HELMiLIVE H t < $D*   $ & & &'j( 1^3f<49N hFY~,s*u@,|}X.&p.T",@\GZ\N U t*y4lllllllll~,ԠRgR@|l+&"@Nb zv8Tn%&,.\27,>FJXzOT"[ pfj JoVu z& "< Hz rn~NRθz24f@h\rv@p"v%,B1n8f>2DJQRV2]Lcipw~|$.zBnǰl,6( R2&n`-4;BXINVJ]emTqfN  6H\`*Ь֚ێ6btA#$epiDEADtSQNC.!"#$%pqrstuvwxyz{|}~klmno6CF,./05HIJKLMNOPQRSTUVWXYZ[OBJT$X!!"##$$%%,,..//0055666CCCFFFHHIJKLMNOPQRSTUVWXYZ[kkklllllllllmnoppqqqqrrrrsssttuvwxyzz{|}~~~~BOOKFUSE01 Mark Lobo11-02-93lalala$  /on BookOpen begin Play MOD "\smod.FUSE" endI$ PPPSPU0).\smod.FUSEfw̪ffwwwwfw̪ffwwwwݻfwww6orkbenchx@Help...y@About...{@?Quit...|@QEditCut@XCopy@CPaste@VClear@ Select All`Cut Page@x Copy Page`xColorsDLoad...Save...Restore ColorsDefault Colors Brush Colors Image ColorsCycle Grid...@ Stop Sound`Show All@@ Unlock All@@ Edit Form@@ShareR@A\Go Next Page,@ Previous Page-@ First Page.@ Last Page/`Backward0@Forward1@ Last Book3@ Browse...;@ Autobrowse...:@ Bookshelf4`New Page5@ Delete Page6@New Form7@\ Load Form...8@\ Save Form...9@\Image Load...@Save...@Next@ Capture...@ ClipboardDCopyPaste Spared Swap Frames Copy to SpareMerge in Front Merge in Back Delete Spare FrameDNextPreviousNewDelete Copy to All ColorDRemap Transparency Paper <-> Pen Paper -> PenCountFlipDVertical HorizontalInfo...@Brush Load...Y@Save...Z@Restore[@ ClipboarddCopy\Paste]ColorDRemap^ Transparency_ Paper <-> Pen` Paper -> PenaHoldDCenterdCornere Any PointfSize DAny SizenHalveoDoublep Halve Widthq Halve Heightr Double Widths Double HeighttTo PALuTo NTSCvFlipDVertical} Horizontal~ShearDVertical HorizontalRotateD Any Angle90PaintMatte@Color@Replace@Copy@Smear@Dissolve@Spare@Cycle@Cycle 2@Gradient@ Gradient 2@Tint@Smudge@Chaos@Count@Custom@Dither@Edges@Object \Load...@\Save... `\Bring to Front!@\ Send to Back"@\ Bring Closer#@\ Send Farther$`\Group%@\Ungroup&@\ Duplicate...,@\Align...(`\Info...)@\ Actions...*@\ Script...+@\.Text >Load...@>Save...`>Plain@> Underline@@>Bold@@>Italic@@>Shadow`@>Font...@> Spacing...`> Hypertext@@8 Actions...@8 Script...@8Tools  Coordinates@@ Title Bar@@Palette@@Colors@@Patterns@@ Paint Tools@@ Paint Types@@ Histogram@@ Magnifier@@Messages`@ Draw Tools@@Layers@@Pages@@Author xBook...g@xForm...h@xPage...i`x Display...j@xMenus...k@x Narrator...n@x Hypertext...@x Resources...p@x Effect...o@x Effect Areaq@xfw̪ffwwwwfw̪ffwwwwݻfwww6NARRRESCDCFuse12pFuse16pFuse20pAmod.FUSEFONT*) topaz.font232122GLOB FUNC LOOK TitlePageMenu1Menu2Note2PDCreditsAPlea Advertising AboutFuseAddress! Editorial" Editorial2# MultiMedia$ MultiMedia2% MultiMedia3Helm1Helm2Helm3Helm4Helm5Helm6Helm7Helm8Helm9Helm10Helm11Hay1Hay2Hay3Hay4Hay5Hay6Hay7Hay8Hay9Hay10Hay11Hay12Hay13Hay14Hay15Hay16Hay17Hay18Hay19Hay20Hay21Hay22Hay23Hay24Hay25Hay26Hay27Hay28Hay29Hay30Hay31Hay32Hay33Hay34Hay35Hay36Hay37Hay38 NewProdTitlepNewProd1qNewProd2rNewProd3sNewProd4tNewProd5uNewProd6vNewProd7wNewProd8xNewProd9y NewProd10z NewProd11{ NewProd12| NewProd13} NewProd14~ NewProd15 NewProd16 NewProd17 NewProd18 NewProd19 NewProd20 NewProd21 NewProd22 NewProd23 NewProd24 NewProd25 NewProd26 ReviewTitleBril1Bril2Bril3Bril4Bril5Bril6kPicasso1lPicasso2mPicasso3nPicasso4oPicasso5Picasso6Picasso7Picasso8Picasso9 Picasso10 Picasso11 Picasso12CDTitle6CD1CCD2FCD3CD4CD5CD6,Crime1.Crime2/Crime30Crime45Crime5HAIDS1IAIDS2JAIDS3KAIDS4LAIDS5MAIDS6NAIDS7OAIDS8PAIDS9QAIDS10RAIDS11SAIDS12TAIDS13UAIDS14VAIDS15WAIDS16XAIDS17YAIDS18ZAIDS19[AIDS20PREFt | FH0:Fonts/FuturaB/12#?#?#?fh3:MODS/mod.Zine8#?fonts:FuturaB/20#?#?#?#?#?#?PAR:#?#?#?#?#?#? Books/FUSE01#?#?SCALA_IC:FUSE01/SELECTITEM.ABRU#?SCALA_IC:FUSE01/SELECTITEM.ABRU#?#?#?#?PRT:#?#?#?REPTPTRN FORMT(@pI  F1b"""333DDDUUUfffwwwPAGEDTI TitlePage 0LIl16P1PICT  FORMILBMBMHD CAMGCMAP0"""333DDDUUUfffwwwCRNGCRNGCRNGCRNGBODYF$  @$ $  @$ $  @$ $  @$ $  @$ $  @$ .qwNDsǜ8yx wp;9.qwNDsǜ8yx wp;9.qwNDsǜ8yx wp;9.% $Q""QD(EED $A (E".% $Q""QD(EED $A (E".% $Q""QD(EED $A (E".U$_ "QD(}AD $O /}>.U$_ "QD(}AD $O /}>.U$_ "QD(}AD $O /}>.$P "D'AAD $Q (AA .$P "D'AAD $Q (AA .$P "D'AAD $Q (AA . @@!*C*?__PW]@ _?ƀ  0??  0  0wj@+PO ?OO   Q@׿ʐ x$8䀜88s<D"J%B(c$<D<y>D"J%B(@$<D<y>D"J%B( o^$DDD QD "KB(o_ _$DDD QD "KB($DDD QD "KB(c@ { U@/$=@8 D"UDy"AE_= O_RJIJ[j@?Rﶵ'D ' |> D"UDy"AE_='D ' |> D"UDy"AE_=+@@B%5*|p'(D (" @ D"UD"@@)PE  @@B%5@x*'(D (" @ D"UD"@@)PE ?'(D (" @ D"UD"@@)PE ϢR(Q 4'D ' 8q8"Dy@|CN<?R(uT8UD'D ' 8q8"Dy@|CN<_'D ' 8q8"Dy@|CN<삿TBKoV@"|/: ?TBKoP< ~ｴ@  > )* U@)**I`<URoԐ$V_oRo۩_Uj_ x/@+Q !%V@+~Cƀ`@ @-p Q !%ԀE`@ @-p `@ @-p ~W J   @ " Jk@ ? [{P@   @ "   @ " oH@%uH_s)'N r xD$zsD#9;<~Ԣ@@/ߪ J_Ԣ@/P +],x^_ZR@$8 l#Z}J]8 l8 lpTHH/TQ "@ $GT/u ?} @ $@ $THW֢% 3)D;p"8N%qȁ9pxTW@ÀJo)D;p"8N%qȁ9px)D;p"8N%qȁ9pxR )I%H]TK )E@B(P !ITP"QA%"(E$E R]_)E@B(P !ITP"QA%"(E$E)E@B(P !ITP"QA%"(E$ER"+ZI%z)EB !I*P=O%"Ă(}$A +ڀWw_)EB !I*P=O%"Ă(}$A?)EB !I*P=O%"Ă(}$Ae/%*IJHJ}p()BA !I *EQ$"$%A$ƀA%` ZP()BA !I *EQ$"$%A$ƀA/()BA !I *EQ$"$%A$ƀA+PHR%*"@+jUE_B )B$0L P<$@sƁ9$p@ /PHR+U0 )B$0L P<$@sƁ9$p@ )B$0L P<$@sƁ9$p@GȿJ*UUZ(ԀU A0@?@7J@8@mi@@ "%HJS@-U(RT = ?_"%H-V ?"ڷ?oPIUjWT UWЯ@_PW  oP BUE%@%U[@R T/  $ ~UE%@ ZUwT/ ڿ/  $  $/U[ WT@/g $ W U/Eon/ $ $ JU)UUDKr;;zs9swy;ȝӞ J ֪*;;zs9swy;ȝӞ;;zs9swy;ȝӞ><> jQ"V[PTJԠt3$%(HQ$T((Q jQ +_$%(HQ$T((Q$%(HQ$T((Q:]@[mAIUU 9$/_=$SQ @  Vu $/_=$SQ$/_=$SQ-8}RQIU?jI} $(zHPE@$P@Q "RQ?UT U $(zHPE@$P@Q $(zHPE@$P@Q |t ) %_{UR z $@' sN=q4Wyӑ #) U  V$@' sN=q4Wyӑ $@' sN=q4Wyӑ \p/kQRU ~Pp*R`?[{^ppqp+RJ@Rځ 0 RJ@E(Ik@ Uz?Q)$ UZ@ BZ_B( GQ)$ P T]0 ?  8aWJ mUUT}C J $ 8 "{m8迵PRI*R_/ЪоPRIU[]/UJWJ/@_֋J@{H"V W_AA   ֋J@ +@[_ )tm_A   A   pjT$UR +[ A  @/jT$"} XԤJ VA  @?A  @ IA+ ^h^)A8p;| xN9ȀTR ? ZU @(@( @%ZDta>V^z`@! ~ T?_>pUkUW ?@!@!L- UUP JTP-x9xqE'Dxsλpg8p UUPo{R/ m6?h@x9xqE'Dxsλpg8p)x9xqE'Dxsλpg8p: D_+n@Uv *2GEQB EJEQ)(DE J$QA |  DU  8V@U_q7qƾ V_~ UJ UH8x+ڵԀ_TUP@K `5Ah H ڵԀ !3%J)+ 0>Ah HAh H 4VZU UJ/W@/99LA  @  VZ  ?>'D ?A  @ A  @Lx/j_T_G(VJ89ǯ"A8z'8<98 q)uhW[[h T*( a_TlDnG;RXB(@c@(@JAO@ $)" h(JJD [[hῌr6[nT[G:H"f̃Tx [n  /3 j/]v~@H?7eg hB< ]v-?Ex?8_À }? +@VHI%@T 8@h@ 3@Ao?@'8  ?o8@h@ 8@h@ @DEE" (@ n ` X<x @6%HQE"@EQQD $*(P>@DEE" (@1%HQE"@EQQD $*(P>@DEE" (@$UڂUP ;l}VCp%_}"@EQ@ $*/"@D}U"z/@ڀo@ kx %0%_}"@EQ@ $*/"@D}U"z/@1%_}"@EQ@ $*/"@D}U"z/@< z@; @=R8h% PA"@EQ@ $)" "@DA U"H@  z_ @0p5% PA"@EQ@ $)" "@DA U"H@1% PA"@EQ@ $)" "@DA U"H@*ꂯH*z B Ű0h$ N8@=N@ &q('"s "`89s("x 7/%? p5$ N8@=N@ &q('"s "`89s("x?1$ N8@=N@ &q('"s "`89s("x$m+< p7vpeh   xp '8 uP(Ы/2=ph<`?  i*`Ykhh/3 i*?^y@L ǀUp?  PP 3ތ.` ( J ( p$+ /0? (?? ( = ڀDǘ E[ 3   %[sW?        P%T_}Iλ!nކS`θ8sq'8xP@_ 88sq'8x??8sq'8x -ou oAciyE$ *( )  [iP@Oy?E$ *( ) ??E$ *( )  ֩+k~> 2hv|〒y)Ă'   )VVԔ'>W|〒y)Ă'  |〒y)Ă'  % U@ A/@@($   $[_j@x@@($   $?@@($   $ WPߪ+Jm/'9瀒ryƁ $PU_^R<9瀒ryƁ $?9瀒ryƁ $ u U%THU ;W ګH/ DRT@$U}/l_DRmU}۪/pW?~  _UH Ho -}jPOz _p? WP%kU"JPK_ sO P {@K|'? 8$H_T*H 11F> @@ $ HJo >@/> @@ $?> @@ $$Һ +}ڪDE_R@7_P@%%@  U@?7,|ExD<E#qPH8@=>@%%@/,|ExD<E#qPH8@=>@%%@ ~P%@o- a[>@PEDDy$J PE@E R@R%%@ PUW ,@PEDDy$J PE@E R@R%%@,@PEDDy$J PE@E R@R%%@ ^_ڀ?RUUVG+f9Dx8<A3㎜bx`="@!4@ %D x[6@9Dx8<A3㎜bx`="@!4@/,9Dx8<A3㎜bx`="@!4@ .P m) jh:J^@@ PP hhPR W _gO;(HQE (QE"@QE$D EQD P*}_;3 (HQE (QE"@QE$D EQD/,(HQE (QE"@QE$D EQDOhG?j@T U:PAȢ/H_E /U}"@QE䢈@E_@@@3Ȣ/H_E /U}"@QE䢈@E_@,Ȣ/H_E /U}"@QE䢈@E_@O%U"*k_(( HE (UA"@QE$@yP@&_3 (( HE (UA"@QE$@yP@/,(( HE (UA"@QE$@yP@OifuTH)M}KǼ'h9p '9@O8悉月@@@ aj@  ` %3Ǽ'h9p '9@O8悉月@@@,Ǽ'h9p '9@O8悉月@@@!b_ "I" ;V ٻ@_J[@@!u* *QQDRJR8%P/? * ?!kP)TJB W@?9U^9'p](8q.x<xNv JH4^9'p](8q.x<xNv-^9'p](8q.x<xNv :}@V$U?(-XAxc7&W"@Q""RQ(DH )( EQPI"H( }@4"@Q""RQ(DH )( EQPI"H(-"@Q""RQ(DH )( EQPI"H(O\/KHUZڵT  ƇBR"@Q=>"pRQ(|Hy( ANI"I/JH? %5"@Q=>"pRQ(|Hy( ANI"I-"@Q=>"pRQ(|Hy( ANI"IO%_*PUkVT*//K"@QE @"R^%@H)( P@QAI"(_ 5"@QE @"R^%@H)( P@QAI"(-"@QE @"R^%@H)( P@QAI"(O]@@RUUA\G@*3(āsq9wx;/.x^p?(āsq9wx;/.x^p!wK [ Yj@%|eZ_3t:'$$ E$QD( $*TEQ($K&ڀ/@_W?_(#z E$_@ ' $)ρ\EQ($p??(#z E$_@ ' $)ρ\EQ($pL#{Z7uj T Wɣ:$ @ EH$P@ $((REQ袉$ Z o?h??@hH_?($ @ EH$P@ $((REQ袉$ ?($ @ EH$P@ $((REQ袉$ LwzU(@UŵH/[<7y94N@ $+QD' U_?$?@Uo?(7y94N@ $+QD'?(7y94N@ $+QD'!W[D/UUUU"`O W[Do @@( ? ! UkUHUR.cOQ5$?@UBW?!WWV+oPJj _ΊD>dnj_WV? @ *_'?!_ը)VʪAܬtί^ըUP? /tp?AhUE*W?oU6%UT_UI p8uh׎_oU6A/ ?h0@]?!緫ꪪ*U!W \SꪪR_0@HUU/?!*RIUj@xTf* @@UU@x?%/UhJJ_V%*OA_̿H 8r$@UJJ _? _ xH 8r$@H 8r$@%g*KoUjDA>?OzqHD$@ ?*K O ( K <HD$@ HD$@ kp )$:_d9/E9;ǀDw'9  ? mU09/E9;ǀDw'9)9/E9;ǀDw'9O5$ %VJ @HE@H|E(*(EQ$TQ(QP@AI($K @?  [7HE@H|E(*(EQ$TQ(QP@AI(x,HE@H|E(*(EQ$TQ(QP@AI(O ) )U"UZ@,>2@EHD}(*(E$TQ@9/ / ) *@o/>/ 4=EHD}(*(E$TQ@9/p,EHD}(*(E$TQ@9/L#uBj@ *U$wH{EGEH@DA(*') $TO@I(B |[ U1EH@DA(*') $TO@I($)EH@DA(*') $TO@I(LQ$ V_@9h@D9'* 4TAG`y$JOw+19h@D9'* 4TAG`y)9h@D9'* 4TAG`y!aU U[ԠRU`@/ ` U +_ +ϻ/ ` ` j*@PCӋ  睗w !aX$& !uUVB~>/$& J_ ?/???! AQ@ ԈJTC\ƞ@@@ @@ AQ@+w ?__?@@@ @@ @@@ @@ ![ D)UV@*>8ހ@@  @@   I_ ?w@@  @@  @@  @@  Ln HU~vsNxsȁ9yx9p  % p?^(sNxsȁ9yx9p(sNxsȁ9yx9pRCྠ @"Vʶ/áw("PE@@(QEQ"EQ@ E  @ /p("PE@@(QEQ"EQ@ E ("PE@@(QEQ"EQ@ E L!O@A_lUu ֿ"NE@(Q}Q"E@ E AW  #</("NE@(Q}Q"E@ E (("NE@(Q}Q"E@ E ) DRDUVA~UFpʽ>(""AEHR(QAIQ"@ED "E D$ x=h/-$VR᝽U>@]A?>0HU_jܪ( $A   oH+'  `` $A    $A   0 4  UjiUQ] A  ?  V!^ ! A   A  | *@ZmF<1}x9x;y.A8 '8xy<`s8#K#<P~u10x9x;y.A8 '8xy<`s8,x9x;y.A8 '8xy<`s8 W UVU<1<EQ@E*QE$ID ((D !QE" (D538!>1EQ@E*QE$ID ((D !QE" (D,EQ@E*QE$ID ((D !QE" (D BTJtAJڪGM\X1E8E)QA$U| ''D!E"z(|}BTT^ 1E8E)QA$U| ''D!E"z(|,E8E)QA$U| ''D!E"z(|E|%v 5U>01׼EE($QA$@c@ D"!E"(@?@Uw(>1EE($QA$@c@ D"!E"(@,EE($QA$@c@ D"!E"(@gAzUԀJZ, 1_DxD+A&@A8 //Dz!<z'8@U+1 DxD+A&@A8 //Dz!<z'8,DxD+A&@A8 //Dz!<z'8+$Jj*T|@ 4Ǡ$_ l@%WUT] {  @U_` >/V@:h>?* \Π+t^U*Eζ#8 @X@ )UE_3@ ֪ @X@ ? @X@  x*@UWH N3: @H @  @H  @H H?m֒RUU}[&9pcq/xD "r/Nsp|)m7< V&9pcq/xD "r/Nsp&9pcq/xD "r/Nsp  !+ *P &E !@ E"D " "(J P"PQ } _o7<&E !@ E"D " "(J P"PQ &E !@ E"D " "(J P"PQ .P ިRU@TVt&E !z'E"D> "(KN"Ї  >P!W@ s&E !z'E"D> "(KN"Ї &E !z'E"D> "(KN"Ї Hj1[O@&E !訐E"( P (JA"P ~ [08o&E !訐E"( P (JA"P &E !訐E"( P (JA"P gFPUEUV UCK& 90䓀x'D q^s0z@PV/8& 90䓀x'D q^s0& 90䓀x'D q^s0ǁ$P+ۤ%U@QCR ^ @?P$[ & 8z  @ @c([JU-BVŸ(. Vx@_uD?UhJT@$ EPUh y80~E~.%W Pj/ qx .*@}p<UW~# ԀJUHU tvg8 Ԁ +@ x0$$+GuP%UT*Zbh9xp9|p9xp9?9xp9@%o*U[w( EE@*p0 EE@ EE |  [ T)Vj@`=Ex}<W@p=Ex}=Ex}?? nB@R$o/pEPE@ B/pEPE@EPE@k^"()$P`=Dx8A @pw=Dx8A=Dx8A+{n W@)U[PD~ՠ___DJ߶ EJDH vxcp_JIj}`~?/W$*P/oj' *T$IRIUU@  r?|[! $)%UU(+u _UԀ ?. b*h EU* hry?|y5/!($hK p/* ~? _jz ~s_o @| _/B@AR@IJ !zr@'| u $%q{ u@~{ @_ P@ DU@}A^|;@8p/ _<8p_?8p8pM^o*U ^q@q80p?@u ~q80p?@wIq80p?}8p? z} PEU0__@qs8q9q???^3_?qs8q9q???Z.qs8q9q???+?y<q???D|tZ*|xgq8p|80pq8>q9q8qq9@t38gq8p|80pq8>q9q8qq93}8q8p|80pq8>q9q8qq9+yy<y<x?yy<y=B~ P}z?q8s8p9?9Îq8p?8 @Pw28?q8s8p9?9Îq8p?8*2}!8q8s8p9?9Îq8p?8+y?<xǃ?y<?<C%ZU'_9p???9U`_3'?9p???9m3?9p???9+9|???=^VU%@[p`??AU0 [`??+$???+s?8?p?M$+i ߶P_r>B?iIW@|<?I+ߡ@%wUPIUU/|#z ö_@P/<|@*?? п _Ԅ W ,} !/ +{ ~?`?fWR *R  aZ%   mkU@ o@[o U$*$B$UQB@AAUmQD AH $UQB@ U?m dUown{VRJ  Rs`@ d T$E@@  Rs ?mV2? @ Unv kUl .RJ)$RET *$ @1@ *P$H *$ @&?/ wjV*_U"@~VOR?  @  O vZ w~?" {/`Wv  )JD@-mjUR`[j `  )JDA[jA   )JD>>[j?p ֵwRO JTUR"* RBY $ "JI Tl _VրpA? $ "CAJI T*V @B $ ">JI T V־xÐ_mUW$BI)??+k @ *@UUD!!$JgrI*Romu{Z k 2(@UUDA!$Jp2I*R(mu{Z`k _1@UUD!$JoI*Rmu{Z}k1{_^[խUW))$BH? E_TUq $(7U"TJRUWzګ_kj$}_T $(I@A|U"?TJRګ_kj`}1߈ $(>U"TJR_ګ_kj}}p1woowumZW?%T*I$#@%^bQ%UTR(JCFnu޵lP?3W@@Q%UTRA(JP!@ u޵l Q%UTR(JOu޵l}Pvڪ}~׵mV5USB*!JRIE *%_T_ BB)RIU'TURVߵ/￿NT7h BB)@@ARIU0uTUPPߵ ￿67 BB)>RIU/TUQߵ|￿h7߽v~Z VD J!I@ @@E@%?rPUU${҉*$ZUX]kUT mm@ j+;@2PUU$D҉*$:UX`]kUT m^@;PUU$>҉*$UY_]kUT0}m7 j^{~-v_mjS@@< "rY DR}I*WZzen/?XݍR2YDR*@Z P n 0WX2BxDR*O}Zn}{um~6ZjUUW (DJA%>BP"U*RITUOo֥UUV jkmA@wEU4P"U*RIPCjTUPΥUUTjkl 0C~zz"U*RI>TUO>U ?jkl@=xUvխ~[ZT !#ZUԆԈ$$$4R+UV W}뵱_{PXUWԁ̈$$$@tR0U}뵰00A?{P+<$$$>}R/UT_}뵰?{w]v] jVHIAJO ?~ihETRIU_UU[oju֪nt{?3ETRID:U@UU[m0 ֪n @{W3_ETRI>}UOUU[l֪n>{\UmUj)UB' %T"] { ` o  !$@?I$)DD?ګIR^U P/@@oD P}?_>h~?#OڿRڨ_\iomw-|{mr@/_K?ڿ%W_Q `_ ($J@@ %@m@_}>l~?OjI?UW?py@5]T;SV ?j_>?~8T`ATh?}?@>~TO@ 꺀*|@(އ_Vd (?TOTE@0" @`ׄ¿ =}?@Hz~o_VM@zΰ;D @WKX {^BU}>.~f_U]u~@wj _Tt UU$P `G/uP x_@@ M>_||?km)V)@*[w[A :UI % ` $*H) Jx@* @$*H />~|=Uշ--}+~Avm T$BP U@#JxVIDBI U@+>}m@@Лh@ zw R Vj@7 UDHT  ?@/@>| K 4^J_ѡ"(WAހ) ,"." "-*# RK_@+#  -*?T? _~ +-*`nSu W}~k[km~|o [S[T]o{  mKk[km  S@0= k[km? S+ <?)P]I} 57\w 'St0~m@ _VKA wp @+= ? '?àJIE W? pW~%w.ou; _V *P +m  PhwG@ GV @  ? w? V?Q$) 8BҫPmmn_= `mpi@kmmn' @@ G  z``}mmn? GE8W 4 t@KT ~wn? _~0ܰ@=`  , } } O@PBIHJ!0AK 8/l6H/ߖ wo{VE @ P| } )$%!xV ~PEv~׀^^ j |*kEP~ v-00@ pP~ [v~ $BpS+_g _} oPDyXw&zU[^_ 0 P-z V_ P)"UpR / w_WހP o'[n~u _% |;z m_~ H p B!_z_'_~ Y !D8 m?Uvޠ] _ Y ^ _Y )` NT_?W/*I Vx`'z J>*?-/@ F/??~X?OzB%m׺~9 U?]zYLB~  (?gPA_z@H (UouS@_QFa ֠ _~?aT?/WJ@/Nv=D!X@*@//Q@  I/?aI W<ރ_|Y$qI^nw#A W @!\??3ZWz' n^;J,E H'ā@--'@@~a?H /<Z^݀-)}DF]T+@`~@_*0~@?0 ?уH"@ITOcZ~HODπ ݿ@GA (@,r` ?!! U\9nnmfA._D![*B>ߢ@?%`~ 0^?MH B =MHnC @ /H}j*0@v?? " =(|Uv> F"@Go UW1&wQ 8@> 0_q{H K_/]_ހ@>h?`"*  / a ~ w?"i~@ %*> 9W>UE!_ ^ ki_U~?~;?0T _/. w KJ Q TA iрT~~/?8> >^_>צ@&7m. oRw B DqUxT~~;?_$ _M.-?$$JUU z7|UI/ ۵J 7|?ixR/ > }~?o@ E[-]< [o >W~$Z|+o?%TBJTX0 X?~}v??%)W?<:7ꪥݯ@ _{@{P ~Mm֨?=UZUU"ZRT0Pd?~@}??+H X[UZj ~^WMW_ @$>wY@@_bU$**@(4 @$r_~ ??o RR[xtO5vvV| EWC %V@mU("*RJ @@P4کRTa( ~ ??cDEJz m_]+] v@^RoH}_T@bv4@Р~??>v ? %$"!TR?oou ~@/*$HmUT PO P??^ꤪ{9ol .um]>= % I [UDo$A=qЀ?`> pڪ?t_?o|i wAmi=ȀaD%UR"Ͽ (@=Ѐ =?!vַL`KE{Kw_P UVյW>$+ FJQ9 a)H_ ^?`C `[  /|?< { ? ^_ +uZ+ IJE  $ ʟ* `` `?G0|C?< v~- P ?VS* D@BP0Q /   @p//?~@Cx1A@ ~~v~ր {%VjR   P?@H }ſ`` o0?~@ ?p)ǀR)>x# ?ߑjRP@ (P AX8? &h   O} @@ 0<7/Z V ]UkUVP@?,P ^P_~@` ` 0 -P  __?@ ?p U-~ߠWy[ UjUZ @?Ȅ - I@`   0@| ?    p ֩Wh?A #  @ Wg@P5   V  0@ ?@  0 <~)T@z7T7`B( x`<  `+( ? D IG @   ͸``0,   A@? `|<^J  JL` =?@ո0@\ @0 @ @ ?@G?? ?G W" DʸU@  W?[L`  C@G?@_??? ? 0m{jV ? '@? |u8@A @@@  @C@A~???Ue_@T;W$CtT `Dp?Ue_=;{8@x F 0C;@@??i?U_iaJ  8Uo}vp@#@ `0 VD P?4x_V <$P pV+}?{x $ { !! ?>{7U*0m/hU@Q {>u02h@` _/ n?? hARUJP @6-(? O~?? Bv8I>7UVHy7 O?`D ?~O7??  ~ q ]ޠ0`~;?@  >>@Oo?s/$ +t@ߠZ]R|*pT@8 p??O ???/h~ FkC-?z H_wwUU*p@ $8wO {??+U$?@fڪ j"D<{p E P?_?cOko??@}@!B%K1Uzxow u)UT\?p^P/P7 px?O8???=րI*(vH @@ Hn6{nUnp@!"`}y? O??%PDK&dkjooWmj %!@ H@Z@T@'ot H? O??@D $pjTOH@I{0BI ?O ?Z֪kv-WWUU}[UU/`UZP$"m%)UHK 8(H  "@<@@@?@?5DRK%p Vۻ{nE^>@_`Ta$Dpo?? T_ U[Zp  -PRRI)>`  =?  @?_ T_(DP ?` y\z@\ _U *R  k~~ARI) )l F` k$p߸@ k_? U%J `֫* t@F0B  @~0?TpUU$ E~A`DB +{PE`Ԅo E?UU$UT@ oR$@ tH$@ @o{j : }o?`*RQP%*~ aI@GN@H Հ?`?@@%RT滶H*h H) !@`>4 >?D"8}ݪRjuUj" `}mP@/I*_y}$+?ףp@FORMV]TV(@pIMenuREVERSEFORWARD 20L Il214(2n"M $(2n"M $20b@  l5150.h.    W0>'4   | "v F1b777UUUvvvfPAGEdI QUIT`Menu1ABCABCABCABCABCABCABCABCABCABCABCABCABCABCABC 30'e?L l2156(.o L$7(.~@ L$8(. L$9(/ L$:(/ L$;(/q L$<(/J L$!=(/ L$>(/ia L$#?(/x L$@(/7 L$A(B L$pB(Bd L$qC(BrL$tD(B L$zE(Bh L$~F(B L$G(Y L$H(B L$W,d15, d P1FNT1 h hDDpNu FuturaB  p b  nx Nl? ```0c pܴ2`F0`c3, c9flyyT<<y獎>ǟxxp``0`= 6 H>&<s1籏>|3l ݳ7xFal63~~Ǐ6ommy罙s?#3!gyl?80o?dz3Ǐ1<<0 =6yyy6l3x~o;ۿ3go~?g~~~~~~<sl{ 3x<y?1c ~g7g~<>c<<<<<|᏶mmyy罙o<|<3``?0 ` c0  cǃ  ')-16<>ACHPSY_flrx~   % . ;CKRUUX]aciosy   # , 5 > G P Y cinsx}  &*06<BDFJNU[agmsyy             jfb\DFNT1pNu FuturaB b n n0<.xfp8pv68p؀ BBfM18 HfT>??|pp?ø8?1Áwpp8|p<<p?ø9{{<~<=~?88;T` g;p8?~~x8s=a{?`?8pp~?Ý;~??q~??m`` 8?~~>8s=asqwpp`wp;8p~3?Ïws~y{9sq~;x|?8=8;n8qap;??qs<=x{~~c?Ï??Çp?p??~;x~9c8?p|8;88qp8ap??qÃx888qÎp~~?Ç???ÿp??~9-`0~9<<pp|8{p8pppap??qø88pp>p?Ç???8p~p??~9@-f`0q8q;x=øpxߏ8qp}C<pppa{w{q8pp<x<`???0pþp88p??px?~ ~q{{>~8<p0ppp00p?p   ! -048?EHMQX ch q z      !& 29H T a j w           # - 69< FIX a k u           # 0 = J W ds |           ' 1 < EM W a k u              ) 2 ; D M X b                           jfb\DFNT1PPpNu FuturaB b n>~p`@8`8<x7?0|q pip@<ps@p80>vq08a~?=|ǀ|<?g8<x<s?~7p 7||pp6`g@p? 8p x6 w09p??xx<{m8<x<a s9p?xA?80@81J@?xpc ? < ?xx<xx0<x7<a?) ?|08noM`3 p?>;ǀ>=>x> <<~<}}p@x|?x<ax1px{??><xǞ<<||y>|??oA@<?{ǀ|=x{G{<<~<=?`y??翟a?8)?x?ϟ>|LJ?x{{??`?>sy88x?<<~<`{{ǃas)?<x?xy??x=`<x?wx??<x`>Ǐx?<{<{ǃ|x{=x<???>?}Ǟ<|}xǞ<?x=`<x?xx>`=x??`|w?x{{=`?}`>Ǐx?<{ax|Ϗ?Ǟ<x=xǞ< ? c<||x`<{a????x=  ??=x?>|?`y?翟<x>|a?y<x<?>{x|aǀ?px||8xǞ<<||x<>| d K d ? d E d < d s (, d  P1PAGEdpIY/Name: Mark B.J. LoboHAge: 22 (July 6th,1971 - Send me presents).Company: Paradox Design^Computers: Amiga 1000 (5 Megs Ram 68020/881), Amiga 2000 (42 Megs Ram 68040).TFavourite Software: DiskMaster!, DeluxePaint IV, HELM, Scala, Lightwave, etc etc...cMusical Tastes: Alternative, Industrial, Experimental, NewAge, Classical, Blues, and Jazz-Musical Hates : Country, and Rap!!kMovies: Blue Velvet(Lynch's Flicks), 9 1/2 Weeks, Metropolis, Heathers, etc etc...'Favourite Foods: Anything Spicy`Pet Peeves: Anyone who is FAKE! White people who act Black, taxes, CENSORSHIP!\Girls: No Comment (I have a girlfriend, she is proof-reading!)kGuys: No Sir, I don't LIKE 'EM!! (Ren & Stimpy (The Horse, slightly modified))1Vices(Bad?!): Smoking, Booze, Doobs`Interests: Graphics, Film(not much lately), Computers, Sex, Hacking... Ooo2 of 2 Editorial2 073-@ , d  d G  d  d )  d   d   d  d   d  d   d   d   d  d  (, d ! P1PAGEdpIE MULTIMEDIAe"MultiMedia" the buzzword of 90's, although it has been around for quite a while, people are startingfto discover it now. As we all know the Amiga has been capable of "MultiMedia" since its introduction,ealthough we used to refer to it as DeskTop Video or similar terms. We as Amiga users, are capable ofacreating Productions which can surpass work done on other machines, without adding any additionalfhardware (ie. SoundCards, Graphics Cards etc.) and we can do it a lot faster thanks to those wonderful^women helping out our 680x0 processors!! Then why doesn't everyone use them?! That is what Idwould like to know! It is partly due to the marketing of Commodore, and the rest of the blame woulddprobably fall towards Amiga Users. The way I look at it is that Amiga users have been hiding in the`closets, we have a great machine, and many talented users, but since the Amiga was somehow dealtathe image of being a game machine, those users did not come out of the closet and continued theirgcreations without public knowledge. This is not all bad however, there is a lot of money to be made inathe world of "MultiMedia", and some of the things that can be done on the Amiga are impossible ormvery expensive on other platforms! Find a niche in the market and hit on it... it might take a little bit of1 of 3 MultiMedia 0*@ , d0EQ@ , d > d > d C d 3 d D d - d < d 3 d 9 d - d > d 1 d I (, d  P1PAGEdpIN@ , d B d I d 2 d = d L d d J d  "0*@ , d (, d ! P1PICTFORMILBMBMHDRXRXCAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGBODY*I"????mH @@@?^}dRT*@@?$@>< kvۿ߁کBJH|U@ ><!m_{[jR *J~}" @>>"mz߯kUo6ʬ%(J>~H?6\$@< ?>? +<uj-SU?T !~!$?U|E< >+< {j۾_ZZ$D~~?dQ<@<}kU m_U T$~~?`A8<+<۶VUUT!HQ~~"??R8< >+<V_UU $H~~??`8<@ +<Uխmmֵ? !Q"Q~~@?xx??exx?? axx? axxexx axx !xx )? UU ?J$? QJP _??? $2?_@ ?? J`@UU^??1@t>J ?? &0>!J>_??2>>JT$O?? 8>>>!>??o0>>JTD>??2>>>??@>>(D>_o <>[4<> 0<>| :<>~H0<>x 5|>x0|>x9|>||:|>||_8>?|,>|UD >|_jw>|<<@>|<|@>|<|?@~|>~><x>?> >>>>>>?>X<?p?<~p<~?? ?|?S|W ?|?<|?<?)U_<|<?U _<|<?? UTH? ???? UZ "???w? ??/ ?]~?  U `   O ^P  RP  _  @} .  P ^ B  " HpPICTTTFORMTILBMBMHD CAMGCMAP0"""333DDDUUUfffwwwCRNGCRNGCRNGCRNGBODYS߲   ? O?08??x8O~?q88?Às ?p??p OO @ <@Ap@  x @  O8q8988~98sqpp|sqp8q989pp s}9y  Â|@x>   |0 @O8 ~  @ O88q8<y888sppppqダ8q989 1?>>$?Q!?m{IJUPR$Hȕ[uR$Hȕ[u~kn~j  + J> @DU?I$JW_WV w@DU>I$JW Vw {~mUH()>!JUR$MVk]zkJU~ĒR}$MW k]zk!s~mU*?*! >&@B*T?I )w*_p{{o@B*T>I )|5*{{o'oի MWEP(J~&IRTRVUmZݿ'RTRWmZ=Cxpp<'6n~[Uk|jER@@~ =? D RRJ_֯mחG!dD R~RJ_֯mC8pp<!}V*|UUW)PD)@~ =珏?&T($*wzﶻw ?')T($|i*|zﶺw80 '[nۼZUUS"IE@ =珏?$IToO?Ͽ'$uIT/o0 'Zm| |UUW(E") =yϿ&JJI?ԥ+UW_zvvxx?Ǽ'JJI<4+|UWzvx  'WV Z*DE @ x9xǼGxy?ϼ{<|Gx  xyxǼx y|ϼ<|x`` yyϼxG y?|<||x`0`> y q<q<>>?>?_>??~>??>?/>>?O>>?/>?O?>?_/ ^>??UO?#>??}c??Oe{?|?/e{?<?|?_ex?<|??e?? ><|??_e` 8<|?e@`88<|? ?e`ߟ88?ߟ? d P d < d 8 d 7 (, d  P1PICT,,FORM,ILBMBMHDCAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGBODY,?`` ?`` ?`` x<x<`p x<x<`p x<x<`p >x<x<`p ?'?x<x<`p ?'?x<x<`p ?'?x<?x<?`p ??'x< ?x< ?`p  ??'x< ?x< ?`p  ??'x< x< `p  ??'x<?x<?`p ????'x<4??x<4??`p 2????'x<4??x<4??`p 2????'x<4??x<4??`p 2????'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 3????'x<4?x<4?`p 3???'x<4?x<4?`p 3???'x<4?x<4?`p 3???'x< ?#x< ?#`p  ?"??'x< ?#x< ?#`p  ?"??'x< ?#x< ?#`p  ?"??'xx<4?x<4?`p 3???'xx<4?x<4?`p 3???'xx<4?x<4?`p 2????'xx<4?x<4?`p 2????'8x<4?x<4?`p 2???'8x<4?x<4?`p 2???'8x<4?x<4?`p 2???'8x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4?x<4?`p 2???'x<4x<4`p 4??'x<x<`p ??'x<?x<?`p ??'x<?x<?`p ??'x<?x<?`p ??'x<4x<4`p 4?'x< x< `p  ?'x<"?x<"?`p "??'x<x<`p >x<x<`p ?`` ?`` ?`` PAGET\dpIHACKERS & PHREAKERSeHackers, and Phreakers are not entirely the same thing. A hacker on most occassions would cost lessbdamage than a bunch of Phreaks. Let me break down the terms, as they may not be familiar to most.cA Hacker is someone who enjoys breaking into a system he/she is not allowed access to. That is theiview of the experienced hacker, the fun of it all is just to be able to crack a system open, they usuallybwon't do any serious damage. A Phreaker is someone you should be afraid of, they are the ones who^probably cause the most damage. A Phreaker is generally referred to as someone who makes FREEdphone calls, anywhere and everywhere, and always off someone else's bill. The main part is that the`Phreaks come in numbers. So if you had a PBX (Private Branch Exchange) and a hacker figured out`your passcode he would probably use it himself and give it out to his phreak buddies or whomeverdelse he feels like!! This means that your bills would jump to 200-500% its normal usage, giving youahassles with MA BELL. I am sure some of you have had this happen, and then I am sure some of you/might also be what I am talking about... har...2 of 5Crime2 +0* @ , d,0NF@ , d ? d B d 7 d = d @ d 5 d < d / d + d 5 d 6 d  (, d ! P1PAGE\\dpIhDo not dispair, there are ways in which you can protect yourself; or at least make it harder for them tojget into your property. It takes a little bit of intelligence, and I am sure that most of you can come upfwith some, if not borrow it from your friends... Anyways back on topic, make sure you do not use sillyapasscodes, like 12345, and that you make sure that you do not use the default passcode that comesmwith your PBX software, as it is the first thing they will try. A little smarts will save you the dollars or`the hassles in the long run. Always remember that you should try and have your passcodes longerfthan 4 digits, as a 4 digit code can be cracked down in a few days. Also try not to follow a templateesystem, for once a template is found it will be easier for them to get more codes in a shorter amountkof time (ie 1234xxx - is a 7 digit code, but since 1234 is constant, a hacker will only need to find 3 moreddigits, which will allow him/her access to your system in one hour or two. A suggestion would be toguse a formulated passcode, where the last digit is a check digit for the rest of the numbers, this will_allow each passcode to be unique, and almost impossible to crack. I use the word almost mainlydbecause if it was created by a human being, another human being would surely be able to duplicate it within time.$PROTECTION AGAINST HACKERS & PHREAKS3 of 5Crime3 -0<I@ , d C d < d B d 1 d A d / d 1 d ; d > d 1 d 2 d  d : d D .0(w@,dg(, d ! P1PAGEdpI  CALLING CARDSgCalling Cards, a convenience, but also opens up another expertise for computer crimminals. I hope thatenone of you ever have told anyone who has called you, pretending to be an Operator, your Calling Cardcnumber. If so you have probably been victim to some calls that you have not made, and wondered howjit happened. Well first off let me tell you that Operators are idiots (no offence), but they are not paidgto do calls like that, and even if they did, you are not required to devulge such information over yourdtelephone. Besides, if they called you up they obviously know your telephone number, and would havebyour calling card on record. Computer Crimminals, come up with some inovative scripts that have afvery complete if this, then that script ready so that they operate the call very effiently. Some evenduse their computers to get more information on you, everything from name & address, to credit limitsCetc etc.. So be forewarned, if this hasn't already happened to you.dAnother scary part is that your calling card is worth anywhere from $30-200, and are sold on regular`basis between other computer crimminals, and even to people who have never touched a computer inTtheir lives. That's it for this topic, send some feedback if you want more details.4 of 5Crime4 /0)@ ,  d00DI@ , d E d D d H d E d 7 d E d . d 5 d A d w d = d = d  (, d ! P1PICTFORMxANIMFORMNILBMBMHDDPANCAMGCMAP0"""333DDDUUUfffwwwCRNGCRNGCRNGCRNGGRABD BODY>????x8p<p!8p>88p?x=N8p?>?8p:8p8p8p!8p8CǸx8p8??8p>?8pFORM|ILBMANHD(DLTA@FORMILBMANHD(DLTA@>D8>?? ~~0GG0``< ? 8 p@@ FORM.ILBMANHD(DLTA@~???@~T*~?GG?  <??88pp @FORMILBMANHD(DLTA@?ǀ~?p? !<?88pp8C@FORMILBMANHD(DLTA@|>?pp!!?888ppp>8 CFORMILBMANHD(DLTAi@ >| ?    pp !!  888? ppp  8> C  >| ?    pp !!  888? ppp  8> C  >| ?    pp !!  888? ppp  8> C FORMILBMANHD(DLTA@L?~?p?! <88?pp8C@?~?p?! <88?pp8C@?~?p?! <88?pp8C@FORMILBMANHD(DLTAV@~???@~*T~?GG?  <88??pp @~???@~*T~?GG?  <88??pp @~???@~*T~?GG?  <88??pp @FORMTILBMANHD(DLTA@z>8D>?? ~~0GG0`` <8 ?p @ @>8D>?? ~~0GG0`` <8 ?p @ @>8D>?? ~~0GG0`` <8 ?p @ @FORM|ILBMANHD(DLTA@FORM|ILBMANHD(DLTA@FORMTILBMANHD(DLTA@z>8Da>?? ~~0GG0`` <8 ?p @@ >8Da>?? ~~0GG0`` <8 ?p @@ >8Da>?? ~~0GG0`` <8 ?p @@ FORMILBMANHD(DLTA_@~9??G?@~*T~?GG?  <88??pp @~9??G?@~*T~?GG?  <88??pp @~9??G?@~*T~?GG?  <88??pp @FORMILBMANHD(DLTA@N??~?p? !88?pp>B@??~?p? !88?pp>B@??~?p? !88?pp>B@FORMILBMANHD(DLTA`@|>?pp!!8p8>C|>?pp!!8p8>C|>?pp!!8p8>CFORMILBMANHD(DLTA@ >| ?    pp !!  8 p  >8 C FORMILBMANHD(DLTA@ ??~?p?! ?88pp>B@FORM2ILBMANHD(DLTA@ 9~?G??@~T*~?GG?  <??88pp @FORMILBMANHD(DLTA@>aD8>?? ~~0GG0``< ? 8 p@ @FORM|ILBMANHD(DLTA@PAGEdpI% CREDIT CARDSaIn this day and age, where credit is an everyday thing you are bound to be abused by someone elsefusing your credit card for their own means. Not much I can say to help you avoid such problems, otherfthan don't use EM!! As soon as you use your credit card for any purchase you are at risk. With MailbOrder, and various other means you don't even need to show the card anymore to order items of yourbchoosing. The abuse doesn't come from computer users alone, but with a computer and a resourcefulihacker, information about your card, and livestyle is at his/her fingertips. With this information, theyccan make a more believeable purchase, by making themselves more credible. There is nothing you can`do about it as you do not know that your card is being used until the end of the month when yourgstatement arrives. Fortunately your ass is covered by insurance, but I do not know what kind of hassleeyou have to go through to get off the hook. Ah well, enuff on this topic, I don't even have a credit card!! Ooo5 of 5Crime5 30(@ , d40KJ@ , d / d @ d 5 d B d > d A d D d $ d F d + d @ (, d ! P1PAGE44dpIM +Album Title \: 06:21:03:11 (FUCK) UP EVIL*Record Label: EPIC / RRE 1993 Sony MusicTotal Tracks \: Thirteen&Total Play : 00:58:36:00 (58Mins) Rating \: ****/*****Category \\: Industrial=This is the first of two CD's for Front 242 in 1993. This CD:is definitely harder than some of their previous releases,=but the quality is there for the most part. Although 1 track8hit the clubs before the CD came out (Religion), and was:brutalized by the Techno Freaks I haven't lost respect for1the album. If you like Front 242 Pick this up...1 of 1CD1 ?0)@ l66@0c@ , d  d  d  d  d  d A0qQ^@ , d C d C d M d ; d C d  (, d  P1TEXTԠԠzine 8 musiczine 8 music @by dr.awesome of~@crusaders... & " (#3&&h4,  <@@@@@B@G     !"#$%&  '(()*+,-./M.K.`Lo`````````S`S`.``````\`.```\.```(`L```````S```S`.``.````L.```:`\``S`````p@`00 , p0.`0S` }, 0:p0p`00 , p0.`0S` }, ,,0pP`00 , p0.`0S` }, 0p0pPŌ`00 Ō, p0Ō`0..`ŌS`,0S, Ō}` , }L.`    `  .` `}`` .`S` .`` ` ` `L``S````` l ` l ` l ` ` `}`\````.`S`.````.``\.``S``.`S`````````.o \`          <, l,<<|<l<<| <|,,,,|! <<% < |$ < | %,0 ,< <|$' < < < |& ,(|* , p֯P}`l0l\pp0pl l , 00pS`00l0.`\pp0pl , , ,0 pP00l 0 :p p 0 p l , ʌ 00ʌpS`00l0.`:pp0pl,0, , p֯Pll.`0\ppS`0p.`l , 0`0p0.`0lS`0}`\pp0pS`l .`, ,S`,0pP00l`0:pp0pl .`, 0S`0p0`0l0:pp0pl,0S, . S, .p֯Pll.`0\ppS`0p.`l `, 0`0p0`0l0`\pp.`0p}`l .`, ,S`,0pSP00l0:pp0pl .`, 0S`0p0`0l0:pp0pl,0S, . S, .p֯@@l@@l`0pp`@0p`l @`, 0`0p@0`@0l0`pp@0p@`l , ,,0p@S`ְ0ּ0l0`ppְ0pl @`, 0S`0pְ0@`ּ0l0`ppְ0p`l,0`, `, p֯@@@l@@l`0pp`@0p`l @`, 0`0p@0`@0l0`pp@0p`l , ,`,0`pP`S0S0l 0 p p S0 p֌ l , 00pS0S0l0ppS0 p l,0,  , p֯@p , S0Ō0 , 0 0pʌp0.0ʌ S, }0S0.  . ŀ , ,:p,0 pP}p}ŀ , ʠ}  } 0 } ŀ , 0 0p\*p00}l , 0&0,0 , \p, }֠@L( ,@ }S} }}}S\( ,@ S}@}}SL(:0 :,@:}S} :}}}:,0:,,0:,@,0:,}S*:}}}:}}֠@L( ,@}}}S}} }}L( ,@ S}@}}\(0 ,@}S} }}}֬0}}@}@}փS*}}}}֠L5:}:}@ :S0:}}}:S\30}}@ S0}}}֠L4:  , }@ :S0:}}}:P0}}@ S0}}}}}}L5:}:}@ :S0:}}}:@L30}}@ S0}}}֠L4:}:}@ :S0:@}}}: P }} } }@ }} S , ,0ր },  , p֯L( ʀ, p00ʀ , 0ʀ0pS00 , p0S.0 ℁, ,,0p\(S00S , p0.S0SS , S00p\(.}00} , p0ŀ}0}},0, } , }p֯L(ʃ , p00 , 0ʀ0p00 , p0S.0. , ,,0pL(}0q0} r, p0.}0}} , }00p\(S00S , p0SS0SS,00, S , p֯L(..r. , p0..0.. }, .00p..0S0. ., p0ʁ0.0.ʀ. , .,,0pL(0ʀ0 , p0Sʀ0 , 00pʃ00 ʃ, p00,0ʀ, , p֯\(ʀ , p00ʀ ., 0S0p0.0 , p0Ń0ʀ ., ,.,0p\(0.0 S, p00. S, 00p00 , p0ʀ0,0ʀ,  , p֯\(p0 0 , 0 0p00 p00 , ,,0p $ 00 p00 , 0 0p00  p0   0  ,0,  , p@o| |` |}`|  |l  l   }ll   l Sl @ll@lXll}lll}ll}lll}ll}l@l@l}ll}ll@llSll     l}ll  l}ll}lll}ll}ll}l@l@l}ll}ll@llSll:llSlSll:lllSlSlll:llSlSll:lllSlSlllll@l@lll@lll@lllLl  }l  l  l  }l l l  }l  l  l  }l0  <l  l0  <}l  l , l :p pp֯L( Ń0, p000 0, 00p000 Ń0, p000 0, ,,0p\(0S00S Ń0, p0S0S0SS , S0Ń00p\(0}00} Ń0, p0S0}0Ń0}.0},0, } }0, p֯L( Ń0, p000 0, 00p000 Ń0, p000S0 , ,.0,0pL(}00} 0, p0}0}0}} , }000p\(0S00S Ń0, p0.0S0SS0S,0, S , p֯L(}.. 0, p0}0.0.. \0, .00p}0.00. 0, p0}0.0.. 0, .,,0pL(000 Ń0, p000 S0, 00pPP0P0SP .P, SPp0}PP}P0PŃPP,0ŃP, P P, Pp֯\(} 0, p0}00 \0, 00p}000 0, p0}00 S0, ,,0p\(00 }0, p0S00 ń, 0}00pS00.00 0, p0000ʃ0,00,  0, Ŋ֠P 00 100 ʐ0ʜ 20ʜʐʜʜʐX10ʜ1 0 P1 1  00 100ʐ0ʜ20ʜ ʐʜʜʐX10ʜ1 0Ŋ֠P} 0 0  100  0 20 X101  0  PS 1 1  00 10 0} 020 X10S1 0  :֠P:**:0:0*}:} }00100< ʐ0ʜ20ʜʐʜʜʐX10ʜ 1 000P0 1 1 0 00, 1000 ʐ0ʜ20ʜʐ ʜʜ ʐ X10ʜq1 0    :֠:*< *< , Ō, :  :  * <  < , }: }  }0}< 0} }< < < ʐ ʜ< ʜ ʐ ʜ ʜ ʐ ʜ  0     0 0 < <  ,      0  ,  < ,   0  ʐ< ʜ, ʜ ʐ  ʜ ʜ  ʐ  ʜ q  q  q q:.:*< *< , , : : *< < , }: }  }0}< 0} }< < S< ʐ ʜ< ʜ ʐ ʜ ʜ} ʐ ʜ   0     0 0 < < Ō,     0 ,  < ,   0  ʐ< ʜ, ʜ ʐ  ʜ ʜ  ʐ  ʜ  q   ,q  q  qp:@p:** p,::*,(p0}:} p}0,00 < Ppʜʜʐ p,ʜ2 ʐ1 ʜ p 00 p,  0Pp0  p, 0,(p, 0 p,0 0 Ppʜʜʐ p,ʜ 2 ʐ 1 ʜpq0| pq ,p p0֯@p0ּ ּ ְpּ0ְּp0ְּּ p, ּ0ְ0ּp00p0p0ְּּ p , ּ0,ְ ,0ּ0@:p000:p0:p0  :p, 00֌:p  0 0:p0:p0,0:p,  , ֯Pppp0pp0p p, 0p⃐0փp0p0րpS0pp0p p, ,p,0@@p0p0p0pp0p p, 0p⃐0փ@:p⃐0:p0փ:pց0:p:p0փ:p⃐,0:p,  :p, ֯P}p}p}p0}p}p0}p }p, 0}p⃐0փ}p0}p0ր}p@0}p}p0}p }p, ,}p,0Pp0p0p0pp0p p, 0p0փ@p⃐0p0p0pp@0p@S,0p , } p@, pP`  \` `` `}` `S`}````S`.````S``}````S` `}`.``}`.`\``}```.`S``}```S````S````.`S`S``.`` :``S`:``}`S`:``@`:`S`@`:`}``:```}`@``@```:``}`:`S`}``}```S`S`}``}```@``@`S`@```S`:`}``\````````S````@`S`}``:l`:``}`S``}`:l:`````S````@```@`:l`S`}``}`  :``  :``}`@`S`}````}```}`h`@`h``` ```````:`}``` ``@`h`h``:`` `h```@``:``ho` ``@`h``:`h`@``@`h```h` ``@`h`@``````}o`@`hll``o            ,  ֬0, ,<<< < <, << ,0<< << < <, << ,<<<< < <,*< < j%k@nb6<#W%#0 2)#\%/2%  ' Ҹ#$%-13  & # B  .> 89;5.% .  Ļνڴ  *5 6<(3P6;I+*S6[-@2]0bYJLMBaN85h5ObN5W5]0a2YV&IV97&5B .G.18ͳļУҶǑģ˯֧ƾĴ 18&=@#LQ!&;7P';_H5HIM7dWX:d4CA>K5gBXGPgGPUXEkIeXjVfSVhZ_Xebca_f_VhM~RX[cZcIwY_RjHgTNKVULPA?PIH<;=M:5;I*+.5%&&+ ɺķº­Ŀ   $(!1+!.$3%&<*.I!68/:55;<=94AG9:;P3DI1P6F866I)<13976554'?*(.#..2$#-%#!+"         ().!5#6(//3+5730;<5@??BBFBG?IJJGEOOIKQUTKVUMVOW[T]Q`ZUX^U[V\U[W\RUZZZZUXSVUMUOVIQOFSJBSAFFBCAA5=<5575,8'3$*!.   ľĽ  !"#"%((*(/,00.54/66798<7<=><@DBFFFEGHCGHCIIIIIEHLEHHI@JHEGGFCFDE>CFB?AB>A@>>8<;;:59753433/3,*.$)')$'!"!!           #  '  &8' NiiB-^&!'ޖiBؖ4Siiiii\Hi(i'4ԣ鰼-ii5-NVONiHiح!'+ז˧5:+\4b!#iiRiiUic>iiB#IQiic+N4HAA& ˩ٖ& i BV94?,BAiiAH>i5Nihi! iVeKiAbOAA!0F75 ˿ 疼ʺɩ4OA4V":@45HC).4&4c'X\LbiiiiVAV5 ݿѦݣװ谽į  -C-5C49UiBCE;4L6G;&S5 [+c&SR4Ub_8H45' ԰޽ð˹ !- M8i8Q1`i\B!bf[5[i;-W.K5-A5B05Ѱս˖ȼٴ# .4 0O4R.4gHNiOBBH>!5A60 N5H$'!ƻιѼᳫư᜹ض  .KB'48 :OB+';H_+NBA8"HH*:\! Կ٠ƹIJ &:1>51)N8')-!$?4; 50H5. - ˯ʣнޖ &154H\HR&R0D'&:Q&& $$ 'ѥ޽   "%'#& H+!--4  -B    :+- &5 %!/+L %" &;  ! 45-?' B5 #5 !0&     !&   "5 4.&    !!* ' ! 1   ++ -' $          ! "                                                                     /5 = $';0F0#  0(A %? 688 ! );:7)/# > *' 3" +" $ " ,%1 %0%# -  !!A!(&       ,*      '  )     !           $$                          $  ))("#          %)&    #+,000'"  $#"  #"       '%%  ! '1))+031'  &'           %      %*''----! "       !*.)(''&)$      #(("    %300,          #-030   '3640-.        &#  &7860     ,0+)02*-!     !&)!   !).-'##     .&+,.12+ #&   !!!  #$'&$    $$'   *)    *0(%     %"         (&#'#              !"&$         %&        '&!   #   !$        #*&               &%%#$!              #   ')$$##           '&&%!    #*           #!    #-)&  !              )+$      !   !       "$!,(      $%!     #-'"#$!$$    )%((#   "'#      #%#   #'(*0,    " %.2(" !       !)&(2&    &.-%%"             &)*"    '(&'*                 2+&"    $"                 # '## "   #   #%!!   !  ()%     %&  # $-,&         &(      Ż    /4<7,#  &)+,)!%  Ǻ      ż &))+001( $)"!     "+11%   '+0,%      )& ɿ$.3895*"!%!    '#  ',/-*   ***+.&   !   &2,0464)#     #&*#  $3523540*#',10     '$&&'+("    *143354#    "&130*&132#     %27<96+    !'**' %'%'*'$  '*'(*&»#*(    %  #4@852'  &#!$!       #$%,0,'    #'(%"  !&# #$            "!&%$$ '$!#  !&$#      ##"!"    $$""*)"   !(%!    !*&!! %-,'(-0)"  #!!#!%'+('&!   #$*.50% "'1;A<0**"ŷ #,,&)'$#&)!.0:=2   )00% $!+.+084'" $&! $,46872'Ƚ   )=BC=0#-+),10'  #&! ¿ &,2+"   "*-$  -02656<;&    ".APSSG8,% ! "'$ ')&  !  +12.-8;2.' !$     #4>>8,   /1.."   %%-4992320 ƾ  #&'!     ")) %$  -0243(  (++*(&       !%#   #"&!  #'')*-)  &()&"&+''$#"  ')(&$      %'&  #  23116<=?725,    û $--"#($!%   '.10.04*  ##%%'*&&     %+'%'#'*,  &,&&''#,,&%&-0.+  $$&$$+' %$,,+,-2331)' !'+,00(   %%#$     ## #,231+&%    %448-#,59@CA863+%   #   !" ¼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gtwqcO9# ɽ   #3EWfomeWF3    *;L\glh_QA. Ļ   !0@P]fgcXJ9(ż  '6FT_ee_SD3"Ļ   ,;JW`caYM>.ĺ   #1@MX`a]TH:*¸  (6DPZ_^YOC5'   !    -;HRY][TJ>2$ ʿ  !!!!!  !'+.-+'" ,6EW3-/&IW3 /(/PS4)"8WP6(D\R3%O]S'__S%lbM +rgK" ;tlB    Pzm;  azl7 m|n(   0pyo$   Epxp Xprn   anqh  dlqd  7dls[ GdhtP PhhrI RfioA  9Ugmi;  GZdmd6 N]dic-    Scfd_+  1Udhb[)<[ihaZ% gdaUH  InbZP6)PsaYK),'\s\N>$7,%0gqZE/@,+7ooU4$1<+1@plK)L8-7Iog<K71>0'  A=+ L=( O@'  $U@$ ,YD$1[D"8]BD_BMa> $Xc8 (b_/(&hY+ /$mP""1$)nH(17m; /-Bf1-+K\& )(IP"&  "IA &  ,B4 " 3;)  90 7& %"0(' ( '/+   - 1-& 3 60)/63- &+440-%4864399;31=GE -@L H )GH&G)M@4D +O;AA -P3I@ 3O(O> 4I-O94D>R84<OS341UR- -%(XM&,;WG" &MWD UR> &UH8 ASA1OK9,& -UB1'& GO7('$YE/%& /a=+&  M[3"   dS- /cE%  U\7 %gS/ KgE$ 'cc8 Ig[,  lcW  6s\M$[pUB 6llN9  UmcI-/hlZE% LndP@ $bn_L; C4)>2&  C2dL@/" #A1'V@6$ R<4%1    !@4) -"  ,1)'G8+ '  *QC:+$3) 4  /   &1&  -!#*# % )A7)   !"6($   *"   *  /)   #              !                  TJ /ZH +(D $O# $ 㾠)- !  :!"":)'&2=' &%%$ *7   .'+#+^0.CNDA]6H'4,B?B1+86N6"M,F00I*<B2QF(E)6$+F$ %5˼ֵ渮½٭ҮŴۼǜϻͬ;ѯɾ) $20*%81?1G4*=PAYIH,H6DCGPBcEY?WUHD>8(4&&G>% 0HPR[U>dYM,[\NE55/62!5=,),  رٿ‡ĘƶҵѶƪ⠝īɟɠٷ   +6A/-/"4-:8VB2-$97B:8+*J=JC5 7]QINT,3RB\WTX`KF[[em:f[97L\P,D&3.8-B0H2NX1,EDK)BNE23-,0&0!,+  ƸȞӽدʺȣ˥ɾ̰ϮἲżŴΫ   ") <4 2&(#7)6:1 6"-3#&62K@RBM/B@D?DG':A9 ?/+9'"4"/23A6"C98('-? 9;*!-" !       #(' ! 4' 8#0*411.,0%9P7&.:FK=502]-#P^I>(FR5QN)GGG5SF'9VSCC[S@;YM&AulD*.BGCLG#:J13CI>*46&:G1 ()>5+%$"   Ƶ޷ž̽ɲ̲Ʀɲ۷¶ǻؿ˲  %  #  /;!79%N4 )"&+ 95*)11=;9A.5-:&+935"'.;=6/6==/AZ>C978U)#3=72.2.?:>32?,JB02".3+*%B?:6-(97 #" 1  !#4        (   %$  ! ""*'      $     %                                                   !                                                                                                                                                                                                               *#4/% *&. >)F6º(w\R=~cO8%ǿ;1,>RE~eW=+ż!YA3"B(  %7@1& >(Ż %\FRp]H2 ʿ4'HG4:dM;'½ @@8% +   \E4' E*½"%E9Y^M9) ( @0"W>2E0' ,#  YH8'%* *  ;]K9.#5(  3$ #2'  $$ A4* &'NF>,# $ /6%0!  *  .'$9/#   $ *)  #  (/     "  "                  ! 0,)(']I]]9P0 &]Z]]]]Y.(F]QIA۠Р¦ն,]5]( ']]Y]]]]I]TW]5]]4נ弦 Ǣ>]]0]]]]D[[P]>]] .ϰĠǧ0OF9]C<]]][]]][]A]]]]]A 9堢­(!A0!]W]W]F]WMTD>]/UIŰҠĠ(2 L]5W ]J][4![!Iɠ䠠W I<]WB]F]]!]8L]M( ߢǯ   (D,D5<P Ƚ:0罢׮8Ġȼ 45 0W4   &(  ߸*" 02$ <<LD" M!*06 )(200<     !  ն !0!    (   "   !&                                             !  $                  (""            !    0         (  "  "                         $                                                    ϣ   &2-2@=- &(  "#+0//& '-<78AE4"'#'(2(*ɹ 4-07<0  #"-"# 湳 2-04<4"  Ҥ#(#-#   澼 0+0080*  '#"'&  ++(0-( κ#   (&&'*&"    #""##"     #                    ''"ت"'%''?74,''$ӽ * ౯ %%"$4:0*$' ҽ $!鷯 "%"!%:0)"%$  $  !!/5%"$'!  ʱ""5$"$!% ϲ /)""!$!    ڵ "*"%   "!"                            ׊ %-" '>;3>NL@<;<962ѕ"☉ .% 3<25IO@899633(⨏ .( *<5->OC589300-ϣ踔ǻ (+  58+3KF5580++.%񼘳þ -  *8.-CG6262((*(ѨΝ *" 52'8D9.30'%'(" ݣ"#  *2*-<9..0' "## ή   +*(260+-%"    "+(*0.+*%ع Ѩ  %''(**(# 峾    %'"#%'# Ƽ   #"#"             İܞȣ &% &*/>HKQV\\YRKECEE>߭Ҿ׼͞Ʃ  #(2AHHKQWWQJECCA@2ȰϤ˵ !&6@CEHMRQJA@@@>7辺ҭҾ (7@@@CJMJA<<><9+мв *6;;9>CE@977970Ϸ  +6666;@>744662% о !-20/27;60-022*  !*-++/22/**+-+  !&(&&*-+(%&(*#    #!!#%&%#!#%#           갇 Ԣִ"299957=FMOKGGKPVXD֦ͧӧݹ 0799427@GIFDFGORO+󻫽Ʀϫ,7;7204=BB>@BFIK= ֶ ݻ ˲+452,,07;;;;>DD> ȹѻ ˸  +22,)),24479=>>. ).,'#%+...25;;2  ')%" "'))+.474"  ##  ""#'+.0)   #)+)  #%        +@FB7.)'),09@GPO4өĿ"" ' Ȼ '>F@5+" '2>FK=" %%9@=2%#0;D@)ָ  #%474+ ,5;.ʴ  #,0+# )0.Ļ  %'"  #'             PICTFORMrILBMBMHDCAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGGRABBODY_ ???0??0@???0???`????????? /?????|??|??  p? ?  ? 0 8? < >???????????????????? ?? ?? ?   ?   ?? ?  ?? ?  ??? ??/?_??????_@? p@?     @@?@?   >? ?>? ?|~ ?x@~ ?x~ x~ p~ ~ ~ ?~ ~?~8 ~8 ~0 ` ?@?88?`??~?~~~?~~~~~ ??PAGE@@dpI'Album Title \: 05:22:09:12 (EVIL) OFF*Record Label: EPIC / RRE 1993 Sony MusicTotal Tracks \: Fourteen*Total Play : 01:11:19:00 (1Hr 11Mins) Rating \: ****/*****Category \\: Industrial6The 2nd CD for Front 242 this year. Heavy, Danceable,9this in my oppinion is the better of the two releases but8they are both worth picking up. The CD also contains two9bonus tracks, making it a total of 16 Tracks! This is CD5is somewhat interesting, as there are many songs that???????????????????? ?? ?? ?   ?   ?? ?  ?? ?  ??? ??/?_??????_@? p@?     @@?@?   >? ?>? ?|~ ?x@~ ?x~ x~ p~ ~ ~ ?~ ~?~8 ~8 ~0 ` ?@?88?`??~?~~~?~~~~~ ??PAGEdpIZAlbum Title \: LAIDRecord Label: PolygramTotal Tracks \: Thirteen&Total Play : 00:55:40:00 (55Mins) Rating \: ****/*****.Category \\: Alternative (What is it?!)1This album took a listen and a bit to appreciate./I was probably not in the mood for any music at0the first listen. After checking it out again a4little later in the evening, I must say that it is a2great CD!! If you liked James' other CDs you will6definitely like this one. It is a little more serious/this time around, no songs like "Sit Down". Butall in all a decent album!1 of 1CD3 F02?i@ l71G0Fc@ , d k  d  d  d  d  d H0X^@ , d  d  d d  d  d  d  d d d (, d  P1PICT+&+&FORM+ILBMBMHDhhCAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGGRABBODY*Y??????<8 x@???x@???p  ?||| ?< ?8 ?x ?x??????? 8@???88||   |      <8???x???x???p???????????????????? ????????????????????  ? < ~~~< <<<8xp??????????????????|<|????????????????????????????????????X???PAGEdpIBnIIIFollowing is series of texts which will help you to understand how & why the US Government created?the AIDS strain. Believe it, or not it really doesn't matter...9(reprinted from Milton Coopers Book: Behold A Pale Horse)[IIIAppendix D: AIDSI bIn 1969 (3 years before the World Health Organization's request) the United States Defense Depart-fment requested and got $10 million to make the AIDS virus in lab(s) as a political/ethnic weapon to becused mainly against Blacks. The Feasibility program & lab(s) were to have been completed by 1974 -g1975, the virus between 1974 - 1979. The World Health Organization started to inject AIDS-laced small-cpox vaccine (Vaccina) into over 100 million Africans (Population reduction) in 1977. And over 2000dyoung white male homosexuals (Trojan horse) in 1978 with the hepatitis B vaccine through the Centersafor Diease Control/New York Blood Center. And now the AIDS virus is on the streets IN THE DRUGS.AIDS... Your right to know?!1 of 20AAIDS1 I0EL@ , d 9 d K d d M d d  d 7 d ? d 5 d A d 3 d C d 4 d J0+R@ , d)(, d ' P1PAGEdpI(II1:29PM - Tuesday July 1, 1969.ISYNTHETIC BIOLOGICAL AGENTSiThere are two things about the biological agent field I would like to mention. One is the possibility ofktechnological surprise. Molecular biology is a field that is advancing very rapidly and eminent biologistskbelieve that within a period of 5 to 10 years it would be possible to produce a synthetic biological agent,ban agent that does not naturally exist and for which no natural immunity could have been acquired.^ IIIIIMr. Sikes. Are we doing any work in that field? J Dr. MacArthur. We are not. J Mr. Sikes. Why not? Lack of money or lack of interest? J Dr. MacArthur. Certainly not lack of interest. J Mr. Sikes. Would you provide for our records information on what J would be required, what the advantages of such a program would be,J the time and the cost involved? 0 Dr. MacArthur. We will be very happy to." (The information follows:)2 of 20 AIDS2 K0.P@ , d d d : d F d G d 2 d \ d , d t d R d  d  d 3 d  d (, d * P1PAGEdpInfThe dramatic progress being made in the field of molecular biology led us to investigate the relevancedof this field of science to biological warfare. A small group of experts considered this matter and$provided the following observations:p I 1. All biological agents up to the present time are representitives of naturally occurring disease,k and are thus known by scientists throughout the world. They are easily available to qualifiedQ scientists for research, either for offensive or defensive purposes.g 2. Within the next 5 to 10 years, it would probably be possible to make a new infective micro-e organism which could differ in certain important aspects from any known disease causingi organisms. Most important of these is that it might be refractory to the immunological andi therapeutic processes upon which we depend to maintain our relative freedom from infectious disease.g 3. A research program to explore the feasibility of this could be completed in approximately 53 years at a total cost of $10 million.j 4. It would be very difficult to establish such a program. Molecular biology is a relatively newq science. There are not many highly competent scientists in the field, almost all are in university3 of 20 AIDS3 L0,O@ , d @ d ) d d 6 d 6 d  d + d $ d 0 d B d Y d 0 d d ) d E (, d * P1PAGE""dpIg I laboratories, and they are generally adequately supported from sourced other than DOD.e However, it was considered possible to initiate an adequate program through the NationalE Academy of Sciences-National Research Council (NAS-NRC.)aThe matter was discussed with the NAS-NRC, and tentative plans were made to initiate the program.gHowever, decreasing funds in CB, growing criticism of the CB program, and our reluctance to involve theYNAS NRC in such a controversial endeavor have led us to postpone it for the past 2 years.e It is a highly controversial issue and there are many who believe such research should not be under-etaken lest it lead to yet another method of massive killing of large populations. On the other hand,awithout the sure scientific knowledge that such a weapon is possible, and an understanding of thefways it could be done, there is little that can be done to devise defensive measures. Should an enemyndevelop it there is little doubt that this is an important are of potential military technological InferiorityAin which there is no adequate research program. *END OF DOCUMENT*4 of 20 AIDS4 M0.P@ , d  d $ d y d d < d G d  d d 4 d 2 d ) d A d G d  (, d * P1PAGEdpI5JLA TIMES 9-26-90 "AIDS Taking Heavy Toll of Children_Acquired immune deficiency syndrome is striking many more children that previously thought, theaWorld Health Organization reported. The U.N.agency said in Geneva that the HIV virus that causesbAIDS will probably infect 10 million children by the year 2000. Already about 400,000 cases, or adthird of the 1.2 million estimated cases of AIDS worldwide to date, are believed to have occurred in(children under age 5. *END OF ARTICLE*aMilton Cooper- "I'm confused. Are we to believe that these 400,000 children are practicing homo-esexuals or IV Drug Users? Or that 400,000 (1/3) of their mothers transmit the disease? Or is it moreclikely that they are neither part of the high-risk group nor born of mothers with AIDS (meaning, ofgcourse, that 1/3 babies + 1/3 moms = 2/3 of total AIDS population... no one is making this claim!) Thisbdata, if valid come close to proving that AIDS is transmissible by casual contact and/or insects."5 of 20 AIDS5 N0.P@ , d  d d d + d 0 d / d - d d d / d B d . d 8 d  (, d * P1PAGE@@dpI` [Judgment Cannot Be Exercised In A Vacuum Of Knowledge]J eThe following is a complete verbatim transcription from a recent broadcast of "Network 23", a program3shown on a Los Angeles Public Access Cable Channel.1FULL TRANSCRIPTION FROM THE NETWORK 23 BROADCAST.eGood evening, I'm Michel Kassett. This is Network 23. A couple of weeks ago we had a program on the`subject of AIDS, addressing the question of whether AIDS -- the AIDS virus -- was created by the_government; and I'm sure that some people were quite shocked by what they heard. We spent thatbentire program relating to you the evidence of a very substantial amount of factual evidence whichgsupports the proposition that AIDS is a synthetic biological agent that was deliberately engineered byfthe US government as an instrument of depopulation. This is by far the most controversial and danger-dous subject that we have ever addressed on this program, so I would like to review briefly the majorTpoints -- the most significant pieces of evidence -- that I presented two weeks ago.6 of 20 AIDS6 O0/O@ , d  d d K d + d d R d d H d  d 6 d 2 d @ d K d 6 d  (, d * P1PAGENMdpIgThe first point was that in the early 1970's, Henry Kissinger wrote a top secret document -- a NationalaSecurity Memorandum ("NSM 200") -- in which he indicated that "depopulation should be the highestbpriority of US foreign policy towards the Third World." This Memorandum which can be obtained fromgthe US National Archives, which was only declassified very quietly in 1990, was adopted by the NationaljSecurity Council as official US foreign policy towards the Third World. Now, this is a classic example ofgthe "secret government" in action, because of none of this was known to the Congress, and certainly, it]was not known to the American people. Did any of you know that depopulation was considered afmatter of US national security? Did any of you know that for the past 20 years, depopulation has beenhthe highest long-range priority of US foreign policy towards the Third World? No you didn't, because it"was classified -- it was a secret.^I would like to read for you just a piece of this document. It is written by Henry Kissinger:j"Reduction of the rate of population in these States is a matter of vital US national security." [National& Security Memorandum, Henry Kissinger]7 of 20 AIDS7 P0/O@ , d = d ; d ? d I d C d G d ( d J d D d d  d d F d (, d * P1PAGEdpI'^And we even have a map of those areas in which Kissinger indicates where depopulation would bebdesireable. It's all Third World countries -- it's all brown people and yellow people, of course.L b"The US economy will require large and increasing amounts of minerals from abroad, especially fromjless-developed countries. That fact gives the US enhanced interests in the political, economic and socialhstability of the supplying countries. Wherever a lessening of population can increase the prospects forgsuch stability, population policy becomes relevant to resources, supplies and to the economic interestsHof the United States." [National Security Memorandum, Henry Kissinger]bNow, when Kissinger says "economic interests of the United States..." he means the interests of USicorporations, which are in fact, multi-national corporations, with no loyalty to this country whatsoever.dNSM 200, unlike other government documents on the subject, outlined "international and political andkeconomic implications of population growth..." rather than its ecological or sociological aspects. Like we^have been saying all along, the New World Order is a business, and the US Government is in thebusiness of business.8 of 20 AIDS8 Q0/O@ , d , d  d d : d G d F d > d  d d 6 d C d @ d I d  d y (, d * P1PAGEdpIEf Now, the next document was from the US Senate Library. It is a record of the Appropriations Hearingcthat was held in July of 1969, where the Department of the Army specifically requested and receivedb$10 million to develop "a synthetic biological agent that would impair or destroy the human immunebsystem." This is from the US Senate Library. We also made reference to several published articlesafrom the World Health Organization, written about the same time, which advocated similar kinds ofaresearch toward the development of "a hybrid virus that could selectively effect the human immunesystem."e Like it not, these documents all exist. The Kissinger Memorandum, the Army Appropriations Hearing,kthe articles from the World Health Organization; these are official records -- facts of history -- that cannot be disputed.h We also pointed out an incredible coincidence. The World Health Organization went into Central Africafin 1972 -- into an area that is known as the "AIDS Belt" -- and administered a smallpox vaccination todseveral thousands of Africans. This event was followed immediately by the first outbreak of AIDS ongthis planet -- a remarkable coincidence -- that was noted as a Front Page Headline in the London Times,Jbut has never even been mentioned in the US Media -- never even mentioned.9 of 20 AIDS9 R0/P@ , d G d 9 d 3 d / d 5 d 9 d 4 d E d F d \ d J d 5 d D d A d  (, d * P1PAGEzydpId Another startling fact that was never mentioned in the mainstream media -- the Hepatitis B Vaccinedthat was given to several thousand male homosexuals in New York and San Francisco in 1978. The facthis, every single person who received that vaccine contracted AIDS -- every single one of them -- withoutfexception. That is what the first American victims of AIDS all had in common. They were receivers ofathe Hepatitis B Vaccine. It is a document fact. AIDS began in America in 1978 in the homosexual_communities of New York and San Francisco, immediately following a government-sponsored programYof Hepatitis B Vaccinations. This is all completely documented -- it is completely true.e In our first program, we made many references to material that you can and should read, such as the`Strecker Memorandum, by Dr. Robert Strecker. Another work called "Who Murdered Africa," by Dr.dWilliam Douglas. And an incredible book called "A Higher Form of Killing," which documents over 500gspecific cases of biological experimentation by our government on an unsuspecting public. If you don't>think they do "that kind of thing," you are simply uninformed.h We also read you an official government report from the Royal Society of Medicine in Great Britain, iniwhich they state unequivocally that "saliva and blood are vastly more infectious than genital secretions,g" and "that AIDS meets none of the criterion of a venereal disease. That despite the misrepresentations10 of 20AIDS10 S0/Q@ , d < d F d G d C d  d D d  d A d 9 d ? d C d ` d E d L d O (, d 0 P1PAGEdpI9cof the American Medical Establishment and the American Government, AIDS is not primarily a sexuallyitransmitted disease." All of that, according to the Royal Society of Medicine in Great Britain. That's aAdocument that we have and we'll come back to it in just a moment.b We also shared with you information and opinions from many highly-respected physicians, like Dr.iRobert Strecker, Dr. William Douglas, Dr. Cantwell, Dr. Hazeltine, Dr. Alonso, who all agree that thefAIDS virus could never have occurred spontaneously in Nature. That animal viruses cannot jump speciescas we are being told they did, as we are being asked to believe happened -- when allegedly, a greengmonkey bit an African and precipitated the pandemic of AIDS. We know as a scientific fact that virusesicannot jump species, unless they are specifically engineered to do so. And we also know for a scientificcfact that the AIDS virus bears no resemblance whatsoever to any virus ever found in a green monkey,^but does bear a total resemblance to cow virus and sheep virus, which have somehow been bondedgtogether. The only possible way these two different species of virus could bond together would be in ablaboratory -- something engineered in a laboratory -- and then further engineered to make the jumpinto a human system.11 of 20AIDS11 T0/O@ , d F d ; d y d 2 d : d L d 1 d L d H d C d / d H d 6 d { (, d + P1PAGEdpIj We talked about the Laws of Virology, which state that for every case of infection -- viral infection --cthat is known and reported, there are 99 cases that are unknown and unreported. This means that ifewe have 200,000 known cases of AIDS, then there are 20 million right behind it. 20 million Americansewho are HIV positive and do not know it. We also shared quotes from several doctors who believe thatcthe HIV infection rate has now reached approximately 100 million people on the Continent of Africa;K30 to 50 million in Asia; and no less than 20 million in the United States.i Again, the Laws of Virology state that the rate of infection for a retrovirus, like the AIDS virus, thefrate of infection will double approximately every 12 months. Another frightening fact that no one hasjbothered to tell us, is that there are six different basic types of the AIDS virus, and that each of theseebasic types, being what is called a "recombinant retrovirus," has a recombinant potential of 9,000 tobthe Fourth Power. "Recombinant" means the ability to change and recombine into something new, andjthe calculation 9,000 to the Fourth Power times 6 is literally in the hundreds of millions of trillions of_different possible forms and manifestations of the AIDS virus. [Note, the number calculated is[354,294,000,000,000,000,000,000,000 variations of the AIDS virus]. Now that means that youjwould need a vaccine for every possible choice that the virus could make, which is technically impossible;12 of 20AIDS12 U0/P@ , d A d < d K d I d 8 d  d 8 d E d B d : d D d : d  d > d K (, d . P1PAGEdpImtruthfully, realistically impossible. It's like the influenza virus -- there's no vaccine. There are simplyftoo many strains of it, too many different varieties, to ever develop a single, comprehensive vaccine.i The bottom line? We are not being told the truth about this plague. In the words of Dr. Hazeltine inihis testimony to Congress: "AIDS is a species threatening disease." Now, I don't want to appear to bleakjor too hopeless. All of these doctors believe that some type of cure is possible, but that we're going to^need a lot more money, and we're going to have to move beyond the strangle hold of the MedicaleEstablishment -- the AMA. And since he lives here in Los Angeles, I'm now going to put the number ofhDr. Robert Strecker up on the screen -- I'm going to flash that number for you now. Please put that up,ithank you. [213 344-8039]. I urge you to write down this number and to make this call. Please call Dr.lStrecker. All you have to do is call, and he will send you information -- important critical information --on the subject of AIDS.f Alright. About 3 weeks ago we played an excerpt from a speech by Craig Hulet, and tonight I want todplay you something else from that speech which relates to the subject of AIDS. For those who do notfknow him, Craig Hulet was a former advisor to the National Security Council and a former consultant tojseveral multi-national corporations, and he has, as they say; "come in from the cold..." -- he has crossed13 of 20AIDS13 V0/P@ , d 8 d = d ? d O d G d & d A d C d A d A d d E d < d F d I (, d . P1PAGEdpI#fover and has spent the last 3 or 4 years writing and lecturing on the subject of the New World Order -asharing with everyone who will listen, the breadth and the scope of his knowledge and experience.e Mr. Hulet knows first-hand the kind of men who are running the world. He knows what they're up tokand he is trying to warn us. Now, on this list of alternative sources of information, which so many peoplegare writing in to receive -- you know all you have to do is send in a stamped, self-addressed envelope,nand we'll send you one -- the name at the top of this list is Craig Hulet. He is an indispensable connection.jSo, right now I want to play for you a small excerpt from a speech that he gave on July 25th at the HiltongHotel in Los Angeles. His subject was George Bush and the New World Order, but at the end of the even-Oing, he was asked a specific question about AIDS, and this is how he responded:k "... biological warfare virus by the US Military. Sure... I really hate that subject. You know, we'regnever, ever going to be able to prove -- Strecker, William Douglas -- we'll never be able to prove thatiAIDS was developed specifically to reduce the populations of Central Africa, the black inner cities, drugdusers, prostitutes and homosexuals. But it just seems strange to me that all through the 1960's ande1970's, there were books published; [the] Global 2000 Report to the President, [the] the Club of Romegwrote a book on over-population -- I must have 50 books on over-population and the need to get rid of a14 of 20AIDS14 W0/U@ , d = d . d C d S d = d Q d O d Q d  d 1 d 6 d D d 6 d ? d M (, d . P1PAGEdpIhcertain large amount of people on the planet. Now, they never say which people out to be gotten rid of,jbut it seems a major coincidence that the same people that are starving in Ethiopia, in the Sudan, are thedsame people that getting AIDS and dying. By the year 2000, they expect 60 million blacks in CentraleAfrica to die of AIDS. 60 million! It could be as many as 20 million in America. Homosexuals, pre-gdominantly, and the interesting thing is, it is not a homosexual disease. It is a man-made, mutatedadisease. It had to have been man-made. Sheep do not get together and do chemical experiments onitheir viruses. So, a man had to graft this bovine virus, which they know that's what it is, onto a humanicell. It had to be made. So we know its man-made. They know it's transmitted with the... because theymknow the most effective device... the best test to discover if you have AIDS... is not a blood test, it's a1saliva test. Now why haven't they told us that?"l "It's not a sexually transmitted disease, it's simply a disease that gets transmitted. And you can trans-jmit it by sneezing on someone. Why don't they tell us that? In the Congressional Record, it says that itccan be transmitted "effectively" by mosquitos. It says so. The Center for Disease Control, in theiCongressional Record, says that it is transmitted by mosquitos in Belgrade, Florida -- they know it for agfact. Why haven't they told us that AIDS is being transmitted by mosquitos? They say it to themselves15 of 20AIDS15 X0-Y@ , d L d M d < d -  d 1 d : d D d P d J d  d O d H d % d B d M (, d . P1PAGEdpI&5in the Congressional Record, why don't they tell us?"f "OK. Here's my theory. Whether or not [AIDS] was created for the purpose of exterminating the veryjsame, coincidentally, same anti-social element that the men I did business with for 15 or 20 years, thoughcought to be gotten rid of anyways; homosexuals, prostitutes, blacks, etc., and of course, the BlackhContinent -- they want the resources but they certainly don't want to feed the people, see? Why is thatkthey are allowing all of these myths to be told -- the destruction to take place, and they're doing nothingtto stop it? Here's my theory, and this is all it is -- is a theory -- that they'll find a cure when about 1 billionjpeople on this planet have died from AIDS, starvation and disease -- all over the world, all of sudden EliiLilly, who is one of the major corporations doing AIDS research -- and coincidentally, George Bush on thelBoard of Eli Lilly -- when they finally eliminate huge sections of the population, which is what they alwayshwanted throughout the 1960's and 1970's, because of over-population -- it's called "mitigating the prob-hlem." They feel that AIDS and famine and disease will mitigate the problem of over-population. I suspecththat around the year 2010 or so, all of a sudden Eli Lilly will announce that they've found a phenomenallcure for AIDS, but not until a lot people die. Because like I said, it seems a major coincidence to me thaththe very same people that the men I did business with for years, dislike the most, those people who just16 of 20AIDS16 Y0/S@ , d ( d N d Q d ) d K d L d N d E d G d Q d G d R d F d D d L (, d . P1PAGEdpIchappen to be the ones that are contracting AIDS -- happens to be some of the ones that are dying injfamines, pestilence and bombing into the Stone Age like we just did -- I don't believe in the "CoincidencemTheory of History" -- I just don't. I haven't for a long time because the CIA, the National Security Councilnis too brilliantly planned. They plan everything to the most minute detail. I can't believe that all of this0is a coincidence. That's all I can say though."h "I'm going to do a White Paper on that one of these days. One of the reasons I haven't is that if youetalk about AIDS, you never get invited on the university campus -- you follow me? So I never addressdAIDS... for 4 years I've had material on AIDS that addresses this in some fundamental way, and somejof it was very good documentation, proving some of the things that I just said, but I have never discussediit because of you discuss AIDS, I guarantee you, you will never be a speaker on the university campuses." [Craig Hulet]] We said we were going to return this document. This is the House of Common Social ServicesbCommittee, and this is a document prepared by the Royal Society of Medicine. You can not get more@official than this in Great Britain. And this is what they say:17 of 20AIDS17 Z00T@ , d 4 d I d J d F d d > d = d C d S d S d F d  d 6 d R (, d . P1PAGE&%dpIg "The scale of the deceptions and misinformation perpetrated by virologists, clinicians and editors ofhscientific and medical journals about the infectivity of genital secretions, compared with that of bloodhand saliva, has been astonishing. In the presence of a new, lethal virus, spreading amongst people, forewhich no vaccine or cure is in sight, every person would assume that scientists have been working dayiand night to verify how it is transmitted. On the contrary, having assumed for a variety of motives thatkAIDS is a sexually transmitted disease like syphilis or gonorrhea, a negligible research effort has gone inhto the critical matter of transmission. A few preliminary papers were published and their findings havecbeen repeatedly quoted as showing the opposite of what they actually showed. When this was pointedkout in letters to the editors of American medical and scientific journals, publication has been refused. Nojattempt has been made to check or double-check the findings in other laboratories, or to rectify publishederrors."m "As far as it goes, the tiny research effort into infectivity of bodily fluids indicates that saliva is farjmore infectious than genital secretions,but that blood is vastly more infectious than either.Consequently,gthe idea that condoms can have any significant effect on the spread of AIDS in a nation is utterly pre- posterous."18 of 20AIDS18 [0/Y@ , d : d = d D d > d O d O d K d K d N d U d - d : d T d > d C (, d . P1PAGE\[dpIIThis is the Royal Society of Medicine in Great Britain. I'll continue...g "Governments all over the world are spending millions of pounds [dollars], advising their citizens toXprevent AIDS by using condoms on the basis of MANIFESTLY FRAUDULENT misrepresentation ofscientific evidence."i You know, if they're going to spend millions of your tax dollars on televised warnings, don't you thinkgthey ought to include cuts and wounds and saliva and breathing it into the lungs, which apparently hap-dpens -- 16,000 health care workers are infected by AIDS. Ask them. Ask the ones who believe theircsuperiors at the AMA about the costs of ignorance. You want the truth about AIDS? Get outside theYAmerican Blackout. Get outside the boundaries of the so-called "freest nation on Earth."a Back in the 1960's you know, we used to feel sorry for the Russian people, because we knew theyfweren't getting the whole picture. We wondered what that must be like. My god, it was hard to imagineiWell, now we know. Now we know exactly what it's like, to live in a society where crucial information --Zinformation critical to our survival is being controlled and suppressed by the government.19 of 20AIDS19 \0.R@ , d x d d 6 d  d q d d D d D d = d < d  d , d N d J d  (, d . P1PAGEdpIY g The bottom line? Very serious bad guys are in control of your planet. And the name at the top of theclist is George Bush. George Herbert Walker Bush, Emperor of the Earth and Supreme Commander of theDark Side of the Force.K f Well, we're out of time. Good night. I hope to see you all again next week. If I don't, you will+certainly know why." K ---------------------------------------------------------------------------------------------------------------------------------------------------- END OF TRANSCRIPTION OF NETWORK 23 PROGRAM.  20 of 20AIDS20 ]0-U@ , d D d M d d d  d d d P d b d  (, d 3 P1PAGEdpIBProduct : IPicasso II Retargetable Graphics board with 2 MB RAM'Maker \\: IVillageTronic, Germany&USA distributor : IExpert Services6 \\I7559 Mall Road: \ IFlorence, KY 410426 \ Phone: 606-371-96904 \ Fax: 606-282-5942HPrice as tested : I$525 US ($450 for 1 MB \Picasso II & $75 for 1 MB' upgrade)BHow to order : IPicasso II is available through many Amiga mailK \order stores and authorized Amiga dealers. TheK 1 MB RAM upgrade can be purchased directly from, Expert Services.@Picasso II (RTG) JK IReview by Roy Park (rkpark@io.org)+II IIIIWhat is Picasso II?(Picasso II (P2 for short from now on) is!a high resolution and true colour"graphics board available for Amiga 2000/2500, Amiga 3000, and Amiga4000 series computers.#This is an excellent alternative tonon-AGA (or even for AGA) Amiga owners in order to achive higher#resolution screens and more colourson their machines.1 of 12Picasso1 p0Jp@ ,  d b  d  d  d  d  d  d  d k  d  d ^  d d  d m  d q0-3@,dsr0?@ , d h d d d d d d d d d d d d h d (, d " P1PAGEdpI^` Resolution Max. colours shown at a time Frequency Interlaced ] 320x240 16777216 / 16777216 70 Hz / 36.40 KHz NOd 640x480 16777216 / 16777216 71 Hz / 36.92 KHz NO b 800x600 16777216 / 16777216 82 Hz / 52.48 KHz NO n \\\ \\1024x768 256 / 16777216 79 Hz / 63.20 KHz NO k \1120x832 256 / 16777216 65 Hz / 59.15 KHz NO m \\1152x900 256 / 16777216 61 Hz / 57.15 KHz NO g 1280x1024 256 / 16777216 90 Hz / 51.75 KHz YES e 1600x1280 256 / 16777216 60 Hz / 37.92 KHz YES What resolutions are supported? - OS 2.x or higher. P2 will not work on 1.3 ROM!] - Amiga with Zorro II or Zorro III expansion bus. i.e. A2000/A2500/A3000/A4000.A - A monitor capable of scanning at 38 KHz or higher., - FastRAM: as much as possible.' System used for the review - 2 MB P2 board, - Amiga 3000 running at 25 Mhz.- - 2 MB ChipRAM and 12 MB FastRAM# - ViewSonic 17 monitor3 of 12Picasso3 0,R@ , d d v d d 2 d  d N d d d d d ~ d d d d (, d % P1PAGEzydpI Installation Hardware:n I had no problem setting up P2, except the part that I had to take out the little plastic 'slot' from the^A3000's case because the board would not fit in otherwise. This is NOT because P2 was designedApoorly... rather A3000's case is quite warped. (from what I hear)^ Note that A2000 owners without 32-bit accelerators must move a jumper on P2 since 68000'scmemory addressing space is not wide enough to accomodate P2 unless you have 2 MB of free space leftb(this means you must have A2000 with less than 6 MB FastRAM installed, if you have a stock A2000).a If you have less than 6 MB FastRAM on a non-accelerated A2000, then you do not need to worryfabout the jumper. However if this is not the case, you MUST move the jumper to put P2 into "Segmented Memory" mode.e By having P2 in SM mode, P2 will access the FastRAM on your A2000 64 KB at a time. This will be6slower, and may cause software compatibility problems.4 of 12Picasso4 0-W@ , d ? d d ; d d A d ) d v d + d K d K d 2 d R d \ d 6 d @ (, d % P1PAGEdpIk Software:h The P2 software installation was very easy. It uses standard "Installer" program by Commodore. Ifiyou are a novice on these procedures, just click on the "Novice" button and let the program do everythingfor you.@The viewers for various graphics format are included. They are:D IntuiView \\\(for IFF, GIF, JPEG formats)1 ViewIFF \\(for IFF)/ ViewGIF \(for GIF)- ViewJPEG (for JPEG)@ PlayMPEG \(for viewing MPEG animation)P Play (for viewing raw 24-bit animation file)5and some sample pictures and animations are included.k Also, the install disk comes with drivers for ADPro, ImageFX, ImageMaster, and Reflections (I have noidea what this program does).5 of 12Picasso5 0+S@ , d 9 d d F d R d . d k d  d d d d 0 d a d 8 d P d (, d % P1PAGE!dpI` Axiom Software announces Anim Workshop version 2. Anim Workshop is a program for the Amigaeand Video Toaster that allows the user to create, edit, process and add sounds to an Amiga animation.\Anim Workshop version 2 now supports AGA screen modes and Anim5, Anim7 and Anim8 animations.fAlso new to version 2 is a new interface with improved file list features, full DCTV support, and moregARexx functions. Batch process a list of images using ADPro or Image F/X operators to create processedcanimations. Anim Workshop provides a powerful set of tools that can be used to create an animationmfrom a list of images or seperate an animation into IFF files, insert or delete frames, convert colors, flip,hscale, or perform any other image operation on the entire animation. A full-featured anim player allowsethe user to step through, tag frames for processing, change frame timing, and play the animation withsound.!Anim Workshop version 2 Requires:C - ADPro or Image F/X required for some image processing features$ - Workbench version 2.0 or higherOAn Upgrade is available from Axiom for owners of Anim Workshop v1.0 for $40.00.VAnim Workshop version 2 has a list price of $159.95 and will be available in November.ANIMJK IWORKSHOPIIVERSION 21 of 1NewProd1 0,U@ , d J d C d H d = d T d B d K d Q d D d & d d  d d  d  0oC@ , d; d D   d < (, d  P1PAGE p odpIE-EIHighlights: I $ - Includes 120 Outline Fonts $ - Includes 100 EPS Clip-art images$ - Easy to learn and use $ - Excellent printing  - Comprehensive User Manual-IWord Processing:I % - Table of Contents % - Index % - Table of Illustrations % - Bibliography % - Endnotes % - Outline generation  - Named Paragraph Styles% - Named Text Styles % - 144,000 word Speller % - 1.4 million word Thesaurus % - Document Statistics w/ Word Count% - Automatic hyphenation % - Sections % - Multiple Master Pages % - Multiple Columns % - Very Fast Search & Replace % - Text Clips % - Header/Footer Support % - Left, Right, Center, Decimal Tabs% - Paragraph Justification  - Document Statistics- Insert Date, Time, and Page Number &- Sort Paragraphs &- Add Columns of Numbers - Auto Bullet & Hanging Indent Control$- Indent paragraphs left&right &- Cut/Copy/Paste text &- Cut/Paste ruler - Insert and remove page breaks - Go to Page, Sect/Selection- Title Page and Preface Sect.&- Mail Merge - Delete document within prog!FINAL WRITER - From SoftWood Inc.1 of 3NewProd2 0?@ , d d d d d d d d d d d d d d 0@@ , d d d d d d d d d d d d d d } 0.@ , d d = d d d d 2 d d d d d E d d d d 0'r@,d$(, d  P1PAGE J JdpI -,IOutline Fonts: I ! - Size fonts from 4to300 points - Compugraphic Type 1 Support$ - NimbusQ Support $ - Line Spacing control  - Compress/Expand Character widths$ - Underline and Double Underline $ - Strike-Thru $ - Small Caps and All Caps $ - Obliquing $ - Superscript and Subscript  - Color Text,IUser Interface: I  - User-defined button strip - User-defined "User" menu - Magnified and reduced page views - User-defined preferences - Extensive ARexx support - Page guides" - Optional horizontal & vertical rulersIGraphic Support: - Import IFF ILBM & EPS images - Draw Boxes, Ovals and Lines - Draw Perfect Squares and Circles - Draw rounded cornered boxes - Draw arrow tipped lines - Create, move & resize Text Blocks# - Real-time text flow for graphic" - Optional "Flow Over" Text Flow! - Depth arrange graphics & text blocks  - Scale graphics to any size! - Crop imported IFFandEPS image - Rotate graphics - Lock/Unlock Graphics - Group/Ungroup Graphics - HAM, 24 bit & EHB Support - Show EPS images on screen Final Writer2 of 3NewProd3 0H@ , d d d d d d d 5 d d d d d d H 0+@ , d d d d d 0 d d d Q d d 0 d ` d d d d 3 0+@ , d d d d 2 d d d d > d d d e d d d d 0)n@,d^(, d ! P1PAGEVUdpI Final Writer9IPrinting: I 1 - Print at full resolution of printer 1 - Built-in PostScript(tm) support 1 - Print EPS images on graphic printers 1 - Draft printing option 1 - PostScript halftone and spot function control1 - PostScript crop marks 1 - PostScript scaling 1 - PostScript thumbnails 1 - Tall or wide printing 1 - Color graphic and PostScript printing 1 - 12 bit color graphic printing , - Front-to-Back and Back-to-Front printing 1 - All, Right only and Left only collate option + - Print all or range of pages or sections3 of 3NewProd4 0)n@,d^0@@ , d d d d d d  d d d d d d d 01>z@ , d  d d (, d ! P1PAGEdpI1SCALA MM300 Feature List...!ICheck out these new features:rIIDrawing ToolsI - Create and manipulate lines, rectangles and circles! Each drawing can be moved andJresized. Add different attributes like color, wipe, outline, shadow, etc.fIResize Brushes and PicturesI - Scale, crop, change-aspect-ratio of backgrounds and brushes!QILoad ResolutionI - Change resolutions and number of colors on the fly!mIFast Floyd-Steinberg DitheringI - Pictures and brushes can now be remapped quickly with the Floyd-VSteinberg dithering technique. Images will look smoother and cleaner than ever before!qIOptimize PaletteI - This time saving feature automatically calculates and remaps the color palette for&each background, brush and text color!1 of 6NewProd5 0+7@,d/0#EB@ , d d 0 d  d d  d d  d d * d  d d : d (, d  P1PAGEdpI'mIFile Format Support I- The Scala EX system now loads GIF, TIF, PCX and BMP file formats from otherZcomputer platforms! You can even save IFF pictures into the Microsoft Windows BMP format!mIAbsolute TimingI - New SMPTE compatibility feature allows you to set frame rates for PAL (25 fps),;NTSC (Drop-Frame and Non Drop- Frame), and Film (24 fps). mIScala scripts can be slaved to TimeI -Code chase with the new MIDI 2.0 EX and any Amiga compatibleCMIDI-to- SMPTE device (eg. Blue Ribbon Soundworks Triple-Play Plus)nIFile Requester ShufflerI - Now you can see a "thumbnail" picture of backgrounds, the first frame ofan animation, and brushes!pIStunning New WipesI - FadeToWhite, Nuclear, Random, Dissolve, Ants, Rollodex, Flipover, and Cccut are]a few of the new wipes in MM300. Plus many of the new and old page wipes are now text wipes!`Most wipes can now change directions using the "Turn90" and "Backwards" options in the Page Wipe%Menu, creating hundreds of new wipes!2 of 6NewProd6 0!&G@ , d - d  d d 2 d Y d d 3 d  d d / d d d C d , d : d d (, d ! P1PAGE&&dpImISound On ButtonsI - You can now add two globally set sounds to buttons for feedback on interactive applications.mIDSS Sound Module SupportI - MM300 will now playback music modules created with GVP's Digital SoundaStudio package that comes with the GVP DSS 8+ Audio Sampler! Take advantage of the DSS8+ enhanc- d d > d (, d ! P1PAGE  dpIqWINew Text/Button AttributesI - Underline color can be independent of text, anJimproved 3D Attribute function, and an all new Beveling Attribute function/which creates 3D, four-sided buttons with ease!tIText Box for SubtitlingI - Allows you to create Text Box Headers with a different color and transparency.Great for video subtitling!sISound Playback Directly from Hard DiskI - Any size sound sample (mono or stereo) is now spooled directly/from hard disk, saving precious Amiga Chip RAM.rIPreview 24-Bit PicturesI - A fast IFF 24-bit preview allows you to browse through your 16 million color:images and then load them into any ECS or AGA screen mode!uIEnhanced Scala Utility SupportI - The utility launcher now start other Amiga programs that modify scripts,%pictures, animations and sound files!4 of 6NewProd8 0+U@ , d  d  d  d d P d d d S d  d d 4 d _ d d Q d (, d ! P1PAGE""dpIiIEnhanced AnimLabI - Now has Anim8W and Anim8L support, new Scala animation formats Anim16i anddAnim32i, animation support for FLIC (a common animation format on MS-DOS PCs), change resolutions ofUanimations and pictures, enhanced palette control, add text to animations, much more!PINew EX ModulesI - Scala MM300 now includes these improved EX modules:gMIDI 2.0 EX - Enhanced to support Blue Ribbon Soundworks' One Stop Music Shop and Triple Play Plus.QThe EX also reads MIDI Time-Code from MIDI to SMPTE devices like Dr. T's Phantom.mCDTV 2.0 EX - Enhanced features now include the ability to play multiple tracks, use time-code for in and@out points, wait for specific locations, fade volume in and out.eNew Genlock EX Modules - MM300 now includes EX modules for GVP G-Lock, Digital Creations SuperGenand G2 Systems G2 Genlock (PAL)aGVP IV-24 EX - Control the picture-in-picture, keying modes, and display 24-bit IFF pictures.cAVideo/Colormaster 24 EX - (For A500, A2000, A3000 only) Display 12 or 24-bit backgrounds withQoverlayed Scala graphics, playback of 12-bit animations in the avnm/avnmd format.5 of 6NewProd9 01S@ , d F d S d  d d  d : d  d M d \ d I d d  d < d  (, d ! P1PAGE  dpI ISystem Requirements:\For A500, A600, A2000 and A3000; Scala MultiMedia MM300 requires AmigaDOS 2.04 or higher, atdleast 1 MB of Chip RAM, at least 2 MB of Fast RAM, Hard Disk, ECS Chipset recommended (ECS Agnus andCECS Denise). Accelerator and additional Fast RAM also recommended.\For A1200, A4000 and other AGA based Amigas; Scala MultiMedia MM300 requires AmigaDOS 3.0 orehigher, 2 MB of Chip RAM, at least 2 MB of Fast RAM, Hard Disk, additional 32-bit Fast RAM recommend-Zed. NOTE: For Amiga 1200, use of PCMCIA 2 MB or 4 MB Memory Card may degrade performance.YScala MM300 Release Date: November 15, 1993 Deliverable Date: December 1, 1993 or sooner.6 of 6 NewProd10 0/P@ , d d d G d K d  d d H d G d * d d  (, d ! P1PAGEzydpIVideoStage ProeSpectacular video and on screen interactive productions are easily created with Videostage Pro. Showsecan incorporate text, graphic objects, video clips and sound. Remote control via modem or network andgbuilt in ARexx interface enable Videostage Pro to develop applications in training, kiosk style inform-cation centers, and video catalogs. Videostage Pro is compatible with AmigaDOS 3.0 and AGA chip set.!IVideostage Pro Features List:IStoryboarde * Icons for insertion of "show events" graphic images, title screens, sound events, ARexx calls,- genlock events, and play loop events.5 * Scroll bars for quickly moving about the show.1 of 4 NewProd11 0)@,d0&KF@ , d C d C d = d A d d d d @ d d & d d  (, d  P1PAGEdpIY ITime LineW * Different tracks for Graphics, Titles, Sound, ARexx, Genlock and Control Events.2 * Zoom in and zoom out for precise alignment., * Preview mode to see segments of show. ITitlesE *Animate individual characters, lines of text or blocks of text.0 *Normal, Peicewise, and Gridwise movements.L *Use of any Amiga font including color & rescalable compugraphic fonts.0 *Characters can "grow" from small to large. IBackdrops * Use any IFF image.# * Generates gradient backdrops) * Gradient fills of text or objects.2 of 4 NewProd12 0..%@ , d 6 d  d  d d d  d o d  d  d  d d : d d d (, d ! P1PAGE  dpI~IResolutions: * Supports all Amiga resolutions and overscan levels.IGenlock Controle * With certain Genlocks it is possible to switch between A and B video sources with the click of the mouse.IInteractive Hot Spotsc * Pre-defined play loops can be utilized fo user directed interactive on screen presentations.? * Hot Spots can be areas of the screen or graphic buttons.b * Button can be outlined or given an embossed appearance plus you can incorporate identifying text.Y * Button text can incorporate any Amiga font including color and compugraphic fonts.3 of 4 NewProd13 0/4+@ , d A d < d d X d ! d X d d w d  d U d ' d 5 d  d (, d ! P1PAGEdpIIDazzling Special Effects# * Over 60 built in transitionsZ * Transition style effects include wipes, fades, scrolls, smooth scrolls, and blocks.6 * Control speed of individual transition effects.IHot Color Testb * Automatic detection of colors that can cause a bleed effect for NTSC or PAL Composit Video.N * On-line Color Palette allows user to adjust colors to tolerable levels.E * Hot Color Test works in all resolutions includin NTSC and PAL.IRemote ControlS * VideoStage Pro can be controlled through modems, networks and ARexx scripts.d * Automatically checks for time and data changes and can load new version of file automaticallyNIRequires 3Megs and a Hard Drive can't hurt! VideoStage Pro From Oxxi Inc.4 of 4 NewProd14 0-,6@ , d d d  d  d d P d & d  d q d d X d  d / d d  (, d ! P1PAGEnndpIcCreating eye-catching flying logo animations just got a whole lot easier. Axiom Software announces`WaveMaker, a program for the Video Toaster that makes it easy to create professional flying logobanimations for LightWave 3D. Simply select your logo and choose how you want it to fly on and offHthe screen. Choose from a comnbination of animated background elements: - IStreaks - ICircles - ISwirling arcs - IStarfield - IFireworks - IConfetti - Iand many more! WaveMakerIThere are dozens of motions and background elements to choose from. Wave-KMaker also includes several pre-fabricated animations that your logo can beMplugged into. The Animation Sequence function allows you to batch render anyHnumber of LightWave scenes. WaveMaker comes with a videotape that showsIthe different logo motions, animated backgrounds, and pre-fab animations.'Compatible with the Video Toaster 4000.CWaveMaker Requires: - Video Toaster system version 2.0 or 3.0S \- Workbench version 2.0 or higher/IAvailable November 1993 from Axiom Software1 of 1 NewProd15 0"?F@ , d 9 d 1 d 4 d  d E d = d ` d K d Q d H d v d 0(@,d0{}@ , d  d  d  d  d  d d  d T 0(@ , d  (, d  P1PAGEdpIeMicroTouch Systems, Inc. today introduced the low-cost TruePoint CA-42 Touch Monitor, a durable touchdscreen monitor for Amiga-based multimedia, kiosk, training, and business applications. The TruePoint`package includes the new high-resolution Commodore 1942 14-inch display, a completely integrateddcapacitive touch screen, controller, and the AmigaTouch Driver. Now all Amiga applications can use aetouch screen -- providing all the functionality of a mouse but with a much friendlier user interface.IPlug-and-PlaycThe TruePoint CA-42 Monitor is a plug-and-play solution that offers greater ease of use and conven-`ience to VARs and systems integrators seeking to add touch screen input to their new or existing`applications. By offering a completely integrated touch monitor, the unit addresses an importantUmarket need for a touch system that doesn't require assembly from a touch screen kit.TruePoint CA-422TouchScreen Monitor from MicroTouch for the Amiga!1 of 4 NewProd16 0"]J@ , d G d = d , d 6 d * d d M d 7 d % d # d  d 0+,@,d0 @@,d(, d  P1PAGE~}dpI"IISuperior Touch Performanced The TruePoint CA-42 Monitor uses MicroTouch's industry-leading patented analog capacitive touchctechnology, which involves the sensing of electrical signals generated on a conductive coating. The_unique construction of the MicroTouch capacitive sensor makes it the only touch technology thatedelivers high resolution, optical clarity, speed, and durability all in on package. (Technology Back-!grounder available upon request.)e Computer Network, Inc., a systems integrator, has recently installed an Amiga-based Touch ScreendKiosk in the Las Vegas Hilton. The information kiosk allows hotel/casino visitors to learn about thefhotel's services and activities. According to Kevin Kostiner, president of Computer Network, Inc., "Weglooked at several touch screen products and selected MicroTouch due to the high quality of their capac-ftive touch screns. In a hectic casino environment we need an extremely durable touch screen solution."2 of 4 NewProd17 06O@ , d d d 7 d ) d  d  d d d = d - d > d B d D d (, d ! P1PAGEdpI.IThe Power of the Amiga Combined with Touch^Amiga computers, with advanced graphics and enhanced audio and video capabilities, have becomebincreasingly popular in multimedia applications. The recently announced Commodore 1942 monitor wasdspecifically designed for multimedia applications. The monitor includes built-in stereo speakers andaaudio input making it more convenient for multimedia developers. Combining the Amiga computer andethe 1942 monitor with the user-friendliness of touch screens makes Amiga systems the perfect solution+for many different multimedia applications.$IAmigaTouch Driver SpecificationsaThe AmigaTouch Driver allows all Amiga software to run seamlessly with the touch screen and comesicomplete with control panel to set touch screen preferences, including cursor offset and sensitivity. TheaAmigaTouch Driver supports two-button mouse emulation, multitasking from Workbench or CLI, simul-_taneous mouse and touch screen usage, and is compatible with both PAL and NTSC Amiga computers.3 of 4 NewProd18 0-P@ , d  d d / d B d / d E d L d d d d d ? d I d E d > (, d ! P1PAGEdpIQ (ITouch Montior Display SpecificationsdThe TruePoint CA-42 is based on the high-quality, Commodore Amiga 1942 monitor. This high-resolution_Super VGA 14-inch monitor has a dot pitch of 0.28mm, a maximum resolution of 800x600 non-inter-flaced, a vertical scan rate of 45-75 Hz, and a horizontal scan rate of 15.6-15.8 to 27.3-31.5 KHz. Thefmonitor comes complete with stereo speakers, audio input, front accessible controls, and a tilt/swivelbase.IAvailability...`The TruePoint CA-42 Monitor is available immdiately through dealers or directly from MicroTouch.4 of 4 NewProd19 04J@ , d d d I d > d * d < d  d d M d d ( (, d ! P1PAGERRdpIw.LightRave... LightWave 3D without the Toaster!fIWarm and Fuzzy Logic, Inc. announced their solution for the Amiga(tm) computer which allows you to\use NewTek's Lightwave 3D(tm) animation system without the Video Toaster(tm). The product is`Lightrave - an all new hardware device that resides on the serial port of ANY Amiga computer andbemulates the necessary Toaster functions that allow Lightwave(tm) to fully function on your Amiga!IIFeatures:\HIGH SPEED EMULATION: Lightrave is a custom hardware module that emulates all of the ToasterP functions needed by Lightwave 3D!ZTOASTER FREEDOM: Lightrave enables any Amiga to run Lightwave 3D without requiring a Video> Toaster to be installed.]NEW ADVANCED FEATURES: Lightrave adds a suite of professional features never before availableN \to Lightwave 3D users.bFASTER!! Lightrave will render images faster than a Toaster equipped Amiga, as no lengthy display9 time to the Video Toaster is required.1 of 3 NewProd20 0)@,d0#@H@ , d ? d * d - d ; d d 5 d $ d T d  d d 4 d & d 4 d  (, d  P1PAGEdpIgTRUE 24 BIT DISPLAY: Rendering is no longer limited to the Toaster's composite display alone. Lightraveu now allows Lightwave 3D to render directly to the most popular 24bit graphic| cards. Supported cards include the GVP IV-24, Retina, Opalvision, DCTV, Firecrackerr EGS Spectrum, Piccolo, Picasso, Rainbow 3, Amiga, and Amiga-AGA displays.UPAL COMPATIBLE: Lightrave makes Lightwave 3D fully functional for European PAL users.aFAST ANIMATIONS: Full screen preview animations previously only available on the Toaster-4000(tm)z \are now available to all Lightwave 3D users. The animations are stored in standardq \Amiga "Anim" animation formats and may be transferred and edited by otherv \Amiga programs. Direct rendering to DCTV and OpalVision animation formats will< be available shortly.dNETWORKING: Lightrave is fully network compatible. From the low cost Parnet to the high end Ethernetp \\solutions, Lightrave is the perfect solution for all Lightwave 3D "Render Farms".2 of 3 NewProd21 0-O@ , d F d . d L d ( d d  d d G d H d 3 d C d d d H d  (, d ! P1PAGEzzdpIO^IMAGE PROCESSING: Render directly to GVP's ImageFX, where frames can be image processed before; being saved to disk!_FULLY COMPATIBLE: Works with the entire Amiga line of computers. Even the Amiga 500 and the new3 \Amiga 1200!IRequirements:) Io Lightwave 3D 2.0 or 3.0 required.B o Compatible with all Commodore Amiga models, both NTSC and PAL.* o Workbench and Kickstart 2.04 or later.C o Lightwave 3D requires a minimum 512 chip RAM and 512k fast RAM.> o Extended memory and hardware acceleration are reccomended.H o 2 Megs of Chip RAM is recommended for direct rendering to GVP IV-24.B o Lightrave registration requires a Toaster registration number.JKILIGHTRAVEI(Warm & Fuzzy Logic)isShipping Now!!3 of 3 NewProd22 0-I@ , d ; d d d E d d d R d d d  d d  d z d  d p 0H@ , d\ d ~ d d U d (, d ! P1PAGE43dpI IAMIGA PRODUCT REVIEWSAMIGA PRODUCT REVIEWSIAMIGA PRODUCT REVIEWSI AMIGA PRODUCT REVIEWSIAMIGA PRODUCT REVIEWSI AMIGA PRODUCT REVIEWSIAMIGA PRODUCT REVIEWSAMIGA PRODUCT REVIEWSIAMIGA PRODUCT REVIEWSTITLE ReviewTitle 0.F@ ,  d d d d d d d d d(, d  P1PAGEdpI@hExcept for the part that where you have to edit a text file in ImageMaster driver setup, it shouldn't beCtoo confusing for the users. Everything is quite straight forward. IUsage^Simply choose any Picasso screen modes available from the screen mode requester, and you're in business!IMy personal impressiondAfter trying all the resolutions for Workbench screen, I found 1024x768 screen most suitable for thefviewing using my 17 inch monitor. Anything higher than that, I really had hard time reading the char-eacters. I don't think you'd want 1024x768 resolution for Workbench if you have anything smaller than?17 inch monitor... except for viewing colourful pictures maybe.eI've been using the board for over a week now, and I haven't had a single problem (system crash, etc) caused by P2.6 of 12Picasso6 0,L@ , d B d s d d # d & d 5 d d d ; d 8 d D d a d d = d M (, d % P1PAGEhgdpIdThe Workbench emulation is very stable, and about 3 days after having the P2 in my A3000 I no longerIhave to make any adjustments to the setup in order to get things working.fI did have a 'slight' problems with hard-drive installable games (nothing was happening after the game_started) but this was fixed by running the games from Workbench in NORMAL NTSC screen mode. Now`I have SYS:Prefs/ScreenMode program on the Tools menu of Workbench, so I can access it easier inorder to switch at will.bMy only POSSIBLE complaint is about the screen promotion program that came with P2, called Change-hScreen (CS for short from now on). I'm currently using PPrefs instead of CS since CS pops up requester5everytime I start a 'new' program from the Workbench.fThis is okay if you have something like three or four applications, but it gets annoying when you haveemany new PD programs to try out! I liked PPrefs' approach better because it's less annoying (TO ME).7 of 12Picasso7 0;N@ , d K d  d E d K d d / d ~ d d = d I d = d > d > d (, d % P1PAGE\\dpIiBrilliance & : These programs did not work since they access Amiga's hardware directly in order tohDPaint AGA do graphics operation. ANY program that uses similar techniques will not work with P2p in hires/hi-colour modes. However, these programs worked fine without the screen8 promotion to a P2 screen.fFinal Copy II release 2: Works BEAUTIFULLY on either its own screen or on the Workbench screen. Rightx now, I have the FCII running on the 1024x768 Workbench screen and things look| FAR better (the scalable fonts and etc). Make sure to re-adjust the DPI settingsz in 'Display' preference to about 95 DPI (on 17 inch monitor) if you still want S WYSIWYG. No problem with the promotion._PageStream 2.2: Works VERY nicely. Again, I have it running on 1024x768 WB screen and I cannot8 complain about a thing! What works with the Picasso II?!8 of 12Picasso8 0GO@ , d < d I d 7 d d d F d B d C d ( d } d d * d d 0)p@,d(, d % P1PAGEdpIKcImagine 2.0: All the screens related to Imagine can be promoted to higher resolution except for theo anim preview screen. In Stage Editor, if you do "Make/Anim" and try to play, it won'tl work. You could view the animation by "Make/PlayBIG" and view the animation on thel background (on non-promoted screen). Other than that, I haven't had a problem yet.gImageFX: It works to certain extent. One thing is, you cannot have the tool bar and the preview screenm \on the screen at the same time. I must to flip between the preview and toolbar screen byp clicking on the right mouse button. A staff from Expert Services told me that they've talkedi to Nova Development (the creator of ImageFX) and they said either they are going to dor Picasso II driver on their own,or make the next release compatible with all the graphics boardsr out there now. As far as using the program, I had no problem.... except for that little incon- venience.eCygnusEd 3.5: On 1024x768 WB screen, things couldn't be better! I can now read/edit text files WHOLEd page at a time! It works VERY VERY nicely for editing C sources and etc.9 of 12Picasso9 0,P@ , d 2 d . d 6 d , d d E d 3 d F d / d L d B d o d d G d  (, d % P1PAGEdpIbTerm 3.4: I used to have the screen at 2 colour 640x400 mode... now I have it at 1024x768 8 colourl mode and it seem it's FASTER than 640x400 2 colour mode. It's nice to enjoy all the cool8 ANSI colours and very FAST scrolling.`ADPro: Again, this one works without any complaints. However in order to display pictures on P2p \screen, you must select Picasso in the save module and click on the 'save' button each time. Itj would be nicer if ADPro had support for display database, so the user can choose any screenR modes for the view. I'm pretty sure the next version will do this.NTypeSmith: Works nicely on high-resolution screen. No problem with promotion._ProCalc: VERY nice on high-resolution screen... you can see a lot more cells on the screen now!dQ-Blue: No problem with screen promotion... HOWEVER it does not take advantage of bigger screen sizep \than 640x400 due to the internal limitation of the program. I'm not getting this one registeredo until the author decides to support the display database. Currently, I'm using AmiQWK_II for an, alternative on the WB screen.10 of 12 Picasso10 0'P@ , d 2 d . d  d d % d < d 6 d  d d  d d  d M d K d J d (, d + P1PAGEdpIi)ArtExpression: No problem with promotion.`Floppy based games: Picasso switches to normal Amiga display at the boot up. No problems noted.JHard drive based games: Problem, if you start the games from P2 Workbench.] This can be fixed by the following procedure:X I- Create a script file called "s:ntsc", using a text editor. Inside it, put;V ISys:Prefs/ScreenMode FROM Sys:Prefs/Presets/ntsc.screen USE Ion the first line.e I- Go to ScreenMode preference program, select on any of the NTSC modes, and go to the menu9 "Project/Save as" and save the screen prefs as;< IISys:Prefs/Presets/ntsc.screene I- Create a script file to call this script file "s:ntsc" everytime before the game starts.11 of 12 Picasso11 0,Q@ , d d d 1 d d  d  d  d  d y d d , d , d d d  (, d & P1PAGE@?dpIIOverall ImpressionmIIIII've been using P2 for past 2 weeks now, and so far I can say I'm completely satisfied. It^does what it claims to do and for its price, it's definately worth the money. I highly recom-Qmend it for those ECS Amiga owners (even for AGA Amigas) who want more pixels andcolours.WOne last word though... due to the hardware limitation (the graphics chip they used for[Picasso II) I found the 8-bit modes quite slow(er) than I expected, and it's definately in-Xcapable of doing 30 fps animation in 8-bit screens. Of course if you wanted THE FASTEST5graphics board, you'd need to spend A LOT more money!I IRoy Park.12 of 12 Picasso12 0D<@ , d j d d   d   d   d ,  d  d   d   d   d @  d  d 6 d (, d ) P1PAGEdpIo THE AMIGA,KIOSKS,AND] Since World War II, the economies of the developed countries have become more service^oriented. The banking, financial, food, and entertainment industries are now growing, criticalTparts of our economies. As these sectors continue to expand, we are seeing computers^becoming an important part of a customer's interaction with the seller of a service. The Auto-Ymated Teller Machine (ATM) is the most common example of this new interaction. For years,Ycustomers have conducted financial transactions with a computer terminal. The controls of]the terminal are simplified to the point that untrained customers are able to proceed through[the transactions with relative ease. No human representative of the bank is involved in theGinteraction. This autonomy of the ATM machine is what makes it a kiosk.by Jerrell Nickerson1 of 11Helm1 02:@ l1430s2g:@,dbdDd&0<z@ , d  d  d  d  d  d  d  d  d  d 0Wt@ , d n (, d  P1PICTFORMILBMBMHDddCAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGGRABBODY???????????????_????? ??ÿ????????????????????? ?? ??? ???     ??  ???? ? ?o? ?o? ?? ? ? ?? ?       ?  ?   ?  ?  ?  ? ?PAGEdpI[ We are now seeing the appearance of kiosks in numerous public places. You can now useathem to order lunch, find your way around a museum or airport, find the right oil filter for your]car, or even register for classes. Despite the obvious replacement of human beings for theseYpurposes, we do not hear modern age Luddites complaining about the menace of kiosks.Afterayears of frustrating experiences with clerks, tellers, and smart aleck kids in fast food restaur-\ants, many people appear to like the instant subservient feedback of a kiosk. A kiosk always;says "Thank you" and it never has an problem with attitude.` Recent kiosks are also taking on aspects of another enormous trend in society: television.]Kiosks can play music, recorded sound, or even video in response to user interaction. For ex-\ample, a kiosk used to train first aid might demonstrate an actual procedure by playing back[recorded video. Kiosks are also using many of the sight and sound cues that are familiar to[television viewers. Among these cues are visual and audio fades, wipes, fades, transitions,(color gradients, shadows, and embossing.2 of 11 Helm2 055@ , d  d  d  d  d  d  d V d d  d  d  d  d  d (, d " P1PAGEdpI` The Amiga is well suited for the production of kiosks. Many of the same features that have]made it an excellent platform for games and video production are also useful for the creation\of kiosks. Without adding expansion boards, the Amiga can easily handle graphics, animation,adigitized sound, and 8 bit music. It is a stable platform with years of graphics and sound devel-Vopment behind many of the available applications. Most importantly, it is inexpensive._ Helm is an authoring system for the Amiga that I developed over the past few years. It isaused for different types of applications but it has a number of features that make it well suited]for kiosk development. It has a wide variety of objects for receiving input from the user andbnumerous graphics tools for creating attractive interfaces. It has built-in visual effects as well]as the ability to play sound, music, and animations. Also, it includes a freely distributable`browser that you can include with each installation of a kiosk at no extra cost. Other programs,Ksuch as Scala, require dongles and separate licences for each installation.3 of 11 Helm3 03<"@ , d  d  d  d  d  d d  d  d  d  d  d  d  d (, d " P1PAGEvudpI^ Applications developed with Helm are made up of books containing one or more pages. This]makes it easy to create the hierarchical menus that are often part of a kiosk. The user will\touch an object on a page to tell the kiosk what to do. In response to this event, Helm will\execute a script or preprogrammed action that displays another screen of information. In theVcase of an ATM, each menu for withdrawals, deposits, on payments would correspond to aseparate page in a Helm book.[ You have several choices when it comes to the choice of the computer used for a kioskYstation. Obviously, you want to choose the most inexpensive computer that can perform theYnecessary functions. A sophisticated station might require an Amiga 4000 and a variety of`video and sound boards. For video playback, it might include a laser disc player or a video tapeXdeck. Some kiosks can make use of NewTek's Video Toaster for real time switching between[various video inputs. For inexpensive systems, you will want to look at the Amiga A1200 andXthe new Amiga CD32. Both of these computers include a 68020 CPU and the AGA chipset thatUprovides faster graphics operations as well as more display colors than older Amigas.4 of 11 Helm4 06-@ , d  d  d  d  d  d d d  d  d  d  d  d  d  d  (, d " P1PAGEdpI] With the A1200, you will require a hard drive and possibly additional memory. For extraZspeed, you might want to add one of the inexpensive accelerator boards that you connect toZthe expansion slot located in the bottom of the machine. It easy to develop for the A1200]because you can create the application on the A1200 itself. Because of the hard drive, it isQeasy to make changes to the applications and to record information from the user._ The Amiga CD32 may turn out to be the ideal delivery system for kiosks. It is inexpensiveZ($399.00 USD) and the disc containing the application software is capable of storing largeYamounts of graphics and digitized sound. Add a touch screen and a cabinet and you have an`instant kiosk. Best of all, it is possible for small companies to write their own discs with oneWof the several CD-ROM writers now available. These machines range in cost from $3500.00Wto $10000.00. For multiple installations, you can send the master disc to a replicationYcompany to create inexpensive copies of the disc. One drawback of the CD32 is the absenceZof standard RGB and serial ports. However, these signals are available within the CD32 andVthere will probably be solutions for RGB output and serial communications soon enough.5 of 11 Helm5 0=.@ , d  d  d  d  d  d d  d  d  d  d  d  d  d  d  (, d " P1PAGEdpI.` Probably the most important consideration is the choice of an input device. In most cases,Vyou do not want to use a mouse or keyboard in the construction of a kiosk. They simplyWprovide too many choices for the user. Also, the mouse is physically too awkward for aXpublic kiosk. There are a number of other options. A typical ATM uses a numeric keyboardUand small number of buttons positioned near the display monitor. This requires customYengineering as well as an interface of some sort to the computer. In the case of an AmigaY1200, you could interface these buttons through the joystick port or possibly through the serial port.] The most common input device for a kiosk is a touch screen. The user interacts with theZapplication by pressing directly on the kiosk's monitor. The application software displaysWbuttons at appropriate times and accepts input from the touch screen to determine whichUbutton was pushed. Many touch screens include driver software that emulates the mouse*by injecting events into the input device.6 of 11 Helm6 0E5 @ , d  d  d  d  d  d  d  d > d d  d  d  d  d (, d " P1PAGEnndpI_ A light pen is one of the cheapest input devices available. You can purchase them for under\$100.00 for the Amiga. Like a mouse, they are not appropriate for many public installations.\However, certain applications that require multiple selections from lists might benefit from_the flexibility of a light pen. Unlike a mouse, most users are able to instantly figure out howto use a light pen.] There are a number of style considerations that you might keep in mind as you create the,@ , d  d  d  d  d e d d  d V d  d  d  d  d  d  d  (, d " P1PAGEdpID[ \includes the overscan area of your monitor. For animation, you should not neglect lower` resolutions. Television, after all, is low resolution and if your system includes animation,0 you might benefit from the increase in speed.Z- Use visual and audio feedback when the user enters information. Buttons should highlight8 \and possibly produce sound when pressed by the user.X- Consider using sound and music in your kiosk. They can make the kiosk more interesting_ \and fun. Before you add sound to your kiosk, consider whether it is appropriate. A kiosk in] \a library should not have sound or it should include headphones so that only the user can[ hear the audio. On the other hand, loud sound and music may contribute to the atmosphere< of the location by giving it the sound of a video arcade.X- Use big buttons with big fonts. There should be a large margin for error when the user \presses a button.Z- Do not use abbreviations or icons that are not clearly understood. What seems obvious to, \you might not be so obvious to the user.8 of 11 Helm8 0@6@ , d  d  d  d  d < d  d  d  d  d @ d  d k d  d (, d " P1PAGEdpI[_- It is easy for the user to get lost in a system that has too many levels. The application can^ \have lots of pages as long as you limit the number of levels so the user only requires twoZ \or three steps to back up through the menus. Also, you should consider putting a "MainT \Menu" button on your pages that instantly whisks the user back to the main menu.7- Use multiple books for very large kiosk applications.Z- Don't use scrolling textfields. Take a look at the Grolier's Encyclopedia on CDTV for an& \awkward example of scrolling text.X- You will probably want to run Helm and the application from the start-up sequence. You] \don't want some kid in a fastfood joint to worry with launching a Helm applications every[ \morning. If you are using a CD32 delivery system, you must launch the application after \the system boots up.]- Don't put a quit button on the kiosk. I went to an auto parts store recently and accidently^ \pressed a quit button. To my surprise, the application immediately exited to DOS. I looked- \over both shoulders and quietly moved on.9 of 11 Helm9 0A5 @ , d  d  d  d  d / d  d d  d  d  d d  d  d (, d " P1PAGEdpIZ- If you are not using a mouse, don't use the word "click" in any of your documentation or[ \help screens. Users who have never used a mouse will not understand what "click" means.- \Use the words "press" or "touch" instead.W- Put only a small amount of information on each page. The intent of the page should beO \obvious. The example of an ATM is good to keep in mind as you create pages._- Use a timer object to return the kiosk to a opening screen if no one interacts with it duringz \a set amount of time. Also, considering adding page turning or animation to the main menus when no user is interactingX with the kiosk. It might attract users that would not have noticed the unit otherwise.T We are adding many new features that will make Helm even more useful for kiosk[development. We are adding objects for easy communication through the serial, parallel, andXgameport ports. Also, Helm will include support for CDXL, the Amiga's system for playingWlarge animations and sound directly from the CD-ROM. We are also adding support for the`Full Motion Video (FMV) cartridge. This cartridge will soon be available for CD32 and will allowVthe CD32 to play video recorded in the MPEG (Motion Picture Expertise Group) standard.10 of 11Helm10 0A-@ , d  d  d d  d  d  d  d  d d  d  d  d  d  d  (, d ( P1PAGEdpI^Though it is currently difficult and expensive to encode MPEG streams, a variety of relatively[inexpensive hardware solutions will soon appear for this purpose. The same disc can containZthe controlling software as well as the MPEG streams available for interactive playback. AXsingle CD-ROM can replace more complex and expensive systems that require external video(tape or laser disc player to show video.` There is another interesting aspect of kiosk development. For very little capital, you canWenter a domain that usually belongs to an elite class of individuals and companies: the^creation of public objects that are also works of art. For example, an architect's design must]first meet the functional requirements of the people who will use the building. In fulfillingZthose requirements, the architect can create a design that is artistically expressive. The^designer of a kiosk can also meet the specifications of a client in a way that is artisticallyXexpressive. With the audio and visual capabilities of the Amiga and with the appropriate`software, you can create kiosks that are both functional and artistically exciting. Best of all,ryou can get paid for doing it. Jerrell Nickerson (Eagle Tree Software)11 of 11Helm11 0A- @ , d  d  d  d  d d d  d  d  d  d  d  d  d  d  (, d # P1PAGEdpIbThe edited transcript begins here.The host was Harv Laser, head Moderator/Sysop of The Amiga Zone.\IHarv:I AND NOW, IT'S MY EXTREME PLEASURE TO INTRODUCE A TEN YEAR VETERAN OF COMMODORE[ \ENGINEERING A MAN WHOSE NAME IS ETCHED UPON THE MOTHERBOARDS OF YOUR COMPUTER.I MISTER... \| Dave Haynie (Referred to as Hazy (Don't ask me...!!))Z DAVE - ANY INTRO MATERIAL YOU'D CARE TO START WITH, BEFORE QUESTIONS START... BY ALL& \MEANS, FIRE AWAYIhazyI: Cough!g At home, drawing pictures, of mountaintops... Whoops, I thought I was Eddie Vedder for a sec, I'm OK now.DAVE HAYNIE SPEAKS#QUESTION & ANSWER SESSION ON PORTAL1 of 38Hay1 0GK@ , d H d d 6 d ? d d ~ d d 5 d d d I d = d B 0+@,d0/ @ , d (, d % P1PAGEdpImIKerry - Stratford:I I have an accelerated 2000 and a Picasso II board on order. I understand that withw the new 3.1 ROMS I will be able to use many AGA programs in 256 colors with Picasso'su Retargetable Graphics. How do I get this ROMS and can you confirm the above. Alsov will they allow me to finally upgrade my CDTV so I can run 2.0 program and Operating) System?uIhazy:I I don't know the exact status of 3.1. Last I heard, it was, like 2.04 before it, planned as an upgradei for all systems. This would be for A3000, A500/A2000, and probably the new ones, since it is ak different ROM. I don't know if you necessarily want to upgrade a CDTV, since there are a numberq \\of programs that seem to be 1.3-specific. The CD32 has what's essentially a per-title patch librarye \\to handle CDTV titles,, I don't know if they plan this sort of upgrade for CDTV or not.hIKerry - Stratford:I Sorry I use the CDTV for my kids as a computer and you can't with the CD-32.:Ihazy:I Like I said, I don't know of the CDTV plans.mIScottJ:I Dave, has CBM decided which RISC chip to use in future Amigas? If they havent which one wouldD you prefer to see used, PowerPC, Alpha, MIPS, or HP/PA?2 of 38 Hay2 04R@ , d 5 d N d D d L d d P d K d H d G d  d  d  d C d k (, d ( P1PAGEdpI'nIhazy:I We have looked at all of the RISC chips. No decision has been publicly announced, however. Keepn \in mind that chances are, the chip we pick will need to be servicable at all levels of computing,j \from our high enough down through the games level. However, I don't imagine we would be goingt \with a chip _not_ on the list you have given, if that's enough of a clue for you (it's all you're gonna get).GIScottJ:I I hope its not SPARC, that chip's a dog. Thanks, Dave.mIhazyI: The next generation high-end systems will use a CPU independent local bus, so the RISC decision6 isn't particularly critical at this point.\ITimeus:I Will there be a display enhancer for the A4000 similar to the A2000's? When?kIhazy:I The planned display enhancer for the A4000 has been tabled at present. That means that no ones \is currently working on it, not that they never will. I believe the design was offered to 3rd partiesm \though I don't know if any of them picked it up or not. I'm not certain it's much advantage over: \some of the existing 3rd party display cards.hIsoft-logik:I Dave, do you have any guess as to who bought a lot of Commodore stock last Thursday?3 of 38 Hay3 03P@ , d F d 0 d L d I d @ d U d > d d  d L d K d : d ! d 2 (, d ( P1PAGEdpI{oIhazy:I Rumors abound. The rumor mill has been quite active lately, with talk of some financial improve-W \ments and some possible takeovers. However, I don't know what's going on.*Isoft-logik:I Well, good luck to ya.nIhazy:I In fact, one of best sources for rumors couldn't make our Friday lunch this past week, so I'm at4 \least a week behind on the best gossip.oIBjarian:I Hazy, thanks for your inputs. My question is about UNIX. The amiga was first in V.4 and beatf \\even SUN. It is the only viable pc platform. What is being done now for Amiga unix?oIhazy:I Currently, nothing is being done on UNIX. Sorry, I liked it too. It doesn't seem that Commodore: \management was willing to support it, though.IBjarian:I RUPUGHE!nIhazy:I That has nothing to do with the troubles of the past year, it was a much earlier decision, some-Y thing nobody in Engineering was happy about. But that does happen some times.dImykes:I Is there any truth to the rumor that Dave's currently busy designing the dream amiga?4 of 38 Hay4 0<K@ , d G d  d d 6 d  d B d  d ; d + d e d 8 d  d  (, d ( P1PAGEdpIlmIhazy:I Basically, yes. I'm currently working on several things, all of which involve the AAA chips tok \some extent. But of course, I don't design the Amiga chips, I design the system they go into.f \After the A3000 went out, I started thinking about What Next, as you might imagine. A bitj over two years ago, I formally started writing up a new system architecture. We are NOW start-e ing to implement that architecture. If all goes well, that will be the first AAA machine.kIDonM:I I know you aren't/weren't marketing. Maybe you have a feel, though for how things are going.l \Ex: I just got a ToysRUs catalog. as they look to me? They GOTTA start marketing these things7 \whatever fiduciary finagling goes on. gajIHarv:I [note - commodore has SAID (at WOCA) they will be introducing CD32 to the USA as of Consumer0 Electronics Show in Vegas in january]oIhazy:I The US market has grown so small relative to the rest of the world, I think they pretty much takeB any sales as good, as long as they don't cost anything.o \I have, as Harv said, heard they plan to introduce CD32 in January here, but that they didn't haven \the quantities available to hit every market for Christmas '93. However, this is apparently not a5 of 38 Hay5 06J@ , d ) d / d / d G d  d C d ? d  d H d d G d S d B d A (, d ( P1PAGEdpIg repeat of last year, when we simply couldn't make enough systems due to supply problems. Asl far as I know, the factory in the Phillipines has been running CD32s at full force on 3 of the 4K production lines. That's full production for a Christmas rush.qIHarv:I Dave - quick Q from me... tell us about the Philippines plant, if you can. what's it making and how many?lIhazy:I I don't really know numbers. It's set up for surface mount, which is what everything is thesee days. They have four production lines. The fourth has been running A4000s and I suppose,j anything else they needed, over the Christmas rush time (it's hard to get away from the low end) at all this time of the year).pIAurelius:I Hi Dave, Which of your current projects is the most exciting to work on? the one you can talk about anyways?kIhazy:I The next generation system project. Everyone's heard about AAA, of course, and I did build ak \AAA prototype machine, which we have running in the labs of course. However, while that's funl it's not as cool as when I get to build My Own Thing. That will be the system that "houses" the AAA subsystem.6 of 38 Hay6 0.L@ , d @ d - d z d E d H d - d , d D d d D d d 6 d G d 8 d (, d ( P1PAGEdpIx=IAurelius:I does AAA include PAULA upgrade/replacement?mIhazy:I The AAA system has a thing called "Mary",which is kinda-sorta Paula on steriods. And then some.LIDavid-L:I Was the A4091 turned over to a third party? If so, who?...kIhazy:I Yes, the A4091 has been turned over to a third party. Management has for some time been try-j ing to get out of the peripherals biz, even while acknowledging that sometimes, we have to makem them. I don't know if the third party involved has been officially announced, but having used someQ of their stuff and all over the years, I think they're a good company.4IDavid-L:I Do you know where I go for support?oIhazy:I I don't know how the support end is managed, though I don't suppose they're taking over the soft-o ware anytime soon, so ultimately C= Engineering will still be dealing with problems at the technicalF level. I really don't know what happens at the user level.WIDavid-L:I What's Doin w/ DiskSalv - I sent my money - should I expect somethin? mIhazy:I As for DiskSalv, I spent all last week stuffing envelopes. Anyone who registered at any levelm \should get something in the mail very soon. If you registered for updates and/or the commercial; version, you'll get the V11.28 update disk too.7 of 38 Hay7 0/O@ , d N d N d ~ d D d I d M d  d  d N d J d d d  d 7 d H d # (, d ( P1PAGEdpIYgIcolins:I Dave, it seems that the PCI bus has been embraced by much of the computer industry.Whati \chance is there that CBM might incorporate the PCI bus in a future Amiga? Also,will AmigaOS: survive the transition to a RISC based Amiga?hIhazy:I There is a very good chance Commodore will endorse the PCI bus sometime in the future. Noi official announcement has been made yet, of course. However, PCI is very much a solution to am problem I started working on over two years ago. It's very close, in fact, to my solution to thisK problem. And standard, as well. Draw your own conclusions :-)SIfredness:I Are there plans for an AGA Amiga with SCSI-II on the motherboard?hIhazy:I The A4000T (T=floorstanding) is an AGA machine with SCSI-2 on the motherboard. That's theh same NC53C710 SCSI-2 you get on the A4091, only integrated into the motherboard.This machineo isn't out yet, I don't know the status of it, but the samples seem fairly complete. This is a GregV Berlin project at present. No other AGA/SCSI-2 system has been discussed.oICarmenR: Hazy:I Do the RISC chips [or DSP if you're gonna use them for that matter] handle multi-taskingF as elegantly as the motorolla chips do?8 of 38 Hay8 03Q@ , d , d 4 d * d / d ; d 5 d  d  d < d I d < d  d N d 9 (, d ( P1PAGEdpI2qIhazy:I RISC chips are generally as good at multitasking as the Motorola chips. Some have a slightly great-q \er task-switch overhead,but that's really no big deal if you're going that much faster to begin with.l They vary in their abilities at other things. Some handle interrupts as well, others used a moreW primitive interrupt model. Same goes with exceptions, MMU table walks, etc./ICarmenR:I Is IDE here to stay? :) -=> GAiIhazy:I Industry-wise, IDE isn't going away anytime soon. Even though it presently doesn't go muchn \beyond 4MB/s, there are mental patients out there building IDE controllers for VL-Bus and PCI.Andi the PC industry is planning an enhanced IDE that supports four channels, more addressing, andk greater speeds. As for Commodore... I believe it'll always make sense for the low-end systems.m I don't like it for high end systems, and I think we have taken some steps in the next generationu architecture to bring the cost of SCSI down relative to IDE. But we'll see -- if it's free, and there's aG \low cost SCSI option, you shouldn't complain too loudly.cIHarv:I Dave - Any comment on Colins' "will amiga os survive transition to a RISC based CPU"?9 of 38 Hay9 09P@ , d L d O d 8 d  d d ( d M d 7 d G d B d K d _ d  (, d ( P1PAGEdpI\iIhazy:I Oh yeah. I believe it has to. The reasoning -- low end systems. You can argue in favor ofi WindowsNT or UNIX for high-end systems. And in fact, I think both of those are good options,j especially something like NT, which should essentially be shrink-wrapped for any CPU supported.h However, no one's going to see any sense in outfitting a $500 RISC low-end or CD machine withW the $1200 worth of RAM, Hard Disk, etc. necessary just to boot one of those.k Also, there are rather dubious Multimedia characteristics in those OSs. Most of what people calll "Multimedia" are a set of realtime problems. The industry still hasn't figured out that GUI is ah realtime problem. I don't know how long it's going to take them to get the Multimedia thing! figured out properly.aIcolins:I That was my worry dave, something like Scala won't look too hot on WinNT. Thanks.kIPjotr:I Let me describe a scenario: The new line of computers CBM will concentrate on. One main RISCk architecture, Windows NT (f ex?), Multimedia libraries (incl video) as primary advantage over NT\ PCs etc, Interfaces for Video CD cable, PCI(?), Video conferencing standards etc. > Q: How will the next Amiga stand out without being propriery?10 of 38 Hay10 0/J@ , d  d ; d C d ; d  d < d 4 d + d d  d 2 d F d  d d g (, d . P1PAGEdpIomIhazy:I On the hardware side, you'll still have Amiga chips. There are things in AAA which will make ah \very impressive difference in many of the things we're doing with computers these days. Buth hardware is expensive, and time consuming to design. If we have to build every piece of thej system from scratch, it's going to take longer and cost more than comparable "standard archi-k tecture" systems. Everyone has pretty much figured this out, except maybe Sun. DEC and Applen certainly have.I think you have to concentrate on the things that will make your system stand out.p On the software side, like I said, I think we'll still have AmigaOS around. Check out the last BYTEk for their preceived effect of NT or OS/2 on your hardware, relative to Windows. From C='s pointp of view, supporting NT isn't a big deal if the shrinkwrap ped version is available for your process-k or, so why not? Yet I think the processors (RISC-based) need to run Amiga binaries to make thei system an Amiga straight-off. Of course, keep in mind I'm not the management or the software/ group, but that's the way I see it.rIFurr:I I would like clarification on the Z3 BUSTER DMA mess; I've gotten conflicting stories from differenti people. I have an A3000, and I want to know if there is a new BUSTER available for this machinel that fixes the Zorro 3 DMA problems. I am considering a Z3 board that this is apparently a consid-, eration for (the GVP Spectrum/24).11 of 38 Hay11 0'Q@ , d 9 d 4 d 0 d ; d M d O d D d E d I d A d J d d I d @ d G d (, d ) P1PAGEdpIjIhazy:I The Buster chip in the A3000 (Rev G or -07) does not support Zorro III DMA. That feature waso simply left out, to get the machine out on time.You can get the latest, Rev K or -11, which supportsk Zorro III DMA and also fixes a bug in the Zorro II DMA to Chip RAM on the A3000.I suppose in thel USA,you would have to order this part through your dealer or one of the C= part specialty places.V I don't know who's in charge of replacement parts anymore, it might be SMG.mIFurr:I Also, when might the first machines based around the AAAchipset actually reach market, and willa those first AAA machines still use 680x0 processors, or the as-yet undecided RISC chip?hIhazy:I The first AAA machines will ship with 680x0 processors, hopefully the 68040 and 68060 willj both be options, assuming Motorola's silicon development keeps paces with ours. For RISC, you2 would simply plug in a RISC CPU module.kIKyleW:I Is it true that AAA will not work on AGA machines(my UG refuses to upgrade it's antique a500i because ofthat rumor) and 2)- will AAA be available for older machines (I have waytoo much: money in my 2500 to upgrade any time soon).nIhazy:I The AAA chip set is a radical departure from anything you have seen before. Everything in it wask designed new, from the ground up. There is no way possible to retrofit it into any older system12 of 38 Hay12 0/N@ , d 8 d G d I d E d  d H d  d 7 d < d  d J d = d 6 d J d > (, d , P1PAGEdpIxk other than building a Zorro III card for A3000/A4000 class systems.That certainly could be done,p \it's up to management to order this or not. It's not practical to implement AAA on a 16-bit card (IL \won't say impossible, but it would be a great deal of trouble).lILadyHawke:I Hi Dave, nice to see you again, we owe you at least a cement-mixer full of macadamia nuts" by now ...,Ihazy:I That's a rather curious image.hILadyHawke:I My question is more of a dilemma than a question. I have an A3000. The A4000T at theV show looked good, more slots, two hard drive controllers, AGA.$IHarv:I [and two video slots!]lILadyHawke:I I am at a loss as to whether to conintue to upgrade my A3000, since every dollar spent onq that is a dollar less to save for a new system,and now we have even further developments.s I'm worried that there is less support for the 3000 than I expected, and then RISC machinesn on the way. What would you do if you were a high end consumer? (and computer artist)mIhazy:I Well, part of the question is,just what do you want for the A3000? Barring a DMA upgrade, Zorro^ is Zorro. AGA is a big improvement for some, maybe especially if you're into art.13 of 38 Hay13 0/Q@ , d L d C d  d J d d d F d  d d H d P d O d A d O d  (, d , P1PAGEdpI=p I still have an A3000 here. It's got an '040 card, a 3rd party display card, about 18MB and about as gig of hard disk space. I'll admit the A4000T is a bit tempting, but I don't know (I didn't work on it,> so I don't necessarily get a freebie or anything).UIHarv:I [a friend of mine has an 040 3000 with 84 meg of ram.. i hate him :-) ]lIhazy:I It's always going to come down to new stuff coming along. The very nature of this business isj Faster, Bigger, More, ASAP. I have a long-term goal to make systems far more modular than theyn have been, and we just might get that in the next generation. It hasn't been technically feasible before.DILadyHawke:I Dave, how long before another system comes along?pIhazy:I Lew says AAA will hit sometime in '94. Don't expect it for another year, though, to be reasonablee about it. I'll guarantee you someone buys an A4000 the day we announce the new machines.& These things always happen.lIJim-Guy:I My question is about using my Video Toaster on the A4000 with a 1960 monitor C= was suppos-q ed to build an adapter? Has this been built.. will I ever be able to use my 1960 on my A4000 so( I get full AGA support?14 of 38 Hay14 0.T@ , d M d O d 3 d  d 7 d M d C d O d u d N d 9 d d S d O d (, d , P1PAGEdpINlIhazy:I I have seen these around the labs. Apparently the first batch came in from some cave in Chinal marginally functional. They do exist. I think they're probably just in short supply at present.\IJim-Guy:I What is the relationship or how is the relationship between CBM and NewTek?nIhazy:I We seem to get along fine with NewTek these days, at least from what I can tell. Personally, I B have a blast every time I get together with those guys.mITeletran:I Dave, What's the general feeling at C= in regards to how well the CD^32 has doneso far (ac-n ceptance, sales, etc.)?... ALso, any thoughts (personal and/or professional) regarding 3-DO?pIhazy:I For whatever reasons, we're often the last to know about sales. But the word on the street, or bys the coffee machine, is that CD32 is doing well. I will admit to being a real skeptic during its develop-l ment. But I think it was done very well on both the software are hardware levels. And they keptq the price pretty reasonable.Also, MPEG is as cool as Jeff Porter originally claimed it would be.I thinkh you have to give the coolness edge to 3DO, of course. CD32 is a big upgrade to existing gamesl machines, but 3DO could be out of this world. Then again, what do expect me to say -- I have allh the respect in the world for Dave and R.J., and every day more of my friends work for 3DO :( g They're aren't a guaranteed success yet, though. Remember back when CDTV came out and every15 of 38 Hay15 0/Q@ , d ; d . d  d ; d Y d < d A d M d P d I d N d 5 d = d 1 d M (, d , P1PAGEdpIo one heard that zillions of companies would be making Phillips CD-I players. Seems I can still countt CD-I players on one finger. 3DO will certainly do better than this, since it's going into lots of places$ other than "game machine"n The price point is a problem now, no other CD machine has been successful up there, at least in them volumes they were after. They'll need 3DO-specific games. They will have some, but they'll alsoi \have ports of PC games. They may have to count on stuff filtering down from embedded arcadem machines before they really differentiate themselves. The SGI technology is very cool, at least& on a $10,000+ workstation.l What you'll get in the home for $250 is another story. Nintendo may be able to play the old gameh of CPU power vs. cool display hardware to some extent. But if they wind up with an embeddedf R3000-derivative rather than a semi-decent R4x00, they won't be much beyond the 3DO's CPU.eIlbperez:I Greetings...just wondering when are we going to see the expansion box for the CD 32.pIhazy:I I haven't heard any release dates on it. It's real, though, a number of the low-end guys asked mem about various bits and pieces for it. And I suppose you may have noticed, if you have been pricingo CD-ROM drives, that the CD-32 is about the same price. I'm certain interface solutions will be quick \in coming.16 of 38 Hay16 0'M@ , d F d K d d K d H d I d A d d N d ? d E d  d G d H d H d \ d (, d , P1PAGEnndpIkIwms:I Last time I heard you in conference here on Portal, was after some bloodletting at C= and wheno asked "Is the light still shining, so to speak?" You replied that you were withholding judgement forI the moment. How do you feel now? And how is morale in general?oIhazy:I Well, it's a tough call. There are good things happening, no doubts. AAA is progressing, manage-i ment has made committments for new chip revisions on an actual schedule, etc. CD32 seems to bef doing what A1200 was supposed to have done last Christmas -- make some money. And I am get-m ting to work on the architecture I have been designing for the last two years. On the other hand,; there has been lots of attrition in Engineering.q \I expected this, having been through exactly this same kind of thing back in '85-'86, but it's neverp \something to build morale. While it's impossible to say, I believe a great deal of this could haveg been prevented with some good management. As well as morale in general. Things may even beo turning on these points, too, though perhaps it's too early to tell. We are getting some new hiredm in HW to replace a few who have left. I imagine SW is too, though they lost more key people than we did.kIelc:I Motorola driven AGA is slow...will Motorola driven AAA be faster? Say the Indy were to drop in17 of 38 Hay17 0/P@ , d : d M d  d G d L d L d D d & d G d > d L d J d O d M d 5 (, d , P1PAGEdpIyi price why should my next computer purchase be an Amiga? What is it really ofering that I can't get anywhere else...cIHarv:I [go price an Indy. if you want 24 bit and a hard drive i hope you have $10,000 handy]mIhazy:I AGA is, in general, slow. Slow, certainly, as compared to what you expect in modern 32-bit sys-_ tems. There's a good reason for this -- it's based largely on the ECS architecture.lIelc:I The Amiga always seems to be just shy of what the Amiga community is looking for, will the next. generation Amiga wait for "perfection"?kIhazy:I AAA is completely new. While I don't expect it to be the fastest system known to man for allr things, it will be a substantial improvement. For instance, a demo in the lab is blitting around 24-bitj images substantially faster than AA can move an 8-bit image. It has lots of good features, com-i pressed-video modes to speed up animations, copper-programmed-blitter to help offload the CPU,m etc. The current system architecture plans call for additional system support to speed things likeg RAM to Chip RAM transfers. You can have either 8MB or 16MB of Chip RAM, depending on systemf configuration. A VRAM system consumes no chip bus bandwidth for video fetch. Lots of good stuff in there.18 of 38 Hay18 0/Q@ , d F d t d  d : d  d @ d d 7 d M d A d L d A d H d 9 d r (, d , P1PAGElldpIk \I don't know how you compare it to an Indy, they're different systems. An R4000 is faster thanG any 68040, and we don't know what the '060 will do just yet.kIMarcR:I Will there be a Laptop Amiga? Will there be more "specialized" Amigas like CD32 but for pro-B fessional and other uses? Will AAA bout out too late?pIhazy:I They have no plans for a laptop Amiga at present. I want one too, I think it may take a 3rd partyk to actually get one (keep in mind most 3rd party video displays run on a VGA of some kind).Therem will definitely be more "specialty" Amigas. I don't work on them, but we do have a group focusingo \\on that kind of thing.I suppose if they went high-end,I might even get involved.One big advantagem \of the next generation highend architecture is that it's designed to implement amodular systems.j Most previous architectures did one thing well, and got in your way when you tried to do some-r \thing else with them. I don't think AAA is coming out too late, though it's later than I (and all ofq you, of course) would have liked. There's still not a big move to 4MB floppies yet, everyone's stilll trying to work out just how to do multimedia, and I think AAA supports much of this in hardware, the right way.SIMarcR:I Would C= licence the Amiga chips for someone to make a laptop, etc.?19 of 38 Hay19 0/O@ , d C d  d : d \ d F d K d M d M d L d ; d A d J d K d t d  (, d , P1PAGEdpIrIhazy:I I know C= is much more interested in licensing, and does have plans for chipset deals, at least intoN the markets they're after. Jeff Porter might know more about this.iIJWolf:I What are all the details about the AAA chipset? Any other new custom chips? Details? Also,e when is AmigaDOS 3.1 due out? What new features are in AmigaDOS 3.1 (both under the hood and over the hood)?hIhazy:I Well, I would need hours to discuss all of AAA, and I'd probably have to read the manuals.uIhazy:I I can tell you it consists of four custom chips: Andrea,Mary,Monica, and Linda.They are all full 32-bitl chips, and actually, Linda and Monica have a 64- bit mode. The chips support 8 MB of Chip RAM inf 32-bit mode, 16MB of Chip RAM in 64-bit mode. RAM can be DRAM or VRAM, and can actually bei \mixed in a system on 1MB/2MB boundaries. Andrea is the Agnus/Alice replacement. It supportsp the old 16-bit registers, new 32-bit registers, enhanced Blitter and Copper, Burst mode to Chip RAM,n and display rates up to 110MHz. Mary is the Paula replacement. It has 8 16-bit audio channels, anf enhanced flooppy interface that can handle 4MB floppies, 150KB/s CD-ROM, and probably evenl ST-506 hard disks if anyone cared to dust one off and interface it. Linda is a smart Line Buffern chip. It takes data from Chip RAM, as directed by Andrea, and assembles it into a scan line. This20 of 38 Hay20 0/S@ , d G d  d 4 d > d d  d Q d A d = d C d Q d B d : d ; d A (, d 1 P1PAGEdpIi allows bursts from Chip RAM to go long, and allows the chip bus rate to be decoupled from theh pixel speed. CD-ROM support was kind of a freebie. The Mary chip has a few data formats, asg low-level data formats, one of which is the CD-ROM format. While we expect 4x CD-ROMs soon,h and CD-ROM on SCSI as the standard way in a high-end machine, the CD-ROM format throught thel floppy interface does illustrate how fast the floppy interface is now. Monica is the Denise/Lisaf replacement. This handles a variety of planar and chiunky display modes, HAM and some newq compressed mode included. It can handle all kinds of resolutions, and with the variable pixel clock,j they can be just about anything you want, assuming the system can provide that clock. The chip% designers name the chips.$INES-BillI: Serial ports Dave?(Ihazy:I Two buffered serial ports.pIDeckApe:I 1) Has the A4000T hit the stores yet? If not, when is it expected to? What is its list price...\Ihazy:I Far as I know, the A4000T has not shipped. I don't know any details on price.\IDeckApe:I 2) Will the A4000T be outdated technology within 24 months of it's release?tIhazy:I Will it be outdated? Well, on some level, anything that ships is outdated, since work on its replace-21 of 38 Hay21 0/S@ , d 8 d 9 d A d I d ; d 9 d N d ? d d d d < d  d  d P (, d , P1PAGE66dpIk ment is already underway. It certainly won't be useless. A machine remains what it was when youD bought it. However, better stuff will always come along.eIHarv:I [lots of people still use Amiga 1000s. I bet some people here are using them right now] d ; d A (, d / P1PAGEdpIl derlying hardware is the same, so you don't have to emulate it. That's perhaps the worst thing a! PC Emulator has to do.fIAaron:I second Question: How expensive is it to make the AGA chipset Compared to the Future AA+i and AAA. If the AA+ or the AAA is the same or just a bit more will C= put them in the CD32.E Would this not bring the CD32 power up past the 3DO's??xIhazy:I As far as chip prices, AGA is chip. Real chip. Like, cheaper than ECS,as I understand it,since it yieldsk much better. AAA will cost more, though much less than we originally guessed,thanks to the downm sizing of chips(AAA takes about a million transistors).An AAA game machine is certainly possible,p though I'm not sure if it's the right direction. AAA has a lot of features than make more sense in ai computer than a game machine. I mean, 3DO certainly didn't waste any silicon making sure you. could get 1280x1024 noninterlaced.jIAmiGadget:I Dave,it's obvious CBM is convinced,that there are plenty TOMORROWS for Risc Amigas, AAAu chipsies 4000-T's, etc. This stuff is two years late, now. By the time you get it engineered,s there'll be ZERO Amiga software developers with any capital to support it. With all due re-u spect for you personally and NO respect for C=, I see no sense of urgency, yours or CBM's, to23 of 38 Hay23 0.V@ , d E d d 5 d 6 d o d Q d R d U d S d ? d d S d I d H d P (, d / P1PAGEdpI=p DO something NOW. DO you... think there's plenty of time? Or should we all just set ourp clocks for 2099, when that year's LAST year's technology will then match what we can buy8 on several other platforms now.?UIHarv:I [for you IRC people... AmiGadget publishes a magazine by the same name]nIhazy:I Well, I can't make things happen any faster than I'm making them happen. I wish they were movingq faster,but we're doing what we can.I think you'll find this new system isn't lacking as a '94 machine.t \I can't get into too much detail, only to say that [a] I have been working on this architecture for twoo \years, something that never happened at C= before (two weeks was more like it in the... old days),p and [b] I'm doing things with system throughput no one else is doing, or at least talking about, now.q No big surprise, really, though. There's little incentive to get too fancy in "standard" architecture.h Apple doesn't build clever hardware, and they seem to be wanting out of the hardware business anyway.TIAmiGadget:I ALSO... you keep saying "high end"- what kinda money? $12k, $4k? wIhazy:I C= "high-end" is $4k and below, generally. I think it should start at about $1.5K-$2K, less if possible.n High end is the stuff that's not game oriented. "That which does not suck" one might say. I don'tL think we're going for $10K systems ever, there's no market there.24 of 38 Hay24 0&W@ , d ? d H d  d  d U d U d Q d T d Q d F d B d R d  d U d H d  (, d / P1PAGEdpI;Imykes:I Has C= considered distributed computing? ...nIhazy:I We have done some distributed computing. Nothing real fancy, but useful nonetheless. It startedg out with a renderer and a custom CPU server that allowed one machine to request CPU time ofk anyone participating over the network. This wasn't formalized, but it's a good model, and couldd be formalized over Envoy without too much trouble. There has also been some work with aP distributed database model, though I don't know much about that one.@Imykes:I Which 3rd party gfx board do you own, if any? ...jIhazy:I I have a thing called oMniBus, designed by a guy named Oliver Bausch in Germany and marketedg through ArMax. This is a passive bridge card that puts Workbench up on the VGA card of youro choice. It's cool, it works, it's faster at many things than AGA, does 256 colors (true color with ai special loader program), and works under 2.x and 3.x. This never made the US market, unfortun-k ately, and probably scared off Bridge Card users. But it does me just fine, at up to 1280x1024.(Imykes:I ISA is faster than ECS...qIhazy:I Actually, the ISA/Zorro II CPU to RAM interface is 1/2 that of the CPU to AGA interface speed. But0 the VGA card never blocks CPU access.iImykes:I Do you feel that C= will be able to crawl out of the niche market and into mainstream? ...25 of 38 Hay25 0&R@ , d & d L d 9 d > d + d  d D d ? d 9 d ; d G d 6 d d N d d " (, d / P1PAGEdpIAnIhazy:I Well, at least we can pursue the niches. I would like to see us grow and hit the mainstream, atl least some mainstream. But increasingly, the mainstream is defined by the the software you run,n it has NOTHING to do with your hardware platform. Or, at least, it shouldn't, and won't if Micro-p Soft has their way. What can you do against that, I don't know. [a] SGI only sells in niche markets= [b] SGI machines run Windows NT, a mainstream OS.fImykes:I When's the new R.E.M. album coming out? And do you have it on your workbench along with/ your other prerelease stuff? :-)lIhazy:I Last summer, REM said the new album would be out this fall and they'd do a tour. Now they sayY the album will be out maybe in the winter and they might not tour before 2000.1Imykes:I most important question of all :-)jIFurr:I As far as the IDE/SCSI business goes, there are now some MS-DOS systems that use IDE for thek primary hard drive, and have a chip socket and connector on the motherboard for SCSI, if the userq wants it. I think this would be an excellent route to go, in that it gives you an inexpensive HD inter-Q face, and no-slot SCSI access for those who need it; what do you think?26 of 38 Hay26 0/P@ , d 6 d O d A d K d M d 7 d d A d  d d 8 d E d K d  (, d / P1PAGERRdpIpIhazy:I Well, the high performance SCSI chip we use now is a 160 pin PQFP package, it doesn't exactly dropr into a socket (well, anything like a production-worthy socket). I do agree with the spirit of this --p If you do go IDE, SCSI should be a simple addition, it should not require a full expansion card withS all the inherent costs of such a card. My personal opinion, of course.lIFurr:I Now that we're getting one-chip Ethernet interfaces, how long do you think it will be before ah 10baseT port is standard on the Amiga motherboard? Artisoft [maker of the LanTastic networkingk software for the MS-DOS world, for those who don't know] is already calling their ALICE chip "The# Serial Port of the 90's."kIhazy:I Actually, most of the UNIX and all the networking magazines seem to be pushing 10-Base-T as au kind of serial port-ish solution. Which is appropriate, since you can't really use it directly to networkl anything. However, given that 10-Base-T chips are getting motherboard-cheap, and trancrivers overn to 10-Base-2 are also cheap (as low as $50), I would definitely support 10-Base-T as the most prac-6 tical networking solution for motherboards.kIFurr:I Are there any new BridgeCards or other similar emulation items coming from Commodore, or will- that market be left to 3rd parties?27 of 38 Hay27 0/V@ , d O d D d B d  d , d O d E d d B d U d T d L d  d C d (, d / P1PAGEdpI6`Ihazy:I There has been nothing beyond the '386SX BridgeCard, at least discussed in public.TIFurr:I What is your personal opinion of the Commodore Stockholder's Movement?qIhazy:I As a stockholder, of course I'm concerned about the relatively minor investment I have in C= stock.m \As a C= employee, I'm far more concerned about the long term viability of C=. Since it seems tod me that the Commodore Stockholder's Movement has only the Amiga and, as a result, Commo-b dore's best interests in mind, I couldn't rightly do anything but applaud the efforts.oIRMills:I I work at Warner bros. animation and see plenty of SGI and Macs come in for testing and wonder-g ed who or if Commodore would do this?...who should I get in contact with there? Getting my6 A4000 in my office was like pulling teeth.nIhazy:I Technically, that kind of request should go through Marketing. But I don't know who would be in charge of that.'IRMills:I Can you give me a name?TIhazy:I I would recommend talking to Jeff Porter at Commodore, in Engineering.nIRMills:I ok I really think stations set up at Warners could be a great plug for Commodore and they seem5 to miss this as a viable thing for them.28 of 38 Hay28 0/Q@ , d  d  d N d > d = d  d M d 0 d  d @ d v d d  d D d  (, d / P1PAGEdpI+mIhazy:I Jeff does a fair share of Evangelizing in addition to running what's basically the "multimedia"! branch of engineering.KIHarv:I [Jeff P did a good job with his speeches at WOCA in pasadena]nIhazy:I Well, the US does have new Marketing Prez. If his hands aren't tied too much, maybe he's inter-% ested in doing something.lITimeus:I Dave, How hard would it be for a developer to put external instruction cache on an a4000 ac- celerator card?sIhazy:I You could build a cache into the design of a CPU card -- the first C='040 prototype had a 128K cache.i However, it's probably not worthwhile. You can just about always get more performance by goingl faster than caching, at least until you run out of clock speed (eg, you can't get'040s beyond 40-i MHz). We got between 5% and 15% speedup in most code with the 128K cache. As for Apple, I as-a sume they didn't sue Commodore because they had insufficient legal grounds for a suit.mITimeus:I So you actually looked into it. Impressive. And why did't Apple sue Commodore over look andq feel as it did to Microsoft and HP. The amiga has the better interface and the Mac is a poor copy of Amiga.29 of 38 Hay29 0/R@ , d 2 d d  d B d d ? d d Q d J d = d H d  d F d L d g (, d / P1PAGEdpIlIhazy:I Keep in mind that MicroSoft licensed some stuff from Apple for Windows 1.0, and since HP's Newj Wave is built on top of Windows, anything that can be said for Windows can probably be said forl NewWave, at least legally.There were plenty of elements in the Amiga's GUI that didn't enter thel Mac's until later. So it was also possible that C= would have had just as much on Apple as theyi could have dug up on C=. Of course, C= probably could have done like NeXT and paid Xerox PARC^ for a GUI license, which should sufficiently stimie Apple's attempts at any suit. LIKyleW:I the window/icon interface was developed by U of AZ and is PD!nIRedWine:I Do you forsee any conflict between the interests of RTG and the apparent functionality of theq AAA chipset? Or is it safe to assume that anything AAA will support will also be available toF any other cards that come along from other parties?pIhazy:I No. In fact, some features of AAA, such as chunky pixel support, require at least a degree of RTGn to built into the system. There's a good chance that most vanilla chunky display cards won't even^ need a full RTG driver as a result, since that mechanism will be built-in for AAA.iIRedWine:I With respect to the slow memory system of the 4000, why was the decision made to not in-^ clude a more appropriately fast memory capability on the 68040 card itself?30 of 38 Hay30 0/R@ , d K d F d N d 8 d D d  d  d M d K d c d N d J d  d F d  (, d 1 P1PAGE``dpInIhazy:I The card that's in the A4000 was designed to be the lowest cost '040 card possible without goingj to custom logic. That necessitated some compromises, but it did help on cost. Welcome to the, world of the desktop system. :-)oIRedWine:I What's the standing the CDROM drives for AGA machies,and is it technically feasible to includeX the advantage of chunky->planar hardware from the CD32's Akiko chip?DIAaron:I Is the Chunk->planar Feature included in AAA and AA+?oIhazy:I Well, I thought about buying a CD-ROM drive for my A3000 today. The CD FileSystem is built in toj 3.1 and beyond. You don't need any special magic to get one. The chunky-to-planar conversionp (what we call corner-turn memory) is in Akiko, it's not possible to add that as-is to any other sys-k tem. I expect my version of corner turn memory (which predates Hedley's, though he didn't know7 about it) will show up in the AAA systems.oIRedWine:I I'd really LOVE to get a 4000 keyboard hooked to my 1200. Is this a real tough task, or is it_ something a college senior in computer engineering like me could take on? :)jIhazy:I The A1200 is a tricky one, since the keyboard micro (normally in your keyboard ) sits on thek A1200 motherboard. You can't easily get at the CIA serial port lines that connect between that31 of 38 Hay31 0/R@ , d M d 9 d d P d  d f d O d ; d H d N d  d ? d  d ( d @ (, d , P1PAGEdpI.l micro and the CIA. Also, like the A500, the A1200 gets its reset via a dedicated line from the m keyboard, it doesn't understand the encoding used on "high-end" keyboards. So if you did hook it$ in, C-A-A wouldn't work.oILadyHawke:I Re: CD^32, Dave. When I first saw/heard about it $400 for a game machine felt a little con-o sumer-pricey on thinking about it some more, the other way around, with it as a CD-ROM u play with cache, memory, fast CPU, that is, a FREE computer atttached, it took on a differentu appeal. So how feasible is it to make it into a whiz-bang CD-ROM for multisession,multiplat-= form? (with a FREE computer attached)iIhazy:I A few developers have already expressed interest in providing the "multiplatform" solution.hILadyHawke:I $365 for the most awesome CD-ROM player on the market takes on a whole different per-! spective.AIDeanF:I Julie...not unless there's awesome software for itJILadyHawke:I Dean, if it's multiplatform, there *is* software for itoIHarv:I julie - you talkin about playing ANY CD-ROM format in it? Mac? MPC? CD-I? 3DO? etc.? is that what you mean?32 of 38 Hay32 0/R@ , d ; d L d d P d > d O d P d & d 2 d I d { d D d p d M d ` (, d / P1PAGEdpIHILadyHawke:I Yup, Harv, I mean multiplatform capability/interfacesqIhazy:I Yeah, I mentioned earlier looking at CD-ROM drives today at the computer fair. $175 for a Teac 150c kB/s, $350 or so for a Sony 300kB/s. I didn't buy one, but I am still in the market :-)FIHarv:I $150 for an NEC CDR25 from NES-Bill (see him outside :-)mIAaron:I Heck $360 for double speed Multisession CD Rom drive alone isn't that bad.. with the CD^32 you8 get a game machine and computer with it...nICarmenR:I Hazy: Fist of all, I'm assuming that when you refer to "Next Generation" and "Hi/Low End" andl "A5000", you're talking about the same thing. How much of the A5000 will be 32-bit? Howd much 64-bit [zorro slots, etc]. Will there be any part of it higher than 64 bit?( The CPU slot perhaps?kIhazy:I Basically. "Next Generation" defines the architecture. "A5000" would define one instance ofn that architecture. Most of the system will be 32-bit, though generally everything will have upward/9 downward paths to full 64-bit implementations.k AAA registerwise is all 32-bit(except where necessary for backward compatibility),though displaym fetching (the GD and VD buses, to get technical) are either 32 or 64-bit, depending on the config.33 of 38 Hay33 0/R@ , d w d Q d  d _ d H d  d Q d K d  d d ; d Q d 0 d N d @ (, d / P1PAGEdpIk The system's Fast RAM will certainly be 64-bit (yes, even feeding a 32-bit processor), though we_ have looked into 128-bit versions, and may use this if it improves things even more.h No enhancements are planned to the Zorro III architecture, though certainly we'll have a much! better implementation.m Data bus width isn't everything, throughput is what you really care about. There's perhaps an ag-N gregate bandwith of 400-600MB/s in a basic next generation machine.?IJimB:I Will allowances be made for more than 5 slots???VIhazy:I We may have more slots, certainly I would expect more in a tower system.]ICarmenR:I And will the case be more attractive than the A4000 case [pretty please]? :)tIhazy:I I don't know what they'll plan for a case. It's virtually certain we'll be using more standard parts,e like we did in the A4000 and even moreso in the A4000T case (which most maybe haven't seen yet).tIHarv:I the 4000T case is very pretty (there's a pic of it in the library here) has a cool smoked plastic door in the front too.mICarmenR:I Dave: I've seen the A4000T case. It's decent. I love the A3000 case.The A4000 case bites it.34 of 38 Hay34 0/R@ , d @ d  d 1 d d I d  d = d  d  d D d G d = d N d | d O (, d / P1PAGEdpI&jIhazy:I I like the A4000T case too. And keep in mind that uses more standard parts than the A4000. h They'll always do a custom bezel of some kind. The A4000 case was a compromise -- it was sup-o posed to be the "universal" case, for Amigas and PCs. Only, the PC guys got in there first, then we stopped making them.jIPjotr:I Can you tell me the status and plans for the software side of AAA development? (OS support," multimedia support etc)pIhazyI: Some AAA stuff will get "built-in" like with the current chips, some may only be available via RTGS drivers, and I suspect some will get really hot under specialfx.library._IPjotr:I Workbench is TM CBM? I have seen Workbench used for other software, why not sue?mIhazyI: I believe they have a TM on Workbench, but who knows. AT&T has a "writers workbench" a zillionh years ago. My great grandfather had a workbench in his wood shop. It may he hard to defend.BIPjotr:I How's your kid doing? Old enough for a CD32 now? :)rIhazy:I Sean is in his two's. He's old enough to demolish a CD32 in short order, though I suppose I will bed setting up something for him before long. Brat #2 is due in March. She's the last one.35 of 38 Hay35 0/R@ , d @ d E d O d d ; d d J d  d  d O d = d L d A d  (, d / P1PAGEdpIjINES-Bill:I Dave, last time you were we were chatting here you mentioned some work you were doing oni the side with a hack for the 4000 that would allow for more motherboard memory. Somethingm similar to the old 'piggyback memory' hack for the 1000. What, if anything, has come of that?s Needless to say, I think that a lot of people would be interested in the potential for 64M on their! motherboards. :-)uIhazy:I Yeah, uh, umm, well, er... Seriously, though, it's still alive and well and fermenting in my mind. Noi real trick, though, other than tracking down someone who'll lend me some 8MB or 16MB SIMMs to[ play with. I have been really busy with DiskSalv stuff, that's my only excuse.^IHarv:I THAT'S IT! DAVE WE CAN'T THANK YOU ENOUGH FOR SPENDING NEARLY FOUR HOURS IN HERE) ANSWERING ALL THESE QUESTIONS.7I[many lines of "applause" and salutations deleted].36 of 38 Hay36 0/R@ , d D d L d F d O d d N d E d  d 7 d d d d d # d (, d / P1PAGEdpI(gWhat follows is a listing of the names of everyone in attendance at this special conference. The formatgis the output of the "who" command in Portal's chatting software, which is "log in name (chat handle)".GIn total, 84 people attended, although not all of them asked questions.Aaron Mustang Smith (Aaron) Amiga2 (AHD)Amiga2 (Pjotr)Amiga2 (RedWine)AmiGadget (AmiGadget)Andy - Finkel (Andy - Finkel)Aurelius (Aurelius)Bjarian (Bjarian)bobschulien (bobschulien)Brian - Dziki (Brian - Dziki)Bronx (Robert E Wanser)CarmenR (CarmenR)Chris-W (Chris-W) Cole (Cole)colins (colins)Daniel J McCoy (DMcCoy)David-L (David-L) DeanF (DeanF)DeckApe (DeckApe)devasoft (devasoft)DeVoid (DeVoid)djjames (djjames)DJWalker (DJWalker)DocPierce (DocPierce) DonC (DonC) DonM (DonM)Drakon (Drakon)DrAllosaurus (DrAllosaurus)DrGandalf (DrGandalf) DrTed (DrTed) elc (elc) ferg (ferg) FPW (FPW)fredness (fredness) Furr (Furr) grog (grog)37 of 38Hay37 0)M+@ , d J d G d  0+W@ , d d T d U d m d d d m d [ d d d d s 0Y@ , d g d = d K d d a d S d s d u d _ d e d y d y 0Y@ , d G d M d _ d d d Q d + d ? d A d s d ; d A (, d / P1PAGEdpI. JWolf (JWolf)Kerry - Stratford (KerryS) Kirk (Kirk) KyleW (KyleW)LadyHawke (LadyHawke)lbperez (lbperez) MarcR (MarcR)#Michael - Meshew (Michael - Meshew) mykes (mykes)NES-Bill (NES-Bill) PKB (PKB)0Prolific (Prolific) Worley (Worley)2Rabel1 (Rabel1) \WTSmith (WTSmith)RCleav (RCleav)RMHarrold (RMHarrold)gsarff (gsarff) Harv (Harv) HAWK (HAWK) hazy (hazy)Imaginer (Imaginer) JeffH (JeffH) JeffW (JeffW) Jeric (Jeric)Jim - Marias (Jim - Marias)Jim-Guy (Jim-Guy) JimB (JimB)JoeKJr (JoeKJr)joeles (joeles)John D Short (Jodash) JohnG (JohnG)RMills (RMills)Robert-CCN (Robert-CCN) Russ (Russ)ScottJ (ScottJ)soft-logik (soft-logik)SteveBurroughs (SteveBurroughs)SteveX (SteveX) Syl (Syl) ted-c (ted-c)Teletran (Teletran)thomas (thomas)Thomas William Clarke (TomC.)Timeus (Timeus)Tragedy (Tragedy) wms (wms)38 of 38Hay38 0+@ , d O d d ; d Y d d c d Q d d Y d a d 9 d d d Y d 0+@ , d W d C d [ d E d q d K d U d = d d e d ? d S d O d y d O 0+@ , d M d d A d O d { d d a d / d E d m d c d d _ d k d C (, d / P1PAGEdpIVn They call it Brilliance! And it didn't come from the desert. It cam from the inspiring and creative=minds of a few brave people now working at Digital Creations.l Long has it been known that the program called Deluxe Paint was the offering of choice amongjhobbyists and artists, amateur and professional. Electronic Arts first introduced Deluxe Paint whenfthe Amiga was emerging as Commodore's new kid on the block. Along with this introduction camefthe valuable IFF standard and EA's commitment to help lead the Amiga to glory. We all know what'shbeen happening with the Amiga as of late and can also plainly see the directions EA have taken. Aftergyears of market rule without even the slightest glimpse of competition, EA brought out their new creat-aion in DPaint 4. People in the know where already whispering though about this new program in thegworks, the artists' paint package.By the third quarter of 1992, Commodore had announced and releasedhtheir new line of Amigas - the AGA series. Electronic Arts got to work and patched up their programfin hopes of securing some more loyal followers on the new computers. By this time though, the word BRILLIANCEFrom Digital Creations1by : Bruno Fernandes (Student, Artist, Developer)'Email: e0f1ztly@credit.erin.utoronto.ca1 of 6Bril1 0XR@ , d 9 d b d J d F d F d E d L d L d 1 d Q d E d F 0.@ , dx0@@ , d } 02@ , d   d (, d  P1PAGEdpI,fwas out. That word was "Brilliance!" The program was shown to gaping mouths and staring eyes late inj1992. It offered full support for all Amiga resolutions and screen depths, including those found in the\latest chip set. Over half a year later, (July 1993) Brilliance was released to the masses.n Brilliance consists of two separate programs. The first is simply called Brilliance and has supportofor all register based screen depths (up to 8 bitplanes - 256 colours). The second is called TrueBrillianceband uses either a HAM6 or HAM8 display while maintaining 15 or 24 bits of truecolour information.kBrilliance can load any image with up to 8 bits of information per pixel and TrueBrilliance will load HAM6,cHAM8 and IFF24 formats. Both programs will also load DCTV images - only TrueBrilliance can displaymthese with all colour intact.The first thing that separates Brilliance from the competition is SPEED. Thegprogram contains much assembly code for time intensive and display intensive operations. To keep anXobjective viewpoint, Brilliance is not 100% assembly as some people might have believed.i Pull Down Menus - Where are they? Well, the answer is simply, "there aren't any." Brilliancecfeatures a very versatile custom pop-up, stacked menu system. There is no more need to control whaticolours you set in your palette because of worries that your menus will become invisible or unusable. Nohmatter in what depth you run Brilliance, the menu colours are always the same and distinct. You are free2 of 6 Bril2 0/R@ , d N d B d  d > d N d / d L d 6 d J d N d  d / d D d P d O (, d ! P1PAGEdpISPECIAL OFFER FOR FUSE READERSIONLY $79.00 U.S.FUNDS,o A complete authoring system for designing' multimedia software for the Amiga!,o Manages Text, Graphics, Music, and Sound.o HyperMedia Links.0o Built-in Draw, Paint & Image Processing Tools'o IA PROGRAMMING TOOL FOR ARTISTS!!5IIContact Eagle Tree Software - (804) 452-0623.IIIAND NOW...INEW AMIGA PRODUCTIANNOUNCEMENTS!JK TURN THE PAGE...TITLE NewProdTitle  097;@ l1950n*@,d d0p@ , d   d  d  d u  d   d  d  0Orb@,d~ddd e (, d  P1PICTFORMILBMBMHD77CAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGGRABgBODY???????@?@????@????????????????r????v??g????????????????????????????????? 8???????? ?? ???? ??? ?_???? ??? ? ??? ? ? ??? ?  ???@ ? _ ???@ ? _ ???@ ? _ ??? ?? _ ??? ? _ ?? ?? _ ?? ?  ? ?  ? ? ``  ??  ``  ??  `   ??  `   ?? @ ??? ??@ @@? ??? ?? @@@? ???@?PAGEdpI,eto choose any palette for you image you wish. These menus have been the subject of many objections,bbut fortunately also an overwhelming number of compliments. For an artist who wants to paint andbcreate, these stacked menus are an almost unimaginable benefit. The main menu which is alwayshdisplayed when menus are shown, contains buttons for all the standard tools such as: draw, line draw,jcurve, box, cut, clear, undo, etc... By using the right mouse button on a button, a menus may be calledfup that is related to that tool. There are also buttons which will bring up a menu regardless of whichdmouse button was pressed. The first is the Buffer button. This is where you can load and save yourepictures (or you can use the hotkeys:Amiga-l, Amiga-o and Amiga-s for save), move between bufferse(in Brilliance, your swap buffers are only limited by the amount of memory you have), and save yourhpreferences. Loading and saving, slide up custom screens with requesters similar in operation to thoseiin ASL - they are quite fast. Buffers can contain images with different palettes or even sizes, but notjresolutions. Brilliance has the ability to display images that are smaller than the physical screen. Allfnon-image data will be made up of a pattern. The image can be fully moved around with the cursor keys.gThis system is also in effect when the image does take up the entire screen. For example, the top leftkcorner of the image may be moved to the centre of the screen if so desired - this is a real boon, allowing3 of 6 Bril3 0/R@ , d K d ; d 6 d H d C d 4 d 8 d M d @ d H d C d 7 d Q d C d O (, d ! P1PAGE65dpImuch more control over edges.A few features:p Brushes and more brushes! You can store up to 8 brushes in separate "wells" just by clicking onkthe well. Retrieving any brush is just another click away. When cutting brushes, there is a carve tool tocallow any freehand closed shape to be cut. When magnifying, you can size your magnification viewlsimply by sliding the vertical gadget bar that separates the normal and magnified views. On this barmcan also be found a "+" and a "-" for zooming.A grid display is also available. Don't be afraid to exper-diment and make mistakes. You can UNDO as many times as your undo buffer will allow. And your undohbuffer is only limited by the amount of RAM you have. Of course if your mistake was using undo, yougcan also of course have virtually unlimited REDOs. Small changes take up far less memory that any largehchanges of course, so a set undo buffer does not translate to a specific number of undo levels. Thefversatility of UNDO is almost reason enough to throw away most other programs (DPaint). There areca vast number of features - far too many to mention here. The program of course contains powerfuldand easy to use animation and tweening menus. About the most major thing that Brilliance is missingi(that can be found in DPaint) is a lightbox feature for its animation menu - this will no doubt be added4 of 6 Bril4 0/R@ , d d \ d K d G d : d O d O d Q d N d N d > d M d A d @ d C (, d ! P1PAGEdpIkin a future version. Unlike most first releases, Brilliance will do what most people will want in a paintlprogram. It is worth it's price right out of the box. There are great expectations with Digital Creation's'past reputation for upgrading software.h The biggest complaint seen by users everywhere is the DONGLE. Yes, Brilliance requires the use of aedongle in game port 2 (joystick port). The dongle has no passthrough and is extremely hard to removehby hand. There is a solution to this problem for those who own Brilliance. Some kind souls have takenhtheir time to produce a dongle-free version of the program. I am sure that many people that havelbought and use Brilliance will know about this already. Well, this allows you to keep your dongle in yourhdesk or on a shelf while using the program in a 100% capacity. It is even more stable that running withdthe dongle. The dongle will interfere with some systems and negates the use of many other dongledaprograms - the Amiga is a multitasking machine, and developers should not make wonderfully multi-ltasking programs only to incorporate silly and prehistoric devices such as dongles. They are a hassleeand inconvenience to the people who have paid dear money for the package. People who would other-ewise run a "pirated" version would have never been potential customers to begin with. Those who willhbuy the program will do so. Running the "enhanced" version will also not violate your silly licensing5 of 6 Bril5 0/R@ , d = d H d d D d F d E d B d P d E d C d 9 d I d M d D d 4 (, d ! P1PAGEdpIH fagreement if anyone is wondering. You are not reverse engineering or in any way interfering with thejprogram - the people who released that version have done this for you already. :) If anyone is lookinggfor the software, it was put out by some individuals calling themselves CARNAGE. I am sure that askingnaround at your local user groups will help you locate it. Go out and purchase Brilliance for yourself soon.jDon't be fooled into thinking that Amiga creativity has died with the demise of Deluxe Paint. Paint witha brush, not a brick.-Bruno6 of 6 Bril6 0/R@ , d I d K d N d Q d O d o d d % d (, d ! P1PAGEdpI6The Digital Editor Card System for the Amiga 3000/4000 - Full Broadcast Quality - Full-motion JPEG Technology6 - Real-time 30fps (NTSC) or 25fps (PAL) video capture5 - Real-time 30fps (NTSC) or 25fps (PAL) video output1 - 16bit stereo audio in/out with DSP support !!! - Frame-by-Frame Recording! - Full Screen Non-linear Editing - SMPTE Time Code Read & Write5 - Connectors: video in/out, RGB in/out, S-VHS in/out6 stereo audio in/out, SMPTE in/out% - Zorro-III card for Amiga 3000/4000 Possible Applications: - Non-linear Video Editing! - Computer Animation Recording - Single Frame Recording - Digital Slow-Motion" - Video Jingles Playback System - Air Play System - Video Library SystemsRCS MANAGEMENT1 of 4 NewProd23 0 ?N@ ,  d L  d  d  d  d 8  d 3  d   d  d  d  d %  d  d (01o@ ,  d }  d  d  d  d  d }  d  d k  d  d )0#9@ , d(, d  P1PAGEdpIgThe Digital Editor system allows you to edit and produce professional quality video productions on yourgAmiga. It is the only video editing system for the Amiga that lets you capture in real-time full-screeneNTSC and PAL video alongside with 16bit stereo audio to Amiga hard drive at 30 frames NTSC(60 fields)gor 25 frames PAL (50 fields) per second, edit your production and then output the final results in realatime to a standard video tape recorder. Based on full motion JPEG technology using the new C-CubebCL560 image compression chip, the Digital Editor system works in full screen NTSC or PAL broadcastfquality resolutions. The digital video compression board digitizes the video signal, from any standardaNTSC, PAL, RGB, and S-VHS format video device, and then compresses the digital frames to the hardmdrive in real time. Video compression ratios are user selectable from as low as 1:3 to 1:50. At ratio 1:3 thegcompression is lossless but more than 7MB/s are required to store the video data.At a compression ratiohof 1:8 (which results in around 3 to 4 MB/s) the video quality is higher than Betacam SP. At compressiondratios of higher than 1:10 the video quality is less than broadcast apart when using very noise freeimages like computer graphics.2 of 4 NewProd24 0>S@ , d E d ; d P d = d / d 4 d ; d 6 d P d P d G d * d (, d ! P1PAGEdpI"o The Digital Editor can digitize 16bit stereo sound alongside with the video signal so that the audio trackican be attached to the video track and edited at the same time.It is also possible only to digitize audiogand edit the audio tracks seperately. Up to eight simultaneous audio tracks are supported. The on-boardjAnalog Devices DSP can perform various real time functions on the audio signal like various filters, spec-eial effects, noise reduction and more. Playing back from harddrive the decompressed video can eitherbbe encoded back to a composite signal and recorded to any standard NTSC, PAL or S-VHS format videoSdevice or output as a RGB signal. Optional component input and output is available.m Non-linear editing of video is possible using the included Digital Editor Controller software package.Updto eight tracks of video and audio can be edited simultaneously. The software gives the user a thumbhnail representation of the actual video images to facilitate the actual editing and assembly process. Atgany time the edited material can be played back in real time to view the result. Transitions, wipes and_other effects are provided within the software. Any single image can be edited and manipulated.h The Digital Editor can be used as a single-frame recorder but has far more possibilities. Animationgframes are simply stored in the Digital Editor file format on the hard drive and the complete animationgcan than be replayed in real time. The Digital Editor even makes it possible to modify the replay speed3 of 4 NewProd25 0/R@ , d P d ? d M d N d A d B d  d N d > d D d > d ( d 8 d E d A (, d ! P1PAGEdpI- hon the fly instead of having to re-calculate the whole animation. The duration for each single image canjbe controlled. A converter for converting IFF24 images into Digital Editor format is included. Drivers forbsome popular 2D and 3D packages are included as well. Using the Digital Editor Controller softwarebanimation can be edited and combined with other video clips making it very easy to produce a finalhbroadcast quality production. The Digital Editor can be used for a number of other purposes as well. Itkcould for instance be used as a digital jingle machine playing the right clip whenever needed just at touchdof a button. The Digital Editor can also be used for automated and unattended play of programme. Thegduration of the playback time is only limited by harddrive space. With additional software the DigitalcEditor can be used for offline broadcast quality format conversion from PAL to NTSC and vice versa.gThe Digital Editor card retails for US-$ 3995,- or DM 6995,-Shipping starts December 1993. More details on request.4 of 4 NewProd26 0/R@ , d H d F d , d , d @ d M d G d = d 8 d d > d A (, d ! P1PAGEdpIPEARL JAM - VS (VERSUS)12 Tracks: approx 46:16G1.Go 3:13 7. Blood \\2:5062.Animal 2:49 \\8. Rearviewmirror 4:44A3.Daughter 3:55 \\9. Rats \4:1634.Glorified G 3:27 10. Elderly Woman... \\3:16@5.Dissident \3:36 \11. Leash 3:09<6.W.M.A 5:59 \\12. Indifference \\5:02Review By : Bruno Fernandes7 Vs marks the eagerly awaited and anticipated3second instalment of the Seattle power-house, Pearl;Jam. It is well on its way to record breaking status as it3shipped platinum and has been selling-out since day4one. Pearl Jam became known riding Nirvana's wave0of success and went on to achieve chart smashing5success of their own. Their second album has far out4sold Nirvana's second major label release out a few4weeks prior. Eddie Vedder's powerful and rich voice/once again bring forth deep emotions from every echoing note.7 The album starts with the bass pounding, guitar4screaming and fast-paced "Go". Feel free to let out4your frustrations. "Animal" brings together various6influences in sounds but cannot be mistaken for any-1 of 3CD4 0D@,d0xy@ , d  d  d   d   d   d   d   d  0%Z@ , d 06,<@ , d & d ) d 8 d $ d 1 d  d , d & d ' d  d L d & d $ d ) d 1 (, d  P1PAGEdpI&PEARL JAM - VS (VERSUS)12 Tracks: approx 46:16G1.Go 3:13 7. Blood \\2:5062.Animal 2:49 \\8. Rearviewmirror 4:44A3.Daughter 3:55 \\9. Rats \4:1634.Glorified G 3:27 10. Elderly Woman... \\3:16@5.Dissident \3:36 \11. Leash 3:09<6.W.M.A 5:59 \\12. Indifference \\5:02Review By : Bruno Fernandes7thing other than pure Pearl Jam.The relaxing "Daughter"8ushers forth a flow of angst and heart-felt emotions.7Strumming on the acoustic guitar and the steady drum9line lead by Eddie's distinctive vocals and melodic words3make this one the album's most memorable songs. The/album contains some up-beat tempos and rythm in9Glorified G(un).Let's delve into a mixture of 70's sounds:and thrash in "Blood" as Eddie screams his lungs out. :)9You can listen to the sort of balad qualities of "Elderly1Woman Behind a Counter in a Small Town." You can5stand and attempt to count how many letters are in=that last title, or sit back and reflect on the peaceful, yet8self-destuctive "Indifference."Many said that this album7would contain more of a Punk element than the first. It2is however far broader than that,encompassing ele-2 of 3CD5  0D@,d!0xy@ , d  d  d   d   d   d   d   d  "0%Z@ , d #0-,C@ , d A d 9 d = d 9 d 9 d  d @ d : d 1 d ' d . d ? d @ d 8 d & (, d ! P1PAGE**dpIe!ments of many styles and origins.: This album contains typically more squeeling quitars9that the first album. They do not go off into irrelevant6solos, but instead blend extremely well with the flowfirst listen. Pearl Jam is often loved or simply hated,of this magazine to your friends, user-groups etc., as I would>like to reach everyone, no matter their particular interest inAmiga Software etc...} II I I I I IIMark Lobo (Paradox Design)NOTE TO "P.D." DISTRIBUTERSNOTE!!Note2PD +0L`@,dddddddd,06W@ , d0(, d ' P1PAGEdpI$CREDITS_Well, there is not much to say for credits this time around. Graphics, Interface, Text Format,>Layout, Delay in Release... I give credit to myself (Mark!!).]I would like to thank some people for contributing to the first release, I appreciate it veryXmuch and I hope that many more will contribute in future. Okay Thank You's going out to]Jerrell Nickerson for HELM (without it I would not have considered this task!!), my big phoneabill (hehe.. just joking), and the conversations & Fixes; Roy Park for submitting his Picasso II[review so promptly, sorry for the delays; to Bruno Fernandes for his Brilliance & Pearl JamVReviews; to Humzah Khaial for allowing a section on the Video Web for FUSE Readers; to^Anya-Liisa for tolerating my shit (you will see some of her art next issue); and especially to[those that promised me some articles and didn't finish them (I better get them for the nextXissue!! (Sarcasism!!)). Oh and to the master of Amiga music Bjorn A. Lynne (Dr.Awesome)"for the background music you hear!CREDITSCredits -0*.X@,dS.0BF@ , d  d L d d  d  d  d  d  d  d  d  d  d (, d - P1PAGEdpIaWe need your help!! For this magazine to be successful we need your support, so please do not beFafraid to comment, write articles, ask questions etc. We want to hear@your Rants & Raves, we want the truth... If something you bought!sucks let the rest of us know!! BA quick breakdown of what I would like to see (before I babble...)"- Computer News (Technology news)- Amiga Product Reviews- Amiga Product Announcements- Amiga Game ReviewsD- Tips & Tricks (Help others with things that you have discovered.)!- CD/Tape Reviews (Any Category)- Society Views/Opinions - Tutorials(- And anything else you can think of...APLEATOFUSEREADERS EVERYWHERE!A PLEAAPlea /0*@ , d -  d   d u  d  d  d t  d  d  d  d  d w  d  d  d <  d 00J@,dd4dd1d`d(, d * P1PAGE.5dpI DWe are going to accept advertisements, so if you would like to place+an AD in FUSE Magazine, the rates follow...5 I $10 - Just Text (Any Type of Ad)G $35 \- 8 Colour Hi-Res Interlace (640x200 Half Screen)P \\$Write \\- Write us if you would like to arrange another type of ADDWell that's about it, the address is on the Address Page, or you canBreach us on the Video Web at (416) 441-0822 and leave a message to Mark Lobo.ADs Advertising 10 :I@, d9ddddJddCdd'd>da(, d  P1PICTbbFORMbILBMBMHD CAMGCMAP0777UUUvvvfCRNGCRNGCRNGCRNGBODYb7   ? O?08??x8O~?q88?Às ?p??p OO @ <@Ap@  x @  O8q8988~98sqpp|sqp8q989pp s}9y  Â|@x>   |0 @O8 ~  @ O88q8<y888sppppqダ8q989 1? ? 0? 00? ??0??00 00  ?~?~?~`0c~???~?~?~`0c~?8 ` ``3 0 8 ?>aa,0?8 ?>aa,0| ` ``3 0 0?==?>|ϟ?0?==?>|ϟ 0 f<0`   p??>|ϟ?? p??>|ϟ? 0 f>0`  ?`;;~|ϟ??`;;~|ϟ? 0`0l0`  ?&@@??|>??&@@??|>? 0`0 l0`  ?ww?>???ww?>?0`3`3 ` !>_|?!>_|0`c`3 ` !;>|?!;>|0 `g030 *=}*?=}0pg030 ?!`9w{|?!`9w{|`0a `3c0` ?*`s?φ9*?`s?φ9`0a `3c0` ? <q?ό9 ?<q?ό9`f; ` ?*<@ߟ?*?<@ߟ?f ` ? x ? ?x ?0 006  ? ??> ???>0 00>   ??> ???>` ``3<0  8?>|'ϟ ?8?>|'ϟ` ``3<0  0?x~|ϟ ?0?x~|ϟ  0 f0x0`  *p0;;|?*?p0;;|? 0 `080`  ?)`|?)?`|? ?`p`  ?)>?>)?>?> 8>`p`  *>|9??>*?>|9??> )|s~>~)?|s~>~ ? x?~> ?x?~> ?  ? ??? ??? ? ?@?@ ?? ??x??x? ? ???~?~????ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ?ߵ???>>>$?Q!?m{IJUPR$Hȕ[uR$Hȕ[u~kn~j  + J> @DU?I$JW_WV w@DU>I$JW Vw {~mUH()>!JUR$MVk]zkJU~ĒR}$MW k]zk!s~mU*?*! >&@B*T?I )w*_p{{o@B*T>I )|5*{{o'oի MWEP(J~&IRTRVUmZݿ'RTRWmZ=Cxpp<'6n~[Uk|jER@@~ =? D RRJ_֯mחG!dD R~RJ_֯mC8pp<!}V*|UUW)PD)@~ =珏?&T($*wzﶻw ?')T($|i*|zﶺw80 '[nۼZUUS"IE@ =珏?$IToO?Ͽ'$uIT/o0 'Zm| |UUW(E") =yϿ&JJI?ԥ+UW_zvvxx?Ǽ'JJI<4+|UWzvx  'WV Z*DE @ x9xǼGxy?ϼ{<|Gx  xyxǼx y|ϼ<|x`` yyϼxG y?|<||x`0`> y q<q<>>?>?_>??~>??>?/>>?O>>?/>?O?>?_/ ^>??UO?#>??}??Oe{?|?/e{?<?|?_@ex?<|??@e?<|?_@e`<|?@e@`<|?@e`ߟߟ|pϜsp #c` q ?| ;p{q cccqq 9|33{ 9p3s cp 9<3q 8<q  cx8?g8p?8q1`p<8q<8q>~|㟏8q1Ǐqx>~|s>p8qp8ps81Ǐq |??||ϟ;p8q<8p81Ǐq9||Ϝ39p8q8pÀ?qxpx?8<x?|Ǐ8<x?|pp<`q??>?q8q81x1>y<8?q?8881?q1?> <9q?q}??89q8qq??1818p?>!?9yqyq89?9qqqǏq8111>1?>389??yy|?y<89?8qqp8q8181pq??<9y???<89q?9?8??c8=`8??8898??qqs9{{y8&9888q0qs9ssq8&qqǀ1A1~1q?q1&9s9sϞsy&9888`s9s?sq&1?qǏ?a~81?q1&9??>pps9qqϞsy?&98888pps9qqsq88&p8qqx 81?8%?>??9x?Ϗ?&?88??9p??y&<c?x>?8p??pq?89s>?c|x8qq?<s9Ǹswq8s898spq` |x8qqÀ??9?98s<|x8qq8w39sp8w9sp~8q>9s|??pqc1 c1 p9 c1pc 99?sc11cq9qϞss9qsc11?cq9yϟ|sp9qxsc#1cqGyϜspqspcqp?Ϝpx?sq~?ǎ0qs<p1p9 `1 ?9 p9| c1x x9| pp9p c1x s9| qp9p cq#x {| spp c q| qpxp 8?8 b?ǀ~?q8|pq` cx ?F!b 9{?8s9q~q wpq8c{q9s9?q9qÇs8sq 988s9p㏇p8csy s98pxqÇs8sqp9q8csy<c~?p8p9qÇs8sq18c |p1?9xqy89pqqp<1888pp?pppダ p1?| pq88?ccq q8q~{~ ~{q<<8qpsp psq88 c?cc q8?x~s| ~sy< ?q8pxpsp psq8q8Gp  8889{~~| ~qy=8s?>>ppp pqq9q1? ?88pxq9<<q1<?~y98pq9Àq8> ??8?||p?9 888xpqp9 9LJ? ?80c1 99sq 998πsq? 88p 1 9?9 9?{? Dqcc8 88g3sp?8 883sp 08 p 8p qq8 3? 8 |? q8< ?99s C1 ?99Às 8

8w8s988<cpp??<s?>8s?p1<c  8? 8c11qqq?~?9>11188cyq?8?qq8888?11188cyy?9s0pcpc1cqǎ1?njcq8qss?q>sq8q~sqss8q8s1cxcqccc1cqǀ1?njcys<{?ssyss>>sqsp8s8ssqss88s1cpp>ss?Çs8sqss8p8s1ccxcqccq`qnjcqs8s?3?s?>sqsp8s8?s?8s1cp|p?88:?p>1~8qϜ?<>8?|cq88:18yϜ=<<q988q?Ϝ8<88|?njcpc88q?qp8?8qqq>??8?q9?qǎ88818q?q==8y<9ǻ8q998q898ǎ8?818q>y9<?98q9889ǎ888888q>y9?8 8<1qpwq<~8 q||p8~1㏏8y~~?q8ppsx~18<||~q8xxpq~1㏏8q?~~yp8ppq<1c1~~?ppp?? >?sqpqq`?s 1cqcs{ ss81cqc? ss<?ss8q1cc qsq<qsq81cc? ?sx?sp 1?`s8q?p8 q `~888 | cq?? ~s= ps9 cq? |s8 ps8 qq8 |s1c??ppp???1qq81q?q8sp?9qq q111x?sq99{p8>ssq99sq 101?ss9qp8ss9q11qq11?sp3pyxq8sppqpppqq|8?s??sp??1?x<pp?p|q9ǎ1#?88c?q8~99~8q8p889ǎ1>c~88cw>y<y?<s?p8?8xs>???19c<1px?p|qqǎ1#?c8?q8~9y~8q8pqǎ1>cc8w>yy?<s??p8?8xs>???0888?q <?y q8 c?8 ~y=ǟ 8q9 c??8 ?y9 ?q9 c>88 8py9 8q9 c8? 98 x988 c?88?8~<p8q?q8?8c1~8 8 >y?s?q8sx ~ 889xc1~8q88p 8?>?s ?98?ss~999c1~q?qs㿇ss?Ǹ9p8qsø8x8ss889c1?cqx8>??s=>s??ss9s88ss91 1LJpA