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 @GQ  N2u @ GRS @ R  @ I"G  @   @  @I  @IQ  O ^  @ IR  @ (  @Q  @8"@  @Q  @ R  @ 8   @ !P68Q   @8  @Q  @   @ I  Q @   R@  S @I  "Qe @I  Q @ I  R@  S @  T @G  @Q  @ R  @G#: and.b #$0F,d0 ext.w d0 move.w d0,pv_deltaphase(a1) clr.w pv_phase(a1) .l10: move.b nt_volume(a0),d0 bne.s .l10a btst #7,nt_speed(a0) beq.s .l16 bra.s .l11a .l10a: cmp.b #$FF,d0 bne.s .l11 clr.w pv_deltavol(a1) bra.s .l16 .l11: btst #7,nt_speed(a0) beq.s .l12 .l11a: move.b d0,pv_vol+1(a1) move.b d0,pv_vollevel+1(a1) clr.w pv_deltavol(a1) bra.s .l16 .l12: bclr #7,d0 beq.s .l13 neg.b d0 .l13: ext.w d0 move.w d0,pv_deltavol(a1) .l16: move.b nqAt_porta(a0),d0 beq.s .l1a cmp.b #$FF,d0 bne.s .l17 clr.l pv_por(a1) bra.s .l1a .l17: clr.w pv_por(a1) btst #6,nt_speed(a0) beq.s .l17a move.w pv_porlevel(a1),d1 cmp.w pv_pers(a1),d1 bgt.s .l17c neg.b d0 bra.s .l17c .l17a: bclr #7,d0 bne.s .l18 neg.b d0 move.w #135,pv_porlevel(a1) bra.s .l17c .l18: move.w #1019,pv_porlevel(a1) .l17c: ext.w d0 .l18a: move.w d0,pv_deltapor(a1) .l1a: rts *** Data section *** pp_periods: DC.W 1019,962,908,857,80K9,763,720,680,642,606,572,540 DC.W 509,481,454,428,404,381,360,340,321,303,286,270 DC.W 254,240,227,214,202,190,180,170,160,151,143,135 DC.W 135,135,135,135,135,135,135,135,135 DC.W 135,135,135,135,135,135 songlen: DS.W 1 songtable: DS.L 1 instable: DS.L 1 patttable: DS.L 1 pp_wait: DS.B 1 pp_waitcnt: DS.B 1 pp_notecnt: DS.B 1 pp_address: DS.L 1 pp_songptr: DS.L 1 pp_songcnt: DS.W 1 pp_pattentry: DS.L 1 pp_tmpdmacon: DS.W 1 pp_variables: DS.B 4*48 pp_nullwave: DS.W 1 p]d             tx RSRESET ;Instrument info structure it_name RS.B 31 it_flags RS.B 1 it_size RS.L 1 it_address RS.L 1 it_sizeof RS.W 0 RSRESET ;Pattern info structure pt_size RS.W 1 pt_address RS.L 1 pt_sizeof RS.W 0 RSRESET ;Note info structure nt_period RS.B 1 nt_instr RS.B 1 nt_speed RS.B 1 nt_arpeggio RS.B 1 nt_vibrato RS.B 1 nt_phase RS.B 1 nt_volume RS.B 1 nt_porta RS.B 1 nt_sizeof RS.W 0 RSRESET ;Voice info structure pv_waveoffset RS.W 1 pv_dmacon RS.W 1 pv_custbase uRS.L 1 pv_inslen RS.W 1 pv_insaddress RS.L 1 pv_peraddress RS.L 1 pv_pers RS.W 3 pv_por RS.W 1 pv_deltapor RS.W 1 pv_porlevel RS.W 1 pv_vib RS.W 1 pv_deltavib RS.W 1 pv_vol RS.W 1 pv_deltavol RS.W 1 pv_vollevel RS.W 1 pv_phase RS.W 1 pv_deltaphase RS.W 1 pv_vibcnt RS.B 1 pv_vibmax RS.B 1 pv_flags RS.B 1 pv_sizeof RS.W 0 SECTION BTLCRACKER_PLAYER,CODE_C *** Test routine *** Start: move.l 4.w,a6 jsr -132(a6) bsr.s pp_init .loop: cmp.b #$50,$DFF006 bne.s .loop vQ move.w #$0F00,$DFF180 bsr pp_play move.w #$0000,$DFF180 btst #6,$BFE001 bne.s .loop bsr pp_end move.l 4.w,a6 jsr -138(a6) moveq #0,d0 rts *** Initialise routine *** pp_init: lea pp_song(PC),a0 addq.w #4,a0 move.w (a0)+,d0 move.w d0,d1 move.l a0,instable mulu #it_sizeof,d0 add.w d0,a0 move.w (a0)+,d0 move.w d0,d2 move.l a0,patttable mulu #pt_sizeof,d0 add.w d0,a0 move.w (a0)+,d0 move.w d0,songlen move.l a0,songtable add.w d0,dwtp0 add.w d0,a0 move.l patttable(PC),a1 move.w d2,d0 subq.w #1,d0 .l0: move.l a0,pt_address(a1) move.w (a1),d3 ;pt_size mulu #nt_sizeof*4,d3 add.w d3,a0 addq.w #pt_sizeof,a1 dbra d0,.l0 move.l instable(PC),a1 move.w d1,d0 subq.w #1,d0 .l1: move.l a0,it_address(a1) move.l it_size(a1),d2 add.l d2,a0 add.w #it_sizeof,a1 dbra d0,.l1 move.l songtable(PC),pp_songptr move.w songlen(PC),pp_songcnt move.l pp_songptr(PC),a0 move.w (a0),d0 mulu #pt_xzsizeof,d0 add.l patttable(PC),d0 move.l d0,a0 move.l a0,pp_pattentry move.b pt_size+1(a0),pp_notecnt move.l pt_address(a0),pp_address move.b #6,pp_wait move.b #1,pp_waitcnt clr.w pp_nullwave move.w #$000F,$DFF096 lea pp_variables(PC),a0 lea $DFF0A0,a1 moveq #1,d1 move.w #$80,d2 moveq #4-1,d0 .l2: move.w #0,8(a1) move.w d2,(a0) ;pv_waveoffset move.w d1,pv_dmacon(a0) move.l a1,pv_custbase(a0) move.l #pp_periods,pv_peraddress(a0) move.w #1019,pv_ywpers(a0) clr.w pv_pers+2(a0) clr.w pv_pers+4(a0) clr.l pv_por(a0) clr.w pv_porlevel(a0) clr.l pv_vib(a0) clr.l pv_vol(a0) move.w #$40,pv_vollevel(a0) clr.l pv_phase(a0) clr.w pv_vibcnt(a0) clr.b pv_flags(a0) add.w #pv_sizeof,a0 add.w #$10,a1 add.w d1,d1 add.w #$40,d2 dbra d0,.l2 bset #1,$BFE001 rts *** Clean-up routine *** pp_end: moveq #0,d0 lea $DFF000,a0 move.w d0,$A8(a0) move.w d0,$B8(a0) move.w d0,$C8(a0) move.w d0,$D8(a0) movez+.w #$000F,$96(a0) bclr #1,$BFE001 rts *** Play routine *** pp_play: lea $DFF000,a6 subq.b #1,pp_waitcnt bne.s .l0 bsr pp_nwnt move.b pp_wait(PC),pp_waitcnt .l0: lea pp_variables(PC),a1 bsr.s pp_uvs lea pp_variables+pv_sizeof(PC),a1 bsr.s pp_uvs lea pp_variables+2*pv_sizeof(PC),a1 bsr.s pp_uvs lea pp_variables+3*pv_sizeof(PC),a1 pp_uvs: move.l pv_custbase(a1),a0 .l0: move.w pv_pers(a1),d0 bne.s .l1 bsr pp_rot bra.s .l0 .l1: add.w pv_por(a1),d0  {79‘ tst.w pv_por(a1) beq.s .l1c bpl.s .l1a cmp.w pv_porlevel(a1),d0 bge.s .l1c bra.s .l1b .l1a: cmp.w pv_porlevel(a1),d0 ble.s .l1c .l1b: move.w pv_porlevel(a1),d0 .l1c: add.w pv_vib(a1),d0 cmp.w #135,d0 bge.s .l1d move.w #135,d0 bra.s .l1e .l1d: cmp.w #1019,d0 ble.s .l1e move.w #1019,d0 .l1e: move.w d0,6(a0) bsr pp_rot move.w pv_deltapor(a1),d0 add.w d0,pv_por(a1) cmp.w #-1019,pv_por(a1) bge.s .l3 move.w #-1019,pv_por(a1) bra.s .l5 .l3: cm |"v~p.w #1019,pv_por(a1) ble.s .l5 move.w #1019,pv_por(a1) .l5: tst.b pv_vibcnt(a1) beq.s .l7 move.w pv_deltavib(a1),d0 add.w d0,pv_vib(a1) subq.b #1,pv_vibcnt(a1) bne.s .l7 neg.w pv_deltavib(a1) move.b pv_vibmax(a1),pv_vibcnt(a1) .l7: move.w pv_dmacon(a1),d0 move.w pv_vol(a1),8(a0) move.w pv_deltavol(a1),d0 add.w d0,pv_vol(a1) tst.w pv_vol(a1) bpl.s .l8 clr.w pv_vol(a1) bra.s .la .l8: cmp.w #$40,pv_vol(a1) ble.s .la move.w #$40,pv_vol(a1) .la:  }fbtst #1,pv_flags(a1) beq.s .l10 tst.w pv_deltaphase(a1) beq.s .l10 bpl.s .sk clr.w pv_deltaphase(a1) .sk: move.l pv_insaddress(a1),a0 move.w (a1),d0 ;pv_waveoffset neg.w d0 lea (a0,d0.w),a2 move.l a2,a3 move.w pv_phase(a1),d0 lsr.w #2,d0 add.w d0,a3 moveq #$40-1,d0 .lb: move.b (a2)+,d1 ext.w d1 move.b (a3)+,d2 ext.w d2 add.w d1,d2 asr.w #1,d2 move.b d2,(a0)+ dbra d0,.lb move.w pv_deltaphase(a1),d0 add.w d0,pv_phase(a1) cmp.w #$100,pv hק_phase(a1) blt.s .l10 sub.w #$100,pv_phase(a1) .l10: rts pp_rot: move.w pv_pers(a1),d0 move.w pv_pers+2(a1),pv_pers(a1) move.w pv_pers+4(a1),pv_pers+2(a1) move.w d0,pv_pers+4(a1) rts pp_nwnt: move.l pp_address(PC),a0 add.l #4*nt_sizeof,pp_address subq.b #1,pp_notecnt bne.s .l5 .l0: addq.l #2,pp_songptr subq.w #1,pp_songcnt bne.s .l1 move.l songtable(PC),pp_songptr move.w songlen(PC),pp_songcnt .l1: move.l pp_songptr(PC),a1 move.w (a1),d0 mulu #pGssssYgss ss ss ss ss ss ss J ss ss     Bss B  B  B Bss B     B Bss B  B  B Bss   BBssBBBBssB BBssBBss5B BssBBB Bssx2            !                            x3y                          x4 x5x6x7b    "       " )#-*               *      x8ʵ9[                                x9<          x:ZvLiving On Video   ss    ss  ~5   ss  ssx'j$N(+?-=:8.*'"+# ,# ޽+ڳ( <)IeLG EE:8@6/ E4+9 O=' "6.3)("!D%#BP.<<"  -  %D+&$"T6 C,*@I;:3$ #"% 0(4 ,5"&-Y7+8,B%C8;"' &+  2!L4 $B.D%( 0 x(1t!H?/ *H "$#0"3*#6 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HOLY HOLE +39 2581 06572 ITALY TREASURE ISLAND +44 0992 447273 U.K. BREAKING THE WALL +49 308544 619 GERMANY CHERNOBYL +61 3428 6366 AUSTRALIA [0;1;33m_/ //_/__/ // / / / <_/ /\___\ / / /\__\_/ /\___/ / \__/ //\___/ // / /_ԖJ0 TypeLB Type S:Betrayal Intro ;JamCrackerPro V1.0a by Xag of Betrayal JamCrackerPro Betrayalswp'NuJ' MZARP Shell ProcessARP Background Shellarp.libraryArpLib 39.1 (cdh/sdb 4/9/89) dos.libraryintuition.librarygraphics.libraryenvironmentArp EnvLib ~6"R`\  h048<@DHLPTX\`rd 4 X ^z\.P %r$%$T$$$%j V !#l##%%$'' Ftz,2,/ '(>?z@(0r+d++@X~>>Z$%< wЃyM'Z&'*$ .HfTH!$*@+Hz.`"p8`p2`p,`p&`p `p` p`p`p/,n0N,_Nup`p`p`p`p`p`p`p`p`p`p`p`p`p`0<a" Nug A"( Nu0<` 0<`0< x h NuJg"X/"</,xN:,_"Jg @ Nu g !/,xN.,_NuHNLJg(H2E$O&O/B/B,xN O`LLNuJk>"+g RA'A|Pe(Jg$H0L@ $ NL@ JkЫ'@BNuH0&@E/,xN,_pJWFL NuNurH@p/,xN,_g?p"N"@Jf0,xNLApw-Nu3_LH|,x#n/ J gN`A XB!HL@Nu gHB,xJ gN"Wp)NLBN/ G#K H'@Gr fBQ`&Q&_NuHjNS".A$x(jE\"ON"O k,xN ,g @N` JN JN"@g .C B0gV Bf"-g`\A&AJm"g"A/ "O NXOJ$g "$< 'N4" $<Nt,gBtJ4fak:J8g?RB/An"O NXO0at fa8` Ama.aja&Jm g A` N -gV"@+QN`HH0"<NJg@fxC&NXO`"6-$HA&$NжL fBm$Nu&m,E`A<2-mm*H0"$&<NL Jk"Bm;@fpNu2-Rmp0JNuEX`ak0?Bm$vp=A& Q0HaR0aNB<:a\Rm2n7$0?a:0r@ Ab<.AS0RCpCfRm$ Cl aHja2`a,`a m^0A&2-$Rm$NuC-;C$< a`'*From/...,TO/k,OPT/k,HEX/s,NUMBER/sUsage: Type [...] [TO Outfile] [OPT H|N|B|F] [HEX | NUMBER] (CTRL-\ terminates * input) Can't open %s Error reading %s Error writing %s %5ld *** File %s *** Type: %s *** BreakInvalid option combination N & H Option '%c' ignored ;| KCNfRK`|.&g *+gh M0iXO0at fa8` Ama.aja&Jm g A` N -gV"@+QN`HH0"<NJg@fxC&NXO`"6-$HA&$NжL fBm$Nu&m,E`A<2-mm*H0"$&<NL Jk"Bm;@fpNu2-Rmp0JNuEX`ak0?Bm$vp=A& Q0HaR0aNB<:a\Rmw N"BN$fNu*x*m&o(,o /gN"/ fA"$<N+@g"N(Jg - @+hAp"$<N+@grLH8$-g(B)@8)@0)A)A (k@"-g*$A/j ,/j0/j4L%A %@Ba",n0Ld*C$L NB'|"K/,xN,_pNu.,o(x(lL4H,,(,g n"ؐBH",g& 5 到f+( +,Jg+0$/"/a> ,"@N ,g&@$+gadJg/k<"/N$N xR(' / g$*@+G+l+FA "N@,x"MN,xSj Nwr.<`N xR('*n"*U zJgRca.pNuFa$pNu" g rJWF,<c,pJWFV<c <܀NuNEWCON:0/0/640/100/NEWShellCON:0/0/640/100/NewCLIS:Shell-StartupS:CLI-StartupNew Process %d. g&L gJf NuH?<*fG~I*a/A*gA/ Ia/ jG(Ka/pBQa8g(A A"RN/oJf/|Ba /O4L$<*,,n0Ld* <"@pH>(jNL|NupNJg&@X",R A&&B*n"&NupBQ/H8pJWF/@4j/j $/j(*V0fN/@$J(fN/@(/| /4<м0N"@/@,gFG, #@ o8f"/4 +#Aa'@`+gJkn` a$fRkJkk.Rk `&vA`vA"$A a8JgJf`L `~H< *a/"H&<pJWFgFH&<af6$ мNvg"g" @!_ A"_f B $@aw# ~%@ `Jg x h!Cp.ELAp`("H"(Q/|`ЙQ"`ЙЙЙЙYn"(gR A`NuHy>NU x h.(jp`\ Ox&<IaT g!Hּ QB&<C~ a0C| a( G"OE'@`+gJkn` a$fRkJkk.Rk `&vA`vA"$A a8JgJf`L `~H< *a/"H&<pJWFgFH&<af6$ мNvg"g" @!_ A"_f B $@awS6 JaP%@f`&'J LNu*f t ԊNJgJg JlpNupNuH04&H$kpg+fJgtgKpvaBg *@`"*gB "JLD)gNNu A"jN` A,n8N`,xNb`N` A,xN`Nd`N&`N`,n4N`B *g @fN``R) NuS)NuwUH?g8 Ag$A&|gA%nA |g |ma"Bf` g"@ABp QIp(mRztN&<m<fRoRBR`"|dm|da@E<fEtRoZR`"/a "JfSAU"a`"p"SaNu<0H HANu -g,"@"-m:<$a:R"HAa:"-m2a -g "@afpL CON:0/0/640/100/ARP Process*NIL:*fH?Hzp BQO*fa/@ kHH  x(h&lA\/H**w g*g .Y` odra(/@ o*/@,.X/E+B:+B+E+l+l+l n0+h&,,",(MN)@AJ XB!H"o  H @!IA\!LP(A XB!H*f*g)j )j`t wkCf * f C`\ * fA"$<N/| )@gv *fAv fAR"$<N" f&/| )@g *f g @)hJf A/H`Nt*$o( o (a p(f B",gN(.",gN( fp,F%G< )@R"F oD )@T )oA\"o"Rn EG"L/,xN,_$a@ /OLL?Nu"/,N /$g (@*"*a@ /g @B /(g @$(gal /o @/,xN,_ /Dg"@N / `fJg gN",g Nff",gN",g gNNu&5("5(w7{<Af<Kf<Sf<.fJJg~Nu(<,f8XBR`./ o ptgl< c<"gtS"Hg6Jf< c,Jf<=g"<;fr`<"f.')f)ftg kpB!JgR/I JgN $JNuL $"HfJgpNuJfJf<=g</g<,g`AaFAa@g`gJf<=g<,fX`,DSЀ0;A "o "`DUhARP WARNING! 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J. >S(d(LONE:b~\" DC-C#D-D#E-F-F#G-G#A-A#B-1!2"34$5%6&7  53"#Y)^<}hTA/Y)^<}hTA/e<8ef0茳)2)V)YY *Inst dir:D *p**H*l*!! *Blank Step Chrs:0@**Edit Functions+l d +&?QQLU+J+6ee +^CHANGE INSTR+jd +++ee +OCTAVE UP,H$d ,,*,ee ,>NOTE DOWN,d ,t,,ee ,NOTE UP-$j$d ,-,e*h+i,j%Gulp!Error Can't open file Instrument not defined Custom waveforms can only be 64 bytes in length Out of memory Not a JamCrackerPro song file Can't delete file Can't-kt find prefs file Prefs file is corrupt Can't save prefs file 6 P V Wanna confirm that? Yeah!Erm...QuitClear songFile exists o y BETRAYAL PRESENTS JamCrackerPro V1.0a by Xag of Betrayal Adapted from M Gemmel's JamCracker Read the docs for info Got that!About JamCrackerPro V1.0a .l)\( L8R DUDEXag's mailboxHey Paul, have you kicked your addiction to phoning up taxi firms yet??What's the matter, can't you get the real thing??Yo Jon, have you disembowled any more Yellow Pages recently??Yo Aris! Does your car still vibrate when you hit 45 in 5th gear?Old?New?Num?JamCrackerPro V1.0a by Xag of BetrayalSong ControlWaveform EditorInstrumentPattern Editor0123456789ABCDEF/msaX X X&X22X>H (H <H& PH2P 8/0n   ( 48=CL4YH&f\1o2spJy&2>&2$jL/`EJ  ( 1 : C L U ^8 gQ( pj< y2p   G?((XlXhx(<Pdx3q9s%% 55 EE --  !!   55  [[   zV`4\B @fp0 Mfv` ] `$ ht x Ht xt t% x%  $  $ se&J0)(Hp?HHABQ0)*i( i(mi(Nu0)3i3i3@Nu y S9fJf"y`fTSyf#F3b"y0@"@09D@yb3!H yPC!n,xNL#ByCaPHCaPHC aPHC (,B " T h >8<DHPTZ"B*0@H$6"vHZnz,\jx 8* !.!:!P!^!d!|!!#####$ $$.$J$`$d$l$p$x$|$%'H(--L-R-j-r-......6.N./:/~////0@0L0R0j0r001T1`1l1r1112R2222223 33Z333#w44&4<4v44445 5569.9>:z<!'-./0 0142:3B4\6:\:k $:LRblNT\bhnt|dnt Fn*0@f(0@J^r~$x< D`ft8Hv ^ r "  ( X l x ~   * D J T Z ` h l r 4<^`j >Fbjt(\rx~%y Pxjt $6JX^8"B^"BHFJptz@JVZ&,dz  6@L\ntz&z   F T d !! !!!D!!!!!!!""""(".":"B"L"Z"`"f"~""""""""""""###"#(#4#:#@#N#T#Z#t#######$$4$Z$$$%%%.%8%@%H%V%^%j%%%%%%%%%&&&,&F&P&`&f&l&t&&&&&&&' '8'R'\'l((N(j(,'{(,,,,,-.-4-:-@-z------.>.V.h.x........./// // /&/F/V/b/r////000.0z0000000111.1B11111112242H2^222233<3P3f3333344464F4V4p44444455(5.5L5R5h556N6V6Z6`6j6p6t6z6666666667d7p7t(|7$7z7778088888888999 99 9(989R9Z9`9f9r9~99999999999:: :::(:4::; kdos.libraryJamCrackerPro V1.0areq.libraryintuition.librarygraphics.libraryS:JamCrackerPro.prefsJamCrackerPro VERTB ServerPLAYSTOPLOADSAVEEDITSHOWDELETEQUITABOUTPREFSZEROSINETRIANGLESQUARESAWRANDOMMIXLOUDDOUBLEHALVEUNDOCLEARONCELOOPCOPY FROM EDITORCOPY TO )g^ EDITORLOWERUPPERCUTCOPYPASTE ON OFFLENGTH: 01POSITION: 00PATTERN: 00SIZE:FREE MEM:SONGOTHERNAME:UntitledDURATION:NUMBER: 00SIZE: 00000NAME: UntitledTYPE: (None)OCTAVEPATTERN: 00CHAN: 0IISAAVVPVVVPPPLoad songSave songShow filesDelete fileLoad waveformSave waveformLoad instrumentSave instrumentLoad patternSave patternUntitled ~_D$*$g"9T&* N(Q"9T$<vN"9TN y0,yN,x` Aa.`A"y0p,yNPA!|)!|!| ,yN,xJgݪ"<,,yN,xJg`ݎAa`݀y (g #(` #.A"y8p,yNP,x`4aVgpQ `pBQaa4`a*gp Q `pBQafa`09\@ @0S@ h"H9XH Nu09\@ @9XR9_m0@3@^`yXd5R(3^aaaa`TH@,x09\@$@Jf(4@ <"<N:%@fAoa>p`*3^9X9_m_XS9XapLGNuJ9Yg$afg B9Y`S9Y`Nu 9Yg&afg Y`R9Y`NuHR9X9X9_mB9Xaa~`8ax,y"y<"i2prt vU(<*<Nt0<aaDLC?NuHS9Xj_XS9Xaxa`8a"y<"i2prt vU(<*<,yNt0a y<,yNa0,x`ҞAa` y< (R,yNjNu y< (R ,yNjNuA!|C!|F!| ,yN,xJga,xJg y4Ctprtv,yN"<,$<,yN(g:"$<v@N"N y4C0prtv,yN,x`јAa`A!|5!|F!| ,yN,xJgJ"<,t,yN&g"$<lN"NJpnJg @fa y4Ctprtv,yN"<,$<,yN(g>"$<v@N"Nap y4C0prtv,yN,x`ЄAa`A7a`A!|Q!|!|k ,yN,xJg*"<,t,yN&g"$<lN"NJpnJg09`($@J$g"j$ * ,xN. 9%@ r,xN:%@$gB* y8Ctprtv,yN"<,$<,yN(g>"$*$&* N"NAkfaa~ y8,yN,x`.AaR`AoaPF`09`($@J$g JCkp QA!|a!|!|k ,yN,xJgΪa׎,xJgΜ y8Ctprtv,yN"<,$<,yN(g6"$*$&* *gv@N"N y8,yN,x`.AaR`AaF,x`H瀀Ap1P@THQLNu,yAaL#0gR @a y0 h2C prN( y0 h2C-prNNu,yA4a#4g @aB y4C0prtvNNu,yAda#8g @a y8 h2CprNA .(Nu,yAa#gd*&gX k2Cd"#j jf` jfprN$R`J>g k>"KN"LNNuJf09\`8#F09d@Hѹ3b09dy y0r (@ @##By3AC2<4<p3|01A!I!|"1|BhBhBBhBB"1|@&B(Bh,B(.0IB@QNup33333NuS9faVCaCaC aC< i0)fa `iJigjil `io0)i|l0<` |o0<1@a0)i il3|` io3|J),g0) iS),f Di i-,0)9gBi"1i"0)$i"Ji"jBi"` i@"o3|@").g@ i 0D@E (~|fJa%8`B|0l| fy`jBy`a`|!fH<9`y` y`o3`09`(t @J$f 3``al`а|$fn09`( @J$g(fh xg #x` #xAt"y8p,yNP,x`\|'g`P|0f4<9\y\jBy\af 3\`&a aaB`|1fp<9\AF09bS@XgQ`y\ y\o3\09\@ @Jgajf 3\`aa*a`|5fyZjByZapaa`||6f(yZ y xZo3ZaBaaz`N|>f^09Zy Cg#CBy`#H3,yA "yprA#,yNA#,yN4#@g @#VDA%"y@N2 yD,xN yD,xNJg"@$)$iNg@g g@`0*&J@gd|g|g|m|n/ |ma W"h"Bi"y@p,yNP _ f <% @"y@N2`Xp,yNJkF y$A, h hC!""`& y@Ctprtv,yNa y@,yNaA$"y@p,yNPA%"y@pNP` y@C tprtv,yNa y@,yN`0*&|g`z0* @3!g``Taa y@,yN,x`"<O$<,yN(g"B$vN BTLPf"$<!vN"$<!vN"$<&&<N"$<'*&<N"$<(@&<N"$<)V&<N"$<*lvN"NNuAaNuAa` y$A,C!p,yN@A$h Jy!gh <A&Ca> <A'*Ca* <A(@CFa <A)VCaNuS@gQ 38fBNu"<O$<,yN(g"/CH0<BQaa8` |3faCH0<Q`|4f aCw^ۦH0<QaRa`Ȱ|7f*aCPp?rBQQa"a`瘰|8f aCPp?rQQ`r|9f(ahCPp?rQQaap`D|(N"9T$<vN"9T$<@69<N"9T$<vN"9T$<F693bNE@8SD <"<,xN:%@g "9T$6 ,yN\JQE8g6SD * r,xN:%@$g"9T$&* ,yN(Q"9T$<vNְgpACaP"9TN3@^a(aaja|aa^A"y0p,yNP y0,yN,x`Aa`Aa"9TN`Aoa`HA!|!|!| ,yN}<),xJg8a,xJg* y0Ctprtv,yN"<,$<,yN#Tg"#BeEp$<vNA0<J$g(QD@@"9T3$<vNEx:9SEk2"9T$ v$N#"9T$<vNت (QA@0<Jg\HQD@@k29bSAAFXgQS@R@3"9T$<vNE@x:9SE3"9T$ vN#"9T$<vN0 ؀\JQ3b"9T$<vN"9T$<F69bNE@89"9T$*6 N\JQE8< more white-noise feel (typical values for the arpeggio are $C3). You can use phasing to make the pseudo-white-noise sound smoother. It is best to use low note-values for the white-noise effects, as high values will betray the fact that you're using a fixed waveform. SPECIAL KEYS When you're not editing info-numbers in the Pattern Editor, the following keys will generate a tone: ZSXDCVGBHNJM!h47w (lower octave), Q2W3ER5T6Y7U (upper octave) The F1 key will change the octave (displayed in the Instrument window). When changing values with the small arrow gadgets, you can hold down either shift key to increment/decrement in steps of $10 rather than steps of 1. PLAY-ROUTINE I have optimised and modified the play-routine so that it is smaller and much faster. If the phasing feature of JamCrackerPro i"L$s not used much (or at all) on custom waveforms, the raster-time usage is much, much less with the JamCrackerPro play-routine than it would have been with the original JamCracker play-routine. This is because custom waveforms are only phased when necessary, not all the time as with the old play-routine. In general, the JamCrackerPro play-routine should always prove to be faster than the original JamCracker play-routine unless you use phasing on custom wa#-W+vveforms on all four channels simultaneously. The F1 key will change the octave (displayed in the Instrument window). When changing values with the small arrow gadgets, you can hold down either shift key to increment/decrement in steps of $10 rather than steps of 1. PLAY-ROUTINE I have optimised and modified the play-routine so that it is smaller and much faster. If the phasing feature of JamCrackerPro i,B9,y y< h2C xprN(09Z9f#CBy`#H3A "y90-&@|lBJ@fDybJybn3b09dybm3bdSyda~aa`P|f(yb ybo3baPaa`"|fydjByda,`|f(yd09bydn 3dSyda`ذ|f(09dHAFpjBpaaJ`REak<nJ(./MHR }Z^9b`9LvN9@^V9$ 9@ztR` `L_ d9xz(!!eS'+'ȿ* p'!-|@;''!7''!R`S>2f?'I"}v'~ v='>| x m(Lv='>8!'Pasp2'bx0'l'L|;'r|3Ws'qx'ķ'O'a'3 L'!n'X26 ECE C E CE |p_song: INCBIN "" .s .l1a cmp.b #$FF,d0 bne.s .l17 clr.l pv_por(a1) bra.s .l1a .l17: clr.w pv_por(a1) btst #6,nt_speed(a0) beq.s .l17a move.w pv_porlevel(a1),d1 cmp.w pv_pers(a1),d1 bgt.s .l17c neg.b d0 bra.s .l17c .l17a: bclr #7,d0 bne.s .l18 neg.b d0 move.w #135,pv_porlevel(a1) bra.s .l17c .l18: move.w #1019,pv_porlevel(a1) .l17c: ext.w d0 .l18a: move.w d0,pv_deltapor(a1) .l1a: rts *** Data section *** pp_periods: DC.W 1019,962,908,857,80Jpon myself to do an updated version. What started out as a project to simply fix the bugs turned into a major revision of the entire editor, so we've decided to called this new version JamCrackerPro. JamCrackerPro looks similar to JamCracker, and currently uses virtually the same song format for compatibility (this will change with the next release), but it now has many new options and improvments, not to mention all the bug fixes. Improvements since JamCracker V1.0:  M - Makes full use of Requester library - Most (hopefully all) bugs fixed - New wave editor functions (see WAVEFORM EDITOR section) - New Prefs feature (see PREFERENCES section) - Improved layout - Improved file handling (checks if files exists when saving etc.) - Improved used of keyboard (especially in Pattern Editor) - Program auto-detaches itself from CLI - Use~Ss Topaz font for greater convenience - New pattern edit functions (see PATTERN EDITOR section) - Now possible to save loaded samples - Seperate song name, saved with module - Significantly faster play-routine (see end) JamCrackerPro shouldn't really be run from Workbench, but nothing disasterous will happen if it is. SONG CONTROL From this window you control such9z things as playing and stopping the song; loading, saving and deleting songs and editing the sequence of patterns that makes up a song. Here is a description of the various sections of the window: LENGTH: Length of the current song in patterns. A song is always at least one pattern long. The maximum length of a song is $FF patterns. POSITION: The current position (in patterns) in the song, zero being the start. PATTERN: The pattern num{jber assigned to the current position. SIZE: The size of the whole song in bytes, including instruments. FREE MEM: The amount of free Chip-RAM in bytes. JamCrackerPro uses only Chip-RAM for it's data PLAY: Plays the song starting from the current position. After the last pattern in the sequence has played, the song will restart from position zero. STOP: Stops the song, leaving the current position intact. LOAD: Allows you to load a n\_ew song. SAVE: Allows you to save the current song. The name you type in to the songname box (18 chars) is saved after the actual module. Modules without the name extension will adopt their filenames as their songname. CLEAR: Clear everything allowing you to start from scratch. The only thing left intact is the contents of the Waveform Editor window and the Waveform Editor's undo buffer. QUIT: Allows you to exit JamCp*arackerPro. ABOUT: Brings up the obligatory "about..." requester. SHOW: Brings up a file-requester simply for the purpose of examining disk's contents. DELETE: Allows you to delete files. PREFS: Brings up the prefs window. See the next section. PREFERENCES This function enables you to specify certain defaults which will take effect every time you run JamCrackerPro. You can specify  OCthe following settings: - Screen colours. All four colours can be edited using the Requester library's palette editor. - Low-pass filter. This can be turned on or off as desired. - Default directory paths. 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