat) ## The first number is the keyrepeat- delay, and the second is the speed. ## Accidental ## Simple enough, accidental allows you to select sharp (#) or flat () notes. This will not be saved with the song! ## Print Song ## Will print the song t-o the path shown below the "Print Song" gadget. The print path can be 31 chars long. <-- PRESET ED UP/DOWN MIDI --> ^68:51,67,69,81 ## Split on/off ## Toggles between normal and split key- board. ## Filter on/off ## Toggles the audiofilter / PowerLED. (Not available on all amigas) ## Trans(pose)del(ete) on/off ## When on, notes transposed out of range will be deleted. ## ShowDec(imal) ## When on, Freemem, Tunemem, and file- lengths will be shown in decima.|;kl. <-- PRESET ED UP/DOWN MIDI --> ^69:51,68,00,81 ## Autodir on/off ## When on, protracker dirs the current directory path automatically. ## AutoExit on/off ## When on, protracker will automatically exit from the file requester when loading a song or module. ## Mod. only on/off ## When on, protracker will only show modules beginning with "mod.". ## MIDI on/off ## Enables midi input (see midi help). <-- PRESET ED UP MIDI --> ^81:61,00,00,A1 /5L MIDI ---- Midi routines in protracker 1.0 are very limited. Midi in should work ok, though. To activate midi, you'll have to turn it on on the setup screen. Use the three upper octaves on your synthesizer to play notes. Some keys in the lowest octave can be used to play/stop/record etc... Midi is under construction, and will be much improved in later versions. <-- SETUP NOWHERE EDIT OP. --> ^A1:81,00,A2,B1 EDIT OP.0 -------- The edit op. screens were just a handy way for us to implement all the new functions we had thought of. There are three screens, and you can browse through them by pressing the edit op. gadget more than once, or select one by clicking on the numbers 1-3. To exit edit op., click on the gadget labeled "E" or press ESC. <-- MIDI DOWN EFFECT CMDS --> ^A2:81,A1,A3,B1 Edit op. Screen 1: ## Transposing ## What is trans1[posing ? Transposing lets you shift the pitch of the notes up or down. E.g. Change a C-3 to a C#3. In comparison to other trackers, protracker lets you transpose in just about every way you can imagine. You can transpose either the current sample or all the samples in a track or pattern. <-- MIDI UP/DOWN EFFECT CMDS --> ^A3:81,A2,A4,B1 To the right of the title bar is a small box with the letter "S" or "A". S - Only the current sample will be transposed2ɽ. A - All the samples from $00-$1F will be transposed. To toggle between the two, click on the edit op. title bar. If the setup toggle "transdel" is on, all the notes transposed out of range (C-1 to B-3) will be deleted. If not, they will not be transposed. <-- MIDI UP/DOWN EFFECT CMDS --> ^A4:81,A3,A5,B1 Edit op. screen 2: (Record) ## Record ## Patt - Record current pattern only. Song - When recording, pt will move through the patterns in the 3 DU song, just like normal play. ## Quantize ## Will move the notes you record to every n'th slot. Entering 00 will turn off the quantizing, and the notes you play will always be inserted at the patternposition you are at. Entering 01 will quantize the notes the the nearest slot <-- MIDI UP/DOWN EFFECT CMDS --> ^A5:81,A4,A6,B1 according to the speed. i.e. if you play a note after the first half has been played, it will be quantized to the slot below. En;qly simple to use. Listed here are all the samples in your Presetlist and their lengths. Just click on a name, and Protracker will ask for a disk called ST-01 through to ST-99. Insert it, and the chosen sample will be loaded to the current sample displayed at the left of the screen. Use the up/down arrow keys to move up and down in the PresetList. If you press the right mousebutton, the PLST will move 10 presets at a time. <-- DISK OP. DOWN PRESET ED --> ^42:31,41:f,43,51 At the top the PLST shows the total number of samples from the selected sounddisks. There are a few PLST gadgets: ## CLEAR ## Will clear all the sounddisk names you have entered, and display the whole PresetList. ## MOUNTL(ist) ## Will search your drives for disks called ST-**, and put the names into the ST-__ gadgets. ST-00 will not be mounted. <-- DISK OP. UP/DOWN PRESET ED --> ^43:31,42,00,51 ## ST-__ ## There are three ST-__ gadgets where you can  {enter the numbers of the sounddisks you want to display in the PLST. Only the presets from the selected sounddisks will be shown. If you clear all gadgets (by pressing return or right mousebutton), or press "Clear", the PLST will revert to show all presets. <-- DISK OP. UP PRESET ED --> ^51:41,00,52,61 PRESET ED --------- The protracker's preset-editor is an enhanced version of the original v2.5 editor. The screen has been clean!f6ed up, and redrawn to match the plst. The editing is still a bit lousy though, but we promise to fix it up a bit in v1.1. You can now save volumes in your presetlist. A possibility which always has been there, but no one have bothered to use. <-- PLST DOWN SETUP --> ^52:41,51,53,61 The preset editor is used for sorting and catalogueing your samples. All samples for use with protracker must be on disks called "ST-01" to "ST-99". When adding a disk to th"¼oe presetlist, only these disks are recognized. Harddisk owners may want to add a directory. e.g. You've got a directory called "Supersamples", and you want to use the samples on pt... Simple. Assign "Supersamples" to ST-13 or whatever. In the box with "Disk:" and ST-__ in it, enter ST-13. Now enter "DHX:supersamples" in the path box and press "add path". <-- PLST UP/DOWN SETUP --> ^53:41,52,54,61 The path will be added as ST-13 in your presetlist, so everyti#zXme you need a sample from ST-13, it will be loaded from "Supersamples" instead. Simple? Editing -------- We must admit the editing is lousy, but you can't have everything! To edit a preset, simply click on it. Use the arrowkeys to move left/right. When moving up and down in the preset- list, use the right mousebutton to speed it up a bit. <-- PLST UP/DOWN SETUP --> ^54:41,53,55,61 ## add path ## Will add the current path to the presetlist. infos will no$ t be added. Samplenames can only be 15 chars long. ## Insert Preset ## Will create a new preset. Enter the data for the sample, and it will be added to the presetlist. ## Delete Preset ## Will delete the wanted preset from the presetlist. <-- PLST UP/DOWN SETUP --> ^55:41,54,56,61 ## Use Preset ## Will load the wanted preset to the current sampleno. ## PATH ## This is where you enter the path to be added from. It can be up to 31 characters long (shou%bld be enough!?). ## Disk ## This is the disk (or HD-dir) that's being added from. <-- PLST UP/DOWN SETUP --> ^56:41,55,57,61 ## Presets ## This is the current number of presets in the presetlist. ## Clear PLST ## Will clear all the presets. ## Load PLST ## Will load the presetlist from "ST-00:PLST". No plst path available on this version. Sorry! <-- PLST UP/DOWN SETUP --> ^57:41,56,00,61 ## Save PLST ### Will save the presetlist to &cq"ST-00:PLST". ## Print PLST ## Will print the presetlist to the current print path, shown on the setup-screen. ## PLST ## Will go to the PLST-screen! ...and in case you were too stupid to understand, PLST is a shortform for "Presetlist"! <-- PLST UP SETUP --> ^61:51,00,62,81 SETUP ----- The setup screen was provided so that PT users could set up their own personal environment. We hope we have satisfied most of you. '}T6You've got 8 on/off toggles, a split keyboard editor, a color palette and lots more. Choose what you want, and use "Save Config" to save your environ- ment. On the next screen is a list of what will be saved in the config file. Remember to check your paths when you save the configuration. <-- PRESET ED DOWN MIDI --> ^62:51,61,63,81 This will be saved in the config file: -------------------------------------- Songs/Modules/Samples/Print path, Split Keyboard (bdata, Accidental, MultiKey Channeltable, Colors, Keyrepeat, the 8 on/off toggles, the 8 external dos commands and the effect macros. You can have up to 256 different config files. They will be saved as "pt.config-00", "pt.config-01" and so on. Set the confignumber in the "cnfig" box. <-- PRESET ED UP/DOWN MIDI --> ^63:51,62,64,81 ## Load config ## Will load the selected config file. ## Save config ## Will save the selected config file. ## Reset All ## Willփ> current pattern which is shown at the bottom of the screen. The pointer turns yellow here as well. Holding down the right button while pressing play or pattern will play from the current patternposition. <-- PROTRACKER DOWN DISK OP. --> ^22:01,21,23,31 ## EDIT ## Will put you in edit mode. The pointer turns blue, and you can enter notes and numbers from the keyboard. Use the arrowkeys to move up/down and left/right in the pattern. Entering a note or a number wWill cause the pattern to jump one or more slots down. <-- PROTRACKER UP/DOWN DISK OP. --> ^23:01,22,24,31 ## RECORD ## Will put you in edit mode, but also play the current pattern or song. You can select this in the Edit Options menu. While the pattern or song is playing, you can type in notes and numbers from the keyboard, and they will appear in the pattern as it scrolls. The notes and numbers will also be quantized to the nearest slot, so that keeping a stead|Ny rhythm is no problem. The pointer will turn blue here as well as in the the normal edit mode. <-- PROTRACKER UP/DOWN DISK OP. --> ^24:01,23,25,31 ## STOP ## Will stop playing of songs and patt- erns, recording, and will turn edit mode off. ## CLEAR ## Will first ask you what you want to clear. You can clear either all, song or samples. ## EDIT OP. ## Will exchange the Spectrum Analyzer with the Edit Menu(s). Pressing more than one time will browse through the edit op. screens. <-- PROTRACKER UP/DOWN DISK OP. --> ^25:01,24,26,31 ## DISK OP. ## Will go to the File Requester. ## PLST ## Will go to the PLST screen. ## PSET-ED ## Will go to the preset editor. ## Setup ## Will go to the Setup Screen. ## MIDI ## Will go to the MIDI screen. (Midi is not finished though. Sorry!) <-- PROTRACKER UP/DOWN DISK OP. --> ^26:01,25,00,31 The small gadgets labeled ## 1, 2, 3 and 4 ## represent the audiochannels of your amigOÐa. When lit, that channel is on. When not lit, the channel is muted and and the notes in that track will not be played. You can also use ctrl-a to toggle an audiochannel, and ctrl-q to unmute all channels. Shift+ctrl-a will solo the current channel! <-- PROTRACKER UP DISK OP. --> ^31:21,00,32,41 DISK OP. -------- The filerequester has been changed quite a bit from the noisetracker's, and is bigger and better. You now have paths fe5Yor both songs, modules and samples, and free disk space is shown. The files are now displayed with dates, so that you can see when you made your songs. We didn't include a .fastdir like nt1.2, because it simply causes too much trouble. We did include a rename option though, which we hope will be satisfactory. <-- MAINSCREEN DOWN PLST --> ^32:21,31,33,41 ## Path ## The paths for songs, modules and samples can now be changed, and they can be up to 31 charactersq long. The paths will also be saved in the config file. ## Free (Diskspace) ## Free diskspace can be shown in hex or decimal. Select this on the setup screen. You can use the arrowkeys to move up and down in the files. Holding the right mousebutton will move faster. <-- MAINSCREEN UP/DOWN PLST --> ^33:21,32,34,41 ## Format Disk## Will format a disk in df0: (Hopefully now bug-free...) ## Rename file ## Will dir the current directory. Select a filename, and{{_ you will be able to edit the name. ## Pack ## When on, protracker will pack the songs before saving (Modules will not be packed in this version). <-- MAINSCREEN UP/DOWN PLST --> ^34:21,33,35,41 ## Load song ## Will dir the songs path. Select a song, and it will be loaded and decrunched. ## Save song ## Will pack the song if packing is on, then save it to the current songs path. Remember to enter a name for your song, otherwise pt will not save! ## Delete 0-song ## Will dir the songs path. Select a song, and it will be deleted, and the path will be re-read. <-- MAINSCREEN UP/DOWN PLST --> ^35:21,34,36,41 ## Load module ## Will dir the modules path. Select a module, and it will be loaded. ## Save module ## Will save the module to the current song path. Modules can be saved without a name, since they always begin with "Mod.". ## Delete module ## Will dir the modules path. Select a module, and it will be deleted, a߄Tnd the path re-read. <-- MAINSCREEN UP/DOWN PLST --> ^36:21,35,37,41 ## Load sample ## Will dir the sample path. Select a sample, and it will be loaded to the current sample. Iff headers will be chopped off. ## Save Sample ## Will save the current sample as RAW. Iff saving is not available on this version. ## Delete Sample ## Will dir the sample path. Select a sample, and it will be deleted, and the path re-read. <-- MAINSCREEN UP/DOWN PLST --> ^37:21,36,00,41 AutoDir - If you set the autodir toggle on the setup screen to on, protracker will auto- matically dir the current path when you enter the disk op. screen. AutoExit - When this toggle is on protracker will exit from disk op. when loading a song or a module. <-- MAINSCREEN UP PLST --> ^41:31,00,42,51 PLST ---- The PLST is fair